Mo & Phindi Grootboom believe that God created marriage primarily for the purposes of restoring the totality of the His image in the human race, as well as reflecting His relationship with His bride, the church.

They share the 13 things they wished they knew before they got married:

1. Marriage is a divine mystery with a spiritual purpose, it is more than an emotional connection
2. Marriage today is different from marriage back then, but God’s original design and purpose for marriage does not change
3. Achieving oneness in marriage is 100% possible, prioritise and relentlessly pursue your spouse in total transparency
4. Being “in love” is not enough to marry someone. You won’t feel “in love” every day
5. The worst and unexpected does happen in marriage. It’s important to understand what you mean when you vow to love someone “for better or worse”
6. Never sweat the small stuff, not every conflict in marriage is worth resolving
7. Unbroken soul ties will ruin marriages, you cannot be fully joined to your spouse while you’re still emotionally entangled to unhealthy previous attachments
8. Forgiveness is a lifestyle, when you run out of forgiveness in your marriage you run out of relationship and you run out of you
9. Marriage isn’t primarily designed to make you happy, when you expect that your spouse makes you happy, not only are you placing an unfair expectation on them, but you’re also making them an idol
10. Great sex is neither constant nor automatic, it is cultivated
11. It’s possible to lose yourself in marriage, and it is quickest and most painful way to kill your marriage
12. We marry the in-laws and the rest of the family too
13. Being on the same page financially can save your marriage, it’s about being joint-stewards over resources trusted to us irrespective of the type of our marriage contract

This practical book can possibly help to save your marriage.

A biotech manager's handbook lays out - in a simple, straightforward manner - for the manager or would-be entrepreneur the basic principles of running a biotech company. Most managers in biotechnology companies are working in their first company or in their first managerial role. Their expertise and experience in the scientific part of the work can be taken as a given but there is a whole range of other skills to be learned and areas of expertise to come to terms with. Small companies do not have big budgets to hire people or time to become an expert in so many areas. The book starts by outlining the state of the biopharmaceutical industry and goes on to explain the importance of planning (no matter what the size of the company). Succeeding chapters deal with the basics of intellectual property, perspectives from a university technology transfer office and how to raise some initial funding from an investor and entrepreneur.
No other 'how to' manual exists for this sectorWritten by a range of expert professionals in each area, all in one bookIs the only 'bench to bedside' book covering the whole spectrum of development

#1 New York Times bestselling author and illustrator Mo Willems shares wit and wisdom from The Pigeon in this one-of-a-kind humor book for adults. Discover important tips, thoughts, opinions, quotes, complaints, and basic philosophical misunderstandings in this profound collection of Pigeon-isms. This 80-page, gift-sized collector’s title features all-new original art along with big (and little) Pigeon-y tidbits to ponder, such as: Let me be the first to say that everything has already been said. Surprises happen when you least expect them. If I could change just ONE thing about myself, I'd be perfect. A must-have book for grown-up Pigeon fans!

Timothy Mo's first novel in a decade is set within the battle for secession in the Muslim regions of southern Thailand. Pure covers epic expanses of time and is told through narrators who range from fanatical zealots to decorated Oxbridge dons. Everything that Mo's readers expect abound in this long-awaited novel: versatile style, memorable characters, insight into those tormented by dual loyalties and the ability to handle the weightiest of themes with a light touch. By examining the cultural wars of the past and present, Pure's themes are among the most important of the day.

The last two decades have seen a marked increase in efforts to ensure accessibility at all levels of education, especially for people who traditionally may have been excluded, such as those with disabilities and special needs, immigrants/refugees, and those coming from different cultural, racial, religious, socioeconomic, gender and sexual backgrounds. Inclusion in education means that the educational needs of all learners are met and requires all stakeholders to work collaboratively. Strengthening inclusive education from ECD to post-school education addresses the inequalities still prevalent in many countries and discusses how to overcome them. Strengthening inclusive education from ECD to post-school education takes the view that diversity is not a problem but rather an opportunity to learn. It analyses, assesses and critiques many of the current issues surrounding inclusive education, and provides suggestions for better practice in order to mitigate them.

Jiang Cheng has learned the truth about his golden core: It was never restored, but rather replaced by one ripped from the pain-wracked body of Wei Wuxian. Things will never be the same between them, as Jiang Cheng lays his feelings bare. Meanwhile, the master of Golden Carp Tower's schemes begin to crumble, and one dark truth after another spills forth from his lips. Yet might he not be the true mastermind? Might there be some other hidden player, who manipulated everything from the shadows.

Lan Wangji and Wei Wuxian join forces, playing their qin and flute together to battle against evils newly unveiled. On the other side of peril awaits the dream of happiness and the open expression of all the feelings they've so long held quietly in their hearts. Don't miss the end of their internationally beloved saga!

Korean director Hae-sung Song's remake of John Woo's 1986 action blockbuster. Leaving his younger brother Cheol (Kim Kang-woo) behind, Kim Hyeok (Jin-mo Ju) flees North Korea with his best friend Lee Yeong-choon (Seung-heon Song), and sets himself up as an illegal arms smuggler in South Korea. After being double-crossed in an arms deal, Hyeok is caught and spends three years in jail. On his release, and still guilt-ridden over leaving his brother behind, he sets out to seek a reconciliation with Cheol, now a police officer, only to have his advances rebuffed. Now, as Hyeok tries to go straight, he finds himself on a collision course with Cheol as the two opposing brothers get caught up in a gang war that threatens to engulf them both.

Solve for Happy is a startlingly original book about creating and maintaining happiness, written by a top Google executive with an engineer's training and fondness for thoroughly analyzing a problem.

In 2001, Mo Gawdat, a remarkable thinker whose gifts had landed him top positions in half a dozen companies and who - in his spare time - had created significant wealth, realized that he was desperately unhappy. A lifelong learner, he attacked the problem as an engineer would, examining all the provable facts and scrupulously following logic. When he was finished, he had discovered the equation for enduring happiness.

Ten years later, that research saved him from despair when his college-aged son, Ali - also intellectually gifted - died during routine surgery. In dealing with the loss, Mo found his mission: he would pull off the type of 'moonshot' that he and his Google [X] colleagues were always aiming for: he would help ten million people become happier by pouring his happiness principles into a book and spreading its message around the world.

One of Solve for Happy's key premises is that happiness is a default state. If we shape expectations to acknowledge the full range of possible events, unhappiness is on its way to being defeated. To steer clear of unhappiness traps, we must dispel the six illusions that cloud our thinking (e.g., the illusion of time, of control, and of fear); overcome the brain's seven deadly defects (e.g., the tendency to exaggerate, label, and filter), and embrace five ultimate truths (e.g., change is real, now is real, unconditional love is real).

By means of several highly original thought experiments, Mo helps readers find enduring contentment by questioning some of the most fundamental aspects of their existence.

From #1 New York Times bestselling, award-winning author and illustrator Mo Willems comes a new holiday classic. It’s the most wonderful time of the year—for driving a sleigh! ’Tis also the season—for driving a sleigh! Oh, and joy to the—driving a sleigh! The Pigeon has made a list and checked it once. Can his holiday dream come true? Or will The Pigeon be left out in the cold? You’ll share some HO-HO-HOs and HA-HA-HAs finding out in three-time Caldecott Honoree Mo Willems’ ninth Pigeon book, Don’t Let the Pigeon Drive the Sleigh!

Aloha Comics proudly presents Heaven Official's Blessing manhua adapted from the super popular anime based on the best-selling novel of the same name by Mo Xiang Tong Xiu. The prince had entirely forgotten that it was the eve of the Hungry Ghost Festival when he set out on his journey. On this night, one risks wandering into the Ghost Realm without a chance of returning. Narrowly escaping vengeful spirits, Xie Lian and San Lang make it to Puqi, the Village of Water Chestnuts. But before they can rest or tidy up the shrine, a frantic Taoist arrives with a plea for aid. And so, the heroes embark on yet another perilous adventure, accompanied by two volunteers — Nan Feng and Fu Yao.

Aloha Comics Brings Heaven Official's Blessing Manhua Vol. 2!

Dive into the breathtaking continuation of Mo Xiang Tong Xiu's masterpiece, adapted from the smash-hit anime and best-selling novel! Follow Xie Lian as he unravels the chilling secret behind the ghost groom's vendetta and takes a bold step to establish his own shrine in a secluded village. Don't miss this epic tale of mystery, courage, and divinity!

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.