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Visuality and Virtuality - Images and Pictures from Prehistory to Perspective (Hardcover)
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Visuality and Virtuality - Images and Pictures from Prehistory to Perspective (Hardcover)
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A provocative and challenging new conceptual framework for the
study of images This book builds on the groundbreaking theoretical
framework established in Whitney Davis's acclaimed previous book, A
General Theory of Visual Culture, in which he shows how certain
culturally constituted aspects of artifacts and pictures are
visible to informed viewers. Here, Davis uses revealing
archaeological and historical case studies to further develop his
theory, presenting an exacting new account of the interaction that
occurs when a viewer looks at a picture. Davis argues that
pictoriality--the depiction intended by its maker to be
seen--emerges at a particular standpoint in space and time.
Reconstruction of this standpoint is the first step of the art
historian's craft. Because standpoints are inherently mutable and
mobile, pictoriality constantly shifts in form and possible
meaning. To capture this complexity, Davis develops new concepts of
radical pictorial ambiguity, including "bivisibility" (the fact
that pictures can always be seen in ways other than intended),
pictorial naturalism, and the behavior of pictures under changing
angles of view. He then applies these concepts to four
cases--Paleolithic cave painting; ancient Egyptian tomb decoration;
classical Greek architectural sculpture, with a focus on the
Parthenon frieze; and Renaissance perspective as invented by
Brunelleschi. A profound new theory of the work of both makers and
viewers by one of the discipline's most esteemed and engaged
thinkers, Visuality and Virtuality is essential reading for art
historians, architects, archaeologists, and philosophers of art and
visual theory.
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