Emmy Jameson lives by three rules: no dating, no sharing personal news at work, and baseball above everything. As the only female data analyst for a professional baseball team, Emmy is constantly trying to prove herself.

Especially when she’s put up for a senior analyst position against her arrogant, infuriating coworker Gabe Olson. Sure, he’s gorgeous and smart and he was a baseball star in college who knows the sport inside and out, but so does Emmy. She is not going to lose to him again. There will be no distractions this summer. Not even her sister’s pending destination wedding in Mexico for which she needs to find a plus one.

But then she receives a text from an unknown number with a simple message: “Last night was fun.” When she strikes up a conversation with the mystery texter, they realize that he was given a fake phone number after a bad date that just so happened to be Emmy’s. Despite her rules, Emmy can’t deny the instant connection she feels and soon finds herself falling for the stranger on the other side of the screen…and inviting him to her sister’s wedding.

Emmy’s world turns upside down when her mystery man turns out to be none other than Gabe Olson. They are left having to travel to the wedding together while trying to sort out which version of their relationship is real: their in-person rivalry or the deep connection they found in their messages.

Kevin Allen directs this erotic comedy adaptation of Dylan Thomas's 1954 radio play. Set in the fictional Welsh fishing village of Llareggub, the story follows the lives and shenanigans of the residents who share their thoughts and dreams through the medium of poetry, including two-time widow Mrs Ogmore-Pritchard (Buddug Verona James), the music-obsessed Organ Morgan (Aneirin Hughes), good-time girl Polly Garter (Charlotte Church) and the old, blind seaman Captain Cat (Rhys Ifans).

Through a simple, step-by-step progression, this handbook provides individuals with the means to learn how to quiet their inner critic and to experience forgiveness, self-acceptance, and empowerment. Employing a methodology rooted in the principles of non-violent communication, the process lays out a path for achieving freedom from toxic and emotionally draining guilt, blame, and shame. Examples of real-world situations enable individuals to visualise how they, like others, can forgive themselves for past mistakes and successfully mend broken relationships.

Michael Ann Holly asserts that historical interpretation of the pictorial arts is always the intellectual product of a dynamic exchange between past and present. recent theory emphasizes the subjectivity of the historian and the ways in which any interpretation betrays the presence of an interpreter. In Past Looking, she challenges that view, arguing that historical objects of representational art are actively engaged in prefiguring the kinds of histories that can be written about them. Holly directs her attention to early modern works of visual art and their rhetorical roles in legislating the kind of tales told bout them by a few classic cultural commentaries of the nineteenth and twentieth centuries: Burckhardt's synchronic vision of the Italian Renaissance, Wolfflin's exemplification of the Baroque, Schapiro's and Freud's dispute over the meanings of Leonardo's art, and Panofsky's exegesis of the disguised symbolism of Northern Renaissance painting."

Water Words is a collection of poetry by Holly Michaels, personally selected by the author. The poems cover a variety of themes, including religion and love, and have been well-received in the poetic circles in which the author posts her work. Holly enjoys writing free-style and brevity poems, but also enjoys trying new styles as well. It is her hope that this book will inspire others to write poetry, as well.