Critical scholarship on the Qur'an and early Islam has neglected the enigmatic earliest surahs. Advocating a more evolutionary analytical method, this book argues that the basal surahs are logical, clear, and intelligible compositions. The analysis systematically elucidates the apocalyptic context of the Qur'an's most archaic layers. Decisive new explanations are given for classic problems such as what the surah of the elephant means, why an anonymous man is said to frown and turn away from a blind man, why the prophet is summoned as one who wraps or cloaks himself, and what the surah of the qadr refers to. Grounded in contemporary context, the analysis avoids reducing these innovative recitations to Islamic, Jewish, or Christian models. By capitalizing on recent advances in fields such as Arabian epigraphy, historical linguistics, Manichaean studies, and Sasanian history, a very different picture of the early quranic milieu emerges. This picture challenges prevailing critical and traditional models alike. Against the view that quranic revelation was a protracted process, the analysis suggests a more compressed timeframe, in which Mecca played relatively little role. The analysis further demonstrates that the earliest surahs were already intimately connected to the progression of the era's cataclysmic Byzantine-Sasanian war. All scholars interested in the Qur'an, early Islam, late antique history, and the apocalyptic genre will be interested in the book's dynamic new approach to resolving intractable problems in these areas.

This multidisciplinary collective volume advances the scholarly discussion on the origins of Islam. It simultaneously focuses on three domains: texts, social contexts, and ideological developments relevant for the study of Islam's beginnings -- taking the latter expression in its broadest possible sense. The intersections of these domains need to be examined afresh in order to obtain a clear picture of the concurrent phenomena that collectively enabled both the gradual emergence of a new religious identity and the progressive delimitation of its initially fuzzy boundaries.

Resonant learning allows students to develop and fine-tune their therapeutic competencies through first-hand experiences: being in client roles themselves, being in preliminary therapist roles with co-students in client roles and reflecting on those experiences. These resonant learning processes are preparatory steps in developing a professional music therapist identity through internship and later employment positions and continuing supervision. Outlining the Aalborg model of resonant learning, developed at Aalborg University, Denmark, Resonant Learning in Music Therapy discusses the benefits and drawbacks of 'tuning the therapist' and encourages its integration into music therapy courses around the world. The book sums up research on resonant learning and presents core exercises, directives and vignettes from the training processes of the Aalborg model. Explaining how students' self-agency is enhanced by long-term personal experiences in group- and individual therapy, observing work with clients in an institutional setting, working with clients themselves, and undergoing close group and individual supervision, the editors and contributors also explore the benefits of implementing resonant learning within other therapist training programs and healthcare professions.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur Christian Daniel Beck Cnobloch, 1828

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur, Volume 1826, Issue 3; Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur; Christian Daniel Beck Christian Daniel Beck Cnobloch, 1826

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur Christian Daniel Beck Cnobloch, 1828

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur Christian Daniel Beck Cnobloch, 1828

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur, Volume 1828, Issue 4; Allgemeines Repertorium Der Neuesten In- Und Auslandischen Literatur; Christian Daniel Beck Christian Daniel Beck Cnobloch, 1828

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Opera: Comment. In Ranas Et Aves, Volume 5 Aristophanes, Christian Daniel Beck, Filippo Invernizi, Wilhelm Dindorf

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

Due to the very old age and scarcity of this book, many of the pages may be hard to read due to the blurring of the original text.

This is an EXACT reproduction of a book published before 1923. This IS NOT an OCR'd book with strange characters, introduced typographical errors, and jumbled words. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.