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The Great War and the Language of Modernism (Paperback)
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The Great War and the Language of Modernism (Paperback)
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With the expressions "Lost Generation" and "The Men of 1914," the
major authors of modernism designated the overwhelming effect the
First World War exerted on their era. Literary critics have long
employed the same phrases in an attempt to place a radically
experimental, specifically modernist writing in its formative,
historical setting. What real basis did that Great War provide for
the verbal inventiveness of modernist poetry and fiction? Does the
literature we bring under this heading respond directly to that
provocation, and, if so, what historical memories or revelations
can be heard to stir in these words?
Vincent Sherry reopens these long unanswered questions by focusing
attention on the public culture of the English war. He reads the
discourses through which the Liberal party constructed its cause,
its Great Campaign. A breakdown in the established language of
liberal modernity--the idioms of public reason and civic
rationality--marked the sizable crisis this event represents in the
mainstream traditions of post-Reformation Europe. If modernist
writing characteristically attempts to challenge the standard
values of Enlightenment rationalism, this study recovers the
historical cultural setting of its most substantial and daring
opportunity. And this moment was the occasion for great artistic
innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra
Pound.
Combining the records of political journalism and popular
intellectual culture with abundant visual illustration, Vincent
Sherry provides the framework for new interpretations of the major
texts of Woolf, Eliot, and Pound. With its relocation of the verbal
imagination of modernism in the context of the English war, The
Great War and the Language of Modernism restores the historical
content and depth of this literature, revealing its most daunting
import.
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