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THE ULTIMATE GUIDES TO EXAM SUCCESS from York Notes - the UK's
favourite English Literature Study Guides. York Notes for AS &
A2 are specifically designed for AS & A2 students to help you
get the very best grade you can. They are comprehensive, easy to
use, packed with valuable features and written by experienced
experts to give you an in-depth understanding of the text, critical
approaches and the all-important exam. An enhanced exam skills
section which includes essay plans, expert guidance on
understanding questions and sample answers. You'll know exactly
what you need to do and say to get the best grades. A wealth of
useful content like key quotations, revision tasks and vital study
tips that'll help you revise, remember and recall all the most
important information. The widest coverage and the best, most
in-depth analysis of characters, themes, language, form, context
and style to help you demonstrate an exhaustive understanding of
all aspects of the text. York Notes for AS & A2 are available
for these popular titles: The Bloody Chamber (9781447913153) Doctor
Faustus (9781447913177) Frankenstein (9781447913214) The Great
Gatsby (9781447913207) The Kite Runner (9781447913160) Macbeth
(9781447913146) Othello (9781447913191) Wuthering Heights
(9781447913184) Jane Eyre (9781447948834) Hamlet (9781447948872) A
Midsummer Night's Dream (9781447948841) Northanger Abbey
(9781447948858 Pride & Prejudice (9781447948865) Twelfth Night
(9781447948889)
Pyramus: 'Now die, die, die, die, die.' [Dies] A Midsummer Night's
Dream 'Shakespeare's Dead' reveals the unique ways in which
Shakespeare brings dying, death, and the dead to life. It
establishes the cultural, religious and social contexts for
thinking about early modern death, with particular reference to the
plague which ravaged Britain during his lifetime, and against the
divisive background of the Reformation. But it also shows how death
on stage is different from death in real life. The dead come to
life, ghosts haunt the living, and scenes of mourning are subverted
by the fact that the supposed corpse still breathes. Shakespeare
scripts his scenes of dying with extraordinary care. Famous final
speeches - like Hamlet's 'The rest is silence', Mercutio's 'A
plague o' both your houses', or Richard III's 'My kingdom for a
horse' - are also giving crucial choices to the actors as to
exactly how and when to die. Instead of the blank finality of
death, we get a unique entrance into the loneliness or confusion of
dying. 'Shakespeare's Dead' tells of death-haunted heroes such as
Macbeth and Hamlet, and death-teasing heroines like Juliet,
Ophelia, and Cleopatra. It explores the fear of 'something after
death', and characters' terrifying visions of being dead. But it
also uncovers the constant presence of death in Shakespeare's
comedies, and how the grinning jester might be a leering skull in
disguise. This book celebrates the paradox: the life in death in
Shakespeare.
York Notes Advanced offer a fresh and accessible approach to
English Literature. This market-leading series has been completely
updated to meet the needs of today's A-level and undergraduate
students. Written by established literature experts, York Notes
Advanced intorduce students to more sophisticated analysis, a range
of critical perspectives and wider contexts.
Issues concerning the supply of teachers are of perennial concern
to both policy-makers and researchers in the world of education.
This trenchant and wide-ranging study not only provides major new
research findings but also a re-interpretation of extant data.
Combining qualitative and (very extensive) quantitative research,
Teacher Supply provides a rigorous and iconoclastic treatment of
issues relating to the recruitment, quality, training, and
retention of teachers throughout the developed world and offers
important recommendations for the future.
'York Notes Advanced' offer an accessible approach to English
Literature. This series has been completely updated to meet the
needs of today's A-level and undergraduate students. Written by
established literature experts, 'York Notes Advanced' introduce
students to more sophisticated analysis, a range of critical
perspectives and wider contexts.
Arden Student Guides: Language and Writing offer a new type of
study aid which combines lively critical insight with practical
guidance on the critical writing skills you need to develop in
order to engage fully with Shakespeare's texts. The books' core
focus is on language: both understanding and enjoying Shakespeare's
complex dramatic language, and expanding your own critical
vocabulary, as you respond to his plays. Key features include: an
introduction considering when and how the play was written,
addressing the language with which Shakespeare created his work, as
well as the generic, literary and theatrical conventions at his
disposal detailed examination and analysis of the individual text,
focusing on its literary, technical and historical intricacies
discussion of performance history and the critical reception of the
work a 'Writing matters' section in every chapter, clearly linking
the analysis of Shakespeare's language to your own writing
strategies in coursework and examinations. Written by world-class
academics with both scholarly insight and outstanding teaching
skills, each guide will empower you to read and write about
Shakespeare with increased confidence and enthusiasm. At a
climactic point in the play, Macbeth realises that the witches have
deceived him through their ambiguous language: 'they palter with us
in a double sense'. This book explores Shakespeare's own paltering
in the play - the densely rich language of ambition, of blood, and
of guilt that structures Macbeth.
Shakespeare Survey is a yearbook of Shakespeare studies and
production. Since 1948, Survey has published the best international
scholarship in English and many of its essays have become classics
of Shakespeare criticism. Each volume is devoted to a theme, or
play, or group of plays; each also contains a section of reviews of
that year's textual and critical studies and of the year's major
British performances. The theme for Volume 75 is 'Othello'. The
complete set of Survey volumes is also available online at
https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey
This fully searchable resource enables users to browse by author,
essay and volume, search by play, theme and topic and save and
bookmark their results.
"Based on the views of teenagers across Europe and in the Far East,
this book argues that we need to reconsider how we judge schools
and what they are for. It shows that the treatment of pupils in
schools makes more difference to teenagers views on society, and on
what it means to be fair, than it does to differences in
attainment"--Provided by publisher.
In late November 1623, Edward Blount finally took delivery to his
bookshop at the sign of the Black Bear near St Paul’s a book that
had been long in the making. Master William Shakespeares Comedies,
Histories, and Tragedies was the first collected edition of
Shakespeare’s plays, appearing some seven years after their
author’s death in 1616. There was no fanfare at the book’s
arrival. There was nothing of the marketing that marks an important
new publication in our own period: no advertising campaign, no
reviews, interviews, endorsements or literary prizes. Nevertheless,
it is hard to overstate the importance of this literary, cultural
and commercial moment. Generously illustrated in colour with key
pages from the publication and comparative works, this new edition
combines the recent discovery of a hitherto unknown edition of the
First Folio at Mount Stuart House on the Isle of Bute with the
human, artistic, economic and technical stories of the birth of
this landmark publication – and the birth of Shakespeare’s
towering reputation.
Shakespeare Survey is a yearbook of Shakespeare studies and
production. Since 1948, Survey has published the best international
scholarship in English and many of its essays have become classics
of Shakespeare criticism. Each volume is devoted to a theme, or
play, or group of plays; each also contains a section of reviews of
that year's textual and critical studies and of the year's major
British performances. The theme for Volume 74 is 'Shakespeare and
Education. The complete set of Survey volumes is also available
online at
https://www.cambridge.org/core/what-we-publish/collections/shakespeare-survey
This fully searchable resource enables users to browse by author,
essay and volume, search by play, theme and topic and save and
bookmark their results.
______________ 'Wonderfully written, humorous and humane, and
beautifully evocative of the time' - Independent Summer Reads
'Smith's writing exudes wisdom and humour, and her descriptions ...
are vividly drawn' - Times Literary Supplement 'Hope and energy
radiate from every sentence of this lovely volume as it emerges
into the light after its long sojourn in the cemetery of forgotten
books' - Daily Mail ______________ A classic and unforgettable tale
of three girls who abandon their middle-class comforts for an
adventure of a lifetime during the Second World War In 1943 Emma
Smith joined the Grand Union Canal Carrying Company under their
wartime scheme of employing women to replace the boaters. She set
out with two friends on a big adventure: three eighteen-year-olds,
freed from a middle-class background, precipitated into the boating
fraternity. They learn how to handle a pair of seventy-two
foot-long canal boats, how to carry a cargo of steel north from
London to Birmingham and coal from Coventry; how to splice ropes,
bail out bilge water, keep the engine ticking over and steer
through tunnels. They live off kedgeree and fried bread and jam,
adopt a kitten, lose their bicycles, laugh and quarrel and get
progressively dirtier and tougher as the weeks go by. Maidens' Trip
is a classic memoir of the growth to maturity of three young women
in the exceptional circumstances of Britain at war.
Offering a range of insightful and thought-provoking critical
perspectives--from publishing history to genre narrative to
socio-political contexts--this comprehensive study of Caribbean
short stories across the 20th century details the integral role the
form has played in the region's literary traditions and cultural
production. Including single author studies as well as more
wide-ranging explorations of particular periods and locales, this
collection of 25 essays provides insight into a broad selection of
short fiction from across the Caribbean's linguistic zones. The
essays in this resource are complemented by an extensive literary
and critical bibliography and a detailed, accessible introduction.
A contemporary of William Shakespeare and Ben Jonson, Christopher
Marlowe was one of the most influential early modern dramatists,
whose life and mysterious death have long been the subject of
critical and popular speculation. This collection sets Marlowe's
plays and poems in their historical context, exploring his world
and his wider cultural influence. Chapters by leading international
scholars discuss both his major and lesser-known works. Divided
into three sections, 'Marlowe's works', 'Marlowe's world', and
'Marlowe's reception', the book ranges from Marlowe's relationship
with his own audience through to adaptations of his plays for
modern cinema. Other contexts for Marlowe include history and
politics, religion and science. Discussions of Marlowe's critics
and Marlowe's appeal today, in performance, literature and
biography, show how and why his works continue to resonate; and a
comprehensive further reading list provides helpful suggestions for
those who want to find out more.
A contemporary of William Shakespeare and Ben Jonson, Christopher
Marlowe was one of the most influential early modern dramatists,
whose life and mysterious death have long been the subject of
critical and popular speculation. This collection sets Marlowe's
plays and poems in their historical context, exploring his world
and his wider cultural influence. Chapters by leading international
scholars discuss both his major and lesser-known works. Divided
into three sections, 'Marlowe's works', 'Marlowe's world', and
'Marlowe's reception', the book ranges from Marlowe's relationship
with his own audience through to adaptations of his plays for
modern cinema. Other contexts for Marlowe include history and
politics, religion and science. Discussions of Marlowe's critics
and Marlowe's appeal today, in performance, literature and
biography, show how and why his works continue to resonate; and a
comprehensive further reading list provides helpful suggestions for
those who want to find out more.
Underachievement in school is one of the most widely used terms in
education today. As a discourse it has been responsible for
influencing government policy, staffroom discussions, as well as
the pages of academic journals and the TES. It is also a subject
which raises questions about what we expect from a fair and
equitable education system. This book provides a critical analysis
of two sides of the underachievement debate, at each of the three
levels of focus - international, the UK and the individual. On the
one hand, it will consider the 'crisis' account; of falling
standards and failing pupils and, on the other, present an
alternative account, which urges a re-evaluation of the
underachievement debate in order to consider who might be
underachieving and why.
Shakespeare Survey is a yearbook of Shakespeare studies and
production. Since 1948, Survey has published the best international
scholarship in English and many of its essays have become classics
of Shakespeare criticism. Each volume is devoted to a theme, or
play, or group of plays; each also contains a section of reviews of
that year's textual and critical studies and of the year's major
British performances. The theme for Volume 76 is 'Digital and
Virtual Shakespeare'. The complete set of Survey volumes is also
available online at
https://www.cambridge.org/core/publications/collections/cambridge-shakespeare.
This searchable resource enables users to browse by author, essay
and volume, search by play, theme and topic and save and bookmark
their results.
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The Far Cry (Paperback)
Emma Smith; Afterword by Susan Hill
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R554
Discovery Miles 5 540
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Ships in 9 - 17 working days
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This 'savage comedy with a vicious streak' (Elizabeth Bowen in "The
Tatler" in 1949) describes the 'second passage to India' of
'Teresa, whose elderly, willful father drags her off to spare her
from the clutches of her mother...I can think of no writer, British
or Indian, who has captured so vividly, with such intensity, the
many intangibles of the Indian kaleidoscope; Emma Smith harnessed
those intense impressions of her youth to give her story a quite
extraordinary driving force' wrote Charles Allen in the
"Spectator", going on to agree with Susan Hill in her Persephone
Afterword that the book is 'a small masterpiece...beautifully
shaped, evocative, moving and mature.' "The Far Cry" was Book at
Bedtime on BBC Radio 4.
In the board game 'Othello', players must turn double-sided
counters to their advantage. This doubleness is shared by
Shakespeare's play of 1604, marked from its outset by a dual and
paradoxical title Othello, or the Moor of Venice. This study cites
instances of doubleness, duplication and paradox to discuss the
play's language and its themes.
This volume presents a leading contribution to the substantive
arena relating to consent in the criminal law. In broad terms, the
ambit of legally valid consent in extant law is contestable and
opaque, and reveals significant problems in adoption of consistent
approaches to doctrinal and theoretical underpinnings of consent.
This book seeks to provide a logical template to focus the debate.
The overall concept addresses three specific elements within this
arena, embracing an overarching synergy between them. This edifice
engages in an examination of UK provisions, with specialist
contributions on Irish and Scottish law, and in contrasting these
provisions against alternative domestic jurisdictions as well as
comparative contributions addressing a particularised research grid
for consent. The comparative chapters provide a wider background of
how other legal systems' treat a variety of specialised issues
relating to consent in the context of the criminal law. The debate
in relation to consent principles continues for academics,
practitioners and within the criminal justice system. Having expert
descriptions of the wider issues surrounding the particular
discussion and of other legal systems' approaches serves to
stimulate and inform that debate. This collection will be a major
source of reference for future discussion.
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