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Masculinity Besieged? - Issues of Modernity and Male Subjectivity in Chinese Literature of the Late Twentieth Century (Paperback)
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Masculinity Besieged? - Issues of Modernity and Male Subjectivity in Chinese Literature of the Late Twentieth Century (Paperback)
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In "Masculinity Besieged?" Xueping Zhong looks at Chinese
literature and films produced during the 1980s to examine male
subjectivities in contemporary China. Reading through a feminist
psychoanalytic lens, Zhong argues that understanding the nature of
male subjectivities as portrayed in literature and film is crucial
to understanding China's ongoing quest for modernity.
Before the 1990s onslaught of popular culture decentered the role
of intellectuals within the nation, they had come to embody Chinese
masculinity during the previous decade. The focus on masculinity in
literature had become unprecedented in scale and the desire for
"real men" began to permeate Chinese popular culture, making icons
out of Rambo and Takakura Ken. Stories by Zhang Xianliang and Liu
Heng portraying male anxiety about masculine sexuality are employed
by Zhong to show how "marginal" males negotiate their sexual
identities in relation to both women and the state. Looking at
writers popular among not only the well-educated but also the
working and middle classes, she discusses works by Han Shaogong, Yu
Hua, and Wang Shuo and examines instances of self-loathing male
voices, particularly as they are articulated in Mo Yan's well-known
work "Red Sorghum." In her last chapter Zhong examines "roots
literature," which speaks of the desire to create strong men as a
part of the effort to create a geopolitically strong Chinese
nation. In an afterword, Zhong situates her study in the context of
the 1990s.
This book will be welcomed by scholars of Chinese cultural
studies, as well as in literary and gender studies.
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