An elegant consideration of the Surrealist movement as a global phenomenon and why it continues to resonate   Why does Surrealism continue to fascinate us a century after André Breton’s Manifesto of Surrealism? How do we encounter Surrealism today? Mark Polizzotti vibrantly reframes the Surrealist movement in contemporary terms and offers insight into why it continues to inspire makers and consumers of art, literature, and culture.   Polizzotti shows how many forms of popular media can thank Surrealism for their existence, including Monty Python, Theatre of the Absurd, and trends in fashion, film, and literature. While discussing the movement’s iconic figures—including André Breton, Leonora Carrington, Salvador Dalí, René Magritte, Man Ray, and Dorothea Tanning—he also broadens the traditionally French and male-focused narrative, constructing a more diverse and global representation. And he addresses how the Surrealists grappled with ideas that mirror current concerns, including racial and economic injustice, sexual politics, issues of identity, labor unrest, and political activism. Why Surrealism Matters provides a concise, engaging exploration of how, a century later, the “Surrealist revolution� remains as dynamic as ever.

Shortlisted for the International Booker Prize 2021 'A dazzling piece of historical re-imagining and a revolutionary sermon, a furious denunciation of inequality' - The judges of the International Booker prize. The fight for equality begins in the streets. From the internationally bestselling author of The Order of the Day: Eric Vuillard once again takes us behind the scenes at a moment when history was being written. The history of inequality is a long and terrible one. And it's not over yet. Short, sharp and devastating, The War of the Poor tells the story of a brutal episode from history, not as well known as tales of other popular uprisings, but one that deserves to be told. Sixteenth-century Europe: the Protestant Reformation takes on the powerful and the privileged. Peasants, the poor living in towns, who are still being promised that equality will be granted to them in heaven, begin to ask themselves: and why not equality now, here on earth? There follows a violent struggle. Out of this chaos steps Thomas Muntzer: a complex and controversial figure, who sided with neither Martin Luther, nor the Roman Catholic Church. Muntzer addressed the poor directly, encouraging them to ask why a God who apparently loved the poor seemed to be on the side of the rich. Eric Vuillard tells the story of one man whose terrible and novelesque life casts light on the times in which he lived - a moment when Europe was in flux. As in his blistering look at the build-up to World War II, The Order of the Day, Vuillard 'leaves nothing sleeping in the shadows' (L'OBS).

'A thoroughly gripping and mesmerising work of black comedy and political disaster' - Guardian Winner of the 2017 Prix Goncourt Eric Vuillard's gripping novel The Order of the Day tells the story of the pivotal meetings which took place between the European powers in the run-up to World War Two. What emerges is a fascinating and incredibly moving account of failed diplomacy, broken relationships, and the catastrophic momentum which led to conflict. The titans of German industry - set to prosper under the Nazi government - gather to lend their support to Adolf Hitler. The Austrian Chancellor realizes too late that he has wandered into a trap, as Hitler delivers the ultimatum that will lay the groundwork for Germany's annexation of Austria. Winston Churchill joins Neville Chamberlain for a farewell luncheon held in honour of Joachim von Ribbentrop: German Ambassador to England, soon to be Foreign Minister in the Nazi government, and future defendant at the Nuremberg trials. Suffused with dramatic tension, this unforgettable novel tells the tragic story of how the actions of a few powerful men brought the world to the brink of war.

A haunting novel that probes the enigmas of time and memory, by Nobel Prize-winning author Patrick Modiano In his acclaimed semi-autobiographical novella Suspended Sentences, Patrick Modiano recounted a dramatic season in his childhood, of the home he shared with sinister surrogate parents, the mysterious events that took place there, and an infamous heist that was never solved. In Scene of the Crime, Modiano conjures the aftermath of those years. A decade has passed, and Jean Bosmans, now in his early twenties, becomes aware of a set of disturbing coincidences involving an elusive woman, his childhood home, and a host of disquieting characters who seem inordinately interested in his past, for reasons he can't fathom. As he journeys into the echoes of memory, past and present become increasingly intertwined, forming a web spanning half a century. With the taut suspense of a detective novel, this book slowly peels away layers of time and forgetfulness to reveal the haunting, threatening, ultimately tragic legacies of what we think we know about our lives.

Patrick Modiano explores the boundaries of recollection in a "mesmerizing, enigmatic novel" (Publishers Weekly) "A mesmerizing, enigmatic novel. . . . A story about growing old and the gaps and omissions that make up a life. . . . Its dreamlike prose and a beguiling structural twist make it a worthy and satisfying addition to [Modiano's] accomplished oeuvre."-Publishers Weekly "Nobel Prize winner Modiano's title smartly ties together the theme, plot, and ambience of his latest book . . . The past overlaps and memories half-emerge in classic Modiano fashion, just as a message in invisible ink tentatively reveals itself in the right light."-Library Journal The latest work from Nobel laureate Patrick Modiano, Invisible Ink is a spellbinding tale of memory and its illusions. Private detective Jean Eyben receives an assignment to locate a missing woman, the mysterious Noelle Lefebvre. While the case proves fruitless, the clues Jean discovers along the way continue to haunt him. Three decades later, he resumes the investigation for himself, revisiting old sites and tracking down witnesses, compelled by reasons he can't explain to follow the cold trail and discover the shocking truth once and for all. A number one best seller in France, hailed by critics as "breathtakingly beautiful" (Les Inrockuptibles) and "refined and dazzling" (Le Journal du Dimanche), Invisible Ink is Modiano's most thrilling and revelatory work to date.

An enthralling reflection on the ways that family history influences identity, from the 2014 Nobel laureate for literature A mix of autobiography and lucid invention, this highly personal work offers a deeply affecting exploration of the meaning of identity and pedigree. With his signature blend of candor, mystery, and bewitching elusiveness, Patrick Modiano weaves together a series of interlocking stories from his family history: his parents' courtship in occupied Paris; a sinister hunting trip with his father; a chance friendship with the deposed King Farouk; a wistful affair with the daughter of a nightclub singer; and the author's life as a new parent. Modiano's riveting vignettes, filled with a coterie of dubious characters-Nazi informants, collaborationist refugees, and black-market hustlers-capture the drama that consumed Paris during World War II and its aftermath. Written in tones ranging from tender nostalgia to the blunt cruelty of youth, this is a personal and revealing book that brings the enduring significance of a complicated past to life.

With this book Paul Virilio inaugurated the new science whose object of study is the "dromocratic" revolution. Speed and Politics (first published in France in 1977) is the matrix of Virilio's entire work. Building on the works of Morand, Marinetti, and McLuhan, Virilio presents a vision more radically political than that of any of his French contemporaries: speed as the engine of destruction. Speed and Politics presents a topological account of the entire history of humanity, honing in on the technological advances made possible through the militarization of society. Paralleling Heidegger's account of technology, Virilio's vision sees speed-not class or wealth-as the primary force shaping civilization. In this "technical vitalism," multiple projectiles-inert fortresses and bunkers, the "metabolic bodies" of soldiers, transport vessels, and now information and computer technology-are launched in a permanent assault on the world and on human nature. Written at a lightning-fast pace, Virilio's landmark book is a split-second, overwhelming look at how humanity's motivity has shaped the way we function today, and what might come of it.

"Highway 61 Revisited" resonates because of its enduring emotional appeal. Few songwriters before Dylan or since have combined so effectively the intensely personal with the spectacularly universal. In "Like a Rolling Stone", his gleeful excoriation of Miss Lonely (Edie Sedgwick? Joan Baez? A composite "type"?) fuses with the evocation of a hip new zeitgeist to produce a veritable anthem. In "Ballad of a Thin Man", the younger generation's confusion is thrown back in the establishment's face, even as Dylan vents his disgust with the critics who laboured to catalogue him. And in "Desolation Row", he reaches the zenith of his own brand of surrealist paranoia, that here attains the atmospheric intensity of a full-fledged nightmare. Between its many flourishes of gallows humour, this is one of the most immaculately frightful songs ever recorded, with its relentless imagery of communal executions, its parade of fallen giants and triumphant local losers, its epic length and even the mournful sweetness of Bloomfield's flamenco-inspired fills. In this book, Mark Polizzotti examines just what makes the songs on "Highway 61 Revisited" so affecting, how they work together as a suite, and how lyrics, melody, and arrangements combine to create an unusually potent mix. He blends musical and literary analysis of the songs themselves, biography (where appropriate) and recording information (where helpful). And he focuses on Dylan's mythic presence in the mid-60s, when he emerged from his proletarian incarnation to become the American Rimbaud. The comparison has been made by others, including Dylan, and it illuminates much about his mid-sixties career, for in many respects "Highway 61" is rock 'n' roll's answer to "A Season in Hell".

"A Meteor of Intelligent Substance" "Something was Missing in our Culture, and Here It Is" "Invaluable" "Liberties is THE place to be. Change starts in the mind." Liberties, a journal of Culture and Politics, is essential reading for those engaged in the cultural and political issues and causes of our time. Liberties features serious, independent, stylish, and controversial essays by significant writers and leaders throughout the world; new poetry; and, introduces the next generation of writers and voices to inspire and impact the intellectual and creative lifeblood of today's culture and politics. In this issue of Liberties: Cass R. Sunstein - The Supreme Court Gone Wrong; Carissa Veliz - Digitization is Surveillance; Ekaterina Pravilova - The Autocrat's War; Richard Taruskin - What is Bad Taste; Jonathan Zimmerman - Memoirs of a White Savior; Richard Wolin - The Cult of Carl Schmitt; Mark Polizzotti - Surrealism and Cancellation; Andrew Butterfield - Dante During Covid; Scott Spillman - The Strange History of the Slave Songs; Leora Batnitzky - The Sacrifice of Edith Stein; Helen Vendler - Sylvia Plath on Motherhood; Jared Marcel Pollen - Was Havel Right?; Celeste Marcus - The Curse of the Radical Israeli Right; Leon Wieseltier - The Future of Nature; and new poems by Claire Malroux, Marissa Grunes, Paula Bohince.

"The Lost Steps" ("Les Pas perdus") is Andre Breton's first collection of critical and polemical essays. Composed between 1917 and 1923, these pieces trace his evolution during the years when he was emerging as a central figure in French (and European) intellectual life. They chronicle his tumultuous passage through the Dada movement, proclaim his explosive views on Modernism and its heroes, and herald the emergence of Surrealism itself. Along the way, we are given Breton's serious commentaries on his Modernist predecessors, Guillaume Apollinaire and Alfred Jarry, followed by his not-so-serious Dada manifestoes.

Also included are portraits of Marcel Duchamp, Francis Picabia, and Breton's mysterious friend Jacques Vache, as well as a crisis-by-crisis account of his dealing with Dada's leader, Tristan Tzara. Finally, Breton offers a first glimpse of Surrealism, the movement that was forever after identified with his name and that stands as a defining force in twentieth-century aesthetics.

Nobel laureate Patrick Modiano's spellbinding tale of adolescent schoolmates and the vicissitudes of fate As a boarding school student in the early 1960s, Patrick Modiano lived among the troubled teenage sons of wealthy but self-involved parents. In this mesmerizing novel, Modiano weaves together a series of exquisitely crafted stories about such jettisoned boys at the exclusive Valvert School on the outskirts of Paris: abandoned children of privilege, left to create new family ties among themselves. Misfits and heroes, sports champions and good-hearted chums, the boys of Valvert misbehave, run away, get expelled, and engage in various forms of delinquency and disappearance. They emerge into adulthood tragically damaged, still tethered to their adolescent selves, powerless to escape the central loneliness of their lives in an ever-darkening spiral of self-delusion and grim consequence. A meditation on nostalgia, the pitfalls of privilege, and the vicissitudes of fate, this book fully demonstrates the powerful mix of sadness, mystery, wonder, and ominous danger that characterizes Modiano's most rewarding fiction. Special feature: J. M. G. Le Clezio's foreword, here in English for the first time, provides a rare and insightful appreciation of one Nobel laureate by another.

"Writing," one of Marguerite Duras's last works, is a meditation on the process of writing and on her need for solitude in order to do it. In the five short pieces collected in this volume, she explores experiences that had an emotional impact on her and that inspired her to write. These vary from the death of a pilot in World War II, to the death of a fly, to an art exhibition. Two of the pieces were made into documentary films, and one was originally a short film. Both autobiographical and fictional, like much of her work, "Writing" displays Duras's unique worldview and sensitive insight in her simple and poetic prose.

In a mythical African land, some shipwrecked and uniquely talented passengers stage a grand gala to entertain themselves and their captor, the great chieftain Talou. In performance after bizarre performance -- starring, among others, a zither-playing worm, a marksman who can peel an egg at fifty yards, a railway car that rolls on calves' lungs, and fabulous machines that paint, weave, and compose music -- Raymond Roussel demonstrates why it is that Andr? Breton termed him "the greatest mesmerizer of modern times." But even more remarkable than the mind-bending events Roussel details -- as well as their outlandish, touching, or tawdry backstories -- is the principle behind the novel's genesis, a complex system of puns and double-entendres that anticipated (and helped inspire) such movements as Surrealism and Oulipo. Newly translated and with an introduction by Mark Polizzotti, this edition of "Impressions of Africa" vividly restores the humor, linguistic legerdemain, and conceptual wonder of Raymond Roussel's magnum opus.

"Elegant. Unpretentious. Approachable. . . . He is, all in all, quite an endearing Nobelist."-Michael Dirda, Washington Post "Modiano is a pure original."-Adam Thirlwell, The Guardian "A fine introduction to Modiano's later work."-The Economist "These novellas have a mood. They cast a spell."-Dwight Garner, New York Times In this essential trilogy of novellas by the winner of the 2014 Nobel Prize in Literature, French author Patrick Modiano reaches back in time, opening the corridors of memory and exploring the mysteries to be encountered there. Each novella in the volume--Afterimage, Suspended Sentences, and Flowers of Ruin-represents a sterling example of the author's originality and appeal, while Mark Polizzotti's superb English-language translations capture not only Modiano's distinctive narrative voice but also the matchless grace and spare beauty of his prose. Although originally published separately, Modiano's three novellas form a single, compelling whole, haunted by the same gauzy sense of place and characters. Modiano draws on his own experiences, blended with the real or invented stories of others, to present a dreamlike autobiography that is also the biography of a place. Orphaned children, mysterious parents, forgotten friends, enigmatic strangers-each appears in this three-part love song to a Paris that no longer exists. Shadowed by the dark period of the Nazi Occupation, these novellas reveal Modiano's fascination with the lost, obscure, or mysterious: a young person's confusion over adult behavior; the repercussions of a chance encounter; the search for a missing father; the aftershock of a fatal affair. To read Modiano's trilogy is to enter his world of uncertainties and the almost accidental way in which people find their fates.

Soupault is the co-founder of the surrealist movement, so this book should appeal to fans of surrealism as well as dada. The book also concerns well-known writers like James Joyce, Marcel Proust, and Apollinaire. This is the only English translation of this vital and rare first-person account of the French writers (and including James Joyce) who shook the literary establishment in Paris and breathed fresh air into a young century. Published on the centenary of the Dada movement. Paul Auster will blurb the book and it will feature a foreword by noted translator and Breton biographer Mark Polizzoti and an afterword by Ron Padgett.

Originally published in France in 1934, Break of Day is André Breton’s second collection of critical and polemical essays, following The Lost Steps (Nebraska 1996). In fewer than two hundred pages, it captures the first full decade of the surrealist movement. The collection opens with an essay composed in 1924 that examines key elements of surrealism and concludes with Breton’s harsh revaluation in 1933 of automatic writing. Among the other essays in the volume are “Burial Denied� and “In Self-Defense,� two pieces that, in translator Mark Polizzotti’s words, “mark surrealism’s conscious break from the mainstream and the beginning of its attempts to work alongside the French Communist Party.� Also included are “Psychiatry Standing before Surrealism,� which addresses Breton’s complex, ambivalent views on mental illness and the emerging psychiatric establishment; “Introduction to Achim von Arnim's Strange Tales,� which reveals surrealism’s debt to such precursors as the German romantics and delineates a surrealistic aesthetic of the macabre; and “Picasso in His Element,� in which Breton demonstrates his formidable talents as a critic of the visual arts.

A classic novel from recent Nobel Prize winner Patrick Modiano, now available to English-language readers in a superb new translation "Modiano at his best."-Barbara Hoffert, Library Journal (starred review) One of the hallmarks of French author Patrick Modiano's writing is a singular ability to revisit particular motifs and episodes, infusing each telling with new detail and emotional nuance. In this evocative novel the acclaimed author takes up one of his most compelling themes: a love affair with a woman who disappears, and a narrator grappling with the mystery of a relationship stopped short. Set in mid-sixties Paris, After the Circus traces the relationship between the narrator, a young man not quite of legal age whose parents are absent, and the slightly older, enigmatic married woman he first glimpses while both are being questioned by the police. Jean and Gisele make their uncertain way into each other's company and hearts, but Jean soon finds himself in the ominous presence of the woman's unsavory associates-and drawn into their mysterious activities while adrift in Paris. Who are these people? What are they up to? Are they real, or simply evoked? Part romance, part detective story, this mesmerizing book fully demonstrates Modiano's signature use of atmosphere and suggestion as he investigates the perils and the exhilaration of young love.

An engaging and unabashedly opinionated examination of what translation is and isn't. For some, translation is the poor cousin of literature, a necessary evil if not an outright travesty-summed up by the old Italian play on words, traduttore, traditore (translator, traitor). For others, translation is the royal road to cross-cultural understanding and literary enrichment. In this nuanced and provocative study, Mark Polizzotti attempts to reframe the debate along more fruitful lines. Eschewing both these easy polarities and the increasingly abstract discourse of translation theory, he brings the main questions into clearer focus: What is the ultimate goal of a translation? What does it mean to label a rendering "faithful"? (Faithful to what?) Is something inevitably lost in translation, and can something also be gained? Does translation matter, and if so, why? Unashamedly opinionated, both a manual and a manifesto, his book invites usto sympathize with the translator not as a "traitor" but as the author's creative partner. Polizzotti, himself a translator of authors from Patrick Modiano to Gustave Flaubert, explores what translation is and what it isn't, and how it does or doesn't work. Translation, he writes, "skirts the boundaries between art and craft, originality and replication, altruism and commerce, genius and hack work." In Sympathy for the Traitor, he shows us how to read not only translations but also the act of translation itself, treating it not as a problem to be solved but as an achievement to be celebrated-something, as Goethe put it, "impossible, necessary, and important."

The newest best-seller by Patrick Modiano is a beautiful tapestry that brings together memory, esoteric encounters, and fragmented sensations Patrick Modiano's first novel since his 2014 Nobel Prize revisits moments of the author's past to produce a spare yet moving reflection on the destructive underside of love, the dreams and follies of youth, the vagaries of memory, and the melancholy of loss. Writing from the perspective of an older man, the narrator relives a key period in his life through his relationships with several enigmatic women-Genevieve, Martine, Madeleine, a certain Madame Huberson-in the process unearthing his troubled relationship with his parents, his unorthodox childhood, and the unsettled years of his youth that helped form the celebrated writer he would become. This is classic Modiano, utilizing his signature mix of autobiography and invention to create his most intriguing and intimate book yet.

Patrick Modiano explores the boundaries of recollection in a "mesmerizing, enigmatic novel" (Publishers Weekly) "A mesmerizing, enigmatic novel. . . . A story about growing old and the gaps and omissions that make up a life. . . . Its dreamlike prose and a beguiling structural twist make it a worthy and satisfying addition to [Modiano's] accomplished oeuvre."-Publishers Weekly "Nobel Prize winner Modiano's title smartly ties together the theme, plot, and ambience of his latest book . . . The past overlaps and memories half-emerge in classic Modiano fashion, just as a message in invisible ink tentatively reveals itself in the right light."-Library Journal The latest work from Nobel laureate Patrick Modiano, Invisible Ink is a spellbinding tale of memory and its illusions. Private detective Jean Eyben receives an assignment to locate a missing woman, the mysterious Noelle Lefebvre. While the case proves fruitless, the clues Jean discovers along the way continue to haunt him. Three decades later, he resumes the investigation for himself, revisiting old sites and tracking down witnesses, compelled by reasons he can't explain to follow the cold trail and discover the shocking truth once and for all. A number one best seller in France, hailed by critics as "breathtakingly beautiful" (Les Inrockuptibles) and "refined and dazzling" (Le Journal du Dimanche), Invisible Ink is Modiano's most thrilling and revelatory work to date.

Martin Harris returns home after a short absence to find that his wife doesn't know him and another man is living in his house under his name. The imposter shares all of Martin's memories, experiences, and knowledge down to the last detail. Is it conspiracy? Amnesia? An elaborate hoax or his own paranoid delusion? Part moral fable, part thriller, "Unknown" is a fast-paced tale of one man's desperate attempt to reclaim his existence-even at the cost of his own life.
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Characterizing it as a "mythic discourse," Jean Baudrillard proceeds, in this brilliant essay, to dismantle the powerful, seductive figure of Michel Foucault. In 1976, Jean Baudrillard sent this essay to the French magazine Critique, where Michel Foucault was an editor. Foucault was asked to reply, but remained silent. Forget Foucault (1977) made Baudrillard instantly infamous in France. It was a devastating revisitation of Foucault's recent History of Sexuality-and of his entire oeuvre-and also an attack on those philosophers, like Gilles Deleuze and Felix Guattari, who believed that desire could be revolutionary. In Baudrillard's eyes, desire and power were interchangeable, so desire had no place in Foucault's work. There is no better introduction to Baudrillard's polemical approach to culture than these pages, in which Baudrillard dares Foucault to meet the challenge of his own thought. This Semiotext(e) edition of Forget Foucault is accompanied by a dialogue with Sylvere Lotringer, "Forget Baudrillard," a reevaluation by Baudrillard of his lesser-known early works as a post-Marxian thinker. Lotringer presses Baudrillard to explain how he arrived at his infamous extrapolationist theories from his roots in the nineteenth and early twentieth century social and anthropological works of Karl Marx, Marcel Mauss, and Emil Durkheim.