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Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Postmodernism > Structuralism, deconstruction, post-structuralism

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Postmodern Theater and the Void of Conceptions (Hardcover, Unabridged edition) Loot Price: R1,434
Discovery Miles 14 340
Postmodern Theater and the Void of Conceptions (Hardcover, Unabridged edition): William S. Haney II

Postmodern Theater and the Void of Conceptions (Hardcover, Unabridged edition)

William S. Haney II

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Loot Price R1,434 Discovery Miles 14 340 | Repayment Terms: R134 pm x 12*

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Different symbolic traditions have different ways of describing the shift of awareness toward sacred events. While not conforming to familiar states of phenomenality, this shift of awareness corresponds to Turner's liminal phase, Artaud's metaphysical embodiment, Grotowski's "translumination," Brook's "holy theater," and Barba's "transcendent" theater-all of which are linked to the Advaitan taste of a void of conceptions. This book argues that, by allowing to come what Derrida calls the unsayable, the theater of Tom Stoppard, David Henry Hwang, Caryl Churchill, Sam Shepard, Derek Walcott and Girish Karnad induces characters and spectators to deconstruct habitual patterns of perception, attenuate the content of consciousness, and taste the void of conceptions. As the nine plays discussed in this book suggest, the internal observer lies behind all cultural constructs as a silent beyond-ness, and immanently within knowledge as its generative condition of unknowingness. The unsayable (and the language used to convey it) that Derrida finds in literature has clear affinities with the Brahman-Atman of Advaita Vedanta. Derridean deconstruction contains as a subtext the structure of consciousness that it both veils with the undecidable trappings of the mind and allows to come as an unsayable secret through a play of difference. Although Derrida views theater and the text as mutually deconstructing and claims that presence or unity "has always already begun to represent itself," the six playwrights discussed here show that cultural performance indeed points through its universally ambiguous and symbolic types toward a trans-verbal, trans-cultural wholeness.

General

Imprint: Cambridge Scholars Press
Country of origin: United Kingdom
Release date: 2006
First published: 2006
Authors: William S. Haney II
Dimensions: 212 x 148 x 31mm (L x W x T)
Format: Hardcover - With dust jacket
Pages: 158
Edition: Unabridged edition
ISBN-13: 978-1-904303-65-7
Categories: Books > Arts & Architecture > Performing arts > Theatre, drama > General
Books > Reference & Interdisciplinary > Interdisciplinary studies > Cultural studies > Postmodernism > Structuralism, deconstruction, post-structuralism
Books > Humanities > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
Books > Philosophy > Western philosophy > Modern Western philosophy, c 1600 to the present > Western philosophy, from c 1900 - > General
LSN: 1-904303-65-X
Barcode: 9781904303657

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