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This is a reproduction of a book published before 1923. This book
may have occasional imperfections such as missing or blurred pages,
poor pictures, errant marks, etc. that were either part of the
original artifact, or were introduced by the scanning process. We
believe this work is culturally important, and despite the
imperfections, have elected to bring it back into print as part of
our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in
the preservation process, and hope you enjoy this valuable book.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 1 features a craft interview with W. H. Auden; an
editorial regarding the NYQ craft concept; articles on poetry
awards, Bread Loaf Writers Conference, writing exercises; photos of
Sexton, Wakowski, Glaze, Rosten, Gardner and Bill Knott; and poetry
by W. H. Auden, Stanley Kunitz, Selden Rodman, Robert Lax, Eli
Siegel, Norman Rosten, Richard Eberhart, Paul Blackburn, H. L. Van
Brunt, Ruth Herschberger, Barbara Holland, Isabella Gardner, Linda
Lahey, Elizabeth Yazzetti, John O'Connell, Mary Jane Fortunato,
Stephen Stepanchev, Andrew Glaze, Siv Cedering Fox, Linda Krenis,
Wendy Rickert, Ronald Hobbs, Robert Burdette Sweet, Anne Sexton,
Helen Adam, Lawrence Locke, Susan Rowe, Catherine Middleton, Donald
Lawder, Susan Schell, Marina, Thomas Victor, Jean Garrigue, Elaine
Sutton, David Ignatow, Jeanette Fasciocco, Manuchehr Sassoonian,
and W. S. Merwin.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 2 features a craft interview with Paul Blackburn; an
editorial on the history of New York poets; handwritten worksheets
and poems of May Swenson, Andrew Glaze, William S. Merwin, and
Maxine Kumin; "Assonance is Like This," an article by Eli Siegel;
list of films on poetry and poets; photos of Bogan, Kunitz, Field,
Merwin, Siegel and Ashbery; and poetry by Allen Ginsberg, Louis
Ginsberg, RobertOh Faber, Stephen Dunn, Edmund Pennant, Susan
Wecker, Helena Moynihan, Leo Connellan, Robert Lax, Laura Benet,
Nikki Giovanni, Virginia Bell, Michael Harlow, William Stafford,
Rose Drachler, Jill Hoffman, Brian Swann, Donald Lawder, John Hall
Wheelock, Robert Dugan, Ron Padgett, Manu Sassoonian, John
Tagliabue, John Hollander, Toby Olson, James Murphy, Elizabeth
Yazzetti, and Susan Schell.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 3 features a craft interview with Anne Sexton; an
editorial on craft maxims; "The Puerto Rican Poet in NY" by Lucille
Medwick; an essay, "Rhetorical Terms," by Cornelia P. Graves; "The
Poem as Image" an article by Stephen Stepanchev; photos of Howard,
Wheelock, Rich, Moss, Logan and Hollander; and poetry by Denise
Levertov, John Updike, Jill Hoffman, William Stafford, John Logan,
Norman Rosten, Ed Minus, Daisy Aldan, Howard Moss, Donald Axinn,
Hannelore Hahn, Emmett Jarrett, Marcia Lee Masters, Helen Saslow,
Leo Connellan, Howard Levy, Margery-Jean Perry, Paris Leary, Joanne
Ward, Hank Kune, Sam Negri, Gomer Rees, George Ryan, Rienzi Crusz,
Frank Rossini, Gary Sange, Richard E. Albert, Tom McKeown, Irving
Benig, Vincent Barrett Price, Susan Schell, G. S. Sharat Chandra,
Steven Rea, Denis Sivack, John Pauker, Elisavietta Ritchie, Gil
Orlovitz, and Ruth Whitman.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 4 features a craft interview with Stanley Kunitz; an
editorial about the NYQ Screening Committee procedures; "The
Chinese Poet in NY" by Lucille Medwick; worksheets of original work
by Anne Sexton; "The School for Wives" translated by Richard
Wilbur; photos of Padgett, Zukofsky, Swenson, Thomas, Rothenberg
and Garrigue; and poetry by Leo Connellan, John Tagliabue, Maryann
Viollin, Robert Bly, Hayden Carruth, Adrianne Rich, Robert Mezey,
Miriam Solan, William F. Claire, Barbara Holland, Helena Moynihan,
Robert Peters, Myron Levoy, Gita Lenz, Richard Kostelanetz, C.
Staudacher, Elizabeth Marraffino, Louis Ginsberg, Robin Henry,
Norman Stock, Janet Brof, Herbert Krohn, Elisavietta Ritchie,
Robert Burdette Sweet, Barry Seiler, Arvind Krishna Menrotra,
Miodrag Pavlovich, Theodore Hall, Larry Rubin, Frederich Mellberg,
Robert Herz, John Taylor, and Siv Cedering Fox.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 5 features a craft interview with Jerome Rothenberg; an
editorial about the NYQ Board of Directors; "The Yiddish Poet in
NY" by Lucille Medwick; "A Poet's Notebook" by David Ignatow; "Some
Arguments Against Good Diction" by William Stafford; photos of Wing
Tek Lum, Rukeyser, Wright, Ignatow, Levendosky, Mayhall; and poetry
by Ron Padgett, Daisy Aldan, X. J. Kennedy, Philip Appleman, Marth
MacNeil Zweig, Robert Lax, Andrew Glaze, Stephen Stepanchev, Samuel
A. Eisenstein, John Clarence Chinn, Richard Eberhart, Gil Orlovitz,
Siv Cedering Fox, Robert Hershon, James Morris, A. L. Levin, Dave
Margoshes, Donald Lev, V. H. Adair, J. Peseroff, Michael Cook,
Leslie Ullman, RobertOh Faber, Dory Green, Howard Schwartz, William
M. Meyers, and Charles Levendosky.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 6 features a craft interview with Allen Ginsberg; an
editorial about the poet's role today; "The Afro-American Poet in
NY" by Lucille Medwick; listing of black poets by Galen Williams;
"The White Poetry Syndicate" by Walter Lowenfels; an essay, "On
Rime," by X. J. Kennedy; photos of Feldman, Jones, Glatstein,
Sanchez, Hugo, and Strand; and poetry by Michael Horovitz, Thomas
Schuneman, Leo Connellan, Richard Kostelanetz, Charles Wagner,
Muriel Rukeyser, Patricia Ryan, Robert Lax, Stephen Levine, Erica
Jong, Gregory Orr, Philip Schultz, Carol Jennings, Joan Stone,
Frank T. Crohn, Joan Simon, Janet Bloom, Anthony S. Brandt, Elton
Glaser, Dona Stein, Albert Goldbarth, Eli Siegel, Rudy Shackelford,
Peter Klappert, Douglas Eichorn, Joel Lawrence, Helane Levine,
Linda Krenis, Martin Koeppal, Eli Siegel, Robert Rainsbury, and Nat
White.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 7 features a craft interview with Denise Levertov; an
editorial about the history of city poets; "The American Indian
Poet" by Lucille Medwick; listing of poetry publishers; an essay,
"Voice," by M. L. Rosenthal; photos of Snyder, Katagiri, Tanikawa,
Kizer, Levine, and Van Duyn; and poetry by Charles Bukowski, David
Ignatow, Jean Garrigue, Laura Benet, Jane Mayhall, Tanikawa
Shuntaro, David J. Dwyer, Layle Silbert, Marguerite Harris, Leo
Connellan, Ron Coon, Richard Hugo, Philip Dacey, Stephen Dunn,
Janet Brof, Murat Nemet-Nejat, Rochelle Ratner, Ruth Herschberger,
William Sayres, Arthur Oberg, Irving Benig, Dorothy Dalton, Fred E.
Steinway, Laurence Wieder, Marilyn Zuckerman, and Fred Kaplan.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 8 features a craft interview with Galway Kinnell; an
editorial about craft interviews; "Protest Poetry" by Cornelia
Draves; "Second Annual Listing of Poetry Magazines" by Elizabeth
Yazettii; an essay, "Seriousness and the Inner Poem," by Hayden
Carruth; photos of Lowenfels, Pack, Steloff, Faber, Lev, and
Bukowski; and poetry by Michael McClure, James Boyer May, Jean
Garrigue, Norman Rosten, Charles Bukowski, Robert Peters, Terry
Stokes, Nat White, Michael Benedict, David Ignatow, Lewis Turco,
Elizabeth Yazzatti, Tamura Ryuichi, David Rafael Wang, Michael
Newman, W. H. Auden, Romulus Linney, Paul Smyth, Mary Ferrari,
Julio Marzan, Stephen Dunn, Peter Meinke, Philip Dacey, and Rudolph
Wittenberg.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 9 features a craft interview with John Ashbery; an
editorial tribute to Lucille Medwick; "Poetry and the Nobel Prize"
by Layle Silbert; "The Poet as Lyricist: Alan Jay Lerner" by Elaine
Edelman; an essay, "Alliteration," by George T. Wright; photos of
Blackburn, Williams, Aldan, Bly, Moore, and Bob White Jr.; and
poetry by Lucille Medwick, Linda Krenis, Duane Niatum, David
Ignatow, Clarence Major, Hugh Seidman, Charles Bukowski, E. Di
Pasquale, Erica Jong, Ruth Lisa Schechter, John Guenther, Norman
Stock, Tanikawa Shuntaro, Colette Inez, Andre Sedriks, Hannelore
Hahn, Al Dewey, Rainer Maria Rilke, Siv Cedering Fox, Cynthia
Macdonald, Michael Newman, Stephen Ajay, Arthur Levin, Emilie Glen,
Ernest J. Oswald, Rush Rankin, Martha Collins, Cornelia P. Draves,
Laurence Goldstein, and Annie Dillard.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 10 features a craft interview with James Dickey; an
editorial about poetry and madness; a Yevtushenko tribute; "The
Translation of Poetry" by Marina Roscher; "Poetry Societies" by
Marjorie Finnell; "Delmore Schwartz Notebooks" by Lee Valenti; an
essay, "Figure, Ground and Open Field" by Christopher Collins;
photos of Auden, Ruth Lisa Schecter, Quincy Troupe, Armand
Schwerner, David Antin, and Ray Bremser; and poetry by James
Lewisohn, A. Fredric Franklyn, Yevgeny Yevtushenko, Marjorie
Finnell, Peggy Bowman, Andre Sedriks, Alan Hertz, Tamura Ryuichi,
Jane Snyder, Stephen Ajay, Miriam Solan, Cynthia Macdonald, Ken
Smith, David Francis, Hugh Fox, Susan Shawn, Daniela Gioseffi,
Lawrence Raab, David Edgerton, Daniel Halpern, Helen Adam, Brian
Swann, Anne Marx, Charles Bukowski, Linda Pastan, M. L. Rosenthal,
and Erica Jong.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 11 features a craft interview with Muriel Rukeyser; an
editorial about poetry and violence; list of poetry publishers by
Helena Moyniham; "An Exchange of Letters" by David Ignatow and
Walter Lowenfels; an index to NYQ poets, issues 1-10 by Marjorie
Fennell; photos of Corso, Kinnell, Stokes, Waldman, Sanders, and
Kizer; and poetry by Wing Tek Lum, James Lewisohn, Cathleen
Medwick, Leo Connellan, Christopher Collins, Anthony Edkins, Thomas
Shapcott, Michael Harlow, Helen Adam, Quincy Troupe, RobertOh
Faber, Diana Chang, Julio Marzan, Stephen Stepanchev, Herbert
Krohn, Allen Katzman, Will Inman, Shoichi Kiyokawa, Paul Roche,
Robert Pack, Peter Viereck, Robert Bly, Barbara Gordon Paine,
Roland DeMunbrun, Donald Lev, Jean Balderston, Michael Perkins,
Henry Malone, John Briggs, Philip Dacey, Don Bailey, Donald Axinn,
Hannelore Hahn, Morty Sklar, and Madeline Bass.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 12 features a craft interview with Richard Wilbur; an
editorial about poetic devices; an essay, "Reference Books," by
William Packard; an essay, "The Woman Poet," by Carol Jennings; an
essay, "Poetry Magazines," by Elizabeth Yazzetti; photos of
Rosenthal, Jong, Denby, Gunn, Troupe, and Wagner; and poetry by
Muriel Rukeyser, Kenneth Rexroth, Charles Bukowski, William
Mundell, Helen Adam, Daisy Aldan, Andrew Glaze, Louis Ginsberg,
Manuchehr Sassoonian, Miroslav Holub, David Martinson, Pablo
Neruda, Mark Kundig, Lynn Strongin, D. K. Skiles, Beau Beausoleil,
Joseph Geha, Joseph de Roche, James Baker Hall, R. B. Adams, Galen
Green, Joe Mitchell, Robert Chatain, Diane Kruchkow, Richard Allen,
Ray Biasotti, Charles Martin, Philip Schultz, Harold Sundt, D. F.
Petteys, Steve Demorest, Ron Jackson, Toinette Derricotte, A. G.
Sobin, Steven Rea, George Veltri, William Meyers, Jonathan Katz,
and Jim Gustafson.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 13 features a craft interview with Robert Creeley; an
editorial about contemporary poetry; an essay, "Narrative Poetry:
The Round Earth Under," by John Williams Andrews; "How To Submit
Poetry Manuscripts" by William Packard; an interview with Tanikawa
Shuntaro by Helena Moynihan; photos of Mark Van Doren, Peter
Orlovsky, Allen Ginsberg, D. H. Melhem, Tony Towle, and Sandra
Hochman; and poetry by Rochelle Owens, Stephen Stepanchev, Norman
Rosten, William Packard, Helen Adam, William Mundell, Miriam
Andrews, Philip Appleman, Linda King, Charles Bukowski, Siv
Cedering Fox, Ken McLaren, Marie de L. Welch, James Lewisohn, Jill
Hoffman, Herbert Krohn, Deborah Richardson, Edmund Pennant,
Elisavietta Ritchie, Leslie Ullman, Marjorie Finnell, Michael
Crawford, Rosemary Daniell, Douglas Eichhorn, Jack Weiskott, Diane
Raintree, Martha Zweig, George Tarnawsky, Richard Pearce, Leven
Dawson, Robert Hoeft, Elizabeth Klein, Jon Beckman, Julia Aldrich,
Ken Smith, George Behrman, Tom Crawford, Lloyd Van Brunt, Jack
Geller, Mary Richter McCartney, Mervine Lane, Albert Salsich, Lola
Haskins, Henry Taylor, Yvonne, Arthur Vogelsang, Ronald Wallace,
Carl Matney, Albert Drake, Charles Haseloff, Tony Petrosky,
Christine Zawadiwsky, and David Dwyer.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 14 features a craft interview with Jackson Mac Low; an
editorial about the American experience; an essay, "Concrete
Poetry," by Shoichi Kiyokawa; an essay, "Japanese Women Poets," by
Helena Moynihan; photos of William Claire, Howard Hart, Leo
Connelan, Walter James Miller, Ken McLaren, Hugh Seidman, and NYQ
staff; and poetry by Karl Shapiro, Richard Eberhart, Howard Hart,
Mark Richard Axelrod, Thomas McGrath, M. L. Rosenthal, James
Lewisohn, Charles Bukowski, Leo Connellan, Lewis Turco, Walter
James Miller, Miriam Andrews, William Mundell, John Tagliabue, Ruth
Lisa Schechter, Quincy Troupe, Philip Raymond Smith, Sister Pam
Smith, Jill Hoffman, Barbara Holland, Colette Inez, Linda Pastan,
Brian Swann, Norman Stock, Donald Lev, Regina Reibstein, John
Matthias, W. C. Ryan, Jean Balderston, Carol Purdy, Diane
Levenberg, Dorsha Hayes, Harriet Zinnes, Lawrence Pike, Armand
Rumayor, Lawrence Russ, Martin Palmer, Robert Phillips, Don
Shambroom, Kraft Rompf, Thomas Johnson, Genevieve Reall, John
Eskow, H. H. Nelson, Barry Westburg, Stuart Friebert, John Judson,
Lallo, Harald Sundt III, Dick Joslin, Faye Kicknosway, R. Richter,
M. Betts, Elsa Colligan, Henry Malone, Patricia Goedicke, Javanta
Mahapatra, Michael West, Robert Stern, John Stathatos, Jared Smith,
Harley Elliott, and Shoichi Kiyokawa.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 15 features a craft interview with Howard Moss; an
editorial about NYQ type styles; an essay, "The Poetry of the
Peking Opera," by John D. Mitchell and Emanuel Shwartz; "The White
Snake" translation by Donald Chang and William Packard; "Publishers
of Poetry" by Helena Moynihan; photos of Shiraishi Kazuko, Tomioka
Taeko, Judith Sherwin, James Lewisohn, Rosmary Daniell and NYQ
Board; and poetry by Claire McAllister, Edwin Honig, John Updike,
Lawrence Ferlinghetti, Richard Hugo, Jackson Mac Low, Charles
Bukowski, Robert Lax, John Pauker, David Ignatow, James Lewisohn,
Leo Connellan, Constance Carrier, Jesse Stuart, Gil Orvitz, John
Tagliabue, Willis Barnstone, Nadia Christensen, Gyula Illyes,
Miriam Andrews, Susan Schell, Norman Stock, Ira Wallach, Mark
Halliday, Catherine Petroski, Virginia Brady Young, Jim Brodey,
James Barry, Ken Smith, Ira Sadoff, Ron Adams, Jennifer Humphrey,
Donald Schenker, Fritz Hamilton, Frank Sanford, Beth Bentley, James
Lee, Joyce Odam, Betty Cue, Richard Shelton, Lorenzo Thomas, Ramona
Weeks, Thomas Fitzsimmons, Robert Dugan, A. A. Dewey, Nancy Scott,
Julie Suk, Anne Fremantle, Olga Cabral, Herbert Morris, Madeleine
Keller, Elaine Barden, Jean Balderston, Linda Krenis, Layle
Silbert, Kathleen Spivack, Charles Fishman, Joel Sander, Rob
Swigart, Stuart Dybek, Douglas W. Lawder, Drew Hingson, and Kerry
Thomas.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 16 features a craft interview with Erica Jong; an
editorial about obscenity and eroticism; an essay, "The Poet as
Teacher: Stephen Stepanchev," by Mary Jame Fortunato; photos of
Berrigan, Merwin, Momaday, Bass, Swenson, and Scully; and poetry by
Jackson Mac Low, Richard Hugo, David Ignatow, James Lewisohn, David
Galler, Jesse Stuart, Karen Swenson, Judith Johnson Sherwin,
Michael Harlow, David Dwyer, Rosemary Daniel, Charles Bukowski,
John Bennett, Marcia Lee Masters, Elizabeth Lindsay, Barry
Wallenstein, Steve Hassett, William Heyen, Jay Meek, Michael
Niflis, Frederick Smith, Barbara Szerlip, George Weiner, Francis
Sullivan, Rita Valentino, John Woods, Susan Hauser, William Aarnes,
Madeline Bass, Peter Cooley, Robert De Young, Herbert Waxman, D. W.
Donzella, Diane Raintree, Alan Feldman, Peter Fellows, Philip
Murray, Layle Silbert, Dora Pettinella, W. M. Ransom, John Stone,
Jayne Stahl, and Richard Bloom.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 17 features a craft interview with Diane Wakoski; an
editorial regarding NYQ classified ads; an essay, "The Poet as
Editor: Thomas Lask," by John Briggs; photos of Harris, Halpern,
Benedict, Mundell, Lax, and Adam; and poetry by John Hall Wheelock,
Josephine Jacobsen, William Meredith, Kay Boyle, Richard Hugo, A.
R. Ammons, Erica Jong, David Galler, James Lewisohn, Jackson Mac
Low, Marc Tretin, Eli Siegel, Anne Marx, Joan Shapiro, Jesse
Stuart, John Marberry, Charles Bukowski, Diana Chang, Dorsha Hayes,
Diane Levenberg, Tony Towle, Norman Rosten, Lewis Turco, Anna
Adams, George Behrman, Will Inman, Joel Lawrence, Diane Raintree,
Walter James Miller, Vassar Miller, Jean Balderston, David Shapiro,
Charles Haseloff, and Douglas Lawder.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 18 features the first craft interview with W. D.
Snodgrass (the second is in NYQ 61); an editorial about Laotse and
the Tao; photographs of poet statues of Longfellow, Poe, Burns,
Dante, and Whitman; and poetry by William Meredith, Robert Pack, A.
R. Ammons, Helen Adam, Toby Olson, Erica Jong, Charles Bukowski,
Linda King, Knute Skinner, Jackson Mac Low, Peter Viereck, Eli
Siegel, William Mundell, Barbara Holland, Stephen Stepanchev, Siv
Cedering Fox, David Shapiro, Anne Waldman, Leo Connellan, James
Lewisohn, Rudolf Wittenberg, Harold Witt, Robert Clayton Casto, Sam
Toperoff, John Romano, Lynne Savitt, Greg Kuzma, Marc Tretin,
Virginia Bortin, Helena Moynihan, Judith Minty, Lola Haskins,
Florence Elon, Tom Cuson, Jeff Wanshel, Norman Stock, Diane
Raintree, Robert Carney, Charlie Lebeda, David Wann, and Robert
Hoeft.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 19 features a craft interview with May Swenson, an
editorial regarding national endowments, an article on rock poetry
by Barry Wallenstein, and poetry by Helen Adam, Allen Planz,
Kenneth Pitchford, Jackson Mac Low, Charles Bukowski, A. R. Ammons,
Constance Carrier, Leo Connellan, William De Voti, Eli Siegel,
Peter Viereck, Judson Jerome, June Jordan, Ruth Herschberger, Louis
Ginsberg, Stephen Stepanchev, Erica Jong, Harold Witt, William
Mundell, John Pauker, Donald Lev, Lee Bartlett, William Baer Jr.,
Tom Crawford, S. K. Carew, Helen Chasin, Emily Chewning, Franz
Douskey, Ron Federighi, Patricia Eakins, David Goodstein, Marjorie
Finnell, Dorsha Hayes, Rachel Hadas, William Kushner, Julia
Lebentritt, Ruth Lake, J. T. Ledbetter, Tamara Watson, Robert D.
Swets, Bruce Smith, Norman Stock, Mary Kathryn Stillwell, H. L. Van
Brunt, Murat Nemet-Nejat, Chris Petrakos, Michael Reck, Sheila
Raeschild, Susan Zeni, and Jeffrey Greene.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 20 features a craft interview with Richard Eberhart, an
editorial regarding cover letters, and poetry by Richard Eberhart,
Charles Bukowski, Leo Connellan, Eli Siegel, Jesse Stuart, Jackson
Mac Low, William Mundell, Allen Planz, Helen Adam, A. R. Ammons,
Judson Jerome, Donald Lev, Erica Jong, Ronald Hobbs, Ruth
Herschberger, Stephen Stepanchev, Sam Toperoff, Sister Pam Smith,
Jane Snyder, Madeline Bass, Gary Ligi, Marc Tretin, Diana Vance,
Carol Purdy, Rita Valentino, William Packard, Herbert Waxman,
Tamara Watson, William Baer Jr., Betsy Adams, Dennis Bernstein,
Stephen Kirkpatrick, Jean Balderston, Diane Raintree, Patrick
Bizzaro, Terry Brown, Joseph Bruchac, John Bennett, Christopher
Gilbert, Pamela Oberon Davis, Harold Witt, Frank Decker, Leon
Diamond, Jane Flanders, Phyllis Capello, John Farrell, and William
Ramsey.
Since its founding in 1969 by William Packard, The New York
Quarterly has been devoted to excellence in the publication of a
unique and fervent cross-section of contemporary American poetry
regardless of school of thought, style, or genre. Our only concern
is to focus on the craft that underlies effective poetry writing.
The New York Quarterly features works by both known and emerging
poets. The NYQ Craft Interviews present the views of some of our
most outstanding poets on the general subjects of style, prosody
and technique. The issues are rounded out with an essay or two on
the subject of contemporary American poetry that is both accessible
and meaningful to readers, poets, students, and teachers of poetry
alike. NYQ 21 features a craft interview with Helen Adam, an
editorial about self publishing, a tribute to James Dickey, an
index of poets in issues 11-20 by Marjorie Finnell, and poetry by
Helen Adam, Norman Rosten, Charles Bukowski, A. D. Winans, Eli
Siegel, William Mundell, Donald Lev, Greg Kuzma, Judson Jerome,
Franz Douskey, Stephen Stepanchev, Chris Brown, Stephen Ajay,
Ronald Crowe, Lola Haskins, Vivian Jokl, Jon-Stephen Fink,
Christine Zawadiwsky, John Allman, Ralph Adamo, Beth Biderman,
Billy Collins, Carol Purdy, Elisavietta Ritchie, E. J. Cullen, C.
Douglas Draime, Deborah Deutschman, Nadine Estroff, David Engel,
Ellen Gilchrist, Nancy Grillo, Virginia Gilbert, Stan Jacoby, Brown
Miller, Joyce Milton, Sharon Olds, Tom Crawford, Leonard Gilley,
Peter Roberts, John Rosenman, R. D. Swets, Miriam Solan, Harold
Theisen, Rita Valentino, Lisa Zeidner, Malcolm Glass, and James
Dickey.
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