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Showing 1 - 19 of 19 matches in All Departments
The long-awaited completion of Lupoff's epic trio of short-story collections contains stories that range from Lovecraftian horror to Holmesian detection, from hard science fiction to whimsy, from semi-autobiographical recreations of past decades to images of the distant future. 260 pp.
This book contains the proceedings of a symposium held at the College of Charleston, Charleston, South Carolina, USA, 16-20 June 1986. The seed for this symposium arose from a group of physiologists , soU scientists and biochemists that met in Leningrad, USSR in July 1975 at the 12th Botanical Conference in a Session organized by Professor B.B. Vartepetian. This group and others later conspired to contribute to a book entitled Plant Life in Anaerobic Environments (eds. D. D. Hook and R. M. M. Crawford, Ann Arbor Science, 1978). Several contributors to the book suggested in 1983 that a broad-scoped symposium on wetlands would be useful (a) in facilitating communication among the diverse research groups involved in wetlands research (b) in bringing researchers and managers together and (c) in presenting a com prehensive and balanced coverage on the status of ecology ami management of wetlands from a global perspective. With this encouragement, the senior editor organized a Plan ning Committee that encompassed expertise from many disciplines of wetland scientists and managers. This Committee, with input from their colleagues around the world, organized a symposium that addressed almost every aspect of wetland ecology and management.
The book begins with a thorough coverage of a number of elementary matters. This may be regarded either as a review or as a reorientation in preparation for the systematic presentation that follows. Beginning in Part Two ideas that are more specifically Schenkerian are developed and applied to the analysis of short compositions. Since the book is also intended to cover all of the basic standard form it has seemed logical to use this feature in organizing the material. Thus, Part Two ends with longer forms and Part Three covers the main large forms (sonata, rondo, and so on). The various types of Schenkerian prolongations are introduced gradually and discussed and illustrated thoroughly in the text. Each chapter ends with a set of exercises keyed to the topics that have been presented, and the student is given precise instructions for completing the exercises as well as occasional hints about pitfalls and special problems that they contain.
Hemingway, Trauma and Masculinity: In the Garden of the Uncanny is at once a model of literary interpretation and a psycho-critical reading of Hemingway's life and art. This book is a provocative and theoretically sophisticated inquiry into the traumatic origins of the creative impulse and the dynamics of identity formation in Hemingway. Building on a body of wound-theory scholarship, the book seeks to reconcile the tensions between opposing Hemingway camps, while moving beyond these rivalries into a broader analysis of the relationship between trauma, identity formation and art in Hemingway.
This compendium is an alphabetical listing of the British Regular Army or [¬Redcoat[¬ officers who served in North America during the American Revolution from 1775 to 1783. For each officer, the listing includes his name, rank and date of commission. The of
"It is highly readable and offers the right combination of
imaginative fantasy and reality." - Olivia Manning, "The Spectator"
" U]nlike any other tale I can recall. It is not only a good story;
it has a charm beyond that. The spirit of the open air is in it,
the freshness and poetry of Nature." - Forrest Reid
When his nagging mother discovers a rat infestation, the anonymous writer of these notebooks sets out to drown the pests, but finds himself unable to go through with it. Instead, he befriends the rats, learning to train and communicate with them. Before long he has the idea of using the rats for revenge against a world in which he has been a failure. His target is his hateful boss, Mr Jones, who treats him with supreme disrespect and plans to fire him and replace him with someone less expensive.
"A writer of distinction." - E. M. Forster
These provocative new essays redefine the goals, methods, and assumptions of qualitative and ethnographic research in composition studies, making evident not only the crucial importance of ethnographic research, but also its resilience as well. As "Ethnography Unbound makes evident, critical ethnographies are retheorizing their methodologies in ways that both redefine ethnographic practices and values and, at the same time, have begun to liberate ethnographic practices from the often-disabling stronghold of postmodern critique. Showing how ethnography works through dialogic processes and moves toward political ends, this collection opens the doors to rethinking ethnographic research in composition studies.
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