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Showing 1 - 25 of 69 matches in All Departments
You never forget your first love. 18 years ago, Olivia learned to live without Sean Kenyon. She moved on, building a life with her husband Richmond and their two children in the picturesque town Kesterley-on-Sea. But when Sean unexpectedly appears on Olivia’s doorstep, her world is turned upside down once more. As old feelings resurface, and new truths come to light, Olivia finds herself questioning everything.
THE SECOND NOVEL IN THE BESTSELLING No Child of Mine TRILOGY *Books one and three - No Child of Mine and You Said Forever - are available to buy in paperback and ebook NOW* Charlotte Nicholls has a secret that haunts her. She and three-year-old Chloe have left their home and friends, and are now building a new life for themselves elsewhere. All Charlotte wants to do is to forget the past, to blot out what went before, and to look only to the future. At last she and Chloe feel safe. Then, suddenly, their nightmare returns, and Charlotte finds she has no power to prevent what comes next . . .
A mother, her daughter and a family friend, are brutally killed at Kellon Manse one quiet summer’s day. A young girl disappears and has not been seen since. All fingers point to the husband of one of the victims. Yet he still walks free. Cristy Ward has discovered the perfect next feature for her true crime podcast. Who really killed the three women at Kellon Manse? And is there a chance the missing girl is still alive?
Don’t miss the next emotionally gripping thriller from Sunday Times bestseller Susan Lewis! THE STORY… The first chapter of a manuscript arrives on Publisher Marina’s desk. She assumes it’s just another novel by another aspiring writer… THE SECRET… As the chapters arrive one by one, Marina is convinced they are about her past. There’s only one person who can know everything about the scandal, the trial, and the trauma that nearly broke her. THE SILENCE… This is one story that should never be told, and Marina is so desperate she will do anything to stop it getting out. Susan Lewis' book 'Who’s Lying Now?' was a Sunday Times bestseller w/c 22-08-2022.
As colleges and universities have responded to the demand of businesses and industries for graduates who can write effectively, Composition Studies has gained significance. However, while new theories and approaches to the teaching of writing have been proposed and implemented, many composition courses do not satisfactorily educate their students. This volume includes essays by writing specialists who are concerned with their own failure to improve their students' writing skills. These contributors examine why entering college students still write poorly and why our various attempts to improve such poor writing skills have largely failed. They compare the promise of previously touted new methods, paradigm shifts, and curricular innovations with the reality of little change or improvement; they describe what their students can and cannot do in the writing classroom, even after 12 years of primary and secondary education; and they address what they see as needed reforms in the whole idea of college composition, especially for the first-year college student.
Elizabeth Sorrill is the junior matron at a public school when she meets schoolboy Alexander Belmayne. They fall passionately in love, despite the difference in their age and class, but lies and scandal force them apart.
Don’t miss the gripping new novel from the Sunday Times bestselling author! A perfect marriage… Golden couple Annie and David Crayce have it all. A loving marriage, three beautiful children and a thriving family business. Life couldn’t be better. Until the unthinkable happens…   A perfect crime? A piece of damning DNA evidence has arisen, placing David as the prime suspect of a murder committed twenty-years ago. Annie is sure her David is innocent. But if he isn’t guilty, then either his father or brother must be. As the police investigate the cold case, so does Annie. Trawling through her old diaries, she begins desperately looking for answers. But it all comes down to a few lost hours she can’t solve. And Annie begins to doubt the one person she thought she knew best… Her husband.  Praise for Susan Lewis ‘Susan Lewis has a gift for telling warm family stories that also take you by surprise’ Jane Corry ‘A master storyteller’ Diane Chamberlain ‘Full of drama, intrigue with so many twists and turns’ Carmel Harrington ‘Rich, seamless and masterful storytelling’ Rebecca Thornton
Don’t miss the new gripping novel from Sunday Times bestselling author Susan Lewis. Secrets lie at the heart of every family… When the unthinkable happens… Hanna’s world is crumbling. An unimaginable crime has been committed, and everyone’s looking for someone to blame. Her loved ones are under suspicion. Now Hanna must work out who is threatening her family – before it’s too late. No one could have seen this coming… Real readers love Susan Lewis ‘Master storyteller Susan Lewis blends emotional family drama, heart-stopping tension and nail-biting suspense’ âââââ ‘A mesmerizing, immersive and emotional tale that is a struggle to put down’ âââââ ‘Had me hooked from the start’ âââââ ‘Best book I’ve had the pleasure to read in a very long time’ âââââ
Don’t miss the new gripping novel from Sunday Times bestselling author Susan Lewis. Secrets lie at the heart of every family… When the unthinkable happens… Hanna’s world is crumbling. An unimaginable crime has been committed, and everyone’s looking for someone to blame. Her loved ones are under suspicion. Now Hanna must work out who is threatening her family – before it’s too late. No one could have seen this coming… Real readers love Susan Lewis ‘Master storyteller Susan Lewis blends emotional family drama, heart-stopping tension and nail-biting suspense’ âââââ ‘A mesmerizing, immersive and emotional tale that is a struggle to put down’ âââââ ‘Had me hooked from the start’ âââââ ‘Best book I’ve had the pleasure to read in a very long time’ âââââ
Don't miss the captivating new page-turner from Sunday Times bestselling author Susan Lewis You think you know your neighbours. When Jeannie Symonds vanishes without a trace, her small town is thrown into disarray. You think you know who to trust. Cara Jakes, a trainee investigator, begins to interview Jeannie's friends and neighbours, sure that someone has something to hide. Behind every door is a different story. But how can you separate the truth from the lies?
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi's music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
This book takes a life course perspective, analysing and comparing the biographies of mothers and fathers in seven European countries in context. Based on an innovative, cross-national EU study, it examines the ways in which working parents negotiate the transition to parenthood and attempt to find a 'work-life balance'. Using in-depth qualitative biographical data, the book offers a deep understanding of working parents' real lives by locating them within diverse national, workplace and family contexts. It provides rich insights into how policies and practices at the institutional level play out in individual and family lives, how they shape the decisions during both transition phases and in parents' daily experiences of juggling work and family life. It highlights some difficult and complex issues about the sustainability of contemporary working practices for bringing up children that are highly relevant in times of economic retrenchment. 'Transitions to parenthood in Europe' will be of interest to an academic readership at all levels of the social sciences, as well as employers, managers, trade unions and policy makers.
Across Europe the importance of reconciling paid work and family life is increasingly recognised by a range of diverse government regulations and organisational initiatives. At the same time, employing organisations and the nature of work are undergoing massive and rapid changes, in the context of global competition, efficiency drives, as well as social and economic transformations in emerging economies. "Work, families and organisations in transition" illustrates how workplace practices and policies impact on employees' experiences of "work-life balance" in contemporary shifting contexts. Based upon cross-national case studies of public and private sector workplaces carried out in Bulgaria, Norway, Portugal, Slovenia, Sweden, the Netherlands and the UK, this innovative book demonstrates the challenges that parents face as they seek to negotiate work and family boundaries. The case studies demonstrate that employed parents' needs and experiences depend on many layers of context - global, European, national, workplace and family. This book will be of interest to undergraduate and postgraduate students of organisational psychology, sociology, management and business studies, human resource management, social policy, as well as employers, managers, trade unions and policy makers.
Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi's music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry.
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
First published in 1993. Routledge is an imprint of Taylor & Francis, an informa company.
Music in the Baroque World: History, Culture, Performance offers an interdisciplinary study of the music of Europe and the Americas in the seventeenth and first half of the eighteenth centuries. It answers calls for an approach that balances culture, history, and musical analysis, with an emphasis on performance considerations such as notation, instruments, and performance techniques. It situates musical events in their intellectual, social, religious, and political contexts and enables in-depth discussion and critical analysis. The companion web site provide links to scores and audio/visual performances, making this a complete course for the study of Baroque music. Features An interdisciplinary approach that balances detailed analysis of specific pieces of music and broader historical overview and relevance A selection of historical documents at the end of each chapter that position musical works and events in their cultural context Extensive musical examples that show the melodic, textural, harmonic, or structural features of baroque music and enhance the utility of the textbook for undergraduate and graduate music majors A global perspective with a chapter on Music in the Americas A companion score anthology and website with links to audio/video content of key performances and research and writing guides Music in the Baroque World: History, Culture, Performance tells stories of local traditions, cultural exchange, performance trends, and artistic mixing. It illuminates representative works through the lens of politics, visual arts, theology, print culture, gender, domesticity, commerce, and cultural influence and exchange.
Editing Music in Early Modern Germany argues that editors played a critical role in the transmission and reception of Italian music outside Italy. Like their counterparts in the world of classical learning, Renaissance music editors translated texts and reworked settings from Venetian publications, adapting them to the needs of northern audiences. Their role is most evident in the emergence of the anthology as the primary vehicle for the distribution of madrigals outside Italy. As a publication type that depended upon the judicious selection and presentation of material, the anthology showcased editorial work. Anthologies offer a valuable case study for examining the impact of editorial decision-making on the cultivation of particular styles, genres, authors and audiences. The book suggests that music editors defined the appropriation of Italian music through the same processes of adaptation, transformation and domestication evident in the broader reception of Italy north of the Alps. Through these studies, Susan Lewis Hammond's work reassesses the importance of northern Europe in the history of the madrigal and its printing. This book will be the first comprehensive study of editors as a distinct group within the network of printers, publishers, musicians and composers that brought the madrigal to northern audiences. The field of Renaissance music printing has a long and venerable scholarly tradition among musicologists and music bibliographers. This study will contribute to recent efforts to infuse these studies with new approaches to print culture that address histories of reading and listening, patronage, marketing, transmission, reception, and their cultural and political consequences.
During World War I, as young men journeyed overseas to battle, American women maintained the home front by knitting, fundraising, and conserving supplies. These became daily chores for young girls, but many longed to be part of a larger, more glorious war effort. A new genre of children's books entered the market, written specifically with the young girls of the war period in mind. Through fiction, girls could catch spies, cross battlefields, man machine guns, and blow up bridges. These adventurous heroines built the framework for the feminist revolution, creating avenues of leadership for women and inspiring individualism and self-discovery. The work presented here analyzes the powerful response to such literature, how it sparked the engagement of real girls in the United States and Allied war effort, as well as how it reflects their contemporaries' awareness of girls' importance.
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