'I'm not broken. I'm a unique spark of life. We all are.' Jess has a great life: a job she loves, a sharp sense of humour and a close group of friends. When austerity threatens the world she has worked hard to build, Jess makes a stand to protect those she holds most dear. Capturing the humour, sadness and joy of everyday life, Francesca Martinez's play All of Us is a passionate and timely look at the human cost of abandoning those who struggle to fit in. It premiered at the National Theatre, London, in August 2022, in a production directed by Ian Rickson, with an ensemble cast featuring Francesca Martinez in the role of Jess. It was shortlisted for the 2022 George Devine Award.

This book represents a significant and timely contribution to the copious literature of the EU as a global actor providing new insights and fresh perspectives into the promotion of human rights and international labour standards in the EU's external trade relations, building on and stimulating further - the already well-engaged - scientific dialogue on this area of research. In particular, it provides the basis for developing a new analytical structure for better understanding the role of the EU in promoting human rights and international labour standards in global trade and, in particular, for assessing the extent to which and how normative considerations have influenced the adoption of EU legal instruments and policy decisions. This book will appeal to research scholars, post-graduate students, practitioners and human rights activists.

If you grow up in a world where wrinkles are practically illegal, going bald is cause for a mental breakdown, and women over size zero are encouraged to shoot themselves (immediately), what the hell do you do if you're, gasp ... DISABLED? Whatever body you're born into, the pressure to be normal is everywhere. But have you ever met a normal person? What do they look like? Where do they live? What do they eat for breakfast? And what the **** does normal mean anyway? This is the award-winning wobbly comedian Francesca Martinez's funny, personal, and universal story of how she learned to stick two shaky fingers up to the crazy expectations of a world obsessed with being 'normal'.