Paul O'Neill was the undisputed heart and soul of the four-time World Series-winning New York Yankees from 1993 to 2001. O'Neill epitomized the team's motto of hard work and good sportsmanship, traits instilled in him by his friend, confidant, lifelong model, and biggest fan: his dad, Chick O'Neill.

In Me and My Dad, O'Neill writes from the heart about the man who inspired in him a love for the game and a determination to always play his best. O'Neill remembers the highlights of his own amazing career: the Cincinnati Reds calling him up to the majors, his first World Series, being traded to the Yankees -- and taking part in their recent championship wins. He also reflects on his father's untimely death during the 1999 World Series and on the farewell tribute his fans gave him during his last game in Yankee Stadium.

The global security situation is challenging and constantly changing. Responding to threats requires the effective coordination of the various levers of national power. These must now go beyond the traditional diplomatic, information, military and economic levers, to involve other, non-security agencies, including those responsible for the environment, health, education and industry. Through a uniquely extensive study of countries from across the world, this book considers how nations have developed bespoke coordination mechanisms to the unique threats they face, and how these mechanisms have had to evolve as the threats change. It covers nations for whom the system is well established (e.g. the US in 1947) and other countries whose arrangements are more recent, such as the UK (2010). Where the National Security Councils have existed for longest, the case studies highlight how they have transformed as the national understanding of security has changed, typically to reflect a broadening. Consequently, while there are no universal solutions, the comparative approach taken in this book identifies enduring principles for shaping the creation or reform of national security coordination fit for the challenges of the twenty-first century.

The global security situation is challenging and constantly changing. Responding to threats requires the effective coordination of the various levers of national power. These must now go beyond the traditional diplomatic, information, military and economic levers, to involve other, non-security agencies, including those responsible for the environment, health, education and industry. Through a uniquely extensive study of countries from across the world, this book considers how nations have developed bespoke coordination mechanisms to the unique threats they face, and how these mechanisms have had to evolve as the threats change. It covers nations for whom the system is well established (e.g. the US in 1947) and other countries whose arrangements are more recent, such as the UK (2010). Where the National Security Councils have existed for longest, the case studies highlight how they have transformed as the national understanding of security has changed, typically to reflect a broadening. Consequently, while there are no universal solutions, the comparative approach taken in this book identifies enduring principles for shaping the creation or reform of national security coordination fit for the challenges of the twenty-first century.

Self-Assessment in Otolaryngology, by Drs. James Paul O'Neill and Jatin P. Shah, covers the entire field of otolaryngology, offering 24 comprehensive chapters filled with questions and answers, bulleted information, case histories, and much more. Written by specialists from around the world, this one-of-a-kind self-assessment tool showcases today's international, expert knowledge and judgment in the practice of otolaryngology Includes a variety of questions in every chapter (true/false, multiple choice, and "best answer") followed by high-yield information, case histories, management issues, images, scans, and recommended readings. Every question is followed by a bulleted list of the minimum core knowledge required for that particular area. Offers the most current information on new technologies, outcomes data, results of clinical trials, and future directions. Contains both U.S. and European-style board questions. Allows you to test your expertise on hundreds of day-to-day issues encountered in the practice of otolaryngology. Consult this title on your favorite e-reader, conduct rapid searches, and adjust font sizes for optimal readability.

The future of curatorial practice: how education, research, and institutions can adapt to the expansion of the curatorial field. Today curators are sometimes more famous than the artists whose work they curate, and curatorship involves more than choosing objects for an exhibition. The expansion of the curatorial field in recent decades has raised questions about exhibition-making itself and the politics of production, display, and distribution. The Curatorial Conundrum looks at the burgeoning field of curatorship and tries to imagine its future. Indeed, practitioners and theorists consider a variety of futures: the future of curatorial education; the future of curatorial research; the future of curatorial and artistic practice; and the institutions that will make these other futures possible. The contributors examine the proliferation of graduate programs in curatorial studies over the last twenty years, and consider what can be taught without giving up what is precisely curatorial, within the ever-expanding parameters of curatorial practice in recent times. They discuss curating as collaborative research, asking what happens when exhibition operates as a mode of research in its own right. They explore curatorial practice as an exercise in questioning the world around us; and they speculate about what it will take to build new, innovative, and progressive curatorial research institutions. Contributors Nancy Adajania, Melanie Bouteloup, Nikita Yingqian Cai, Luis Camnitzer, Eddie Chambers, Zasha Cerizza Colah, Galit Eilat, Liam Gillick, Koyo Kouoh, Miguel A. Lopez, Hans Ulrich Obrist, Paul O'Neill, Tobias Ostrander, Joao Ribas, Sarah Rifky, Sumesh Sharma, Simon Sheikh, Lucy Steeds, Jeannine Tang, David The, Jelena Vesic & Vladimir Jeric Vlidi, What, How & for Whom/WHW, Mick Wilson, Vivian Ziherl Copublished with the Center for Curatorial Studies Bard College/Luma Foundation

Self-Assessment in Head and Neck Surgery and Oncology is a one-of-a-kind, comprehensive medical reference book that showcases international, expert knowledge and judgment in the practice of head and neck surgery and oncology. It offers a variety of true/false statements and multiple-choice questions, as well as patient and case histories, coverage of the newest technologies, and much more. This brand-new resource is perfectly suited for otolaryngology residents, oncologists, and surgeons who wish to measure their understanding of how to effectively manage the day-to-day problems and issues arising in patients with neoplasms of the head and neck. Test your expertise. Various forms of self-assessment include true/false statements and multiple-choice questions throughout. Take advantage of patient and case histories accompanied by real-life photographs and scans. Reference the correct answer to every question, which is followed by a bulleted list of the minimum core knowledge required for that particular area. Access the most current information on new technologies, outcomes data, results of clinical trials, and future directions. Further your research with a list of suggested readings included in each chapter. Search the full text online at Expert Consult.

Reflections on how institutions inform art, curatorial, educational, and research practices while they shape the world around us. Contemporary art and curatorial work, and the institutions that house them, have often been centers of power, hierarchy, control, value, and discipline. Even the most progressive among them face the dilemma of existing as institutionalized anti-institutions. This anthology-taking its title from Mary Douglas's 1986 book, How Institutions Think-reconsiders the practices, habits, models, and rhetoric of the institution and the anti-institution in contemporary art and curating. Contributors reflect upon how institutions inform art, curatorial, educational, and research practices as much as they shape the world around us. They consider the institution as an object ofienquiry across many disciplines, including political theory, organizational science, and sociology. Bringing together an international and multidisciplinary group of writers, How Institutions Think addresses such questions as whether institution building is still possible, feasible, or desirable; if there are emergent institutional models for progressive art and curatorial research practices; and how we can establish ethical principles and build our institutions accordingly. The first part, "Thinking via Institution," moves from the particular to the general; the second part, "Thinking about Institution," considers broader questions about the nature of institutional frameworks. Contributors include Natasa Petresin Bachelez, Dave Beech, Melanie Bouteloup, Nikita Yingqian Cai, Binna Choi and Annette Kraus, Celine Condorelli, Pip Day, Clementine Deliss, Keller Easterling and Andrea Phillips, Bassam El Baroni, Charles Esche, Patricia Falguieres, Patrick D. Flores, Marina Grzinic, Stefano Harney and Fred Moten, Alhena Katsof, Emily Pethick, Sarah Pierce, Moses Serubiri, Simon Sheikh, Mick Wilson

What it means to be global-or to be local-in the context of artistic, curatorial, and theoretical knowledge and practice. In this volume, an international, interdisciplinary group of writers discuss what it means to be global-or to be local-in the context of artistic, curatorial and theoretical knowledge and practice. Continuing the discussion begun in The Curatorial Conundrum (2016) and How Institutions Think (2017), Curating After the Global considers curating and questions of locality, geopolitical change, the reassertion of nation-states, and the violent diminishing of citizen and denizen rights across the globe. It has become commonplace to talk of a globalized art world and even to speak of contemporary art as a driver of globalization. This universalization of what art is or can be is often presumed to be at the cost of local traditions and any sense of locality and embeddedness. But need this be the case? The contributors to Curating After the Global explore, among other things, specific curatorial projects that may offer roadmaps for the globalized present; new institutional approaches; and ways of thinking, vocabularies, and strategies for moving forward. Contributors include Lotte Arndt, Marwa Arsanios, Athena Athanasiou and Simon Sheikh, Maria Berrios and Jakob Jakobsen, Qalandar Bux Memon, Ntone Edjabe and David Morris, Liam Gillick, Alison Greene, Yaiza Maria Hernandez Velazquez, Prem Krishnamurthy and Emily Smith, Nkule Mabaso, Morad Montazami, Paul-Emmanuel Odin, Vijay Prashad, Kristin Ross, Grace Samboh, Sumesh Sharma, Joshua Simon, Hajnalka Somogyi, Lucy Steeds, Francoise Verges Copublished with the Center for Curatorial Studies Bard College/Luma Foundation