'A learned, wise, wonderfully written single volume history of a civilisation that I knew I should know more about' Tom Holland 'Masterful and engrossing...well-paced, eminently readable and well-timed. A must-read for those who want - and need - to know about the China of yesterday, today and tomorrow' Peter Frankopan China's story is extraordinarily rich and dramatic. Now Michael Wood, one of the UK's pre-eminent historians, brings it all together in a major new one-volume history of China that is essential reading for anyone who wants to understand its burgeoning role in our world today. China is the oldest living civilisation on earth, but its history is still surprisingly little known in the wider world. Michael Wood's sparkling narrative, which mingles the grand sweep with local and personal stories, woven together with the author's own travel journals, is an enthralling account of China's 4000-year-old tradition, taking in life stationed on the Great Wall or inside the Forbidden City. The story is enriched with the latest archaeological and documentary discoveries; correspondence and court cases going back to the Qin and Han dynasties; family letters from soldiers in the real-life Terracotta Army; stories from Silk Road merchants and Buddhist travellers, along with memoirs and diaries of emperors, poets and peasants. In the modern era, the book is full of new insights, with the electrifying manifestos of the feminist revolutionaries Qiu Jin and He Zhen, extraordinary eye-witness accounts of the Japanese invasion, the Great Famine and the Cultural Revolution under Chairman Mao, and fascinating newly published sources for the great turning points in China's modern history, including the Tiananmen Square crisis of 1989, and the new order of President Xi Jinping. A compelling portrait of a single civilisation over an immense period of time, the book is full of intimate detail and colourful voices, taking us from the desolate Mongolian steppes to the ultra-modern world of Beijing, Shanghai and Hong Kong. It also asks what were the forces that have kept China together for so long? Why was China overtaken by the west after the 18th century? What lies behind China's extraordinary rise today? The Story of China tells a thrilling story of intense drama, fabulous creativity and deep humanity; a portrait of a country that will be of the greatest importance to the world in the twenty-first century.

A play is written, faces censorship and is banned in its native country. There is strong international interest; the play is translated into English, it is adapted, and it is not performed.
"Censoring Translation" questions the role of textual translation practices in shaping the circulation and reception of foreign censored theatre. It examines three forms of censorship in relation to translation: ideological censorship; gender censorship; and market censorship.
This examination of censorship is informed by extensive archival evidence from the previously unseen archives of Vaclav Havel's main theatre translator, Vera Blackwell, which includes drafts of playscripts, legal negotiations, reviews, interviews, notes and previously unseen correspondence over thirty years with Havel and central figures of the theatre world, such as Kenneth Tynan, Martin Esslin, and Tom Stoppard.
Michelle Woods uses this previously unresearched archive to explore broader questions on censorship, asking why texts are translated at a given time, who translates them, how their identity may affect the translation, and how the constituents of success in a target culture may involve elements of censorship.

An exploration of the legacy of The Waste Land on the centenary of its original publication, looking at the impact it had had upon criticism and new poetries across one hundred years. T. S. Eliot first published his long poem The Waste Land in 1922. The revolutionary nature of the work was immediately recognised, and it has subsequently been acknowledged as one of the most influential poems of the twentieth century, and as crucial for the understanding of modernism. The essays in this collection variously reflect on The Waste Land one hundred years after its original publication. At this centenary moment, the contributors both celebrate the richness of the work, its sounds and rare use of language, and also consider the poem's legacy in Britain, Ireland, and India. The work here, by an international team of writers from the UK, North America, and India, deploys a range of approaches. Some contributors seek to re-read the poem itself in fresh and original ways; others resist the established drift of previous scholarship on the poem, and present new understandings of the process of its development through its drafts, or as an orchestration on the page. Several contributors question received wisdom about the poem's immediate legacy in the decade after publication, and about the impact that it has had upon criticism and new poetries across the first century of its existence. An Introduction to the volume contextualises the poem itself, and the background to the essays. All pieces set out to review the nature of our understanding of the poem, and to bring fresh eyes to its brilliance, one hundred years on. Contributors: Rebecca Beasley, Rosinka Chaudhuri, William Davies, Hugh Haughton, Marjorie Perloff, Andrew Michael Roberts, Peter Robinson, Michael Wood.

What does literature know? Does it offer us knowledge of its own or does it only interrupt and question other forms of knowledge? This 2005 book seeks to answer and to prolong these questions through the close examination of individual works and the exploration of a broad array of examples. Chapters on Henry James, Kafka, and the form of the villanelle are interspersed with wider-ranging inquiries into forms of irony, indirection and the uses of fiction, with examples ranging from Auden to Proust and Rilke, and from Calvino to Jean Rhys and Yeats. Literature is a form of pretence. But every pretence could tilt us into the real, and many of them do. There is no safe place for the reader: no literalist's haven where fact is always fact; and no paradise of metaphor, where our poems, plays and novels have no truck at all with the harsh and shifting world.

The fourth volume of Oxford Studies in Ancient Philosophy is devoted to essays in honor of Professor John Ackrill on the occasion of his 65th birthday. Contributors include: David Wiggins, Colin Strand, Julius Moravcsik, Lesley Brown, Gail Fine, Julia Annas, David Charles, Michael Woods, Christopher Kirwan, Bernard Williams, Jonathan Barnes, and Richard Sorabji.

The brand new heart-pounding instalment in the DCI Matilda Darke series is available to pre-order now! A MISSING DETECTIVE DCI Matilda Darke has been kidnapped and her nemesis, Steve Harrison appears to be behind it. He’s currently residing in the supermax of Wakefield Prison and spends twenty-three hours a day in his cell, so how could he possibly be responsible? A SERIAL KILLER WITH A VENGEANCE As Matilda’s team race to find her, they’re alerted to a body found in an abandoned car on the outskirts of Sheffield. With forensics scouring the woodland for clues, the last thing they expect is for the body count to rise. A RACE AGAINST TIME Meanwhile the search intensifies for the DCI when a video of her kidnapping is leaked to the media. And as she desperately tries to uncover what has led to her being held captive in an underground cell, she’s about to find out how much danger she’s truly in. If Matilda’s team don’t find her soon, they might not find her at all… Praise for the DCI Matilda Darke Series: ‘Tense, twisty, emotional and gripping. Will definitely be reading more from Matilda Darke and this gets a huge 5 stars from me!’ Angela Marsons ‘Matilda Darke is an excellent character’ BA Paris ‘This explosive novel is already making a bang – with reviewers comparing Michael’s work to that of his heroes Val McDermid and James Oswald’ Sheffield Star ‘DCI Matilda Darke is going places’ James Oswald ‘Crackling dialogue, dark wit and an exciting ending. Recommended if you liked Happy Valley’ Mark Edwards ‘I really enjoyed getting to know DCI Matilda Darke’ Robert Bryndza ‘DCI Matilda Darke is the perfect heroine’ Elly Griffiths

Olduvai Countdown, a compelling medical thriller in the tradition of Michael Crichton, Robin Cook, and Michael Palmer, tells the story of Jack Cann, a world-renown virologist, tired of navigating the arcane politics of a highbrow Ivy League school, who returns to his Midwestern Kansas roots to lead the quiet life of a university professor. His Utopian plan is interrupted when an African village in the Olduvai region of Africa is consumed by death in a few hours. This isolated incident in a remote region devolves into worldwide chaos as death sweeps across Africa like a Serengeti grass fire. Jack and his Asian-American wife, anthropologist Marla Qui, lead a team from the CDC trying desperately to identify the malady-a suspected genetically-mutated virus created by the North Koreans-and find a cure before it decimates the Western Hemisphere. What they discover is more terrifying than any virus: a lethal genetic mutation present since the dawn of evolution that threatens all of civilization and leaves them racing against the clock to save their own lives.

Rural policy has presented some of the most difficult and unexpected challenges to the New Labour government. From the Foot and Mouth crisis to the rise of the Countryside Alliance, from farm protests to concerns about rural crime, rural issues have frequently seized headlines and formed the basis of organized opposition to the government. Yet, the same government, elected with a record number of rural MPs, has also proactively sought to reform rural policy. This book critically reviews and analyses the development and implementation of New Labour's rural policies since 1997. It explores the factors shaping the evolution and form of New Labour's rural agenda, and assesses the impact of specific policies. Contributions examine discursive restructuring of the rural policy agenda, the institutional reforms and effects of devolution, the key political debates and challenges around hunting, agricultural reform, Foot and Mouth, housing development and the 'right to roam', and review policy developments with respect to crime, social exclusion and employment in the countryside, rural community governance and national parks. "New Labour's Countryside" will be of interest to students of contemporary British politics and of rural studies, and to anyone involved in the government and politics of the countryside.

Meets a real need for a comprehensive and unified guide to teaching literature in translation. Presents a variety of pedagogical approaches and examples from a wide variety of world languages and literary traditions, as well as modes of writing (prose, poetry, drama, film, and religious and historical texts) with the aim that many of the pedagogical approaches and strategies can be easily adapted for use with other works and traditions. Provides an invaluable set of resources for lecturers and instructors within translation studies and literature, especially essential for those teaching texts from languages and cultures with which they may have little or no familiarity.

Analyzes not just Muller's texts but also the theatrical events that emerged from them, showing that from the beginning of his career Muller tried to create democracy both within and outside the theater. The East German playwright Heiner Muller (1929-1995) is one of the most influential European dramatists and theater directors since Brecht. While critical literature on Muller often discusses the politics of his works, analysis tends to stop at the level of the text, neglecting the theatrical events that emerge from it and the audiences for which it was written and performed. Situating his study within Muller's interests in democracy and audience activity,Michael Wood addresses these gaps in scholarship, making an original contribution to the understanding of Muller's work as playwright and director. In 1985, Muller spoke of the importance of a "democratic" theater: one thatconfronts theatergoers with densely contradictory material that they must interpret for themselves, reflecting the complexity of material reality and encouraging them to question their participation in political life. Wood's studyshows that Muller sought to do this in his combined 1988 production of Der Lohndrucker, Der Horatier, and Wolokolamsker Chaussee IV: Kentauren, staged at a time when questions of democracy were at the forefront of East German consciousness. It also demonstrates that from the beginning of his career Muller tried to make theater that would create a form of democracy both within and outside the theater. Michael Wood is a British Academy Postdoctoral Fellow at the University of Edinburgh, where he received his PhD in 2014.

From the bestselling author of the DCI Matilda Darke series comes a standalone thriller that will keep you on the edge of your seat until the very last page... 'Wood gets better with every book. I couldn't let go of this tragedy of loss and deception from the moment I picked it up' Alex Marwood, author of The Island of Lost Girls *** On a cold February afternoon in 1990, seven-year-old Danny Redpath disappeared from his home. Four months later, his body was found in the nearby forest, wrapped in a sheet and washed clean of all evidence. Apprehended while attempting to abduct another child, Jonathan Egan-Walsh was charged with the murders of more than a dozen boys. Convicted on all counts, he received life in prison and went unrepentant, still refusing to reveal the whereabouts of one of his victims, Zachery Marshall. Twenty-five years later, Zachery's mother Diane is still searching for his body. When Jonathan dies in custody, she realises she will never know its location - until she receives a letter he left in his cell, in which he admits he was guilty of all the crimes of which he was accused, except the murder of her son... *** 'A twisty, gripping read takes us inside the mind of a perverted serial killer. It pulls no punches, and the final scenes come as a real shock' David Young 'Immersive and darkly devious with sly twists and a compelling protagonist' Neil Broadfoot 'If you like your crime books intense, character-driven and with regular punches to the gut, this is for you' Louise Swanson

He took her voice She took it back Don't miss the next nerve-shredding instalment in the DCI Matilda Darke Thriller series... A CENSURED DETECTIVE WITH NO LEADS DCI Matilda Darke and her team have been restricted under special measures after a series of calamitous scandals nearly brought down the South Yorkshire police force. A BRUTAL ATTACK WITH NO WITNESSES Now Matilda is on the trail of another murderer, an expert in avoiding detection with no obvious motive but one obvious method. A DEPRAVED KILLER WHO LEAVES NO TRACES When his latest victim survives the attack despite her vocal cords being severed, Matilda is more convinced than ever of the guilt of her key suspect. If only she had a way to prove it... Silent Victim is an unputdownable crime thriller with twists that will make your jaw drop - perfect for fans of Kathy Reichs and Ann Cleeves. Praise for the DCI Matilda Darke Series: 'Tense, twisty, emotional and gripping. Will definitely be reading more from Matilda Darke and this gets a huge 5 stars from me!' Angela Marsons 'Matilda Darke is an excellent character' BA Paris 'This explosive novel is already making a bang - with reviewers comparing Michael's work to that of his heroes Val McDermid and James Oswald' Sheffield Star 'DCI Matilda Darke is going places' James Oswald 'Crackling dialogue, dark wit and an exciting ending. Recommended if you liked Happy Valley' Mark Edwards 'Budge up Jed Mercurio ... when you are done working on Line of Duty I think it is time for you to meet Matilda' LJ, Read and Rated Book Review Blog 'Excellent plotting. The twists keep on coming making this an irresistible read' Michael J. Malone 'I really enjoyed getting to know DCI Matilda Darke' Robert Bryndza 'DCI Matilda Darke is the perfect heroine' Elly Griffiths

A beautifully illustrated travelogue, chronicling the life and work of one of the world greatest poets. Du Fu (712-70) is one of China’s greatest poets. His career coincided with periods of famine, war and huge upheaval, yet his secular philosophical vision, combined with his empathy for the common folk of his nation, ensured that he soon became revered. Like Shakespeare or Dante, his poetry resonates in a timeless manner that ensures it is always relevant and offers something new to the modern generation. Now, in this beautifully illustrated book, broadcaster and historian Michael Wood follows in his footsteps to try to understand the places that inspired Du Fu to write some of the most famous and best-loved poetry the world has known. The themes he wrote about – friendship, family, human suffering – are universal and in our troubled times are just as relevant as they were almost 1,300 years ago.

Meets a real need for a comprehensive and unified guide to teaching literature in translation. Presents a variety of pedagogical approaches and examples from a wide variety of world languages and literary traditions, as well as modes of writing (prose, poetry, drama, film, and religious and historical texts) with the aim that many of the pedagogical approaches and strategies can be easily adapted for use with other works and traditions. Provides an invaluable set of resources for lecturers and instructors within translation studies and literature, especially essential for those teaching texts from languages and cultures with which they may have little or no familiarity.

The best person to understand a serial killer is one of his victims. Meet Dr Olivia Winter. The pulse-pounding brand new thriller from the bestselling author of the Matilda Darke series A DARK PAST Dr Olivia Winter is a forensic psychologist whose job is to understand the minds of serial killers. There’s only one monster she can’t understand, her father. A NEW IDENTITY Notorious and brutal, he held a reign of terror until he was caught. His nine-year-old daughter was supposed to be his last victim, but she survived. A SERIAL KILLER WHO WILL STOP AT NOTHING Now, a serial killer is stalking the streets of London. As the body count rises, the police need Olivia’s help to profile him before he can strike again. But to do so, she will need to confront her own demons… *** ‘Michael Wood gets better with every book’ Alex Marwood ‘A razor sharp, taut and totally terrific crime thriller’ Louise Swanson ‘An unsettling psychological thriller with some genuinely shocking moments’ M K Murphy

Two murders. Twenty years. Now the killer is back for more... DCI Matilda Darke has returned to work after a nine month absence. A shadow of her former self, she is tasked with re-opening a cold case: the terrifyingly brutal murders of Miranda and Stefan Harkness. The only witness was their eleven-year-old son, Jonathan, who was too deeply traumatized to speak a word. Then a dead body is discovered, and the investigation leads back to Matilda's case. Suddenly the past and present converge, and it seems a killer may have come back for more... A darkly compelling debut crime novel, this is the start of a brilliant series, perfect for fans of Louise Penny and Val McDermid. Praise for Michael Wood: 'Crackling dialogue, dark wit and an exciting ending' Mark Edwards 'DCI Matilda Darke is going places' James Oswald 'I really enjoyed getting to know DCI Matilda Darke' Robert Bryndza 'A beautifully written book with a dark heart and a secret that impacts on generations' Sarah Ward 'A skilfully crafted and compelling debut that hooks from the off and will keep you guessing until the final page' M.R. Hall 'Gripping, sad and unexpected' Alex Marwood

Starting with Walter Benjamin's idea of 'reception in a state of distraction' and looking briefly at some antecedents for Benjamin's thinking, this book develops a working model of distraction in interpretation. Examples are taken from film (Benjamin's test case), literature, music, painting and photography; the book closes with a 'distracted' reading of a classic work of concentration: Milton's Paradise Lost.

Starting with Walter Benjamin's idea of 'reception in a state of distraction' and looking briefly at some antecedents for Benjamin's thinking, this book develops a working model of distraction in interpretation. Examples are taken from film (Benjamin's test case), literature, music, painting and photography; the book closes with a 'distracted' reading of a classic work of concentration: Milton's Paradise Lost.

Between 1854 and 1861, the struggle between pro-and anti-slavery factions over Kansas Territory captivated Americans nationwide and contributed directly to the Civil War. Combining political, social, and military history, Bleeding Kansas contextualizes and analyzes prewar and wartime clashes in Kansas and Missouri and traces how these conflicts have been remembered ever since. Michael E. Woods's compelling narrative of the Kansas-Missouri border struggle embraces the diverse perspectives of white northerners and southerners, women, Native Americans, and African Americans. This wide-ranging and engaging text is ideal for undergraduate courses on the Civil War era, westward expansion, Kansas and/or Missouri history, nineteenth-century US history, and other related subjects. Supported by primary source documents and a robust companion website, this text allows readers to engage with and draw their own conclusions about this contentious era in American History.

‘She is the perfect heroine’ Elly Griffiths The addictive new crime thriller featuring DCI Matilda Darke. Perfect for fans of Angela Marsons. ‘DCI Matilda Darke is going places’ James Oswald Some cases won’t die. A young boy walks into a police station in France. He claims to be Carl Meagan – a missing child from Sheffield whose name is still whispered as a warning to kids who stay out after dark.   Some children won’t be found. On her way home from the supermarket, nine-year-old Keeley Armitage vanishes without trace. Her family is overcome with shock and DCI Matilda Darke can’t help but focus on memories of the Carl Meagan case that almost ruined her career.   Some killers won’t be stopped. As Matilda investigates, she peels back the layers of grief and sadness that surround Keeley’s family. Until she is left with an unimaginable choice: betray those closest to her or let a violent killer walk free…