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Emily Dickinson and Hymn Culture - Tradition and Experience (Paperback)
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Emily Dickinson and Hymn Culture - Tradition and Experience (Paperback)
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Extending the critical discussion which has focused on the hymns of
Isaac Watts as an influence on Emily Dickinson's poetry, this study
brings to bear the hymnody of Dickinson's female forbears and
contemporaries and considers Isaac Watts's position as a Dissenter
for a fuller understanding of Dickinson's engagement with hymn
culture. Victoria N. Morgan argues that the emphasis on autonomy in
Watts, a quality connected to his position as a Dissenter, and the
work of women hymnists, who sought to redefine God in ways more
compatible with their own experience, posing a challenge to the
hierarchical 'I-Thou' form of address found in traditional hymns,
inspired Dickinson's adoption of hymnic forms. As she traces the
powerful intersection of tradition and experience in Dickinson's
poetry, Morgan shows Dickinson using the modes and motifs of hymn
culture to manipulate the space between concept and experience-a
space in which Dickinson challenges old ways of thinking and
expresses her own innovative ideas on spirituality. Focusing on
Dickinson's use of bee imagery and on her notions of religious
design, Morgan situates the radical re-visioning of the divine
found in Dickinson's 'alternative hymns' in the context of the
poet's engagement with a community of hymn writers. In her use of
the fluid imagery of flight and community as metaphors for the
divine, Dickinson anticipates the ideas of feminist theologians who
privilege community over hierarchy.
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