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Aesthetic Hybridity in Mughal Painting, 1526-1658 (Paperback)
Loot Price: R1,215
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Aesthetic Hybridity in Mughal Painting, 1526-1658 (Paperback)
Series: Transculturalisms, 1400-1700
Expected to ship within 12 - 17 working days
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The first specialized critical-aesthetic study to be published on
the concept of hybridity in early Mughal painting, this book
investigates the workings of the diverse creative forces that led
to the formation of a unique Mughal pictorial language. Mughal
pictoriality distinguishes itself from the Persianate models
through the rationalization of the picture's conceptual structure
and other visual modes of expression involving the aesthetic
concept of mimesis. If the stylistic and iconographic results of
this transformational process have been well identified and
evidenced, their hermeneutic interpretation greatly suffers from
the neglect of a methodologically updated investigation of the
images' conceptual underpinning. Valerie Gonzalez addresses this
lacuna by exploring the operations of cross-fertilization at the
level of imagistic conceptualization resulting from the
multifaceted encounter between the local legacy of Indo-Persianate
book art, the freshly imported Persian models to Mughal India after
1555 and the influx of European art at the Mughal court in the
sixteenth and seventeenth centuries. The author's close examination
of the visuality, metaphysical order and aesthetic language of
Mughal imagery and portraiture sheds new light on this particular
aspect of its aesthetic hybridity, which is usually approached
monolithically as a historical phenomenon of cross-cultural
interaction. That approach fails to consider specific parameters
and features inherent to the artistic practice, such as the
differences between doxis and praxis, conceptualization and
realization, intentionality and what lies beyond it. By studying
the distinct phases and principles of hybridization between the
variegated pictorial sources at work in the Mughal creative process
at the successive levels of the project/intention, the
practice/realization and the result/product, the author deciphers
the modalities of appropriation and manipulation of the
heterogeneous elements. Her unique
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