Translation, Biopolitics, Colonial Difference, the fourth book in the Traces series, focuses on the problems of translation and the political dynamics surrounding multiplicity - linguistic, regional, transnational, and civilizational - today. The international group of authors deal, both theoretically and empirically, with the historical obstacles and future opportunities offered by an emerging global order that is still struggling with the legacy of the previous four centuries of Eurocentric capitalist development. The authors amply illustrate that the concept of translation is far from being singularly determined, and how extremely difficult it is for philosophy to be distinct from translation. Here translation is regarded as a general concept, by which the Eurocentric framework implicit in the existent academic practices of comparison is problematized and according to which old questions are transformed into new ones and articulated to one another across disciplinary boundaries and regional or national borders. This book shows how the emerging global order might be viewed once we have been liberated from the Eurocentric perspective; it includes sociological inquiries into the system of international security networks and an analysis of the consequences of the transformation of the nation-state; it deals with the foundation of international law and its unalienable connection to modern colonial violence, and the foundational complicity between modern sovereignty and biopolitics. On an empirical note, the essays in this major volume deal with the various practices of translation in multiple locales, the belated constitution of anthropological language, philosophical discussion on translation, and the sexual aspects of translational politics. The relations between economics, ontology, and politics together form the crossroads at which the authors in this volume meet. As such, the volume will be of interest to an interdisciplinary audience of readers in the Humanities concerned with the intersections among politics, economy, philosophy, postcoloniality, and translation studies, and would above all attract interest from the emerging readership in biopolitics (under the field of comparative literature).

This book critically analyzes the global hegemony of the United States – a hegemony whose innovative aspect consists in articulating postcoloniality to imperial control – in relation to knowledge and knowledge production. Through targeted case studies on the historical relationship between regional areas and the United States, the authors explore possibilities and obstacles to epistemic decolonization. By highlighting the connection between the control of work and the control of communication that has been at the core of the colonial regimes of accumulation (‘classic colonialism’), they present an entirely new form of disciplinary practice, not based on the equation of evolution and knowledge. An extensive introduction outlines the historical genealogy of Pax Americana epistemic hegemony, while individual chapters examine the implications for different regions of the world and different domains of activity, including visual culture, economy, migration, the arts, and translation. This interdisciplinary collection will appeal to students and scholars in many fields, including Asian studies, American studies, postcolonialism, and political theory.

This anthology critically re-examines and re-articulates the discursive boundary that binds the region called East Asia in order to produce Trans-Pacific Studies. Recognizing that the creation of regional boundaries depends on a new configuration of both inter- and intra-national power relations and the ideological constructs that generate historical, ideological, and cultural effects, this volume proposes that the term "trans-Pacific" be mobilized to complicate the phrase "East Asian" as the boundary of academic discipline and socio-cultural discourse. The anthology also examines the historical conditions under which "East Asia" was constructed as an area and the trans-Pacific directives that nurtured the sense of nationality in each component nation of East Asia.With the contribution of: Sun Ge (The Institute of Literature, Chinese Academy of Social Sciences); Soyoung Kim (Korean National University of Arts); Hyoduk Lee (Tokyo University of Foreign Studies); Jie-Hyun Lim (Hanyang University); Lisa Lowe (University of California); Tessa Morris-Suzuki (The Australian National University); Naoki Sakai (Cornell University), Yuko Shibata (Saint John's University); Annmaria Shimabuku (University of California); Ikuo Shinjou (University of the Ryukyus); Hyon Joo Yoo (University of Vermont).

This collection draws from scholars across different languages to address and assess the scholarly achievements of Tawada Yoko. Yoko, born in Japan (1960) and based in Germany, writes and presents in both German and Japanese. The contributors of this volume recognize her as one of the most important contemporary international writers. Her published books alone number more than fifty volumes, with roughly the same number in German and Japanese. Tawada's writing unfolds at the intersections of borders, whether of language, identity, nationality, or gender. Her characters are all travelers of some sort, often foreigners and outsiders, caught in surreal in-between spaces, such as between language and culture, or between species, subjectivities, and identities. Sometimes they exist in the spaces between gendered and national identities; sometimes they are found caught between reality and the surreal, perhaps madness. Tawada has been one of the most prescient and provocative thinkers on the complexities of travelling and living in the contemporary world, and thus has always been obsessed with passports and trouble at borders. This current volume was conceived to augment the first edited volume of Tawada's work, Yoko Tawada: Voices from Everywhere, which appeared from Lexington Books in 2007. That volume represented the first extensive English language coverage of Tawada's writing. In the meantime, there is increased scholarly interest in Tawada's artistic activity, and it is time for more sustained critical examinations of her output. This collection gathers and analyzes essays that approach the complex international themes found in many of Tawada's works.

In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or "reclusive withdrawal"-Japan's increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation's young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order-under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution-signals neither the "decline of the West" nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.

In The End of Pax Americana, Naoki Sakai focuses on U.S. hegemony's long history in East Asia and the effects of its decline on contemporary conceptions of internationality. Engaging with themes of nationality in conjunction with internationality, the civilizational construction of differences between East and West, and empire and decolonization, Sakai focuses on the formation of a nationalism of hikikomori, or "reclusive withdrawal"-Japan's increasingly inward-looking tendency since the late 1990s, named for the phenomenon of the nation's young people sequestering themselves from public life. Sakai argues that the exhaustion of Pax Americana and the post--World War II international order-under which Taiwan, South Korea, Hong Kong, and China experienced rapid modernization through consumer capitalism and a media revolution-signals neither the "decline of the West" nor the rise of the East, but, rather a dislocation and decentering of European and North American political, economic, diplomatic, and intellectual influence. This decentering is symbolized by the sense of the loss of old colonial empires such as those of Japan, Britain, and the United States.

This collection draws from scholars across different languages to address and assess the scholarly achievements of Tawada Yoko. Yoko, born in Japan (1960) and based in Germany, writes and presents in both German and Japanese. The contributors of this volume recognize her as one of the most important contemporary international writers. Her published books alone number more than fifty volumes, with roughly the same number in German and Japanese. Tawada's writing unfolds at the intersections of borders, whether of language, identity, nationality, or gender. Her characters are all travelers of some sort, often foreigners and outsiders, caught in surreal in-between spaces, such as between language and culture, or between species, subjectivities, and identities. Sometimes they exist in the spaces between gendered and national identities; sometimes they are found caught between reality and the surreal, perhaps madness. Tawada has been one of the most prescient and provocative thinkers on the complexities of travelling and living in the contemporary world, and thus has always been obsessed with passports and trouble at borders. This current volume was conceived to augment the first edited volume of Tawada's work, Yoko Tawada: Voices from Everywhere, which appeared from Lexington Books in 2007. That volume represented the first extensive English language coverage of Tawada's writing. In the meantime, there is increased scholarly interest in Tawada's artistic activity, and it is time for more sustained critical examinations of her output. This collection gathers and analyzes essays that approach the complex international themes found in many of Tawada's works.

How can a post-national Japanese Studies be defined? How might the postwar myth of a monoethnic Japan be historicized? Can new forms of nationalism be effectively criticized by evoking a spirit of nationalist democracy? This book contains a series of groundbreaking essays by major Japanese and American scholars seeking to locate "Japan" beyond the geographical and ideological boundaries established post-1945 and under the Cold War. Included are essays on such iconic cultural figures as Maruyama Masao and Takamura Kōtarō; on the impact of colonialism on prewar theories of race, language, and multi-culturalism; on gender and nationalism; on the critique of culturalist notions of the "native speaker" and "mother tongue," and on Asian nationalisms in the era of globalization.

How can a post-national Japanese Studies be defined? How might the postwar myth of a monoethnic Japan be historicized? Can new forms of nationalism be effectively criticized by evoking a spirit of nationalist democracy? This book contains a series of groundbreaking essays by major Japanese and American scholars seeking to locate "Japan" beyond the geographical and ideological boundaries established post-1945 and under the Cold War. Included are essays on such iconic cultural figures as Maruyama Masao and Takamura Kōtarō; on the impact of colonialism on prewar theories of race, language, and multi-culturalism; on gender and nationalism; on the critique of culturalist notions of the "native speaker" and "mother tongue," and on Asian nationalisms in the era of globalization.