Brought to New England and bound into servitude to pay her father's debts, Alice Cole, at fifteen, can barely remember the time when she was not a servant to John Morton. His daughter, Nabby--only three years older than Alice--begins as Alice's childhood companion, but when Nabby weds, she becomes Alice's mistress. But the marriage is not what it appears, and Alice, endangered by its storm, defies her new master and the law, and escapes to Boston. Impulsively stowing away on a ship to Satucket on Cape Cod, Alice believes that she has left her old life and her secrets behind. Yet in a time of unrest and uncertainty, as political and personal stakes rise and intertwine, she discovers that freedom, friendship, trust, and love each have a price far greater than she ever imagined.

Married for twenty years to Edward Berry, Lyddie is used to the trials of being a whaler's wife in the Cape Cod village of Satucket, Massachusetts--running their house herself during her husband's long absences at sea, living with the daily uncertainty that Edward will simply not return. And when her worst fear is realized, she finds herself doubly cursed. She is overwhelmed by grief, and her property and rights are now legally in the hands of her nearest male relative: her daughter's overbearing husband, whom Lyddie cannot abide. Lyddie decides to challenge both law and custom for control of her destiny, but she soon discovers the price of her bold "war" for personal freedom to be heartbreakingly dear.

Includes the fascinating "story behind the story" of "The Widow's War," a map of colonial Brewster, and a driving tour of the village of Satucket.

Jane Clarke leads a simple yet rich life in the village of Satucket on Cape Cod--until her refusal to marry the man her father has picked out as his son-in-law causes an irreparable tear in the family fabric. Banished to Boston to make her living as best she can, Jane enters a strange, bustling city awash with redcoats and rebellious fervor. And soon her new life is complicated by her growing attachment to her frail aunt, her friendship with the bookseller Henry Knox, and the unexpected kindness of British soldiers, which pits her against the townspeople and her own brother, Nate, a law clerk working for John Adams. But it is the infamous Boston Massacre--the killing of five colonists by British soldiers on a cold March evening in 1770--that forces Jane to question accepted truths as she confronts the most difficult choice of her life.

Sally Gunning's The Rebellion of Jane Clarke is an unforgettable story of one woman's struggle to find her own place and leave her mark as a new country is born.

From the critically acclaimed author of Monticello and The Widow's War comes a vividly rendered historical novel of love, loss, and reinvention, set on Martha's Vineyard at the end of the nineteenth century. Martha's Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston's renowned Museum School, enrolling in art courses that were once deemed "unthinkable" for women to take, and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven, and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband. Ezra runs a salvage company in town with his business partner, Mose Barstow, but he much prefers their nightly card games at the local pub to his work in their Boston office, not to mention filling haystacks and tending sheep on the farm at home-duties that have fallen to Ida and their part-time farmhand, Lem. Ida, meanwhile, has left her love for painting behind. It comes as no surprise to Ida when Ezra is hours late for a Thanksgiving dinner, only to leave abruptly for another supposedly urgent business trip to Boston. But then something unthinkable happens: a storm strikes and the ship carrying Ezra and Mose sinks. In the wake of this shocking tragedy, Ida must settle the affairs of Ezra's estate, a task that brings her to a familiar face from her past-Henry Barstow, Mose's brother and executor. As she joins Henry in sifting through the remnants of her husband's life and work, Ida must learn to separate truth from lies and what matters from what doesn't. Captured in rich, painterly prose-piercing as a coastal gale and shimmering as sunlight on the waves-Painting the Light is an arresting portrait of a woman, and a considered meditation on grief, persistence, and reinvention.

From the critically acclaimed author of Monticello and The Widow's War comes a vividly rendered historical novel of love, loss, and reinvention, set on Martha's Vineyard at the end of the nineteenth century. Martha's Vineyard, 1898. In her first life, Ida Russell had been a painter. Five years ago, she had confidently walked the halls of Boston's renowned Museum School, enrolling in art courses that were once deemed "unthinkable" for women to take, and showing a budding talent for watercolors. But no more. Ida Russell is now Ida Pease, resident of a seaside farm on Vineyard Haven, and wife to Ezra, a once-charming man who has become an inattentive and altogether unreliable husband. Ezra runs a salvage company in town with his business partner, Mose Barstow, but he much prefers their nightly card games at the local pub to his work in their Boston office, not to mention filling haystacks and tending sheep on the farm at home-duties that have fallen to Ida and their part-time farmhand, Lem. Ida, meanwhile, has left her love for painting behind. It comes as no surprise to Ida when Ezra is hours late for a Thanksgiving dinner, only to leave abruptly for another supposedly urgent business trip to Boston. But then something unthinkable happens: a storm strikes and the ship carrying Ezra and Mose sinks. In the wake of this shocking tragedy, Ida must settle the affairs of Ezra's estate, a task that brings her to a familiar face from her past-Henry Barstow, Mose's brother and executor. As she joins Henry in sifting through the remnants of her husband's life and work, Ida must learn to separate truth from lies and what matters from what doesn't. Captured in rich, painterly prose-piercing as a coastal gale and shimmering as sunlight on the waves-Painting the Light is an arresting portrait of a woman, and a considered meditation on grief, persistence, and reinvention.