Organic Chemistry, Seventh Edition, continues the successful student-oriented approach used in prior editions. This text uses less prose and more diagrams and bulleted summaries for today's students, who rely more heavily on visual imagery to learn than ever before. Each topic is broken down into small chunks of information that are more manageable and easily learned. Organic chemistry is a dynamic subject that is continually refined as new facts are determined. Each year, novel compounds are discovered, and new drugs are marketed, and these compounds replace older examples to illustrate particular concepts. In this edition, for example, every effort has been made to include content on COVID-19. The text is strengthened by its offering in ALEKS, now featuring Custom Question Authoring, Video Assignments, Virtual Labs, and more!

Principles of General, Organic, & Biological Chemistry, 3e, is written for the 1-semester General, Organic, and Biological Chemistry course, for students pursuing careers in nursing, nutrition, environmental science, food science, and a wide variety of other health-related professions. This new edition is available in ALEKS, featuring: * ALEKS Topics to assign as pre-requisite assignments to boost student confidence and help those lacking math skills. * End-of-Chapter Questions aligned to the text for homework, test, and quiz assignments. * Virtual Labs to be used as pre-lab prep assignments, or lab replacement. * Video Assignments that break down key concepts and show step-by-step solutions. * The ALEKS Drawing Tool, an easy-to-learn tool that mirrors the drawing action of pencil & paper and supports Fischer and Haworth Projections.

Janice Smith's OrganicChemistry with Biological Topics continues to breathe new life into theorganic chemistry world. This new sixth edition retains its popular delivery oforganic chemistry content in a student-friendly format. Janice Smith continuesto draw on her extensive teaching background to deliver organic chemistry in away in which students learn: with limited use of text paragraphs, and throughconcisely written bulleted lists and highly detailed, well-labeled teachingillustrations. Because of the close relationship between chemistry and manybiological phenomena, Organic Chemistry with Biological Topics presentsan approach to traditional organic chemistry that incorporates the discussionof biological applications that are understood using the fundamentals oforganic chemistry.

Experiencing Music Composition in Grades 3-5 is a practical guide to new, innovative, and natural composition techniques for young composers. Music Educators Michele Kaschub and Janice Smith bring a wealth of experience to bear a unique and thoughtfully curated series of materials that help teachers connect music education to young composers' everyday emotions and activities . Divided into four sections, Kaschub and Smith's book illustrates a creative roadmap for instilling a sense of creative independence in students ages 8-11. The first section introduces readers to three distinct compositional ideals that are as educationally significant as the music they help create: feelingful intention, musical expressivity, and artistic craftsmanship. These capacities help springboard children's work from sounds and brief musical gestures to thoughtfully created, expressive musical pieces. Section 2 includes fun and imaginative lessons that are accompanied by Sketchpages-graphic worksheets that support deep consideration of a project's purpose during the compositional process. Lessons also include invaluable suggestions for productive sharing in a variety of formats. Section 3 offers guidance and strategies for sharing work, providing feedback, and encouraging future growth in a manner that fosters a positive learning experience and acknowledges each composer's musical autonomy. Section 4 contains additional teacher guides focused on creating original music in different genres. These guides outline multiple approaches to corresponding lessons and jumpstart activity while serving as developmental models. Experiencing Music Composition: Grades 3-5 offers new ways to promote not only creative intuition in children but also independent thought, preparing students for a fulfilling relationship with music.

Exam board: SQA Level: Higher Subject: PE First teaching: September 2018 First exams: Summer 2019 What do you really need to know for the SQA Higher PE exam? This revision guide covers the essentials in less than 100 pages, so it's perfect for early exam preparation or last-minute revision. - Find key content at your fingertips with quick summaries of the factors, concepts and terminology that you need to understand - Get a better grade in your exam with tips on exam technique, mistakes to avoid and important things to remember - Revise and practise using end-of-topic questions and in-depth questions at the end of each section - with answers provided online - Benefit from the knowledge of experienced teachers and examiners John Millar and Janice Smith

Music teacher education is under heavy criticism for failing to keep pace with the changing needs and interests of 21st century learners. Technological innovations, evolving demographics in the school age population, and students' omnipresent access to music and music making all suggest that contemporary teaching and learning occurs in environments that are much more complex than those of the 19th century that served as music education's primary model. This book surveys emerging music and education landscapes to present a sampling of the promising practices of music teacher education that may serve as new models for the 21st century. Contributors explore the delicate balance between curriculum and pedagogy, the power structures that influence music education at all levels, the role of contemporary musical practices in teacher education, and the communication challenges that surround institutional change. Models of programs that feature in-school, out-of-school and beyond school contexts, lifespan learning perspectives, active juxtapositions of formal and informal approaches to teaching and learning, student-driven project-based fieldwork, and the purposeful employment of technology and digital media as platforms for authentic music engagement within a contemporary participatory culture are all offered as springboards for innovative practice.

Composing Our Future is the ideal book for music teacher-educators seeking to learn more about composition education. While much has been written on the value of composition, both pre-service and practicing teachers still report a degree of trepidation when asked to engage in composition or in leading students to compose. In order to prepare pre-service teachers and meet the needs of practitioners already in the field, music teacher educators need resources to guide the development of undergraduate and graduate curriculum, specific courses, professional development workshops, and environments where composition education can begin, grow and flourish. This volume offers insight to current practices written by authors engaged in this work. Each chapter provides information, solid theory, and examples of successful practices that teacher educators can draw upon in the creation and implementation of engaging and invigorating practices in music education. This information includes: * A charge to teacher educators to embrace composition as a critical component in teacher preparation * An examination of the philosophical issues surrounding composition's inclusion in, and exclusion from, music teacher education * An overview of what is known about child composers and the work they create and how to help teachers draw vital information from that body of literature * An examination of the relationship between creativity and composition * Examples of successful practices ranging from working with individual special learners to teaching in a variety of school-based teaching contexts * Models of university and school-based partnerships to facilitate pre-service teachers' transition from collegiate study to school-based work with children * An exploration into new tools, partnerships and opportunities available through technology * A vision for creating and sustaining meaningful composition programs both in colleges and in PK-12 schools

Experiencing Music Composition in Grades 3-5 is a practical guide to new, innovative, and natural composition techniques for young composers. Music Educators Michele Kaschub and Janice Smith bring a wealth of experience to bear a unique and thoughtfully curated series of materials that help teachers connect music education to young composers' everyday emotions and activities . Divided into four sections, Kaschub and Smith's book illustrates a creative roadmap for instilling a sense of creative independence in students ages 8-11. The first section introduces readers to three distinct compositional ideals that are as educationally significant as the music they help create: feelingful intention, musical expressivity, and artistic craftsmanship. These capacities help springboard children's work from sounds and brief musical gestures to thoughtfully created, expressive musical pieces. Section 2 includes fun and imaginative lessons that are accompanied by Sketchpages-graphic worksheets that support deep consideration of a project's purpose during the compositional process. Lessons also include invaluable suggestions for productive sharing in a variety of formats. Section 3 offers guidance and strategies for sharing work, providing feedback, and encouraging future growth in a manner that fosters a positive learning experience and acknowledges each composer's musical autonomy. Section 4 contains additional teacher guides focused on creating original music in different genres. These guides outline multiple approaches to corresponding lessons and jumpstart activity while serving as developmental models. Experiencing Music Composition: Grades 3-5 offers new ways to promote not only creative intuition in children but also independent thought, preparing students for a fulfilling relationship with music.

Composing Our Future is the ideal book for music teacher-educators seeking to learn more about composition education. While much has been written on the value of composition, both pre-service and practicing teachers still report a degree of trepidation when asked to engage in composition or in leading students to compose. In order to prepare pre-service teachers and meet the needs of practitioners already in the field, music teacher educators need resources to guide the development of undergraduate and graduate curriculum, specific courses, professional development workshops, and environments where composition education can begin, grow and flourish. This volume offers insight to current practices written by authors engaged in this work. Each chapter provides information, solid theory, and examples of successful practices that teacher educators can draw upon in the creation and implementation of engaging and invigorating practices in music education. This information includes: * A charge to teacher educators to embrace composition as a critical component in teacher preparation * An examination of the philosophical issues surrounding composition's inclusion in, and exclusion from, music teacher education * An overview of what is known about child composers and the work they create and how to help teachers draw vital information from that body of literature * An examination of the relationship between creativity and composition * Examples of successful practices ranging from working with individual special learners to teaching in a variety of school-based teaching contexts * Models of university and school-based partnerships to facilitate pre-service teachers' transition from collegiate study to school-based work with children * An exploration into new tools, partnerships and opportunities available through technology * A vision for creating and sustaining meaningful composition programs both in colleges and in PK-12 schools

Music teacher education is under heavy criticism for failing to keep pace with the changing needs and interests of 21st century learners. Technological innovations, evolving demographics in the school age population, and students' omnipresent access to music and music making all suggest that contemporary teaching and learning occurs in environments that are much more complex than those of the 19th century that served as music education's primary model. This book surveys emerging music and education landscapes to present a sampling of the promising practices of music teacher education that may serve as new models for the 21st century. Contributors explore the delicate balance between curriculum and pedagogy, the power structures that influence music education at all levels, the role of contemporary musical practices in teacher education, and the communication challenges that surround institutional change. Models of programs that feature in-school, out-of-school and beyond school contexts, lifespan learning perspectives, active juxtapositions of formal and informal approaches to teaching and learning, student-driven project-based fieldwork, and the purposeful employment of technology and digital media as platforms for authentic music engagement within a contemporary participatory culture are all offered as springboards for innovative practice.

The "Student Study Guide/Solutions Manual," prepared by Erin Smith Berk and Janice Gorzynski Smith, begins each chapter with a detailed chapter review that is organized around chapter goals and key concepts. The Problem Solving section provides a number of examples for solving each type of problem essential to that chapter. The Self-Test section of each chapter quizzes on chapter highlights, with answers provided. Finally, each chapter ends with the solutions to all in-chapter problems, as well as the solutions to all odd-numbered end-of-chapter problems.