In ’n Tyd om lief te hê keer Marina Joubert uit Griekeland terug na haar geboortedorp. Sal die dorpsmense haar ooit vergewe vir die fout wat sy jare gelede begaan het?

In Lelie van die laagte moet die jong Mia Dijkstra vrede maak met die feit dat sy moet blom waar sy geplant is.

In Die skadubelofte keer dr Pierre Greeff terug na sy tuisdorp en word heinner aan die belofte wat hy destyds aan Madel gemaak het.

Helene de Kock Keur 8 sluit in ’n Oos-Vrystaatse familiesage en een van haar wynlandromans.

In Abel se dogters smag Abel Buitendag se dogters na meer warmte en kontak. Sedert hul ma se dood, toe hulle nog klein was, klou hul pa verbete vas aan dit wat verby is. Maar soos hulle een vir een uit die huis verlaat en deel word van die groter wêreld, gryp die lewe hul met woede en vreugde vas. Hulle ervaar die mooi, en ook die bitterheid, wat liefde bring. Adelien bevind haar skielik op ’n plek waar sy dringend haar eie hart moet leer ken. Bernadette loop ’n pad wat geen vrou ooit self sal kies nie. En Christelle kan eenvoudig nie haar jeugliefde vergeet nie.

Soetwyn vir ’n Sondagkind is die verhaal van ’n jong meisie wat vir die eerste keer voor die kompleksiteite van die lewe te staan kom en in die proses ryp word. Kleintyd al het Nicola besluit dat sy eendag soetwyn gaan maak op haar steifpa se wynplaas. Maar wanneer sy terugkom van haar studie in die buiteland, het dinge verander.

Toemaar, jou dag sal kom . . .

​Dis die woorde wat Diana Botha, wynmaker van die spoglandgoed Soeterwijn, help om staande te bly en telkens weer die lewe met nuwe ywer aan te pak. As jong meisie erf sy die las vir ’n skande vir iets waaraan sy geen skuld het nie. Dit pla haar tot ’n studiebeurs haar help om haar passie vir wynmaak te laat ontluik.

Maar in die Boland leer sy opnuut dat vooroordeel steeds stewig in die mensdom sit.

Twee vroeë romans deur een van Afrikaans se gewildste liefdesverhaalskrywers. Albei verhale speel af in die Vrystaatse Riemland, die heimat van die Bassons en Baumanns, twee families wie se geskiedenis deur vriendskap en intrige verweef is.

In Ver vlug na môre reis Eugene Basson na Europa om te gaan vasstel wat van sy gevoelens vir die mooi blonde Elsje geword het.

In Met vandag se brood is Renier, die jong dominee op Petrusdal, vasgevang tussen sy verstand en sy hart.

Dis 1938 en Elisabet Uys se onrus oor haar voorgenome huwelik met Johannes Barnard groei saam met die gerugte dat daar dalk ’n tweede Groot Oorlog mag uitbreek. Gepantser met Ouma Liesbet se raad besluit sy kort voor haar troue om die verlowing te verbreek en vrou-alleen na Europa te reis. Sal Elisabet in die oorloggeteisterde London vryheid en onvoorwaardelike liefde vind?      Helene de Kock op haar beste. 

Hierdie keur bevat vier ontroerende verhale wat tot op die laaste bladsy genot sal verskaf. Man van gister is ’n plaasroman oor die lief en leed van vier jongmense. In’n Bruid vir vier seisoene gaan hou Sanet Bornman in Venesië vakansie waar sy ontstellende nuus ontvang oor haar verloofde. In Huwelik in die herfs besoek Amara Londen om helderheid te kry oor Pieter Cronjé se huweliksaansoek. Uur van die sewester is ’n spannende liefdesverhaal wat afspeel in die Oos-Vrystaatse berge.

Helene de Kock Keur 2 bevat drie liefdesverhale wat bymekaar aansluit. In Man van kaliber ontdek Jessica Theron uiteindelik dat ’n mens se volmaaktheid juis sy menslikheid openbaar. Wie is die keiser wat Jessica se hart gaan wen? In Vrou van formaat is Danika Roux terug uit Frankryk en sy is vies vir mans. Mooi het finaal vir haar ’n vloekwoord geword. In Mense van faam word Debora Richter teen haar wil ingetrek by die Mynhard-familie. Theron het diepte en Kieron is te enigmaties om te peil.

In die opvolg op Debora en seuns is die fokus weer die lief en leed van die Schlagerfeldts. Dis nou die 1960’s, en die hoofkarakter is Debora se kleindogter, ook ’n Debora. Die 27-jarige dokter kom terug na die Oos-Vrystaat om by haar pa in sy praktyk aan te sluit. Maar dan ontmoet sy dr Tristan Murray en al haar voorgenome drome stort ineen. Sy volg haar neef na Londen om haar wonde te lek, en vind dat die pad van verlore liefde na geluk deur gevaar en hartseer lei.

A philosopher explores the transformative role of wonder and awe in an uncertain world Wonder and awe lie at the heart of life’s most profound questions. Wonderstruck shows how these emotions respond to our fundamental need to make sense of ourselves and everything around us, and how they enable us to engage with the world as if we are experiencing it for the first time. Drawing on the latest psychological insights on the emotions, Helen De Cruz argues that wonder and awe are emotional drives that motivate us to inquire and discover new things, and that humanity has deliberately nurtured these emotions in cultural domains such as religion, science, and magic. Tracing how wonder and awe unify philosophy, the humanities, and the sciences, De Cruz provides new perspectives on figures such as Plato, Aristotle, Adam Smith, William James, Rachel Carson, Maurice Merleau-Ponty, Jean-Paul Sartre, and Abraham Heschel. Along the way, she explains how these singular emotions empower us to be open-minded, to experience joy and hope, and to be resilient in the face of personal troubles and global challenges. Taking inspiration from Descartes’s portrayal of wonder as “that sudden surprise of the soul,� this illuminating book reveals how wonder and awe are catalysts that can help us reclaim what makes life worth living and preserve the things we find wonderful and valuable in our lives.

Bertrand Russell famously quipped that he didn't believe in God for the same reason that he didn't believe in a teapot in orbit between the earth and Mars: it is a bizarre assertion for which no evidence can be provided. Is belief in God really like belief in Russell's teapot? Kenneth L. Pearce argues that God is no teapot. God is a real answer to the deepest question of all: why is there something rather than nothing? Graham Oppy argues that we should believe that there are none but natural causal entities with none but natural causal properties-and hence should believe that there are no gods. Beginning from this basic disagreement, the authors proceed to discuss and debate a wide range of philosophical questions, including questions about explanation, necessity, rationality, religious experience, mathematical objects, the foundations of ethics, and the methodology of philosophy. Each author first presents his own side, and then they interact through two rounds of objections and replies. Pedagogical features include standard form arguments, section summaries, bolded key terms and principles, a glossary, and annotated reading lists. In the volume foreword, Helen De Cruz calls the debate "both edifying and a joy," and sums up what's at stake: "Here you have two carefully formulated positive proposals for worldviews that explain all that is: classical theism, or naturalistic atheism. You can follow along with the authors and deliberate: which one do you find more plausible?" Though written with beginning students in mind, this debate will be of interest to philosophers at all levels and to anyone who values careful, rational thought about the nature of reality and our place in it.

Bertrand Russell famously quipped that he didn't believe in God for the same reason that he didn't believe in a teapot in orbit between the earth and Mars: it is a bizarre assertion for which no evidence can be provided. Is belief in God really like belief in Russell's teapot? Kenneth L. Pearce argues that God is no teapot. God is a real answer to the deepest question of all: why is there something rather than nothing? Graham Oppy argues that we should believe that there are none but natural causal entities with none but natural causal properties-and hence should believe that there are no gods. Beginning from this basic disagreement, the authors proceed to discuss and debate a wide range of philosophical questions, including questions about explanation, necessity, rationality, religious experience, mathematical objects, the foundations of ethics, and the methodology of philosophy. Each author first presents his own side, and then they interact through two rounds of objections and replies. Pedagogical features include standard form arguments, section summaries, bolded key terms and principles, a glossary, and annotated reading lists. In the volume foreword, Helen De Cruz calls the debate "both edifying and a joy," and sums up what's at stake: "Here you have two carefully formulated positive proposals for worldviews that explain all that is: classical theism, or naturalistic atheism. You can follow along with the authors and deliberate: which one do you find more plausible?" Though written with beginning students in mind, this debate will be of interest to philosophers at all levels and to anyone who values careful, rational thought about the nature of reality and our place in it.

This volume takes a broad view of multimodality as it applies to a wide range of subject areas, curriculum design, and classroom processes to examine the ways in which multiple modes combine in contemporary classrooms and its subsequent impact on student learning. Grounded in a systemic functional linguistic framework and featuring contributions from scholars across educational and multimodal research, the book begins with a historical overview of multimodality's place in Western education and then moves to a discussion of the challenges and rewards of integrating multimodal texts and ever-evolving technologies in a variety of settings, include primary, language, music, early childhood, Montessori, and online classrooms. As a state of the art of teaching and learning through different modalities in different educational contexts, this book is an indispensable resource for students and scholars in applied linguistics, multimodality, and language education.

A growing body of evidence from the sciences suggests that our moral beliefs have an evolutionary basis. To explain how human morality evolved, some philosophers have called for the study of morality to be naturalized, i.e., to explain it in terms of natural causes by looking at its historical and biological origins. The present literature has focused on the link between evolution and moral realism: if our moral beliefs enhance fitness, does this mean they track moral truths? In spite of the growing empirical evidence, these discussions tend to remain high-level: the mere fact that morality has evolved is often deemed enough to decide questions in normative and meta-ethics. This volume starts from the assumption that the details about the evolution of morality do make a difference, and asks how. It presents original essays by authors from various disciplines, including philosophy, anthropology, developmental psychology, and primatology, who write in conversation with neuroscience, sociology, and cognitive psychology.

This volume takes a broad view of multimodality as it applies to a wide range of subject areas, curriculum design, and classroom processes to examine the ways in which multiple modes combine in contemporary classrooms and its subsequent impact on student learning. Grounded in a systemic functional linguistic framework and featuring contributions from scholars across educational and multimodal research, the book begins with a historical overview of multimodality's place in Western education and then moves to a discussion of the challenges and rewards of integrating multimodal texts and ever-evolving technologies in a variety of settings, include primary, language, music, early childhood, Montessori, and online classrooms. As a state of the art of teaching and learning through different modalities in different educational contexts, this book is an indispensable resource for students and scholars in applied linguistics, multimodality, and language education.

The first full reappraisal of one of Britain's great fighter aces, this book examines the truth behind Tuck's 1956 biography, Fly for Your Life. It looks at the evidence behind the myths, checks out some of the exaggerated stories and reveals the real Stanford Tuck. In January 1942 Bob Tuck was the top-scoring British fighter ace with an official score of 29 enemy aircraft destroyed. With film-star looks he was the glamorous role model for the RAF publicity machine and an eager press and public wanting wartime heroes. He had joined the RAF in 1935 and quickly showed his excellent flying skills. In 1940 his Spitfire squadron was fighting over Dunkirk where he proved himself an expert shot. During the Battle of Britain his legendary prowess grew and he was posted to command a leaderless and demoralised squadron, this time flying Hurricanes. He continued to prove he was an outstanding fighter ace, gaining the rare distinction of three DFCs and then the DSO for his leadership. He was shot down over France in January 1942. Imprisoned in Stalag Luft III. His room-mate was Roger Bushell, the mastermind of the Great Escape and Tuck worked with him on the committee and was to be his partner in the escape. In January 1944 however, around 20 POWs, including Tuck, were purged to a new camp. Still determined to escape, when his camp was moved out on the Long March westwards, Tuck and a Polish officer took a risky chance and made their way east to Russian forces and thence to England. This book reveals a more complex man than the one-dimensional hero of the previous biography. Post war, he became good friends with the Luftwaffe ace, Adolf Galland, and was a key advisor with him on the film, Battle of Britain, and, often with his other friend, Douglas Bader, made many media appearances. His health suffered in later years from the impact of his war service and his imprisonment and he died aged 70 in 1987.

Since the late 1970s scholars and practitioners of international management have paid increasing attention to the impact of globalisation on the management of human resources across national boundaries. This collection of important articles and essays provides a comprehensive review and critique of developments and future directions in International Human Resource Management. Focusing on three major developments or approaches - Cross-Cultural Management, Comparative HRM and Strategic HRM, the volume explores challenges and opportunities facing researchers, international managers and employees.

First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.

A growing body of evidence from the sciences suggests that our moral beliefs have an evolutionary basis. To explain how human morality evolved, some philosophers have called for the study of morality to be naturalized, i.e., to explain it in terms of natural causes by looking at its historical and biological origins. The present literature has focused on the link between evolution and moral realism: if our moral beliefs enhance fitness, does this mean they track moral truths? In spite of the growing empirical evidence, these discussions tend to remain high-level: the mere fact that morality has evolved is often deemed enough to decide questions in normative and meta-ethics. This volume starts from the assumption that the details about the evolution of morality do make a difference, and asks how. It presents original essays by authors from various disciplines, including philosophy, anthropology, developmental psychology, and primatology, who write in conversation with neuroscience, sociology, and cognitive psychology.

This is the first scholarly book dedicated to reading the work of contemporary filmmakers and their impact on modern marketing and advertising. Drawing from consumer culture theory, film and media studies, the author presents an expansive analysis of a range of renowned filmmakers who have successfully applied their aesthetic and narrative vision to commercial advertising. It challenges some traditional advertising tropes and sheds light on the changing nature of advertising in the contemporary media context. Utilising Deleuze and Guattari's notion of assemblage, this book addresses themes of spatiality and time, narrative and aesthetics and consumer reception within a new frame of reference that re-contextualises classical concepts of genre, platform and aesthetic categories. These diverse elements are embedded into a larger discussion of the resonance of contemporary advertising for consumer culture and the implications of the hybridity characteristic of convergent media platforms for understanding the potential of advertising in the twenty-first century. It offers a cutting-edge, interdisciplinary perspective for researchers, academics, and practitioners working in marketing communications, advertising, and media studies.

This book is a guide to current research and debate in the field of literacies practice and education. It provides both an historical and lifespan view of the field as well as an overview of research methodologies with first-hand examples from a range of researchers involved in literacy research.

This book is a guide to current research and debate in the field of literacies practice and education. It provides both an historical and lifespan view of the field as well as an overview of research methodologies with first-hand examples from a range of researchers involved in literacy research.

We heard it was shutting on the first day that it got occupied when we saw all the police and the commotion. We used to come down and support the people who were occupying it. It was an excellent feeling. You felt like you were at home, you felt wanted and loved. United We Will Swim commemorates the centenary of Govanhill Baths and tells its fascinating story - past, present and future. Made up of newly commissioned essays, these explore the architecture of the building, the Baths' role as a community health and wellbeing provision and its evolving relationship with the changing community of Govanhill. The essays go on to give an account of the community occupation and the campaign to save the pool from closure, reflections on the Baths' engagement with the arts, details of the newly established community archive, as well as laying out the dynamic plans for the future of the building. The essays are interspersed with personal memories from users of the Baths and a wealth of photographs of the building, the people and items from the archive. United We Will Swim documents the rich, diverse and inspiring story of Govanhill Baths and the community it serves.