This book assesses William Shakespeare in the context of political
and religious crisis, paying particular attention to his Catholic
connections, which have heretofore been underplayed by much
Protestant interpretation. Bourgeois Richmond's most important
contribution is to study the genre of romance in its guise as a
'cover' for recusant Catholicism, drawing on a long tradition of
medieval-religious plays devoted to the propagation of Catholic
religious faith.
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