In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

The ability to anticipate and make accurate decisions in a timely manner is fundamental to high-level performance in sport. This is the first book to identify the underlying science behind anticipation and decision making in sport, enhancing our scientific understanding of these phenomena and helping practitioners to develop interventions to facilitate the more rapid acquisition of the perceptual-cognitive skills that underpin these judgements. Adopting a multidisciplinary approach - encompassing research from psychology, biomechanics, neuroscience, physiology, computing science, and performance analysis - the book is divided into three sections. The first section provides a comprehensive analysis of the processes and mechanisms underpinning anticipation and skilled perception in sport. In the second section, the focus shifts towards exploring the science of decision making in sport. The final section is more applied, outlining how the key skills that impact on anticipation and decision making may be facilitated through various training interventions. With chapters written by leading experts from a vast range of countries and continents, no other book offers such a synthesis of the historical development of the field, contemporary research, and future areas for investigation in anticipation and decision making in sport. This is a fascinating and important text for students and researchers in sport psychology, skill acquisition, expert performance, motor learning, motor behaviour, and coaching science, as well as practicing coaches from any sport.

We often get asked about books to support the 'Awesome Earth' or 'Natural Disasters' topics for KS2 and we think we may have just found the perfect one. -- Books for Topics Featuring clear information about a comprehensive range of events, this colourful and fascinating guide is a real eye-opener. -- BookTrust An atlas of the most extreme meteorological and geological disasters that nature has to offer! We humans take our domination of the planet for granted, but sometimes nature reminds us that this is an illusion. Tectonics rip open the earth, vast waves sweep away coastal towns, magma spews from volcanoes and hurricanes lay waste to entire countries. This book explores nature at its most destructive. Clear, coherent explanations break down the science behind phenomena including hurricanes, tornadoes, avalanches, earthquakes, tsunamis and volcanoes, alongside fascinating facts about the biggest and the worst. Informative, accessible illustrations by Sophie Williams make this so much more than your standard geography book.

The ability to anticipate and make accurate decisions in a timely manner is fundamental to high-level performance in sport. This is the first book to identify the underlying science behind anticipation and decision making in sport, enhancing our scientific understanding of these phenomena and helping practitioners to develop interventions to facilitate the more rapid acquisition of the perceptual-cognitive skills that underpin these judgements. Adopting a multidisciplinary approach - encompassing research from psychology, biomechanics, neuroscience, physiology, computing science, and performance analysis - the book is divided into three sections. The first section provides a comprehensive analysis of the processes and mechanisms underpinning anticipation and skilled perception in sport. In the second section, the focus shifts towards exploring the science of decision making in sport. The final section is more applied, outlining how the key skills that impact on anticipation and decision making may be facilitated through various training interventions. With chapters written by leading experts from a vast range of countries and continents, no other book offers such a synthesis of the historical development of the field, contemporary research, and future areas for investigation in anticipation and decision making in sport. This is a fascinating and important text for students and researchers in sport psychology, skill acquisition, expert performance, motor learning, motor behaviour, and coaching science, as well as practicing coaches from any sport.

Georgia Williams’ murder at the hands of college pal Jamie Reynolds was a crime that shocked the nation: chillingly executed and horrific in its sexual depravity. But when Georgia’s devastated mother, Lynnette, and father, Steve, questioned the events leading to their daughter’s death, they discovered it was also entirely preventable. At the time of Georgia’s disappearance, Steve was – ironically – a highly-commended murder squad detective serving with West Mercia Police. The same force, Steve and Lynnette discovered, had had Reynolds in its sights for years before Georgia’s murder, but let him slip their net. Drawing on Steve’s inside police knowledge, the couple exposed the litany of failures that let Reynolds infiltrate their daughter’s life, and allowed him to kill. Now, in her powerful and moving memoir, Lynnette tries to get beyond the platitudes of ‘mistakes made and lessons learned’ to effect real change, and also details the heartbreaking aftermath of a crime that should never have happened.

A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it. When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon—minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others.   On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices—especially women, people of color, and LGBTQ+ musicians—that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.

Amidst the heated fray of the Culture Wars emerged a scrappy festival in downtown New York City called Bang on a Can. Presenting eclectic, irreverent marathons of experimental music in crumbling venues on the Lower East Side, Bang on a Can sold out concerts for a genre that had been long considered box office poison. Through the 1980s and 1990s, three young, visionary composers-David Lang, Michael Gordon, and Julia Wolfe-nurtured Bang on a Can into a multifaceted organization with a major record deal, a virtuosic in-house ensemble, and a seat at the table at Lincoln Center, and in the process changed the landscape of avant-garde music in the United States. Bang on a Can captured a new public for new music. But they did not do so alone. As the twentieth century came to a close, the world of American composition pivoted away from the insular academy and towards the broader marketplace. In the wake of the unexpected popularity of Steve Reich and Philip Glass, classical presenters looked to contemporary music for relevance and record labels scrambled to reap its potential profits, all while government funding was imperilled by the evangelical right. Other institutions faltered amidst the vagaries of late capitalism, but the renegade Bang on a Can survived-and thrived-in a tumultuous and idealistic moment that made new music what it is today.

Divided into ten days of ten novellas each, Boccaccio's Decameron is one of the literary gems of the fourteenth century. The Decameron Eighth Day in Perspective is an interpretive guide to the stories of the text's Day Eight - a day dedicated to tales of tricks and practical jokes. By drawing on literary precursors such as fabliaux, epic, philosophy, exempla, Dante's Commedia, and scripture, and by meditating on the dynamics of civic engagement in fourteenth-century Florence, Boccaccio develops in these stories of jests a self-consciously literary representation of the Florentine social imaginary. The essays in this volume, all written by prominent scholars, survey previous scholarship and open up new cultural and historical perspectives on Boccaccio's sophisticated art of storytelling. They analyze both the literary sources that Boccaccio's comic narratives transform, as well as the political, legal, and ethical contexts with which they engage. Each contributor tackles a single tale, yet their essays also register major themes and concerns that recur throughout Day Eight, allowing for close connections among the essays.

Fantasy fans, rejoice! Seven years after writer and editor Robert Silverberg made publishing history with "Legends," his acclaimed anthology of original short novels by some of the greatest writers in fantasy fiction, the long-awaited second volume is here. "Legends II" picks up where its illustrious predecessor left off. All of the bestselling writers represented in "Legends II" return to the special universe of the imagination that its author has made famous throughout the world. Whether set before or after events already recounted elsewhere, whether featuring beloved characters or compelling new creations, these masterful short novels are both mesmerizing stand-alones--perfect introductions to the work of their authors--and indispensable additions to the epics on which they are based. Beyond any doubt, "Legends II" is the fantasy event of the season.
ROBIN HOBB returns to the Realm of the Elderlings with "Homecoming," a powerful tale in which exiles sent to colonize the Cursed Shores find themselves sinking into an intoxicating but deadly dream . . . or is it a memory?
GEORGE R. R. MARTIN continues the adventures of Dunk, a young hedge knight, and his unusual squire, Egg, in "The Sworn Sword," set a generation before the events in "A Song of Ice and Fire.
"ORSON SCOTT CARD tells a tale of Alvin Maker and the mighty Mississippi, featuring a couple of ne'er-do-wells named Jim Bowie and Abe Lincoln, in "The Yazoo Queen."
DIANE GABALDON turns to an important character from her Outlander saga--Lord John Grey--in "Lord John and the Succubus," a supernatural thriller set in the early days of the Seven Years War.
ROBERT SILVERBERG spins an enthralling tale of Majipoor's early history--and remote future--as seen through the eyes of a dilettantish poet who discovers an unexpected destiny in "The Book of Changes."
TAD WILLIAMS explores the strange afterlife of Orlando Gardiner, from his Otherland saga, in "The Happiest Dead Boy in the World."
ANNE McCAFFREY shines a light into the most mysterious and wondrous of all places on Pern in the heartwarming "Beyond Between."
RAYMOND E. FEIST turns from the great battles of the Riftwar to the story of one soldier, a young man about to embark on the ride of his life, in "The Messenger."
ELIZABETH HAYDON tells of the destruction of Serendair and the fate of its last defenders in "Threshold," set at the end of the Third Age of her Symphony of Ages series.
NEIL GAIMAN gives us a glimpse into what befalls the man called Shadow after the events of his Hugo Award-winning novel "American Gods" in "The Monarch of the Glen."
TERRY BROOKS adds an exciting epilogue to "The Wishsong of Shannara" in "Indomitable," the tale of Jair Ohmsford's desperate quest to complete the destruction of the evil Ildatch . . . armed only with the magic of illusion.

"From the Hardcover edition."

A revisionist history of minimalism's transformative rise, through the voices of the musicians who created it. When composers like Philip Glass and Steve Reich began creating hypnotically repetitive music in the 1960s, it upended the world of American composition. But minimalism was more than a classical phenomenon—minimalism changed everything. Its static harmonies and groovy pulses swept through the broader avant-garde landscape, informing the work of Yoko Ono and Brian Eno, John and Alice Coltrane, Pauline Oliveros and Julius Eastman, and many others.   On Minimalism moves from the style's beginnings in psychedelic counterculture through its present-day influences on ambient jazz, doom metal, and electronic music. The editors look beyond the major figures to highlight crucial and diverse voices—especially women, people of color, and LGBTQ+ musicians—that have shaped the genre. Featuring more than a hundred rare historical sources, On Minimalism curates this history anew, documenting one of the most important musical movements of our time.

In Crossing Bar Lines: The Politics and Practices of Black Musical Space James Gordon Williams reframes the nature and purpose of jazz improvisation to illuminate the cultural work being done by five creative musicians between 2005 and 2019. The political thought of five African American improvisers-trumpeters Terence Blanchard and Ambrose Akinmusire, drummers Billy Higgins and Terri Lyne Carrington, and pianist Andrew Hill-is documented through insightful, multilayered case studies that make explicit how these musicians articulate their positionality in broader society. Informed by Black feminist thought, these case studies unite around the theory of Black musical space that comes from the lived experiences of African Americans as they improvise through daily life. The central argument builds upon the idea of space-making and the geographic imagination in Black Geographies theory. Williams considers how these musicians interface with contemporary social movements like Black Lives Matter, build alternative institutional models that challenge gender imbalance in improvisation culture, and practice improvisation as joyful affirmation of Black value and mobility. Both Terence Blanchard and Ambrose Akinmusire innovate musical strategies to address systemic violence. Billy Higgins's performance is discussed through the framework of breath to understand his politics of inclusive space. Terri Lyne Carrington confronts patriarchy in jazz culture through her Social Science music project. The work of Andrew Hill is examined through the context of his street theory, revealing his political stance on performance and pedagogy. All readers will be elevated by this innovative and timely book that speaks to issues that continue to shape the lives of African Americans today.

Raymond Williams possessed unique authority as Britain's foremost cultural theorist and public intellectual. Informed by an unparalleled range of reference and the resources of deep personal experience, his life's work represents a patient, exemplary commitment to the building of a socialist future. This book brings together important early writings including "Culture is Ordinary," "The British Left," "Welsh Culture" and "Why Do I Demonstrate?" with major essays and talks of the last decade. It includes work on such central themes as the nature of a democratic culture, the value of community, Green socialism, the nuclear threat, and the relation between the state and the arts. Here too, collected for the first time, are the important later political essays which undertake a thorough revaluation of the principles fundamental to the idea of socialist democracy, and confirm Williams as a shrewd and imaginative political theorist. In a sober yet constructive assessment of the possibilities for socialist advance, Williams-in the face of much recent intellectual fashion-powerfully reasserts his lifelong commitment to "making hope practical, rather than despair convincing." This valuable collection confirms Raymond Williams as a thinker of rare versatility and one of the outstanding intellectuals of our century.