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Caravaggio und die Grenzen des Darstellbaren - Ambiguitat, Ironie und Performativitat in der Malerei um 1600 (German, Hardcover, 3rd rev. ed.)
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Caravaggio und die Grenzen des Darstellbaren - Ambiguitat, Ironie und Performativitat in der Malerei um 1600 (German, Hardcover, 3rd rev. ed.)
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Caravaggio's paintings are to a great extent vexing, ambiguous and
provocative. They deviate from traditional visual patterns, subvert
conventions of representation, and push the boundaries of what is
worthy of painting by expanding the range of the genre. How can we
explain the overtly calculated breaches of the principles of
appropriateness and the clarity of depiction at a time when, in a
quite unprecedented manner, religious pictorial imagery was being
standardized and brought into line with the ideas of Catholic
reform? This is the question addressed in this study, which
outlines a model for describing the changes in painting around
1600.
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