An Irish bestseller in hardback, The Boy in the Moon is the new novel from the author of Involved, set in London and contemporary and 1960s rural Ireland. What happens to a marriage when a husband is responsible for his son's accidental death? Julia, whose young son Sam died in such circumstances, flees to the West of Ireland in a kind of madness to stay with her father-in-law Jeremiah, a dour, secretive old farmer, still living in a rundown farmhouse. Here, in his silent company, Julia stumbles upon the dark secrets of her husband's family, and learns, to her greater understanding, how tragedy is passed on from generation to generation. Strong Irish setting - a superb evocation of rural life in the 1960s. One of the few female Irish novelists who doesn't write like Maeve Binchy or Edna O'Brien. O'Riordan writes as powerfully as Dermot Bolger or Colm Toibin, but combines this with a wonderful ability to pin down character and the real mechanisms of human relationships

The Genome Incorporated examines the proliferation of human genomics across contemporary media cultures. It explores questions about what it means for a technoscience to thoroughly saturate everyday life, and places the interrogation of the science/media relationship at the heart of this enquiry. The book develops a number of case studies in the mediation and consumption of genomics, including: the emergence of new direct-to-the-consumer bioinformatics companies; the mundane propagation of testing and genetic information through lifestyle television programming; and public and private engagements with art and science institutions and events. Through these novel sites, this book examines the proliferating circuits of production and consumption of genetic information and theorizes this as a process of incorporation. Its wide-ranging case studies ensure its appeal to readers across the social sciences.

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

This book examines the making of human cloning as an imaginary practice and scientific fact. It explores the controversies surrounding both therapeutic cloning for stem cell research and reproductive cloning. The authors analyse the cultural production of cloning, how practices and representations play out in the global arena, and its transformation from science fiction to science practice. Case studies are used to illustrate key fore grounded issues:

• the image of the scientist, scientific expertise and institutions
• the governance of science
• the representation of women s bodies as the subjects and objects of biotechnology
• the constitution of publics, both as objects of media debate, and as their intended audience.

Drawing together the Sociology of Scientific Knowledge, with insights from media and cultural studies, this book offers a timely contribution to debates about the public communication of science and the status of scientific truth. This book will be a valuable companion to students on undergraduate courses in media studies, science communication, cultural studies, science and technology studies and sociology.

The Genome Incorporated examines the proliferation of human genomics across contemporary media cultures. It explores questions about what it means for a technoscience to thoroughly saturate everyday life, and places the interrogation of the science/media relationship at the heart of this enquiry. The book develops a number of case studies in the mediation and consumption of genomics, including: the emergence of new direct-to-the-consumer bioinformatics companies; the mundane propagation of testing and genetic information through lifestyle television programming; and public and private engagements with art and science institutions and events. Through these novel sites, this book examines the proliferating circuits of production and consumption of genetic information and theorizes this as a process of incorporation. Its wide-ranging case studies ensure its appeal to readers across the social sciences.

This book examines the making of human cloning as an imaginary practice and scientific fact. It explores the controversies surrounding both 'therapeutic cloning' for stem cell research and 'reproductive' cloning. The authors analyse the cultural production of cloning, how practices and representations play out in the global arena, and its transformation from science fiction to science practice. Case studies are used to illustrate key fore grounded issues:

• the image of the scientist, scientific expertise and institutions
• the governance of science
• the representation of women's bodies as the subjects and objects of biotechnology
• the constitution of publics, both as objects of media debate, and as their intended audience.

Drawing together the Sociology of Scientific Knowledge, with insights from media and cultural studies, this book offers a timely contribution to debates about the public communication of science and the status of scientific truth. This book will be a valuable companion to students on undergraduate courses in media studies, science communication, cultural studies, science and technology studies and sociology.

This collection draws together contemporary research into queer theory and practices, as they intersect with new media and communication technologies. It provides a synthesis of critical debates in these fields followed by empirical analyses of current and historical internet activities. These include, among others, a study of changing leathersex identities as meeting spaces moved from bars to online chat rooms, an investigation of the dynamics of racial identity as social sites moved from text-based to visually-based media and the tensions between community and audience identities inherent in commercial affinity portals. The chapters investigate the relations between the technical, legal and industrial organization of online media and the queer practices that they facilitate. While scholarly and theoretically rigorous, its rich empirical detail makes Queer Online vital reading for activists and members of queer communities, in the academy and beyond.

Science and technology are playing increasingly important roles in our lives. New projects in development today will fundamentally shape the world around us, and manipulate our lived experience. But how and why are such important scientific and technological projects chosen, and what are the consequences of this process? In this book, Kate O'Riordan answers these crucial question. She discovers that many objects, such as genomes and genomic projects, smart grids, de-extinction projects and biosensors cannot be granted scientific legitimacy and developed without extraordinary amounts of media, public relations, celebrity endorsements and private investment. As a result of these filters, only certain projects take centre stage when it comes to funding and political attention. O'Riordan calls these 'unreal objects' - scientific projects and technologies where utopian visions for the future are combined with investment and materialisation in the here and now. This attention to these unreal objects hides many current social issues, especially injustices and inequalities. At the same time they conjure utopian visions for how life might be improved.

As digital transformations continue to accelerate in the world, discourses of big data have come to dominate in a number of fields, from politics and economics, to media and education. But how can we really understand the digital world when so much of the writing through which we grapple with it remains deeply problematic? In a compelling new work of feminist critical theory, Bassett, Kember and O'Riordan scrutinise many of the assumptions of a masculinist digital world, highlighting the tendency of digital humanities scholarship to venerate and essentialise technical forms, and to adopt gendered writing and citation practices. Contesting these writings, practices and politics, the authors foreground feminist traditions and contributions to the field, offering alternative modes of knowledge production, and a radically different, poetic writing style. Through this prism, Furious brings into focus themes including the automation of home and domestic work, the Anthropocene, and intersectional feminist technofutures.

*NOW A MAJOR TV DRAMA ON CHANNEL 5* 'Utterly gripping and disturbing' Irish Independent 'It will get under your skin' Sunday Independent __________ A BROKEN FAMILY The lives of Rosalie Douglas and her teenage daughter, Maddie, are changed forever when they meet Jed, a beautiful, charismatic young man at Bereavement Counselling. Inexplicably and self-destructively, Maddie holds herself accountable for her brother's drowning accident in Thailand. A BEAUTIFUL STRANGER Jed moves into their lives and their home, calming the tensions between mother and daughter. Lover and confidante to a besotted Maddie, gentle surrogate son to a grateful Rosalie - on the surface their lives are transformed. But underneath a deadly and morally corrupt triangle is taking shape . . . A DANGEROUS OBSESSION Rosalie commits an unspeakable act which forces her to unravel the truth behind the beautiful stranger in their midst. The truth behind the death of her son. And the true extent of just how far she's prepared to go - to save what remains of her family. ___________ 'So tense . . . one of the most chilling psychodramas of recent years' Morning Star 'Haunting . . . atmospheric, all too believable, spellbinding' Irish Times 'A fast-paced, gripping read . . . a terrifying novel about the nature of grief, sexual obsession and stalking' Sunday Independent

'You know I did a terrible thing. What you cannot know is that there exists an extreme irony, in that, but for one unforgivable sin - far more terrible things might have transpired.' The lives of Rosalie Douglas and her teenage daughter, Maddie, are changed forever when they meet Jed, a beautiful, charismatic young man at Bereavement Counselling. Inexplicably and self-destructively, Maddie holds herself accountable for her brother's drowning accident in Thailand. Jed moves into their lives and their home. Calming the tensions between mother and daughter. He understands the twisted wilderness of grief. Lover and confidante to a besotted Maddie, gentle surrogate son to a grateful Rosalie - on the surface their lives are transformed. But underneath a deadly and morally corrupt triangle is taking shape... Rosalie commits an unspeakable act which forces her to unravel the truth behind the beautiful stranger in their midst. The truth behind the death of her son. And the true extent of just how far she's prepared to go - to save what remains of her family.

Science and technology are playing increasingly important roles in our lives. New projects in development today will fundamentally shape the world around us, and manipulate our lived experience. But how and why are such important scientific and technological projects chosen, and what are the consequences of this process? In this book, Kate O'Riordan answers these crucial question. She discovers that many objects, such as genomes and genomic projects, smart grids, de-extinction projects and biosensors cannot be granted scientific legitimacy and developed without extraordinary amounts of media, public relations, celebrity endorsements and private investment. As a result of these filters, only certain projects take centre stage when it comes to funding and political attention. O'Riordan calls these 'unreal objects' - scientific projects and technologies where utopian visions for the future are combined with investment and materialisation in the here and now. This attention to these unreal objects hides many current social issues, especially injustices and inequalities. At the same time they conjure utopian visions for how life might be improved.