I kept putting myself in danger, and I couldn't make it stop. It rarely felt like a choice, though, of course, in some ways it was. It's only the death drive, my dear, Freud would likely tell me, if I lay my body down on his carpet-covered couch. Everybody needs a little oblivion. Besides, what is the fantasy of the knight on a white charger if not an abandonment wish? A desire to be rescued from your own life by a story. But if addiction is rooted in the will to forget, recovery is an act of remembering - a slow reconnection with the parts of yourself that slipped out of reach while you hungered for escape. This Ragged Grace tells the story of Octavia's journey through recovery from alcohol addiction, and the parallel story of her father's descent into Alzheimer's. Looking back over this time, each of the seven chapters explores the feelings and experiences of the corresponding year of her recovery, tracing the shift in emotion and understanding that comes with the deepening connection to this new way of life. Over the course of this seven-year period, life continues to unfold. Paths are abandoned, people fall ill, waters get choppy, seemingly impossible things are navigated without the old fixes. As Octavia moves between London, the island of Stromboli, New York, Cornwall and Margate, each place offers something new but ultimately always delivers the same message: that wherever you go, you take yourself with you.

A lyrical manifestation of Leticia Valverdes' award-winning project that took her on a journey back to Portugal, her grandmother's motherland. This extraordinary project resulted in a magical collaboration with the inhabitants of Ana's birthplace, the village of Mundao. By inviting the villagers to write a postcard to her now dead grandmother, they became the fictional friends she believed she had whilst dying with Alzheimer's disease in Brazil. Through photography interspersed with poetic text, cyanotypes and votive offerings, this is a personal yet universal story exploring transgenerational trauma, longing, migration, and what it means to feel divided between two cultures. A hundred years on, this is the perfect time to tell this story, as Europe is engulfed in debates about borders, nationalism and migration.

Beautiful artist’s book about Tin Drum’s MR installation, Medusa. A meditation on emergent technologies, nature and architecture amidst the climate crisis with contributions from celebrated writers, academics and thinkers. The mixed reality Medusa installation began with the questions: is there even such a thing as non-physical architecture? What is the function of architecture without physical form? Directed by Yoyo Munk and produced by Tin Drum, it headlined the 2021 London Design Festival at the Victoria & Albert Museum. Yoyo Munk’s first book is an exploration into Medusa’s themes, reflecting on our changing relationship with architecture within the context of rapidly advancing technology and ongoing mass extinction. Featuring original artwork by Tin Drum, Medusa is a timely and moving artist’s book about climate grief. Medusa includes fascinating conversations between Munk and Sou Fujimoto, the renowned architect and Medusa collaborator, James Bridle, author of Ways of Being; Veronica Strang, cultural anthropologist; and Seirian Sumner, author of Endless Forms: The Secret World of Wasps. A dazzling poetic contribution from Octavia Bright, author of This Ragged Grace: A Memoir of Recovery and Renewal is interspersed throughout the book. Medusa is an art object to be treasured, employing multiple inks, foils, papers and processes.