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Books > History > World history > 1500 to 1750
Our interdisciplinary collection of essays provides an engaging study of how Caterina Cornaro, Queen of Cyprus (1454-1510); Queen Elizabeth I of England (1533-1603); Mary Stuart Queen of Scots (1542-1587); Anne of Denmark (1574-1619); and Spain's Maria Luisa de Orleans (1662-1689) either succeeded in promoting authority and inspiring loyalty, or, conversely, had identities shaped for them for various political, religious, or cultural reasons. Knowledge of material culture, and how such objects created specific gender identities, reveals new insights into these queens' lives, as they flourished in court, as members of their communities received them, and as individuals appropriated and shaped their reputations during their lives and after their deaths.
A study of how representations and images of Charles II and his kingship were formed and presented by those in and around the court. The reconstitution of the royal court in 1660 brought with it the restoration of fears that had been associated with earlier Stuart courts: disorder, sexual liberty, popery and arbitrary government. This book - the first full examination of its subject - illustrates the ways in which court culture was informed by the heady politics of Britain between 1660 and 1685. In political theory and practice the decades that preceded and included Charles II's reign witnessed profound interrogation of British kingship. Individuals at the heart of royal government - court preachers, poets, playwrights, courtesans, diplomats, and politicians - were assertive participants in this scrutiny. This book looks beyond the prurient interest in the sexual antics of Restoration courtiers that has characterised previous works. It engages in a genuine and sophisticated attempt to show how the complex dynamics of Charles II's court culture ran beneath the surface of show and ceremony. Ultimately it shows that the attempts to stabilise and strengthen the Stuart monarchy after the Restoration of Charles II were undercut by the cultural materials emanating fromthe royal court itself. MATTHEW JENKINSON completed his PhD at Merton College, Oxford.
The Jack Cade Rebellion of 1450 was an uprising of the commons of England-most of whom were from Kent, Norfolk, and Essex-that culminated in a battle on London Bridge. The rebel force, led by a mysterious man known as Jack Cade, protested King Henry VI's ineffectiveness as a leader, the over-taxation of the working classes, the crown's failed attempts to secure French territories, and the corrupt bureaucrats and church officials. This book collects, for the first time, primary documents related to the rebellion that have been translated into Present-Day English or glossed for ease of reading. The sources included in this book comprise the rebels' petitions, entries from medieval and early modern chronicles, letters and formal correspondences, official government documents, and political poems of the fifteenth century. Students interested in urban history, popular rebellions, medieval and early modern studies, legal studies, criminal justice, Shakespeare, and artistic expressions of protest will find these primary sources invaluable.
This collection of thirteen essays by an international group of scholars focuses on the impact of the Protestant Reformation on Donne's life, theology, poetry, and prose. The early transition from Catholicism to Protestantism was a complicated journey for England, as individuals sorted out their spiritual beliefs, chose their political allegiances, and confronted an array of religious differences that had sprung forth in their society since the reign of Henry VIII. Inner anxieties often translated into outward violence. Amidst this turmoil the poet and Protestant preacher John Donne (1572-1631) emerged as a central figure, one who encouraged peace among Christians. Raised a Catholic but ordained in 1615 as an Anglican clergyman, Donne publicly identified himself with Protestantism, and yet scholars have long questioned his theological orientation. Drawing upon recent scholarship in church history, the authors of this collection reconsider Donne's relationship to Protestantism and clearly demonstrate the political and theological impact of the Reformation on his life and writings. The collection includes thirteen essays that together place Donne broadly in the context of English and European traditions and explore his divine poetry, his prose work, the Devotions Upon Emergent Occasions, and his sermons. It becomes clear that in adopting the values of the Reformation, Donne does not completely reject everything from his Catholic background. Rather, the clash of religion erupts in his work in both moving and disconcerting ways. This collection offers a fresh understanding of Donne's hardwon irenicism, which he achieved at great personal and professional risk.
After the Restoration, parliamentarians continued to identify with the decisions to oppose and resist crown and established church. This was despite the fact that expressing such views between 1660 and 1688 was to open oneself to charges of sedition or treason. This book uses approaches from the field of memory studies to examine 'seditious memories' in seventeenth-century Britain, asking why people were prepared to take the risk of voicing them in public. It argues that such activities were more than a manifestation of discontent or radicalism - they also provided a way of countering experiences of defeat. Besides speech and writing, parliamentarian and republican views are shown to have manifested as misbehaviour during official commemorations of the civil wars and republic. The book also considers how such views were passed on from the generation of men and women who experienced civil war and revolution to their children and grandchildren. -- .
Challenging histories of plastic surgery that posit a complete disappearance of Gaspare Tagliacozzi's rhinoplasty operation after his death in 1599, Rhinoplasty and the nose in early modern British medicine and culture traces knowledge of the procedure within the early modern British medical community, through to its impact on the nineteenth-century revival of skin-flap facial surgeries. The book explores why such a procedure was controversial, and the cultural importance of the nose, offering critical readings of literary noses from Shakespeare to Laurence Sterne. Medical knowledge of the graft operation was accompanied by a spurious story that the nose would be constructed from flesh purchased from a social inferior, and would drop off when that person died. The volume therefore explores this narrative in detail for its role in the procedure's stigmatisation, its engagement with the doctrine of medical sympathy, and its unique attempt to commoditise living human flesh. -- .
The Tonsons were the pre-eminent literary publishers of the late seventeenth and early eighteenth centuries. It is difficult to estimate their contribution to the formation of English literature accurately. Nevertheless, it is clear that they carried Shakespeare into the eighteenth century and started the practice of modern editing of him. Without Rowe's life and without the Pope-Theobald controversy, the history of Shakespeare studies would have been different, perhaps much less illustrious. The same is true of Milton, a figure who through his political sympathies was in disrepute, but on whom Jacob Tonson the elder (and his nephew after him) decided to lavish the care, eventually including illustration and annotation, usually reserved for the classics. Later they issued an edition of Spenser by John Hughes, thus creating the triumvirate who for many years were to dominate the study of English renaissance literature. It is not unreasonable to claim that the house of Tonson invented English literature as matter for repeated reading and study. In addition, of course, the Tonsons were Dryden's main publisher, the first to publish Pope, and the consistent supporters of Addison and Steele and their early periodicals, while Jacob Tonson the elder had earlier shaped the miscellany, the translation of classical poetry into English, the pocket Elzevier series, and the luxury edition - practices carried on by the Tonson firm throughout the eighteenth century. They were at the forefront of the creation of a Whig literary culture and Jacob Tonson the elder was the founder of the famous Whig Kit-Cat Club which, it has been said, saved the nation. This edition brings together the correspondences of the Tonsons for the first time and represents a major intervention in the field of the history of the book and literary production. It includes 158 letters, with translations where necessary, from major authors, politicians, and men and women of letters of the period, discussing their work and the role that the Tonsons played in getting literature to the press and the reading nation. The letters are accompanied by generous and insightful annotation, as well as brief biographies of each of the Tonsons, and special sections on publishing, patronage, and retirement.
For the first time, Early Modern Streets unites the diverse strands of scholarship on urban streets between circa 1450 and 1800 and tackles key questions on how early modern urban society was shaped and how this changed over time. Much of the lives of urban dwellers in early modern Europe were played out in city streets and squares. By exploring urban spaces in relation to themes such as politics, economies, religion, and crime, this edited collection shows that streets were not only places where people came together to work, shop, and eat, but also to fight, celebrate, show their devotion, and express their grievances. The volume brings together scholars from different backgrounds and applies new approaches and methodologies to the historical study of urban experience. In doing so, Early Modern Streets provides a comprehensive overview of one of the most dynamic fields of scholarship in early modern history. Accompanied by over 50 illustrations, Early Modern Streets is the perfect resource for all students and scholars interested in urban life in early modern Europe.
This book is about other worlds and the supernatural beings, from angels to fairies, that inhabited them. It is about divination, prophecy, visions and trances. And it is about the cultural, religious, political and social uses to which people in Scotland put these supernatural themes between 1500 and 1800. The supernatural consistently provided Scots with a way of understanding topics such as the natural environment, physical and emotional wellbeing, political events and visions of past and future. In exploring the early modern supernatural, the book has much to reveal about how men and women in this period thought about, debated and experienced the world around them. Comprising twelve chapters by an international range of scholars, The supernatural in early modern Scotland discusses both popular and elite understandings of the supernatural. -- .
Francis Parkman's history Montcalm and Wolfe, originally published in two volumes is, possibly, the finest history book to come out of America and is the definitive account of the Seven Years War in the New World. It sets the conflict in an historical context and includes both biographies of its principal characters and much about its political consequences. This book, Musket and Tomahawk, has been adapted from Parkman's more expansive work by the Leonaur Editors, especially for those students of military history-both serious and casual-who are primarily concerned with the war itself. This was a war fought under blazing suns and driving snows. It was fought in the deep forests, on lakes and rivers and on the slopes of mountains. It was a war of ambuscade, sieges, massacres and the storming of palisades and burning blockhouses. It brought collisions in full battle between the regular troops of Britain and France, but it also embraced militias drawn from the settlers of both sides including famous backwoodsmen and scouts who became the Rangers. Not least of those embroiled were the deadly indigenous people of the land-the Indian tribes of the Eastern Woodlands-who fought according to their individual loyalties to each side and who brought a colour and savagery which was unique to this frontier conflict. Musket and Tomahawk is a riveting story of a war that has always fascinated students of military history because of its very diversity.
First published in 1970. Routledge is an imprint of Taylor & Francis, an informa company.
Columbus, Shakespeare, and the Interpretation of the New World explores a range of images and texts that shed light on the complexity of the European reception and interpretation of the New World. Jonathan Hart examines Columbus's first representation of the natives and the New World, the representation of him in subsequent ages, the portrayal of America in sexual terms, the cultural intricacies brought into play by a variety of translators and mediators, the tensions between the aesthetic and colonial in Shakespeare's The Tempest, and a discussion of cultural and voice appropriation that examines the colonial in the postcolonial. This book brings the comparative study of the cultural past of the Americas and the Atlantic world into focus as it relates to the present.
Examines the divided loyalties of the descendants of Ireland's Anglo-Norman conquerors during the wars against the Irish confederate rebels. WINNER of the NUI Publication Prize in Irish History 2019 Descendants of Ireland's Anglo-Norman conquerors, the Old English had upheld the authority of the English crown in Ireland for four centuries. Yet the sixteenth century witnessed the demotion of this Irish-born and predominantly Catholic community from places of trust and authority in the Irish administration in favour of English Protestant newcomers. Political alienation and growing religious tensions strained crown-community relations and caused many Old Englishmen to reconsider their future in Ireland. The Nine Years' War (1594-1603) presented them with an ideal opportunity to reassess their relationshipwith the crown when the Irish Confederates, led by Hugh O'Neill, Earl of Tyrone, sought their support. This book explores the role of the Old English during the Nine Years' War. It discusses the impact of divided loyalties, examines how they responded to political, social, religious, and military pressures, and assesses how the war shaped their sense of identity. The book demonstrates that despite the anxieties of English officials, the Old English remained loyal. More than that, they played a key role in defeating the Irish Confederacy through military and financial support. It argues that their sense of tradition and duty to uphold English rule in Ireland was central to their identity and that appeals to embrace a new Irish Catholic identity, in partnership with the Gaelic Irish, was doomed to failure. RUTH CANNING is Lecturer in Early Modern History at Liverpool Hope University.
A discussion of the fascinating interplay between communication, politics and religion in early modern England suggesting a new framework for the politics of print culture. This book challenges the idea that the loss of pre-publication licensing in 1695 unleashed a free press on an unsuspecting political class, setting England on the path to modernity. England did not move from a position of complete control of the press to one of complete freedom. Instead, it moved from pre-publication censorship to post-publication restraint. Political and religious authorities and their agents continued to shape and manipulate information. Authors, printers, publishers and book agents were continually harassed. The book trade reacted by practicing self-censorship. At times of political calm, government and the book trade colluded in a policy of policing rather than punishment. The Restraint of the Press in England problematizes the notion of the birth of modernity, a moment claimed by many prominent scholars to have taken place at the transition from the seventeenth into the eighteenth century. What emerges from this study is not a steady move to liberalism, democracy or modernity. Rather, after 1695, England was a religious and politically fractured society, in which ideas of the sovereignty of the people and the power of public opinion were being established and argued about.
In Russia in the time of the tsars, individuals who criticized the government were treated like enemies and suppressed. Those trying to change government policy were well aware that their only hope was to overthrow the system. Many people attempting such change were aided by the government itself, whose acts were so irrational and self-defeating that they only encouraged more opposition. The author describes the activities of the most important dissidents and agitators from the reign of Ivan the Terrible to Nicholas II and the fall of the Romanovs in 1917. Some were fascinating individuals, serious activists, and some of the individuals covered were opportunistic scoundrels and adventurers. The author explores the causes that provoked them and the consequences they faced, and demonstrates that the tsars, time and again, were goaded into overreacting. The effects of this constant push and pull endured into the Communist era.
1560 is a crucial date in the development of Scottish education, for it was in this year that the First Book of Discipline set out its ambitious project of providing a school in every notable town. This book, the result of exhaustive archival research and extensive use of the Registers of Deeds (which offer evidence of schoolmasters so described, as witnesses to legal documents), provides an indepth and wide-ranging analysis of education during the period, considered in its full religious, social and cultural setting. The curriculum receives particular attention, with its emphasis on music drawn out. The volume also presents a list of all identified Scottish schools and schoolmasters from the Protestant Reformation down to 1633. The late Dr John Durkan (1914-2006), historian and schoolmaster and a co-founder of the Innes Review, left a published legacy of hundreds of articles on Scottish intellectual and religious life in the Middle Ages and Renaissance and helped change the face of Scottish historiography. He was latterly a Senior Honorary Research Fellow of his alma mater, Glasgow University.
This study focuses on religious gilds or fraternities in both the densely settled shire and the sparsely populated fens of Cambridgeshire, from their apparent proliferation in the mid-fourteenth century to their dissolution under Edward VI in 1558. Gilds exercised social control and contributed to the religious and economic life of the parish, and their changing role reflects social and religious change during the period. Dr Bainbridge's sources include the 1388-9 survey of religious gilds and surviving gild records, wills, manorial records, poll-tax returns and letters patent. Dr VIRGINIA R. BAINBRIDGEteaches at St Hilda's College, Oxford. ......................................................................... This study focuses on religious gilds or fraternities in both the densely settled shire and the sparsely populated fens of Cambridgeshire, from their apparent proliferation in the mid-fourteenth century to their dissolution under Edward VI in 1558, in order to examine social and religious change during the period. Gilds reflected the social hierarchies of their communities, exerting social control and fostering mutual charity in life and commemoration after death; they also made a substantial contribution to the religious and economic life of the parish. Dr Bainbridge examines lay responses to changing devotional and doctrinal patterns through the returns to the 1388-9 survey of religious gilds and surviving gild records; wills, manorial records, poll-tax returns and letters patent supply further information.Dr VIRGINIA R. BAINBRIDGEteaches at the St Hilda's College, Oxford.
In 1573, 712 bales of Chinese silk arrived in New Spain in the cargos of two Manila galleons. The emergence and the subsequent rapid development of this trans-Pacific silk trade reflected the final formation of the global circulation network. The first book-length English-language study focusing on the early modern export of Chinese silk to New Spain from the sixteenth to the seventeenth century, An Object of Seduction compares and contrasts the two regions from perspectives of the sericulture development, the widespread circulation of silk fashion, and the government attempts at regulating the use of silk. Xiaolin Duan argues that the increasing demand for silk on the worldwide market on the one hand contributed to the parallel development of silk fashion and sericulture in China and New Spain, and on the other hand created conflicts on imperial regulations about foreign trade and hierarchical systems. Incorporating evidence from local gazetteers, correspondence, manual books, illustrated treatises, and miscellanies, An Object of Seduction explores how the growing desire for and production of raw silk and silk textiles empowered individuals and societies to claim and redefine their positions in changing time and space, thus breaking away from the traditional state control.
A rare examination of the political, social, and economic contexts in which painters in Tudor and Early Stuart England lived and worked While famous artists such as Holbein, Rubens, or Van Dyck are all known for their creative periods in England or their employment at the English court, they still had to make ends meet, as did the less well-known practitioners of their craft. This book, by one of the leading historians of Tudor and Stuart England, sheds light on the daily concerns, practices, and activities of many of these painters. Drawing on a biographical database comprising nearly 3000 painters and craftsmen - strangers and native English, Londoners and provincial townsmen, men and sometimes women, celebrity artists and 'mere painters' - this book offers an account of what it meant to paint for a living in early modern England. It considers the origins of these painters as well as their geographical location, the varieties of their expertise, and the personnel and spatial arrangements of their workshops. Engagingly written, the book captures a sense of mobility and exchange between England and the continent through the considerable influence of stranger-painters, undermining traditional notions about the insular character of this phase in the history of English art. By showing how painters responded to the greater political, religious, and economic upheavals of the time, the study refracts the history of England itself through the lens of this particular occupation.
Thomas Hobbes argues that the fear of violent death is the most reliable passion on which to found political society. His role in shaping the contemporary view of religion and honor in the West is pivotal, yet his ideas are famously riddled with contradictions. In this breakthrough study, McClure finds evidence that Hobbes' apparent inconsistencies are intentional, part of a sophisticated rhetorical strategy meant to make man more afraid of death than he naturally is. Hobbes subtly undermined two of the most powerful manifestations of man's desire for immortality: the religious belief in an afterlife and the secular desire for eternal fame through honor. McClure argues that Hobbes purposefully stirred up controversy, provoking his adversaries into attacking him and unwittingly spreading his message. This study will appeal to scholars of Hobbes, political theorists, historians of early modern political thought and anyone interested in the genesis of modern Western attitudes toward mortality.
This book is a microhistory study of village settlements in early modern Northwest Italy that aims to expand the notion of place to include the process of producing a locality; that is, the production of native local subjects through practices, rituals and other forms of collective action. Undertaking a micro-analytical approach, the book examines the customs and practices associated with typically fragmented and polycentric Italian village settlements to analyze the territorial tensions between various segments of a village and its neighbors. The microspatial analysis reveals how these tensions are the expressions of conflictual relationships between lay, ecclesiastical and charitable bodies culminating in a "culture of fragmentation" that impacts local economic and political practices. The book also traces how the production of locality survived throughout the nineenth and twentieth century and is still observed today. In this light, the study of practices and policies of locality over time that this book undertakes is an essential tool to better understand the nature and role of these social bonds in today's society. Archival records and the methods for approaching this source material are included within the text, making it an accessible and invaluable book for students and teachers of social and cultural history.
This anthology is the sister volume to The Oxford Handbook of Tudor Drama. It contains sixteen of the most important, innovative, and dramatically exciting plays from the long Tudor century (1485-1603) newly edited in accessible modern spelling from original manuscripts or printed texts. Unlike previous anthologies, which have tended to divide the period by selecting examples of only 'medieval' or 'Renaissance' drama, and so eliding the continuities between the two, this volume gives readers an overview of the whole period. For in reality 'medieval' plays such as the magnificent York mystery cycle and the interludes of John Heywood were being performed through much of the sixteenth century, alongside 'Renaissance' works such as the comedy Gammer Gurton's Needle and Jasper Heywood's English re-imagining of Seneca's tragedy of blood, Thyestes. Tudor audiences clearly did not share the assumptions of modern editors, who have seen the plays produced before the 1590s as 'primitive', didactic stuff, soon swept away by the genius of Marlowe and Shakespeare. They enjoyed all of the works printed here, some anthologised in a readily available collection for the first time, seeing in each of them elements of dramatic action, character, and emotional engagement that moved and entertained them. This anthology will allow modern readers to see why, offering a chronological arrangement of the best Tudor plays that allows them to see for themselves the ways in which the traditions and tropes that would characterise the Shakespearean stage were tried and tested through a century of innovation and experiment. With the riches of a century of Tudor drama before them in a single volume, readers and performers will be able to judge both what was gained in the long century from the 1480s to the 1600s and also what was lost as drama moved from the streets and halls of the early Tudor period to the professional playhouses of the Elizabethan age.
First comparative study of landless households brings out their major role in European history and society. The numbers of landless people - those lacking formal rights to land, or possessing only tiny smallholdings - grew rapidly across post-medieval Europe, as rural population and economic growth divided landowners and farmers from (increasingly) landless rural workers. But they have hitherto been relatively neglected, a gap which this volume, covering Scandinavia, Germany, Austria, Netherlands, Belgium, Britain, France and Spain from the sixteenth to the early twentieth centuries, aims to fill, making creative use of a diverse range of unexplored sources. Instead of concentrating on the well-documented cases of landholding peasants, it explores the many different experiences of the numerous rural landless. It explains how their households were formed (often in the face of economic difficulties and official hostility), how all the members of a family contributed to its survival, how the landless related to other social groups and negotiated access to vital resources, and how they adapted as rural society was changed by war, politics, agrarian and industrial development, government policy and welfare systems. Contributors: Arnau Barquer i Cerda, John Broad, Dieter Bruneel, Christine Fertig, Henry French, Margareth Lanzinger, Jonas Lindstroem, Riikka Miettinen, Richard Paping, Wouter Ronsijn, Merja Uotila, Nadine Vivier
After the Restoration, parliamentarians continued to identify with the decisions to oppose and resist crown and established church. This was despite the fact that expressing such views between 1660 and 1688 was to open oneself to charges of sedition or treason. This book uses approaches from the field of memory studies to examine 'seditious memories' in seventeenth-century Britain, asking why people were prepared to take the risk of voicing them in public. It argues that such activities were more than a manifestation of discontent or radicalism - they also provided a way of countering experiences of defeat. Besides speech and writing, parliamentarian and republican views are shown to have manifested as misbehaviour during official commemorations of the civil wars and republic. The book also considers how such views were passed on from the generation of men and women who experienced civil war and revolution to their children and grandchildren. -- .
"State, Power and Community in Early Modern Russia" is a vivid reconstruction of life in one of the garrison towns built on Muscovy's southern steppe frontier in the early seventeenth century to defend against Tatar raids. It focuses on how the colonization process shaped power relations in a particular southern garrison community, both at the village level, within the land commune, and at the district level, between the general garrison community and the appointed officials representing state authority. |
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