Modern science, the Internet, big data, and AI are each saying the same thing to us: the world is--and always has been--far more complex and unpredictable than we've allowed ourselves to see. As a result we're undergoing a sea change in our understanding of how things happen, and in our deepest strategies for predicting, preparing for, and managing our lives and our businesses.

For example, machine learning allows us to make better predictions (think the weather, stock performance, online clicks) but we know less about why those predictions are right--and we need to get used to that. And in fact, over the past twenty years we've been unintentionally developing strategies that avoid anticipating what will happen so we don't have to depend on unreliable revenue forecasts, assumptions about customer needs, and hypotheses about how a product will be used. By embracing these strategies, we're flourishing by creating yet more possibilities and yet more unpredictability.

In wide-ranging stories and characteristically all-encompassing syntheses, technology researcher, internet expert, and philosopher David Weinberger reveals the trends that hide in so many aspects of our lives--and shows us how they matter.

Charles Marowitz was the first American to direct at the Royal Shakespeare Company and the first American to direct at the Czech National Theatre (while collaborating with Vaclav Havel). Known as a maverick playwright, director, and critic, he nurtured numerous figures who have come to shape contemporary theatre and larger society. Without Marowitz the theories and ideas of Antonin Artaud would remain obscure. The entire trajectory and ecology of theatre and performance since the 1960s have been considerably influenced by this alone. The present-day popularity of immersive theatre was a mode of performance introduced to the British theatre by Charles Marowitz and Allan Kaprow in the famous Happening at the 1963 Edinburgh Drama Conference. In 1968 Marowitz started the Open Space Theatre on Tottenham Court Road in collaboration with Thelma Holt. There is a gap in our collective understanding of this important figure and a gap in currently available literature about him. The Marowitz Compendium seeks to spark a revaluation. The audience for this book includes students, postgraduates, specialists and general readers interested in drama and the history of contemporary theatre.

Ten years after "Cluetrain's" original publication, too many companies still ignore the idea that markets are really made up of people. In our rapidly changing world, this book's message is more vital than ever. Companies may be wired for business, but they still struggle with how to talk to their customers like human beings.

The 10th Anniversary Edition features extensive new commentaries by industry leaders, but the core message of this modern business classic remains intact.

Business visionary and bestselling author David Weinberger charts how as business, politics, science, and media move online, the rules of the physical world - in which everything has a place - are upended. In the digital world, everything has its places, with transformative effects: Information is now a social asset and should be made public, for anyone to link, organize, and make more valuable; There's no such thing as "too much" information. More information gives people the hooks to find what they need; Messiness is a digital virtue, leading to new ideas, efficiency, and social knowledge; Authorities are less important than buddies. Rather than relying on businesses or reviews for product information, customers trust people like themselves.With the shift to digital music standing as the model for the future in virtually every industry, "Everything Is Miscellaneous" shows how anyone can reap rewards from the rise of digital knowledge.

A boy can get awfully confused when he wins $100,000,000 in a state lottery...and can't tell anyone about it.

In this insightful social commentary, David Weinberger goes beyond misdirected hype to reveal what is truly revolutionary about the Web. Just as Marshall McLuhan forever altered our view of broadcast media, Weinberger shows that the Web is transforming not only social institutions but also bedrock concepts of our world such as space, time, self, knowledge-even reality itself. Through stories of life on the Web, a unique take on Web sites, and a pervasive sense of humour, Weinberger is the first to put the Web into the social and intellectual context we need to begin assessing its true impact on our lives. The irony, according to Weinberger, is that this seemingly weird new technology is more in tune with our authentic selves than is the modern world. Funny, provocative, and ultimately hopeful, Small Pieces Loosely Joined makes us look at the Web as never before.

David Weinberg argues that American experimental theatre practice was one key factor in the development of an important phase in the history of the alternative theatre movement in Britain during the period 19561980. His analysis draws on key concepts and theories in the work of Elizabeth Burns (1972) and Baz Kershaw (1992, 1999). The main historical developments he covers are the activities of the experimental theatre groups associated with Jim Haynes, Charles Marowitz, Nancy Meckler, and Ed Berman, four expatriate American theatre practitioners living in Britain during the time period 19561980. In addition, he also examines important American-based groups -- Living Theatre (1947), Open Theatre (1964), La MaMa (1960), and Bread and Puppet (1965) which performed in Britain and which made an impact during the same period, as well as a wide range of indigenous British groups -- Pip Simmons (1968), Foco Novo (19721989), Joint Stock (19741989), institutions -- RSC (1961), Royal Court (1956) and individuals such as Max Stafford-Clark, Thelma Holt, John Arden, Ann Jellicoe, and the Portable playwrights (19681972) which in one way or another were influenced by American exemplars. Weinbergs study is essential reading for everyone seeking a more comprehensive and dynamic understanding of the forces which shaped the alternative theatre movement in Britain.

With the advent of the Internet and the limitless information it contains, we're less sure about what we know, who knows what, or even what it means to know at all. And yet, human knowledge has recently grown in previously unimaginable ways and in inconceivable directions. In Too Big to Know , David Weinberger explains that, rather than a systemic collapse, the Internet era represents a fundamental change in the methods we have for understanding the world around us. With examples from history, politics, business, philosophy, and science, Too Big to Know describes how the very foundations of knowledge have been overturned, and what this revolution means for our future.

Bachelorarbeit aus dem Jahr 2011 im Fachbereich Elektrotechnik, Note: 1, Hochschule Mittweida (FH) (Elektro- und Informationstechnik), Sprache: Deutsch, Abstract: Diese Bachelorarbeit soll die Grundlage fur hochbeschleunigte Zuverlassigkeitstests auf Waferebene unter Verwendung von In-Situ-Heizelementen aus polykristallinem Silizium bilden. Nach einer Einfuhrung in die Zuverlassigkeitstheorie wird eine Auswahl an Zuverlassigkeitstest vorgestellt. Diese sind momentan, durch den Einsatz von Hot-Chuck's, noch recht zeitaufwandig und verlangen daher nach einer alternativen Warmequelle. Der in dieser Arbeit vorgestellte Ausweg beschreibt einen Polysilizium-Widerstand direkt in der zu beheizenden Struktur. Weiterhin wird die Warmeausbreitung durch thermische Simulationen dargestellt. Am Ende dieser Arbeit wird noch die mogliche Temperaturmessung an solchen Teststrukturen vorgestellt.