Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Debt is often thought of as a mere economic variable governed by a simplistic mechanical logic, ignoring its other facets. Whose debt, and debt of what exactly? This volume analyzes debt as a political and social construct, with a multiplicity of purposes and agents. All of these are vectors of meanings that are highly diverse, and of subtle distinctions; they show that debt is a transverse phenomenon, cutting across spaces that are not merely economic but also domestic, social and political. Each contributor takes a fresh view of the subject, dealing with debt at a different time, in a different society, on a different scale of observation. By adopting a determinedly interdisciplinary approach, the authors reveal in the phenomenon of debt a diversity of social and gendered determinants that amount in some cases to domination, allegiance or slavery, and in others to solidarity and emancipation. Debt is at one and the same time shared, imposed, political and gendered.

Debt is often thought of as a mere economic variable governed by a simplistic mechanical logic, ignoring its other facets. Whose debt, and debt of what exactly? This volume analyzes debt as a political and social construct, with a multiplicity of purposes and agents. All of these are vectors of meanings that are highly diverse, and of subtle distinctions; they show that debt is a transverse phenomenon, cutting across spaces that are not merely economic but also domestic, social and political. Each contributor takes a fresh view of the subject, dealing with debt at a different time, in a different society, on a different scale of observation. By adopting a determinedly interdisciplinary approach, the authors reveal in the phenomenon of debt a diversity of social and gendered determinants that amount in some cases to domination, allegiance or slavery, and in others to solidarity and emancipation. Debt is at one and the same time shared, imposed, political and gendered.

AWARD WINNER CHARLES ARDAI, CO-FOUNDER OF HARD CASE CRIME, BRINGS HIS NOIR EXPERTISE TO THE FORE IN HIS DEBUT GRAPHIC NOVEL ABOUT A SEXY WEAPONS SMUGGLER. Fans of pulp noir and crime writers like Ed Brubaker and Max Allan Collins will want to sink their teeth into this salacious and super-charged thriller. She'll get you the weapon you need, when you need it, where you need it - no matter how impossible. But when a gun smuggled into a high-security prison leads to the death of dozens and the escape of a brutal criminal, Joanna Tan is suddenly forced by the U.S. government to do a job for them: find the man she set loose and bring him down. Features bonus material including the story of the real Gun Honey and much more!

This innovative, practical guide introduces researchers to the use of the video reflexive ethnography in health and health services research. This methodology has enjoyed increasing popularity among researchers internationally and has been inspired by developments across a range of disciplines: ethnography, visual and applied anthropology, medical sociology, health services research, medical and nursing education, adult education, community development, and qualitative research ethics.

Since 1995 The 24 Hour Plays have been responding to theatre in the moment. As the 2020 Coronavirus pandemic brought an end to live theatre in the USA and Europe, the company sprang to work to keep the arts alive. Bringing together some of America's most prolific writers for the stage and screen, this unique and contemporary book of monologues collates the responses in dramatic fashion, making for an anthology of work that is timely, moving, irreverent and at its best, transcendent. Featuring original monologues by writers such as David Lindsay-Abaire, Clare Barron, Hansol Jung, Stephen Adly Guirgis, Christoper Oscar Pena, Jesse Eisenberg and Monique Moses this is a rich collection that can be enjoyed by actors, writers and those looking for creative responses to the global COVID-19 crisis. With over 50 monologues from the first three weeks of the project, edited by Howard Sherman, this is an important collection that documents an unprecedented moment in history whilst also offering practical resource for actors and performers.

This innovative, practical guide introduces researchers to the use of the video reflexive ethnography in health and health services research. This methodology has enjoyed increasing popularity among researchers internationally and has been inspired by developments across a range of disciplines: ethnography, visual and applied anthropology, medical sociology, health services research, medical and nursing education, adult education, community development, and qualitative research ethics.

An exploration of what worship looks like from a biblical standpoint and why the topic of worship can be so contentious among Christians. Because worship is inherently theological--because it's a manifestation of humanity's response to God's holiness--it's important to take seriously how we worship and the roles it serves in personal displays of adoration and in community with other believers. Exploring the Worship Spectrum provides an overview, critique, and celebration of six prominent worship styles: Formal-Liturgical - represented by Paul Zahl Traditional Hymn-Based - represented by Harold Best Contemporary Music-Driven - represented by Joe Horness Charismatic - represented by Don Williams Blended - represented by Robert Webber Emerging - represented by Sally Morgenthaler This unique format allows those with a heart for worship to compare different perspectives and draw their own conclusions on what the Bible teaches. It allows readers to understand the various approaches to worship, carefully evaluate their strengths and weaknesses, and make personal choices without adopting a judgmental spirit. The Counterpoints series presents a comparison and critique of scholarly views on topics important to Christians that are both fair-minded and respectful of the biblical text. Each volume is a one-stop reference that allows readers to evaluate the different positions on a specific issue and form their own, educated opinion.

The One Year Book of Devotions for Kids #1 is the first edition in this best-selling devotional series for children. Utilizing the best stories from the radio ministry of the Children's Bible Hour to lead kids through their daily quiet time, The One Year Book of Devotions for Kids #1 will help make the Scriptures real and relevant to children ages 8 to 12.