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Books > Humanities > History > American history
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Brown County
(Paperback)
Rick Hofstetter, Jane Ammeson
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R557
R511
Discovery Miles 5 110
Save R46 (8%)
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Ships in 18 - 22 working days
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Nine years before Abraham Lincoln was elected president, Story came
into being. In 1851, Pres. Millard Fillmore granted a land patent
to Dr. George Story for the creation of this little town. Tucked
into a scenic spot near the Hoosier National Forest, 13 miles
southeast of Nashville, Indiana, Story lies deep in the heart of
historic Brown County. And Story is just one reason to visit Brown
County, also known as "the Art Colony of the Midwest." Amid
forests, rolling hills, and winding country roads, charming
Nashville is home to more than 120 shops, art galleries, and
artists' studios and neighbors two villages quaintly named Gnawbone
and Bean Blossom. The beauty of Brown County has always attracted
artists and history buffs. Wander back roads across covered bridges
that have spanned sparkling streams for more than a century to
retrace the paths taken by artists seeking to capture the county's
beauty.
This leatherbound collection of classic works traces the founding
of America, from the birth of the nation in the late 1760s to the
creation of a more perfect union at the end of the early 1800s. It
celebrates the pursuit of life, liberty and justice and the
freedoms that define America through notable documents as well as
significant pieces, writings and speeches by famous figures and the
founding fathers commenting on historic events. This volume
includes the full texts of "On Civil War" by Benjamin Franklin,
"Common Sense" by Thomas Paine, "The Declaration of Independence"
and many more. A beautiful addition to any home library, the
bonded-leather edition also features a satin-ribbon bookmark,
distinctive stained edging, and decorative endpapers.
At 7:30 a.m. on June 16, 1944, George Junius Stinney Jr. was
escorted by four guards to the death chamber. Wearing socks but no
shoes, the 14-year-old Black boy walked with his Bible tucked under
his arm. The guards strapped his slight, five-foot-one-inch frame
into the electric chair. His small size made it difficult to affix
the electrode to his right leg and the face mask, which was clearly
too large, fell to the floor when the executioner flipped the
switch. That day, George Stinney became, and today remains, the
youngest person executed in the United States during the twentieth
century.How was it possible, even in Jim Crow South Carolina, for a
child to be convicted, sentenced to death, and executed based on
circumstantial evidence in a trial that lasted only a few hours?
Through extensive archival research and interviews with Stinney's
contemporaries-men and women alive today who still carry
distinctive memories of the events that rocked the small town of
Alcolu and the entire state-Eli Faber pieces together the chain of
events that led to this tragic injustice. The first book to fully
explore the events leading to Stinney's death, The Child in the
Electric Chair offers a compelling narrative with a meticulously
researched analysis of the world in which Stinney lived-the era of
lynching, segregation, and racist assumptions about Black
Americans. Faber explains how a systemically racist system, paired
with the personal ambitions of powerful individuals, turned a blind
eye to human decency and one of the basic tenets of the American
legal system that individuals are innocent until proven guilty. As
society continues to grapple with the legacies of racial injustice,
the story of George Stinney remains one that can teach us lessons
about our collective past and present. By ably placing the Stinney
case into a larger context, Faber reveals how this case is not just
a travesty of justice locked in the era of the Jim Crow South but
rather one that continues to resonate in our own time. A foreword
is provided by Carol Berkin, Presidential Professor of History
Emerita at Baruch College at the City University of New York and
author of several books including Civil War Wives: The Lives and
Times of Angelina Grimke Weld, Varina Howell Davis, and Julia Dent
Grant.
Easternmost of the Great Lakes, Lake Ontario is bordered by both
New York and Ontario. Upon its pristine surface, countless vessels
have sailed, but its bottom depths are littered with the skeletons
of shipwrecks, including Fleetwing, caught and destroyed in one of
the sudden storms that often turn this sea-like lake deadly. Daring
mariners, male and female, have seen their share of peril, and
battles during wars between Britain and the US and Canada have also
been waged here. From Huron canoes to today's "Sunday Sailors" who
venture from shore only during warmer months, local author Susan
Gateley tells some of the lake's most exciting stories.
Hemmed in by steep hills, Glen Park is defined by its
quintessentially San Franciscan topography. Only 120 years ago this
area, as well as neighboring Diamond Heights, was part of the
Outside Lands, so
isolated that only farmers would settle here. Life revolved around
Islais Creek, which ran through the canyon and provided water for
the dairies. Then, in 1892, a German immigrant named Behrend Joost
founded the citys first electric streetcar to shuttle residents to
jobs downtown, and a neighborhood was born. As peak-roofed wooden
cottages and houses began to fill in the valleys, the urban, homey,
and decidedly livable Glen Park that we know today began to emerge.
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San Marcos
(Paperback)
David R. Butler
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R561
R515
Discovery Miles 5 150
Save R46 (8%)
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Ships in 18 - 22 working days
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In 1899, Carrie Chapman Catt, who succeeded Susan B. Anthony as
head of the National American Women Suffrage Association, argued
that it was the "duty" of U.S. women to help lift the inhabitants
of its new island possessions up from "barbarism" to
"civilization," a project that would presumably demonstrate the
capacity of U.S. women for full citizenship and political rights.
Catt, like many suffragists in her day, was well-versed in the
language of empire, and infused the cause of suffrage with
imperialist zeal in public debate. Unlike their predecessors, who
were working for votes for women within the context of slavery and
abolition, the next generation of suffragists argued their case
against the backdrop of the U.S. expansionism into Indian and
Mormon territory at home as well as overseas in the Philippines,
Puerto Rico, and Hawaii. In this book, Allison L. Sneider carefully
examines these simultaneous political movements--woman suffrage and
American imperialism--as inextricably intertwined phenomena,
instructively complicating the histories of both.
Ends of Assimilation compares sociological and Chicano/a (Mexican
American) literary representations of assimilation. It argues that
while Chicano/a literary works engage assimilation in complex,
often contradictory ways, they manifest an underlying conviction in
literature's productive power. At the same time, Chicano/a
literature demonstrates assimilation sociology's inattention to its
status as a representational discourse. As twentieth-century
sociologists employ the term, assimilation reinscribes as fact the
fiction of a unitary national culture, ignores the interlinking of
race and gender in cultural formation, and valorizes upward
economic mobility as a politically neutral index of success. The
study unfolds chronologically, describing how the historical
formation of Chicano/a literature confronts the specter of
assimilation discourse. It tracks how the figurative, rhetorical,
and lyrical power of Chicano/a literary works compels us to compare
literary discourse with the self-authorizing empiricism of
assimilation sociology. It also challenges presumptions of
authenticity on the part of Chicano/a cultural nationalist works,
arguing that Chicano/a literature must reckon with cultural
dynamism and develop models of relational authenticity to counter
essentialist discourses. The book advances these arguments through
sustained close readings of canonical and noncanonical figures and
gives an account of various moments in the history and
institutional development of Chicano/a literature, such as the rise
and fall of Quinto Sol Publications, asserting that Chicano/a
writers, editors, and publishers have self-consciously sought to
acquire and redistribute literary cultural capital.
Located in north-central Kentucky, Fort Knox is one of the army's
major installations and is home to several commands, including the
United States Army School and Center and the United States Army
Recruiting Command. The fort's history dates to 1903, when a series
of military maneuvers was held by the United States Army in West
Point, Kentucky. When World War I required the establishment of
additional military training facilities, Camp Knox was created. The
post closed as a permanent installation in 1922, but it remained an
active training center for army programs and, briefly, a national
forest. On January 1, 1932, Camp Knox was made a permanent
installation again and has since been known as Fort Knox. In 1940,
the Armored Force was established, paving the way for the
continuing evolution of armed warfare. The United States Bullion
Depository chose its location because of its proximity to this
post.
Maine has a rich supernatural history and ghost stories from the
state are as varied as they are prolific. Freelance writer and
reporter Tom Verde first became interested in such eerie
occurrences while researching first-hand encounters with ghosts for
a series of public radio programs. This book recounts some of the
spine-tingling tales he uncovered in his research, including: *The
dagger-wielding shade who terrorized a Portland couple *The
murdered Indian who revisited Means's Tavern *Famed diva Lillian
Nordica, whose voice still echoes through the Farmington auditorium
named in her honor *The hostile spirit who tried to frighten the
tenants out of an Orrington house *Even an entire phantom ship,
bound eternally for Freeport These are not fictitious creations of
literary imagination. People from all walks of life-including many
who were positive they would never believe in ghosts-attest to
these encounters.
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