Membership marketing and management is an ever more demanding role within the institutions served-meeting fiscal demands, keeping pace with online marketing opportunities, and making data-driven decisions. The demands are diverse and ever-changing. This book addresses all aspects of management, expectations and productivity of a membership program in the digital age. Benchmarking, best practices and realistic outcomes are presented. Membership Marketing In The Digital Age is a membership manager's reference book to what works and how on relevant topics such as: *Member acquisition *Membership planning and projections *Membership retention and renewals *Membership servicing, engagement and loyalty It features over seventy illustrations including reproductions of marketing pieces and management tools used by leading museums and libraries across the country. Here's a book that will help your museum or library generate many times the purchase price through better practices that will increase your membership many times over.

Membership marketing and management is an ever more demanding role within the institutions served-meeting fiscal demands, keeping pace with online marketing opportunities, and making data-driven decisions. The demands are diverse and ever-changing. This book addresses all aspects of management, expectations and productivity of a membership program in the digital age. Benchmarking, best practices and realistic outcomes are presented. Membership Marketing In The Digital Age is a membership manager's reference book to what works and how on relevant topics such as: *Member acquisition *Membership planning and projections *Membership retention and renewals *Membership servicing, engagement and loyalty It features over seventy illustrations including reproductions of marketing pieces and management tools used by leading museums and libraries across the country. Here's a book that will help your museum or library generate many times the purchase price through better practices that will increase your membership many times over.

The question of 'recognition' motivates a range of contemporary social movements and forms the backdrop to legal and policy change, and theoretical and political debate. This timely book draws on original research to examine the meanings and significance of, and contestations around, recognition in relation to the aptly named UK 'Gender Recognition Act'. Gender Diversity, Recognition and Citizenship: Towards a Politics of Difference considers changing UK law and policy around gender diversity within the context of broader social, cultural, legal, political, theoretical, and policy shifts concerning gender and sexuality. In bringing together a wide range of critical interdisciplinary perspectives, and by addressing key debates about inclusion, equality, diversity, human rights and citizenship, the book examines gaps between law and policy, and everyday experiences and understandings of social justice. Through a critical engagement with a politics of recognition, Gender Diversity, Recognition and Citizenship instates the value of a 'politics of difference'.

This book examines the meanings and significance of the UK Gender Recognition Act within the context of broader social, cultural, legal, political, theoretical and policy shifts concerning gender and sexual diversity, and addresses current debates about equality and diversity, citizenship and recognition across a range of disciplines.

This book re-examines political, conceptual and methodological concerns of 'intersectionality', bringing these into conversation with sexuality studies. It explores sexual identifications, politics and inequalities as these (dis)connect across time and place, and are re-constituted in relation to class, disability, ethnicity, gender and age.

This book re-examines political, conceptual and methodological concerns of 'intersectionality', bringing these into conversation with sexuality studies. It explores sexual identifications, politics and inequalities as these (dis)connect across time and place, and are re-constituted in relation to class, disability, ethnicity, gender and age.

Zen is not a religion of God, nor a religion of faith. It is a religion of emptiness, a religion of absolute nothingness. However it is not nothingness but dynamically positive, for Zen is based on self-awakening, awakening to the self. In this book, a sequel to Zen and Western Thought, the author tries to clarify the true meaning of Buddhist emptiness in comparison with Aristotelian notion of substance and Whiteheadron notion of process. He also emphasises that Buddhism completely defies and overcomes dualism, but it is not monistic, but rather nondualistic. What is Nondualism? This is one of the important themes of this book.

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

New regulations governing satellites in geostationary orbit require satellites to transfer into a parking orbit as part of the decommissioning process. These regulations increasethe demand for accurate fuel estimation techniques for satellites. This study estimatesthe change in fuel mass from the dynamic response of the Air Force Institute of Technology's simulated satellite (SimSAT) to known control inputs. With an iterative process, themoment of inertia of SimSAT about the yaw axis was estimated by matching a model of SimSAT to the measured angular rates. A change in fuel mass was then estimated from the known relation between the change in moment of inertia to the change in fuel mass. Fuel masses of 1, 2, and 3 kilograms were estimated. The fuel estimation process developed in this study was able to estimate the fuel as 1.5664 3.7157 kg, 2.8880 3.8875 kg, and 3.9114 3.4648 kg respectively. While the theory behind the estimation process is sound, the implementation still requires work.

Arthur Drexler (1921-1987) served as the curator and director of the Architecture and Design Department at the Museum of Modern Art (MOMA) from 1951 until 1986-the longest curatorship in the museum's history. Over four decades he conceived and oversaw trailblazing exhibitions that not only reflected but also anticipated major stylistic developments. Although several books cover the roles of MoMA's founding director, Alfred Barr, and the department's first curator, Philip Johnson, this is the only in-depth study of Drexler, who gave the department its overall shape and direction. During Drexler's tenure, MoMA played a pivotal role in examining the work and confirming the reputations of twentieth-century architects, among them Frank Lloyd Wright, Le Corbusier, Richard Neutra, Marcel Breuer, and Ludwig Mies van der Rohe. Exploring unexpected subjects-from the design of automobiles and industrial objects to a reconstruction of a Japanese house and garden-Drexler's boundary-pushing shows promoted new ideas about architecture and design as modern arts in contemporary society. The department's public and educational programs projected a culture of popular accessibility, offsetting MoMA's reputation as an elitist institution. Drawing on rigorous archival research as well as author Thomas S. Hines's firsthand experience working with Drexler, Architecture and Design at the Museum of Modern Art analyses how MoMA became a touchstone for the practice and study of midcentury architecture.