Traditionally identified with screwball comedies, Frank Capra
has seldom been considered a conduit for populist concerns and
issues. In this book, Gehring examines the influence of both Will
Rogers and Frank Capra on modern populist movies, providing
important background on Capra's links to the crackerbarrel
personality of Rogers. He follows this theme forward, examining the
populist roots in such films as "The Electric Horseman," "Field of
Dreams," "Dave," "Grand Canyon," and others. A final chapter is a
close-up of the contemporary, Capra-like director, Ron Howard. The
inclusion of a bibliography and selected filmography makes this
book an important contribution to film studies, popular culture,
and American humor.
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