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Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 1 features a craft interview with W. H. Auden; an editorial regarding the NYQ craft concept; articles on poetry awards, Bread Loaf Writers Conference, writing exercises; photos of Sexton, Wakowski, Glaze, Rosten, Gardner and Bill Knott; and poetry by W. H. Auden, Stanley Kunitz, Selden Rodman, Robert Lax, Eli Siegel, Norman Rosten, Richard Eberhart, Paul Blackburn, H. L. Van Brunt, Ruth Herschberger, Barbara Holland, Isabella Gardner, Linda Lahey, Elizabeth Yazzetti, John O'Connell, Mary Jane Fortunato, Stephen Stepanchev, Andrew Glaze, Siv Cedering Fox, Linda Krenis, Wendy Rickert, Ronald Hobbs, Robert Burdette Sweet, Anne Sexton, Helen Adam, Lawrence Locke, Susan Rowe, Catherine Middleton, Donald Lawder, Susan Schell, Marina, Thomas Victor, Jean Garrigue, Elaine Sutton, David Ignatow, Jeanette Fasciocco, Manuchehr Sassoonian, and W. S. Merwin.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 3 features a craft interview with Anne Sexton; an editorial on craft maxims; "The Puerto Rican Poet in NY" by Lucille Medwick; an essay, "Rhetorical Terms," by Cornelia P. Graves; "The Poem as Image" an article by Stephen Stepanchev; photos of Howard, Wheelock, Rich, Moss, Logan and Hollander; and poetry by Denise Levertov, John Updike, Jill Hoffman, William Stafford, John Logan, Norman Rosten, Ed Minus, Daisy Aldan, Howard Moss, Donald Axinn, Hannelore Hahn, Emmett Jarrett, Marcia Lee Masters, Helen Saslow, Leo Connellan, Howard Levy, Margery-Jean Perry, Paris Leary, Joanne Ward, Hank Kune, Sam Negri, Gomer Rees, George Ryan, Rienzi Crusz, Frank Rossini, Gary Sange, Richard E. Albert, Tom McKeown, Irving Benig, Vincent Barrett Price, Susan Schell, G. S. Sharat Chandra, Steven Rea, Denis Sivack, John Pauker, Elisavietta Ritchie, Gil Orlovitz, and Ruth Whitman.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 4 features a craft interview with Stanley Kunitz; an editorial about the NYQ Screening Committee procedures; "The Chinese Poet in NY" by Lucille Medwick; worksheets of original work by Anne Sexton; "The School for Wives" translated by Richard Wilbur; photos of Padgett, Zukofsky, Swenson, Thomas, Rothenberg and Garrigue; and poetry by Leo Connellan, John Tagliabue, Maryann Viollin, Robert Bly, Hayden Carruth, Adrianne Rich, Robert Mezey, Miriam Solan, William F. Claire, Barbara Holland, Helena Moynihan, Robert Peters, Myron Levoy, Gita Lenz, Richard Kostelanetz, C. Staudacher, Elizabeth Marraffino, Louis Ginsberg, Robin Henry, Norman Stock, Janet Brof, Herbert Krohn, Elisavietta Ritchie, Robert Burdette Sweet, Barry Seiler, Arvind Krishna Menrotra, Miodrag Pavlovich, Theodore Hall, Larry Rubin, Frederich Mellberg, Robert Herz, John Taylor, and Siv Cedering Fox.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 5 features a craft interview with Jerome Rothenberg; an editorial about the NYQ Board of Directors; "The Yiddish Poet in NY" by Lucille Medwick; "A Poet's Notebook" by David Ignatow; "Some Arguments Against Good Diction" by William Stafford; photos of Wing Tek Lum, Rukeyser, Wright, Ignatow, Levendosky, Mayhall; and poetry by Ron Padgett, Daisy Aldan, X. J. Kennedy, Philip Appleman, Marth MacNeil Zweig, Robert Lax, Andrew Glaze, Stephen Stepanchev, Samuel A. Eisenstein, John Clarence Chinn, Richard Eberhart, Gil Orlovitz, Siv Cedering Fox, Robert Hershon, James Morris, A. L. Levin, Dave Margoshes, Donald Lev, V. H. Adair, J. Peseroff, Michael Cook, Leslie Ullman, RobertOh Faber, Dory Green, Howard Schwartz, William M. Meyers, and Charles Levendosky.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 7 features a craft interview with Denise Levertov; an editorial about the history of city poets; "The American Indian Poet" by Lucille Medwick; listing of poetry publishers; an essay, "Voice," by M. L. Rosenthal; photos of Snyder, Katagiri, Tanikawa, Kizer, Levine, and Van Duyn; and poetry by Charles Bukowski, David Ignatow, Jean Garrigue, Laura Benet, Jane Mayhall, Tanikawa Shuntaro, David J. Dwyer, Layle Silbert, Marguerite Harris, Leo Connellan, Ron Coon, Richard Hugo, Philip Dacey, Stephen Dunn, Janet Brof, Murat Nemet-Nejat, Rochelle Ratner, Ruth Herschberger, William Sayres, Arthur Oberg, Irving Benig, Dorothy Dalton, Fred E. Steinway, Laurence Wieder, Marilyn Zuckerman, and Fred Kaplan.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 8 features a craft interview with Galway Kinnell; an editorial about craft interviews; "Protest Poetry" by Cornelia Draves; "Second Annual Listing of Poetry Magazines" by Elizabeth Yazettii; an essay, "Seriousness and the Inner Poem," by Hayden Carruth; photos of Lowenfels, Pack, Steloff, Faber, Lev, and Bukowski; and poetry by Michael McClure, James Boyer May, Jean Garrigue, Norman Rosten, Charles Bukowski, Robert Peters, Terry Stokes, Nat White, Michael Benedict, David Ignatow, Lewis Turco, Elizabeth Yazzatti, Tamura Ryuichi, David Rafael Wang, Michael Newman, W. H. Auden, Romulus Linney, Paul Smyth, Mary Ferrari, Julio Marzan, Stephen Dunn, Peter Meinke, Philip Dacey, and Rudolph Wittenberg.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 9 features a craft interview with John Ashbery; an editorial tribute to Lucille Medwick; "Poetry and the Nobel Prize" by Layle Silbert; "The Poet as Lyricist: Alan Jay Lerner" by Elaine Edelman; an essay, "Alliteration," by George T. Wright; photos of Blackburn, Williams, Aldan, Bly, Moore, and Bob White Jr.; and poetry by Lucille Medwick, Linda Krenis, Duane Niatum, David Ignatow, Clarence Major, Hugh Seidman, Charles Bukowski, E. Di Pasquale, Erica Jong, Ruth Lisa Schechter, John Guenther, Norman Stock, Tanikawa Shuntaro, Colette Inez, Andre Sedriks, Hannelore Hahn, Al Dewey, Rainer Maria Rilke, Siv Cedering Fox, Cynthia Macdonald, Michael Newman, Stephen Ajay, Arthur Levin, Emilie Glen, Ernest J. Oswald, Rush Rankin, Martha Collins, Cornelia P. Draves, Laurence Goldstein, and Annie Dillard.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 11 features a craft interview with Muriel Rukeyser; an editorial about poetry and violence; list of poetry publishers by Helena Moyniham; "An Exchange of Letters" by David Ignatow and Walter Lowenfels; an index to NYQ poets, issues 1-10 by Marjorie Fennell; photos of Corso, Kinnell, Stokes, Waldman, Sanders, and Kizer; and poetry by Wing Tek Lum, James Lewisohn, Cathleen Medwick, Leo Connellan, Christopher Collins, Anthony Edkins, Thomas Shapcott, Michael Harlow, Helen Adam, Quincy Troupe, RobertOh Faber, Diana Chang, Julio Marzan, Stephen Stepanchev, Herbert Krohn, Allen Katzman, Will Inman, Shoichi Kiyokawa, Paul Roche, Robert Pack, Peter Viereck, Robert Bly, Barbara Gordon Paine, Roland DeMunbrun, Donald Lev, Jean Balderston, Michael Perkins, Henry Malone, John Briggs, Philip Dacey, Don Bailey, Donald Axinn, Hannelore Hahn, Morty Sklar, and Madeline Bass.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 13 features a craft interview with Robert Creeley; an editorial about contemporary poetry; an essay, "Narrative Poetry: The Round Earth Under," by John Williams Andrews; "How To Submit Poetry Manuscripts" by William Packard; an interview with Tanikawa Shuntaro by Helena Moynihan; photos of Mark Van Doren, Peter Orlovsky, Allen Ginsberg, D. H. Melhem, Tony Towle, and Sandra Hochman; and poetry by Rochelle Owens, Stephen Stepanchev, Norman Rosten, William Packard, Helen Adam, William Mundell, Miriam Andrews, Philip Appleman, Linda King, Charles Bukowski, Siv Cedering Fox, Ken McLaren, Marie de L. Welch, James Lewisohn, Jill Hoffman, Herbert Krohn, Deborah Richardson, Edmund Pennant, Elisavietta Ritchie, Leslie Ullman, Marjorie Finnell, Michael Crawford, Rosemary Daniell, Douglas Eichhorn, Jack Weiskott, Diane Raintree, Martha Zweig, George Tarnawsky, Richard Pearce, Leven Dawson, Robert Hoeft, Elizabeth Klein, Jon Beckman, Julia Aldrich, Ken Smith, George Behrman, Tom Crawford, Lloyd Van Brunt, Jack Geller, Mary Richter McCartney, Mervine Lane, Albert Salsich, Lola Haskins, Henry Taylor, Yvonne, Arthur Vogelsang, Ronald Wallace, Carl Matney, Albert Drake, Charles Haseloff, Tony Petrosky, Christine Zawadiwsky, and David Dwyer.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 14 features a craft interview with Jackson Mac Low; an editorial about the American experience; an essay, "Concrete Poetry," by Shoichi Kiyokawa; an essay, "Japanese Women Poets," by Helena Moynihan; photos of William Claire, Howard Hart, Leo Connelan, Walter James Miller, Ken McLaren, Hugh Seidman, and NYQ staff; and poetry by Karl Shapiro, Richard Eberhart, Howard Hart, Mark Richard Axelrod, Thomas McGrath, M. L. Rosenthal, James Lewisohn, Charles Bukowski, Leo Connellan, Lewis Turco, Walter James Miller, Miriam Andrews, William Mundell, John Tagliabue, Ruth Lisa Schechter, Quincy Troupe, Philip Raymond Smith, Sister Pam Smith, Jill Hoffman, Barbara Holland, Colette Inez, Linda Pastan, Brian Swann, Norman Stock, Donald Lev, Regina Reibstein, John Matthias, W. C. Ryan, Jean Balderston, Carol Purdy, Diane Levenberg, Dorsha Hayes, Harriet Zinnes, Lawrence Pike, Armand Rumayor, Lawrence Russ, Martin Palmer, Robert Phillips, Don Shambroom, Kraft Rompf, Thomas Johnson, Genevieve Reall, John Eskow, H. H. Nelson, Barry Westburg, Stuart Friebert, John Judson, Lallo, Harald Sundt III, Dick Joslin, Faye Kicknosway, R. Richter, M. Betts, Elsa Colligan, Henry Malone, Patricia Goedicke, Javanta Mahapatra, Michael West, Robert Stern, John Stathatos, Jared Smith, Harley Elliott, and Shoichi Kiyokawa.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 18 features the first craft interview with W. D. Snodgrass (the second is in NYQ 61); an editorial about Laotse and the Tao; photographs of poet statues of Longfellow, Poe, Burns, Dante, and Whitman; and poetry by William Meredith, Robert Pack, A. R. Ammons, Helen Adam, Toby Olson, Erica Jong, Charles Bukowski, Linda King, Knute Skinner, Jackson Mac Low, Peter Viereck, Eli Siegel, William Mundell, Barbara Holland, Stephen Stepanchev, Siv Cedering Fox, David Shapiro, Anne Waldman, Leo Connellan, James Lewisohn, Rudolf Wittenberg, Harold Witt, Robert Clayton Casto, Sam Toperoff, John Romano, Lynne Savitt, Greg Kuzma, Marc Tretin, Virginia Bortin, Helena Moynihan, Judith Minty, Lola Haskins, Florence Elon, Tom Cuson, Jeff Wanshel, Norman Stock, Diane Raintree, Robert Carney, Charlie Lebeda, David Wann, and Robert Hoeft.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 19 features a craft interview with May Swenson, an editorial regarding national endowments, an article on rock poetry by Barry Wallenstein, and poetry by Helen Adam, Allen Planz, Kenneth Pitchford, Jackson Mac Low, Charles Bukowski, A. R. Ammons, Constance Carrier, Leo Connellan, William De Voti, Eli Siegel, Peter Viereck, Judson Jerome, June Jordan, Ruth Herschberger, Louis Ginsberg, Stephen Stepanchev, Erica Jong, Harold Witt, William Mundell, John Pauker, Donald Lev, Lee Bartlett, William Baer Jr., Tom Crawford, S. K. Carew, Helen Chasin, Emily Chewning, Franz Douskey, Ron Federighi, Patricia Eakins, David Goodstein, Marjorie Finnell, Dorsha Hayes, Rachel Hadas, William Kushner, Julia Lebentritt, Ruth Lake, J. T. Ledbetter, Tamara Watson, Robert D. Swets, Bruce Smith, Norman Stock, Mary Kathryn Stillwell, H. L. Van Brunt, Murat Nemet-Nejat, Chris Petrakos, Michael Reck, Sheila Raeschild, Susan Zeni, and Jeffrey Greene.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 20 features a craft interview with Richard Eberhart, an editorial regarding cover letters, and poetry by Richard Eberhart, Charles Bukowski, Leo Connellan, Eli Siegel, Jesse Stuart, Jackson Mac Low, William Mundell, Allen Planz, Helen Adam, A. R. Ammons, Judson Jerome, Donald Lev, Erica Jong, Ronald Hobbs, Ruth Herschberger, Stephen Stepanchev, Sam Toperoff, Sister Pam Smith, Jane Snyder, Madeline Bass, Gary Ligi, Marc Tretin, Diana Vance, Carol Purdy, Rita Valentino, William Packard, Herbert Waxman, Tamara Watson, William Baer Jr., Betsy Adams, Dennis Bernstein, Stephen Kirkpatrick, Jean Balderston, Diane Raintree, Patrick Bizzaro, Terry Brown, Joseph Bruchac, John Bennett, Christopher Gilbert, Pamela Oberon Davis, Harold Witt, Frank Decker, Leon Diamond, Jane Flanders, Phyllis Capello, John Farrell, and William Ramsey.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 22 features craft interview with Gary Snyder, an editorial about NYQ cover art, and poetry by Edmund Pennant, John Updike, May Sarton, Russell Edson, Daisy Aldan, Stephen Stepanchev, Eli Siegel, Charles Bukowski, Laurel Blossom, Chris Brown, Constance Carrier, Elise Rindlaub, Steve Ajay, Henry Malone, Steven Rea, Carol Muske, Arlene Stone, Peter Roberts, Sheila Raeschild, Samuel Reifler, Dave Smith, John J. Ronan, Margaret Reinfeld, Sharon Rogers Quiroz, Paul Smyth, Susan Fromberg Schaeffer, Pamela Oberon Davis, Lori Ubell, Robert VanderMolen, Elton Glaser, Stuart Dybek, Diana Vance, Marjorie Hawksworth, M. G. Butler, Jean Balderston, Steve Hassett, Richard Cecil, Sophie Hughes, Marjorie Grafflin, Margaret Shafer, Krandall Kraus, Bai Inman, Thomas Masiello, Robert D. Swets, Rudy Shackelford, Reg Saner, Bruce Edward Taylor, M. Deiter Keyishian, Miles Wilson, Alexander Laing, Ann Deagon, Joan Fernandes, Christine Zawadiwsky, Frederic Will, Lavonne Mueller, Maura Stanton, Ann Reading, John Millett, Fredric Matteson, Coralie Lucas, Sari Kossowsky, Br. Hugoline Sabatino, Jonathan Holder, Walt-Christopher Stickney, Madeline Bass, Ian Tarnman, Toby Socolow Greenblatt, Martha Evans, and James Stephen Cathcart.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 24 features a craft interview with Karl Shapiro, an editorial about NYQ editorials, an NYQ tribute to Allen Ginsberg, and poetry by May Sarton, Russell Edson, Naomi Replansky, Charles Bukowski, Howard Winn, Donald Lev, Vivian Shipley-Jokl, Dorsha Hayes, Lola Haskins, Andrew Harvey, Patricia Farewell, Susan Fox, Madeline Bass, Jean Balderston, Ronald Crowe, Myrna Coombs, Steven Diner, Victor Depta, Ellen Kirvin Dudis, Elisabeth M. Evans, Paul Fericano, Ellen Gilchrist, Rawa K. McDaniels, Brown Miller, Zanne Wasserman, Joel Stein, Lawrence Russ, Frances Phillips, James Mitsui, Robert Gillespie, Mary Freericks, Marc Cohen, Marion Brodson, Jerald Bullis, Kostas Myrsiades, James McGlyn, and Michael Robinson.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 25 features a craft interview with Amiri Baraka, an editorial on the history of NYQ, and poetry by May Sarton, Russell Edson, Lola Haskins, Donald Lev, Andrew Harvey, Charles Bukowski, Albert Santoli, Van Thi Van, Franz Douskey, Wesli Court, Barbara Ras, John J. Ronan, Joel Rudinger, Robert Siegel, Thomas Dillon Redshaw, Leo Romero, Elizabeth Patton, Mario Petaccia, Larry Rapoport, Robert Red Hawk, Nina Nyhart, Marc J. Sheehan, Chuck Oliveros, Jerome Sala, Joan Colby, Antonio Cisneros, MacDonnell Gordon, Leonard Gilley, James McGlyn, Ron Lanyi, Carol Henrie, William Slaughter, David Wann, David Tucker, Tom Hansen, Jim Hall, Madeleine Hennessy, Nixeon Civille Handy, David Kirby, Ernest Kroll, John Kay, Alan Lewis, Dorothy Lee, Charles Vandersee, Donna M. Lane, Lois Lindblad, Paul Jenkins, Vivian Jokl, R. A. Johnson, Walter McDonald, Jane P. Moreland, Jerry McGuire, Phillip McCaffrey, Hastings Wyman Jr., Paul Weinman, Mark D. Miller, Patrick A. Milliken, Keith Moul, Linda Moyer, Morrie Warshawski, Roberta Metz, David Dayton, Jack Driscoll, Anne Webster, and Carol Tarlen.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 26 features an interview anthology, an editorial regarding the NYQ/NPF merger, and poetry by W. H. Auden, Stanley Kunitz, Anne Sexton, Allen Ginsberg, Michael Harlow, Norman Rosten, Stephen Stepanchev, Muriel Rukeyser, Robert Lax, Joel Lawrence, Charles Bukowski, Marjorie Finnell, Helen Adam, Andrew Glaze, Linda King, Ken McLaren, Charles Haseloff, David J. Dwyer, Karl Shapiro, John Updike, Richard Hugo, Jackson Mac Low, Norman Stock, Betty Cue, Robert Dugan, Diane Levenberg, Leo Connellan, Dennis Bernstein, Lola Haskins, Elisavietta Ritchie, Carol Purdy, and Patricia Farewell.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 27 features a craft interview with Charles Bukowski, an editorial on contemporary poetry (III), an essay by Karl Shapiro, and poetry by James Dickey, W. D. Snodgrass, Imamu Amiri Baraka, Charles Bukowski, Richard Eberhart, Ruth Herschberger, Leo Connellan, Lola Haskins, Stephen Stepanchev, Al Santoli, Wing Tek Lum, Daniel Berrigan, Constance Carrier, Bryanne Nanfito, Andrew Glaze, William Stafford, Robert Lax, May Sarton, Andy Clausen, David Cope, Chris Brown, Steve Kowit, William Durham, Dennis Bernstein, Joan Shapiro, Pat Smuklo, William Packard, Carol Purdy, Patricia O'Callaghan, Stephen Lupack, Donald Lev, James McGlynn, Andrew Harvey, and Ron Adams.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 28 features a craft interview with Leo Connellan, an editorial about poetry and nuclear war, an essay by William Joyce, and poetry by Leo Connellan, W. D. Snodgrass, Gregory Corso, Charles Bukowski, Helen Adam, Amiri Baraka, Lola Haskins, William Stafford, May Sarton, Daniel Berrigan, Peter Viereck, Janet Cannon, Dan Shot, Andy Clausen, Andrew Glaze, Enid Dame, Edmund Pennant, Wing Tek Lum, Madeline Beckman, Kirsten Wasson, Mark Kaminski, Jared Smith, Mark Reinsberg, Chris Brown, Bill Durham, Andrew Harvey, Janey Waggener, Sheila Murphy, Donald Junkins, Dion Pincus, Rudolph Wittenberg, Charles Hanson, Henry Johnson, Pamela Laskin, Sanford Fraser, Robert Wilkinson, Joseph Gustafson, Nancy Scott, Jean Balderston, Mary Bemis, Keith Rahmmings, David Zeiger, Judith Kusnitz-Leibmann, Jim Daniels, William Jackson, Herman Gold, and Joseph Richey.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 30 features a craft interview with Robert Lax, an editorial on conglomerate publishers, an essay by Robert Peters, and poetry by William Stafford, Lola Haskins, Andrew Glaze, Stephen Stepanchev, Helen Adam, Lyn Lifshin, Chris Brown, Tony Gloeggler, Eliot Katz, Layle Silbert, Fred Moramarco, Norman Stock, Rudolf Wittenberg, Rebecca Thompson, Pat Farewell, Rita Chabot, Charles Bukowski, David Cope, Joan Seliger Sidney, Keith Rahmmings, Rupert N. Sterling, Andrew Harvey, Carol Dunne, D. Nurske, Tom Hansen, Steve Kowit, Michael Benson, Michael Brady, Carole Murphy, Gilbert Honingfield, Nia Damali, J. R. Kangas, Bob Mehlman, Lorraine Schein, William Marsh, Samuel Exler, Elizabeth Raymond, John Levy, Walter McDonald, Francis J. Smith, Francis Sullivan, J. Jaworski, Barbara Blatner, Harvey Hix, Seaborn Jones, Robert Kendall, Patrick Worth Gray, Janet Waggener, Paul Dilsaver, Edward Willey, Dion Pincus, and William Joyce.

Since its founding in 1969 by William Packard, The New York Quarterly has been devoted to excellence in the publication of a unique and fervent cross-section of contemporary American poetry regardless of school of thought, style, or genre. Our only concern is to focus on the craft that underlies effective poetry writing. The New York Quarterly features works by both known and emerging poets. The NYQ Craft Interviews present the views of some of our most outstanding poets on the general subjects of style, prosody and technique. The issues are rounded out with an essay or two on the subject of contemporary American poetry that is both accessible and meaningful to readers, poets, students, and teachers of poetry alike. NYQ 33 features a craft interview with Carroll Terrell, an editorial on NYQ fund raising, an essay by Burton Hatlen, and poetry by Carroll F. Terrell, Burton Hatlen, Roberta Chester, Terrell Hunter, Sylvester Pollet, Kathleen Lignell, Michael Fournier, Dirk Stratton, Marilyn Hacker, Richard Eberhart, Antler, Charles Bukowski, Lyn Lifshin, Macdonald Carey, Anna Adams, Rober Miltner, William Packard, Richard Kostelanetz, Tony Gloeggler, James Lewisohn, Stephen Stepanchev, Andrew Glaze, Candy Graybill, Judy Light Ayyildiz, Mildred Cavallo, Florence Mayers, David Lawson, Roald Hoffman, Joseph Raffa, Tony Quagliano, Bob Rixon, and Leo Connellan.