This book is the first anthology of research devoted to the booming world of Chinese film festivals, covering both mainstream and independent films. It also explores festivals in the Chinese-speaking world and festivals of Chinese films in the rest of the world. The book asks how Chinese film festivals function as sites of translation, translating Chinese culture to the world and world culture to Chinese-speaking audiences, and also how the international film festival model is being transformed as it is translated into the Chinese-speaking world.

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an 'East Asian Popular Culture'. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon. The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.

Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an 'East Asian Popular Culture'. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon. The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.

Homoerotic Sensibilities in Late Imperial China is the richest exploration to date of late imperial Chinese literati interest in male love. Employing primary sources such as miscellanies, poetry, fiction and 'flower guides', Wu Cuncun argues that male homoeroticism played a central role in the cultural life of late imperial Chinese literati elites. Countering recent arguments that homosexuality was marginal and disparaged during this period, the book also seeks to trace the relationship of homoeroticism to status and power. In addition to historical portraits and analysis, the book also advances the concept of 'sensibilities' as a method for interpreting the complex range of homoerotic texts produced in late imperial China.

This book argues that the fundamental shift in Chinese Cinema away from Socialism and towards Post-Socialism can be located earlier than the emergence of the "Fifth Generation" in the mid-eighties when it is usually assumed to have occured. By close analysis of films from the 1949-1976 Maoist era in comparison with 1976-81 films representing the Cultural Revolution, it demonstrates that the latter already breaks away from Socialism.

"Homoerotic Sensibilities in Late Imperial China" is the richest exploration to date of late imperial Chinese literati interest in male-love. Employing primary sources such as miscellanies (including diaries and letters), poetry, fiction and "flower guides," the author argues that male homoeroticism played a central role in cultural life of late imperial Chinese literati elites. Countering recent arguments that homosexuality was marginalized and disparaged during this period, this book also seeks to trace the relationship of homoeroticism to status and power, arguing that existing paradigms for the study of sexuality, centered on identity and behavior, must be extended and placed within the larger context of a sexual culture. Only with this shift in methodological focus is it possible to accurately account for the distinctive character of homoerotic sensibilities in late imperial China.
In addition to historical analysis the book also develops the concept of "sensibilities" as a methodfor interpreting the complex range of homoerotic texts produced in late imperial China, recognizing a need to think about sexuality not only in terms of behavior and identity but also in terms of culture: not necessarily national culture, but particular cultures in which practices and identities are given meaning and evaluated. Such an approach, employing a combination of historical and textual strategies, allows us to account for the rise in homoeroticism in late Qing China as a significant and far reaching sensibility (feng) that in turn acted upon the wider cultural landscape.

Film and the Chinese Medical Humanities is the first book to reflect on the power of film in representing medical and health discourse in China in both the past and the present, as well as in shaping its future. Drawing on both feature and documentary films from mainland China, the chapters each engage with the field of medicine through the visual arts. They cover themes such as the history of doctors and their concepts of disease and therapies, understanding the patient experience of illness and death, and establishing empathy and compassion in medical practice, as well as the HIV/AIDs epidemic during the 1980s and 90s and changing attitudes towards disability. Inherently interdisciplinary in nature, the contributors therefore provide different perspectives from the fields of history, psychiatry, film studies, anthropology, linguistics, public health and occupational therapy, as they relate to China and people who identify as Chinese. Their combined approaches are united by a passion for improving the cross-cultural understanding of the body and ultimately healthcare itself. A key resource for educators in the Medical Humanities, this book will be useful to students and scholars of Chinese Studies and Film Studies as well as global health, medical anthropology and medical history.

Contents:
1. Introduction: Toward a Postsocialist Cinema?
2. Writing on Blank Paper: The Classical Cinema before 1976 as a Didactic Paradigm
3. Entering Forbidden Zones and Exposing Wounds: Rewriting Socialist History
4. Postsocialism and the Decline of the Hero
5. A Family Affair: Separation and Subjectivity
6. Ending it all: Bitter Love
Filmography
Bibliography
Appendices

Cooper Wilson is a man who knows horses. He's also a man who has an incredible, amazing gift of being able to help many horses through psychic powers. In this his first book he tells of how the apparition of a stag started what has now brought him the honorary title of The Yorkshire Horseman. From humble beginnings, the son of a hunt servant and a boy who went to school in his wellies, Cooper began realising that his extraordinary powers of being able to work with ailing horses was truly unique. Cooper is now the most in-demand horse psychic internationally and travels regularly on tour throughout England, Ireland, Scotland and around the world where huge numbers of horse owners bring their animals almost like a pilgrimage to have Cooper tell them more about what is wrong, what should be done and to put them back in good health and fitness.

Celebs On The Farm judge (C5 & MTV) and The Yorkshire Vet regular (C5) Farmer Chris follows up his acclaimed autobiography Farming, Celebs & Plum Pudding Pigs - The Making of Farmer Chris with tales of hilarity, heartbreak, happiness, hopelessness and his own refreshing honesty, best summed up with his personal assessment 'Had I thought this through?' Big Tales From My Little Farm sees Farmer Chris at home in North Yorkshire with his wife Farmer Kate on their 40-acre farm and tells of how Chris finally realised his dream of becoming a farmer and then realised just how much he had to learn. Laugh out loud humour, cry out loud despair and varying degrees of astonishment, frustration, achievement and disbelief follow as Chris looks on as a massive cattle feeding ring falls of the back of his trailer as he is going uphill, his tractor steering fails on a country lane, his sheep escape again along with his goats, his cattle win major prizes, his sow only has a litter of one piglet and his Jack Russell terrier eats a whole Terry's Chocolate Orange! Chris' good friend Julian Norton (The Yorkshire Vet) provides the foreword plus an additional chapter. Farmer Kate provides the words 'Oh Christopher!'

When Milkman Mike's big daft dog Spike sees children playing football he joins in - but it doesn't last long! Milkman Mike books are a delightful children's series for those aged from 2 to 7 years, ideal for those bedtime reads with parents and then when children can read themselves. Milkman Mike lives with his 'big daft dog' Spike in idyllic countryside in the beautiful village of Dairyville and collects his milk from Farmer Cream every morning. Each of the Milkman Mike stories sees Mike and Spike out delivering milk and Spike always ends up being a bit silly along the way. In this first set of 4 books Spike attempts to chase after the runaway bottles, he acts asleep while Mike sees a spaceship, he gets stuck up in a tree and he bursts a football. Everything is solved by Mike with a bottle of milk and a cup of tea. These lovely books are the first in a series that will see further Milkman Mike stories next year. There is already talk of an animated series similar to Postman Pat and Fireman Sam

Media do not simply portray places that already exist; they actually produce them. In exploring how world populations experience "place" through media technologies, the essays included here examine how media construct the meanings of home, community, work, nation, and citizenship.

Tracing how media reconfigure the boundaries between public and private-and global and local-to create "electronic elsewheres," the essays investigate such spaces and identities as the avatars that women are creating on Web sites, analyze the role of satellite television in transforming Algerian neighborhoods, inquire into the roles of radio and television in Israel and India, and take a skeptical look at the purported novelty of the "new media home."

Contributors: Asu Aksoy, Istanbul Bilgi U; Charlotte Brunsdon, U of Warwick; Ratiba Hadj-Moussa, York U (Toronto); Tamar Liebes-Plesner, Hebrew U; David Morley, Goldsmiths, U of London; Lisa Nakamura, U of Illinois; Arvind Rajagopal, New York U; Kevin Robins, Goldsmiths, U of London; Jeffrey Sconce, Northwestern U; Marita Sturken, New York U; and Shunya Yoshimi, U of Tokyo.

Eric Begbie has been an ardent waterfowler for over 40 years and has trained retrievers for most of that time. The training methods encapsulated in his famous Gundog Training Broadsheets have received worldwide acclaim. In this book he combines the lessons from the Broadsheets, especially adapted for the duck and goose hunter, with a wealth of additional material and some evocative waterfowling tales. This "Special Edition" is in a larger format than the standard edition and has a superb selection of color photographs. The book is a "must" for every wildfowl hunter who is accompanied by a retriever on his trips to the marshes.

Chinese cinema is the only non-English language cinema to have a significant global presence. From multiplex blockbusters like Ang Lee s Crouching Tiger, Hidden Dragon to festival hits such as Jia Zhangke s Still Life, Chinese cinema succeeds like no other foreign-language cinema. The interdisciplinary field of Chinese Cinema Studies has boomed alongside these developments and, today, no Asian Studies, Chinese Studies, or Film and Media Studies programme is complete without courses that cover Chinese cinema, including the cinemas of the People s Republic of China, Hong Kong, Taiwan, and the wider Chinese diaspora.

While research in and around Chinese cinema flourishes as never before, not least because of its highly interdisciplinary nature, much of the relevant literature remains inaccessible or is highly specialized and compartmentalized, so that it is difficult for many of those who are interested in the subject to obtain an informed, balanced, and comprehensive overview. This new four-volume collection from Routledge s acclaimed series, Critical Concepts in Media and Cultural Studies, addresses that problem and meets the need for a reference work to help make sense of the subject s vast and widely dispersed literature, and the continuing explosion in research output.

The materials gathered by the editor, a leading scholar in the field, include major works that explore: aesthetics through key films and directors; film cultural practices, such as consumption, distribution, exhibition, reception and criticism; production practices, for instance, genres, stars, studio structures, and marketing; and cinema s connection to society and its relationship to issues such as the nation-state, revolution, and gender. The collection s temporal scope extends from the arrival of cinema via the Lumiere Brothers in 1895 to the present day, and it ranges widely across all territories to include full coverage of the films produced by the ethnic Chinese diaspora.

Chinese Cinema is supplemented by a full index and chronological tables of contents. It also includes an introduction, newly written by the editor, which places the gathered materials in their historical and intellectual context.

"

Tony Christie hat mit "Is This The Way To Amarillo", "I Did What I Did For Maria", "Avenues & Alleyways" die Charts in Landern auf der ganzen Welt angefuhrt und fur seine jungeren Arbeiten mit Richard Hawley und Jarvis Cocker auch von anerkannten Kritikern hoechste Anerkennung erhalten. Tonys Alben haben mehrere Gold- und Platin-Auszeichnungen erreicht, und er war der einzige Sanger im Jahr 2005, der in England gleichzeitig eine Single und ein Album auf Platz 1 der Charts hatte. Tony ist einer der beliebtesten Sanger Deutschlands und Mitteleuropas. Sein Album "Welcome To My Music", das erste einer ganzen Reihe von Alben mit dem legendaren deutschen Produzenten Jack White, verkaufte sich uber 450.000 Mal fur den Mann, der als "Gentleman of Pop Music" bezeichnet wird. Er ist immer noch regelmassig in Carmen Nebels TV-Shows zu sehen, und spielt auf seinen Tourneen vor ausverkauften Hausern. Songs wie "Sweet September", "I Did What I Did For Maria" und naturlich "Amarillo" sind bei seinen deutschen und mitteleuropaischen Zuschauern, fur die er zu einem der Lieblingskunstler des Schlagers aller Zeiten wurde, so beliebt wie eh und je. Jetzt erzahlt Tony zum ersten Mal von seiner illustren, farbenfrohen Karriere, die in der kleinen Stadt Conisbrough in South Yorkshire begann, und ihn zu einem heute noch als Sangerlegende mit Fans auf der ganzen Welt gefeierten Kunstler werden liess. Es ist eine Geschichte voller emotionaler und finanzieller Hoehen und Tiefen, fantastischer Charaktere und Tonys tief verwurzelter Liebe zur Familie. Wenn Sie dachten, dass Sie Tony Christie kennen, werden Sie es jetzt tun, wenn er uber seine Lieben, seine Sorgen und sein erstaunliches Leben spricht! TONY CHRISTIE: Der Sanger ist die offizielle Autobiografie einer Ikone in der Popmusik, deren Stimme heute so gut klingt, wie als er 1971 zum ersten Mal in die Charts kam.

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with "Farewell My Concubine," "Yellow Earth," "Raise the Red Lantern," and other international successes. "Memoirs from the Beijing Film Academy" tells the riveting story of this class of 1982, China's famous "Fifth Generation" of filmmakers. It is the first insider's account of this renowned cohort to appear in English. Covering these directors' formative experiences during China's tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen--who was both their screenwriter and teacher--provides unique insights into the origins of the Fifth Generation's creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films--"One and Eight" and "Yellow Earth."

"Mobile Cultures "provides much-needed, empirically grounded studies of the connections between new media technologies, the globalization of sexual cultures, and the rise of queer Asia. The availability and use of new media--fax machines, mobile phones, the Internet, electronic message boards, pagers, and global television--have grown exponentially in Asia over the past decade. This explosion of information technology has sparked a revolution, transforming lives and lifestyles, enabling the creation of communities and the expression of sexual identities in a region notorious for the regulation of both information and sexual conduct. Whether looking at the hanging of toy cartoon characters like "Hello Kitty" from mobile phones to signify queer identity in Japan or at the development of queer identities in Indonesia or Singapore, the essays collected here emphasize the enormous variance in the appeal and uses of new media from one locale to another.

Scholars, artists, and activists from a range of countries, the contributors chronicle the different ways new media galvanize Asian queer communities in Taiwan, South Korea, Japan, Indonesia, Thailand, Malaysia, India, and around the world. They consider phenomena such as the uses of the Internet among gay, lesbian, or queer individuals in Taiwan and South Korea; the international popularization of Japanese queer pop culture products such as Yaoi manga; and a Thai website's reading of a scientific tract on gay genetics in light of Buddhist beliefs. Essays also explore the politically subversive possibilities opened up by the proliferation of media technologies, examining, for instance, the use of Cyberjaya--Malaysia's government-backed online portal--to form online communities in the face of strict antigay laws.

"Contributors. "Chris Berry, Tom Boellstorff, Larissa Hjorth, Katrien Jacobs, Olivia Khoo, Fran Martin, Mark McLelland, David Mullaly, Baden Offord, Sandip Roy, Veruska Sabucco, Audrey Yue