Perfect Italian Diction for Singers is an authoritative guide for singing the most beautiful and expressive Italian. This book is the culmination of decades of experience and insights by two noted Italian and American pedagogues and vocal coaches as they systematically home in on essential features of the most beautiful Italian, the main issues and pitfalls of non-Italian singers, and steps and tools to overcome them. Timothy Cheek and Anna Toccafondi provide a step-by-step guide for singing flawlessly in this language, and, in addition to delving to the heart of Italian sounds and inflection, they present controversies, misconceptions, and various approaches-often conflicting-that have arisen throughout the last century for approaching Italian diction. Chapters also address: Italian style and legato Best use of supplemental resources and dictionaries Recitative with suggested, short Mozart excerpts Working with text Singing diphthongs, triphthongs, and hiatus Also included are a plethora of audio and video examples and exercises (over seventy QR codes), written exercises for group or self-study, and self-assessment summaries at the ends of chapters. Careful study of this book will help to lay a solid foundation for communicating in beautiful lyric Italian.

Perfect Italian Diction for Singers: An Authoritative Guide provides the steps and tools for singing beautifully and expressively in this language. Timothy Cheek and Anna Toccafondi systematically home in on the essential features of the most beautiful Italian, pitfalls of non-native singers, and how to overcome those issues. In addition to delving to the heart of Italian sounds and inflection, they present controversies, misconceptions, and various approaches--often conflicting--that have arisen throughout the last century. Chapters also address: -Italian style and legato -Best use of supplemental resources and dictionaries -Recitative with suggested, short Mozart excerpts -Working with text -Singing diphthongs, triphthongs, and hiatus Also included are a plethora of audio and video examples and exercises (over seventy QR codes), exercises for group or self-study, and self-assessment summaries. This book will help singers and students lay a solid foundation in beautiful, lyric Italian.

Published 50 years after the last major treatment of American art song, the first edition of the three-volume American Art Song and American Poetry was the first work to fully consider the musical settings of American poetry. Ruth Friedberg's monumental study was undertaken as a partial remedy to examine American song, from Edward Macdowell up through 1980. In the first edition, Friedberg focused on the interrelationship between the composer and the poet and the ways in which this influenced the completed song. Pieces selected for inclusion had the dual function of recognizing the importance of contributions to the performing literature as well as illuminating phases of America's cultural past. In this second edition, now published in a convenient, one-volume format, Ruth Friedberg and Robin Fisher have updated the entries on composers and poets from the first edition and added new individuals to both categories. New composers appearing in this volume include Florence Price, Lee Hoiby, Emma Lou Diemer, Helen Greenberg, Flicka Rahn, Libby Larsen, John Musto, Lori Laitman, Ricky Ian Gordon, and Jake Heggie. Poets now receiving their first treatment are Ezra Pound, Emma Lazarus, Dorothy Diemer Hendry, Dorothy Parker, Willa Cather, Louise Bogan, and William Carlos Williams. As before, musical examples are liberally employed to illustrate specific approaches to poetic text-setting and are much more visually accessible due to present-day digital technology. The new edition of American Art Song and American Poetry will be a valuable addition to the collections of scholars, performers, and libraries. It is an ideal reference work for students and faculty of voice in undergraduate and graduate courses in American music as well as literature scholars interested in the interdisciplinary approaches. Singers and teachers of singing will find in this new edition a vast array of carefully selected program material for the studio and the recital hall, along with carefully researched background material to enable effective performance. Users will find the volume's extensive bibliography and general index extremely helpful.

Title: Horwich: its history, legends and church.Publisher: British Library, Historical Print EditionsThe British Library is the national library of the United Kingdom. It is one of the world's largest research libraries holding over 150 million items in all known languages and formats: books, journals, newspapers, sound recordings, patents, maps, stamps, prints and much more. Its collections include around 14 million books, along with substantial additional collections of manuscripts and historical items dating back as far as 300 BC.The HISTORY OF SOCIAL SCIENCES collection includes books from the British Library digitised by Microsoft. This collection provides histories and analyses of society, culture, education, crime, and family life. Providing a unique perspective of everyday life in the 18th and 19th centuries, readers of these works can study earlier developments that formed our modern society.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++ British Library Hampson, Thomas; 1883. 256 p.; 8 . 10352.c.18.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Antonio Pappano is the conductor for Richard Eyre's production of Verdi's opera staged at the Royal Opera House in 2009. American soprano Renee Fleming heads an all-star cast including Johan Botha, Joseph Calleja, Thomas Hampson and Eddie Wade.

Thomas Hampson, Christina Gallardo-Domas and Ferruccio Furlanetto head the cast in this live recording of Verdi's opera from the Vienna State Opera in 2002, with Daniele Gatti conducting the opera and chorus.

Christian Thielemann conducts the Staatskapelle Dresden and the Sächsischer Staatsopernchor Dresden in this production of Strauss's opera, recorded at the 2014 Salzburg Easter Festival. Renée Fleming stars as the titular character with the rest of the cast featuring Thomas Hampson, Gabriela Benacková and Daniel Behle.

Live production from the Zurich Opera House of Verdi's tour de force. Jürgen Flimm's staging stays close to Verdi's intention, concentrating on the central characters, showing their instability, emotions, despair, love, sacrifice and tragedy rather than focussing on the actions of the Parisian society.