First published in 1997. This book provides practitioners in the field of special education with the information they need to decide whether controversial diagnoses and treatments in this field are valid. The aim of this book is to review the literature on each topic and comment on the current state of the art of each in a way which is accessible to teachers, other professionals and parents. The book is of relevance to all teachers and other professionals who are concerned with the education of children with SEN, including teachers in mainstream and special schools.

Luxurious Sexualities contains some of the most path- breaking adventurous critical writing currently to be found in Britain. Focusing on eighteenth century sexuality it is intriguing, controversial and provoking.
Textual Practice contains articles relating to women, popular culture, visual media, and ethnic and sexual minorities.

First published in 1997. This book provides practitioners in the field of special education with the information they need to decide whether controversial diagnoses and treatments in this field are valid. The aim of this book is to review the literature on each topic and comment on the current state of the art of each in a way which is accessible to teachers, other professionals and parents. The book is of relevance to all teachers and other professionals who are concerned with the education of children with SEN, including teachers in mainstream and special schools.

Luxurious Sexualities contains some of the most path- breaking adventurous critical writing currently to be found in Britain. Focusing on eighteenth century sexuality it is intriguing, controversial and provoking. Textual Practice contains articles relating to women, popular culture, visual media, and ethnic and sexual minorities.

Since its launch in 1987 Textual Practice has established itself as a leading journal of radical literary theory. New approaches to literary texts are naturally a major feature, but in exploring apparently discrete areas such as philosophy, history, law, science, architecture, gender and media studies, Textual Practice pays no heed to traditional academic boundaries. Textual Practice is available both on subscription and from bookstores. For a Free Sample Copy or further subscription details please contact Trevina Johnson, Routledge Subscriptions, ITPS Ltd., Cheriton House, North Way, Andover SP10 5BE. UK.

Since its launch in 1987 Textual Practice has established itself as a leading journal of radical literary theory. New approaches to literary texts are naturally a major feature, but in exploring apparently discrete areas such as philosophy, history, law, science, architecture, gender and media studies, Textual Practice pays no heed to traditional academic boundaries. Textual Practice is available both on subscription and from bookstores. For a Free Sample Copy or further subscription details please contact Trevina Johnson, Routledge Subscriptions, ITPS Ltd., Cheriton House, North Way, Andover SP10 5BE. UK.

Since its launch in 1987 "Textual Practice" has established itself as a leading journal of radical literary theory. New approaches to literary texts are naturally a major feature, but in exploring apparently discrete areas such as philosophy, history, law, science, architecture, gender and media studies, "Textual Practice" pays no heed to traditional academic boundaries. As usual, this issue covers the full range of interests in the sphere of current critical and cultural activity in Britain and the USA. From the 17th century (Gary Taylor, Tamsin Spargo articles) to the Renaissance (Andrew Stott article), to the 20th century (Stephen Heath, Tyrus Miller articles). The issue covers AIDS, politics, literature and feminism and features some of the foremost writers in these areas (Terry Eagleton, Stephen Greenblatt). "Textual Practice" is available both on subscription and from bookstores.

Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.

Women Mobilizing Memory, a transnational exploration of the intersection of feminism, history, and memory, shows how the recollection of violent histories can generate possibilities for progressive futures. Questioning the politics of memory-making in relation to experiences of vulnerability and violence, this wide-ranging collection asks: How can memories of violence and its afterlives be mobilized for change? What strategies can disrupt and counter public forgetting? What role do the arts play in addressing the erasure of past violence from current memory and in creating new visions for future generations? Women Mobilizing Memory emerges from a multiyear feminist collaboration bringing together an interdisciplinary group of scholars, artists, and activists from Chile, Turkey, and the United States. The essays in this book assemble and discuss a deep archive of works that activate memory across a variety of protest cultures, ranging from seemingly minor acts of defiance to broader resistance movements. The memory practices it highlights constitute acts of repair that demand justice but do not aim at restitution. They invite the creation of alternative histories that can reconfigure painful pasts and presents. Giving voice to silenced memories and reclaiming collective memories that have been misrepresented in official narratives, Women Mobilizing Memory offers an alternative to more monumental commemorative practices. It models a new direction for memory studies and testifies to a continuing hope for an alternative future.

Molluscs and Me is a celebration of the Kent countryside and a story of how fulfilment can come from an unusual source. Without acres of land, Helen decides to start an edible snail farm in her spare bedroom. In the face of prejudice, she searches for a market for her escargots and does everything she can to get her snails into the public eye and onto their plates, from farmers markets and visiting local schools to inviting TV cameras into her home. But when the snails refuse to lay eggs, will Helen have to admit defeat? When small furry animals move in to dine on escargots au naturel, will Freddie and Dusty the ferrets save the day? Molluscs and Me is a true story of determination and entrepreneurship about setting up and running an edible snail farm in East Kent. Recipes and information about snail farming and snail cooking through history and around the world are sandwiched between the chapters. This book is for you if you are fed up with the rat race or dreaming of a new way of life.

Dancing in Your Mother's Skin is a book of poetry by Jean Howard and striking black and white photos by Alice Q. Hargrave.