The overall aim of the volume is to explore the relation of Socratic philosophizing, as Plato represents it, to those activities to which it is typically opposed. The essays address a range of figures who appear in the dialogues as distinct "others" against whom Socrates is contrasted-most obviously, the figure of the sophist, but also the tragic hero, the rhetorician, the tyrant, and the poet. Each of the individual essays shows, in a different way, that the harder one tries to disentangle Socrates' own activity from that of its apparent opposite, the more entangled they become. Yet, it is only by taking this entanglement seriously, and exploring it fully, that the distinctive character of Socratic philosophy emerges. As a whole, the collection sheds new light on the artful ways in which Plato not only represents philosophy in relation to what it is not, but also makes it "strange" to itself. It shows how concerns that seem to be raised about the activity of philosophical questioning (from the point of view of the political community, for example) can be seen, upon closer examination, to emerge from within that very enterprise. Each of the essays then goes on to consider how Socratic philosophizing can be defined, and its virtues defended, against an attack that comes as much from within as from without. The volume includes chapters by distinguished contributors such as Catherine Zuckert, Ronna Burger, Michael Davis, Jacob Howland, and others, the majority of which were written especially for this volume. Together, they address an important theme in Plato's dialogues that is touched upon in the literature but has never been the subject of a book-length study that traces its development across a wide range of dialogues. One virtue of the collection is that it brings together a number of prominent scholars from both political science and philosophy whose work intersects in important and revealing ways. A related virtue is that it treats more familiar dialogues (Republic, Sophist, Apology, Phaedrus) alongside some works that are less well known (Theages, Major Hippias, Minor Hippias, Charmides, and Lovers). While the volume is specialized in its topic and approach, the overarching question-about the potentially troubling implications of Socratic philosophy, and the Platonic response-should be of interest to a broad range of scholars in philosophy, political science, and classics.

In one of the most original books of late antiquity, "Philoponus" argues for the Christian view that matter can be created by God out of nothing. It needs no prior matter for its creation. At the same time, "Philoponus" transforms Aristotle's conception of prime matter as an incorporeal 'something - I know not what' that serves as the ultimate subject for receiving extension and qualities. On the contrary, says "Philoponus", the ultimate subject is extension. It is three-dimensional extension with its exact dimensions and any qualities unspecified. Moreover, such extension is the defining characteristic of body. Hence, so far from being incorporeal, it is body, and as well as being prime matter, it is form - the form that constitutes body. This uses, but entirely disrupts, Aristotle's conceptual apparatus. Finally, in Aristotle's scheme of categories, this extension is not to be classified under the second category of quantity, but under the first category of substance as a substantial quantity.

Plato of Athens, who laid the foundations of the Western philosophical tradition and in range and depth ranks among its greatest practitioners, was born to a prosperous and politically active family circa 427 BC. In early life an admirer of Socrates, Plato later founded the first institution of higher learning in the West, the Academy, among whose many notable alumni was Aristotle. Traditionally ascribed to Plato are thirty-five dialogues developing Socrates' dialectic method and composed with great stylistic virtuosity, together with the Apology and thirteen letters. The four works in this volume recount the circumstances of Socrates' trial and execution in 399 BC. In Euthyphro, set in the weeks before the trial, Socrates and Euthyphro attempt to define holiness. In Apology, Socrates answers his accusers at trial and unapologetically defends his philosophical career. In Crito, a discussion of justice and injustice explains Socrates' refusal of Crito's offer to finance his escape from prison. And in Phaedo, Socrates discusses the concept of an afterlife and offers arguments for the immortality of the soul. This edition, which replaces the original Loeb edition by Harold North Fowler, offers text, translation, and annotation that are fully current with modern scholarship.

For centuries, Stoicism was virtually the unofficial religion of the Roman world Yet the stress on endurance, self-restraint and the power of the will to withstand calamity can often seem coldhearted. It is Epictetus, a lame former slave exiled by the Emperor Domitian, who offers by far the most positive and humane version of Stoic ideals. "The Discourses, " assembled by his pupil Arrian, catch him in action, publicly setting out his views on ethical dilemmas. Committed to communicating with the widest possible audience, Epictetus uses humor, imaginary conversations and homely comparisons to put his message across. The result is a perfect summary of 'the Roman virtues' --the brotherhood of man, universal justice, calm indifference in the face pain--which have proved so influential throughout Western history.

Returning from the battle of Potidaea, Socrates reenters the city only to find it changed, with new leadership in the making. Socrates assumes the mask of physician in order to diagnose the city's condition in the persons of the young and charismatic Charmides and his ambitious and formidable guardian Critias. Beneath the cloak of their self-presentations, Doctor Socrates discovers a profound and communicable disease: their incipient tyranny, "the greatest sickness of the soul." He thereby is able to "foresee" their future and their role in the oligarchy (The Thirty Tyrants) that overthrows the democracy at the end of the Peloponnesian War. The unusual diagnostic instrument of this physician of the city: the question of sophrosyne (customarily translated as moderation). The analysis of the soul of this popular favorite uncovers a distorted development with little prospect of self-knowledge, and that of the guardian, a profound disabling ignorance, deluded and perverted by his presumed practical wisdom. Alongside on the bench sits Socrates whose ignorance, by contrast, shows itself to be enabling, measured and prospective. In this way, the profound ignorance of the tyrant and the profound ignorance of the philosopher are made to mutually illuminate one another. In the process, Levine brings us to see Plato's extended apologia or defense of Socrates as "a teacher of tyrants" and his counter-indictment of the city for its unthinking acceptance of its leaders. Moreover, in the face of modern skepticism, we are brought to see how such "value judgments" are possible, how Plato conceives the prospects for practical judgment (phronesis). In addition we witness the care with which Plato presents his penetrating diagnoses even amidst compromised circumstances. Levine, further, is at pains to situate the specific dialogic issues in their larger significance for the philosophic tradition. Lastly, the author's inviting style encourages the reader to think along with Socrates. The question of tyranny is always relevant. The question of our ignorance is always immediate. The conversation about sophrosyne needs to be resumed.

Plato and the Elements of Dialogue examines Plato's use of the three necessary elements of dialogue: character, time, and place. By identifying and taking up striking employments of these features from throughout Plato's work, this book seeks to map their functions and importance. By focusing on the Symposium, Cratylus, and Republic, this book shows three ways that characters can be related to what they do and what they say. Next, the book takes up 'displacement' by focusing on the Hippias Major, arguing that individual characters can be expanded by the repeated practice of asking them to consider a question from a point of view other than their own. This ties into the treatments of 'thinking' in the Theaetetus and Sophist. The Parmenides, Lysis, and Philebus are examined to come to a better understanding of the functions of the settings (times/places) of Plato's dialogues, while a reading of the beginning of the of the Phaedo shows how Plato can expand the settings of the dialogues by using 'frames' in order to direct his readers. Last, this book takes up the 'critique of writing' that closes the Phaedrus.

This book takes a new approach to the question, "Is the philosopher to be seen as universal human being or as eccentric?". Through a reading of the Theaetetus, Pappas first considers how we identify philosophers - how do they appear, in particular how do they dress? The book moves to modern philosophical treatments of fashion, and of "anti-fashion". He argues that aspects of the fashion/anti-fashion debate apply to antiquity, indeed that nudity at the gymnasia was an anti-fashion. Thus anti-fashion provides a way of viewing ancient philosophy's orientation toward a social world in which, for all its true existence elsewhere, philosophy also has to live.

Aristotle's Poetics is the first philosophical account of an art form and the foundational text in aesthetics. The Routledge Philosophy Guidebook to Aristotle and the Poetics is an accessible guide to this often dense and cryptic work. Angela Curran introduces and assesses: Aristotle's life and the background to the Poetics the ideas and text of the Poetics the continuing importance of Aristotle's work to philosophy today.

The Unity of Oneness and Plurality in Plato's Theaetetus offers a reading of the Theaetetus that shows how the characters' failure to give an acceptable account (i.e a logos) of knowledge is really a success; the failure being a necessary result of the dialogue's implicit proof that there can never be a complete logos of knowledge. The proof of the incompatibility of knowledge and logos rests on the recognition that knowledge is always of what is, and hence is always of what is one, while logos is inherently multiple. Thus, any attempt to give a logos of what is known amounts to turning what is one into something multiple, and hence, that which is expressed by any logos must be other than that which is known. In this way The Unity of Oneness and Plurality in Plato's Theaetetus provides its readers with developed sketches of both a Platonic epistemology, and a Platonic ontology. An account of the incompleteness of all accounts is, obviously, a very slippery undertaking. Plato's mastery of his craft is on full display in the dialogue. Besides offering a reading of Plato's epistemology and ontology, The Unity of Oneness and Plurality in Plato's Theaetetus investigates the insights and difficulties that arise from a close reading of the dialogue through a sustained analysis that mirrors the movement of the dialogue, offering a commentary on each of the primary sections, and showing how these sections fit together to supply an engaged reader with a unified whole.

Listening is a social process. Even apparently trivial acts of listening are expert performances of acquired cognitive and bodily habits. Contemporary scholars acknowledge this fact with the notion that there are "auditory cultures." In the fourth century BCE, Greek philosophers recognized a similar phenomenon in music, which they treated as a privileged site for the cultural manufacture of sensory capabilities, and proof that in a traditional culture perception could be ordered, regular, and reliable. This approachable and elegantly written book tells the story of how music became a vital topic for understanding the senses and their role in the creation of knowledge. Focussing in particular on discussions of music and sensation in Plato and Aristoxenus, Sean Gurd explores a crucial early chapter in the history of hearing and gently raises critical questions about how aesthetic traditionalism and sensory certainty can be joined together in a mutually reinforcing symbiosis.

Oxford Studies in Ancient Philosophy is an annual publication which includes original articles, which may be of substantial length, on a wide range of topics in ancient philosophy, and review articles of major books. This volume presents the published version of the Nellie Wallace Lectures in Ancient Philosophy, delivered at the University of Oxford by Professor Gisela Striker. Together, these lectures make up a connected account of Stoic ethics. The other contributors to this volume are: Thomas C. Brickhouse, G. R. F. Ferrari, Montgomery Furth, Charles Kahn, John Malcolm, Nicholas D. Smith, and Paul A. Vander Waerdt.

The Pedagogic Mission offers a focused pedagogic exegesis of the philosophies of Heraclitus, Parmenides, Socrates and Plato. Encrypted in their philosophical practices is a pedagogical mission which structures their manner of engagement. The linguistic style, epistemological assumptions, and metaphysical views are shown to be integral to the neophytes' pedagogical experience involving the acquisition of rational skills, an enhanced conceptual framework of understanding, and transformative effect on the subject.

How does God think? How, ideally, does a human mind function? Must a gap remain between these two paradigms of rationality? Such questions exercised the greatest ancient philosophers, including those featured in this book: Socrates, Plato, Aristotle, the Stoics and Plotinus. This volume encompasses a series of studies by leading scholars, revisiting key moments of ancient philosophy and highlighting the theme of human and divine rationality in both moral and cognitive psychology. It is a tribute to Professor A. A. Long, and reflects multiple themes of his own work.

This book explores the ramifications of understanding the similarities and differences between the tragedies of Euripides and Sophocles and realistic Japanese noh. First, it looks at the relationship of Aristotle's definition of tragedy to the tragedies he favored. Next, his definition is applied to realistic noh, in order to show how they do and do not conform to his definition. In the third and fourth chapters, the focus moves to those junctures in the dramas that Aristotle considered crucial to a complex plot - recognitions and sudden reversals -, and shows how they are presented in performance. Chapter 3 examines the climactic moments of realistic noh and demonstrates that it is at precisely these moments that a third actor becomes involved in the dialogue or that an actor in various ways steps out of character. Chapter 4 explores how plays by Euripides and Sophocles deal with critical turns in the plot, as Aristotle defined it. It is not by an actor stepping out of character, but by the playwright's involvement of the third actor in the dialogue. The argument of this book reveals a similar symbiosis between plot and performance in both dramatic forms. By looking at noh through the lens of Aristotle and two Greek tragedies that he favored, the book uncovers first an Aristotelian plot structure in realistic noh and the relationship between the crucial points in the plot and its performance; and on the Greek side, looking at the tragedies through the lens of noh suggests a hitherto unnoticed relationship between the structure of the tragedies and their performance, that is, the involvement of the third actor at the climactic moments of the plot. This observation helps to account for Aristotle's view that tragedy be limited to three actors.

This book explores Socrates' role as narrator of the Lysis, Charmides, Protagoras, Euthydemus, and Republic. New insights about each dialogue emerge through careful attention to Socrates' narrative commentary. These insights include a re-reading of the aporetic ending of the Lysis, a view of philosophy as a means of overcoming tyranny in the Charmides, a reconsideration of virtue in the Protagoras, an enhanced understanding of Crito in the Euthydemus, and an uncovering of two models of virtue cultivation (self-mastery and harmony) in the Republic. This book presents Socrates' narrative commentary as a mechanism that illustrates how the emotions shape Socrates' self-understanding, his philosophical exchanges with others, and his view of the Good. As a result, this book challenges the dominant interpretation of Socrates as an intellectualist. It offers a holistic vision of the practice of philosophy that we would do well to embrace in our contemporary world.

The ancient Greeks were not only the founders of western philosophy, but the actual term "philosophy" is Greek in origin, most likely dating back to the late sixth century BC. Socrates, Plato, Aristotle, Pythagoras, Euclid, and Thales are but a few of the better-known philosophers of ancient Greece. During the amazingly fertile period running from roughly the middle of the first millennium BC to the middle of the first millennium AD, the world saw the rise of science, numerous schools of thought, and-many believe-the birth of modern civilization. This second edition of Historical Dictionary of Ancient Greek Philosophy covers the history of Greek philosophy through a chronology, an introductory essay, a glossary, and an extensive bibliography. The dictionary section has over 1500 cross-referenced entries on important philosophers, concepts, issues, and events. This book is an excellent access point for students, researchers, and anyone wanting to know more about Greek philosophy.

Proclus' commentary on Plato's "Timaeus" is perhaps the most important surviving Neoplatonic commentary. In it Proclus contemplates nature's mysterious origins and at the same time employs the deductive rigour required to address perennial philosophical questions. Nature, for him, is both divine and mathematically transparent. He renders theories of Time, Eternity, Providence, Evil, Soul and Intellect and constructs an elaborate ontology that includes mathematics and astronomy. He gives ample play to pagan theology too, frequently lapsing into the arcane language of the "Chaldaean Oracles." "Ten Gifts of the Demiurge" is an essential companion to this rich but complex and densely wrought text, providing an analysis of its arguments and showing that it, like the cosmos Proclus reveres, is a living coherent whole. The book provides aides to understanding Proclus' work within the complex background of Neoplatonic philosophy, familiarising the reader with the political context of the Athenian school, analysing Proclus' key terminology, and giving background to the philosophical arguments and ancient sciences upon which Proclus draws.Above all, it helps the reader appreciate the varicoloured light that Proclus sheds on the secrets of nature.

In the second half of the twentieth century, ethics has gained considerable prominence within philosophy. In contrast to other scholars, Levinas proposed that it be not one philosophical discipline among many, but the most fundamental and essential one. Before philosophy became divided into disciplines, Plato also treated the question of the Good as the most important philosophical question. Levinas's approach to ethics begins in the encounter with the other as the most basic experience of responsibility. He acknowledges the necessity to move beyond this initial, dyadic encounter, but has problems extending his approach to a larger dimension, such as community. To shed light on this dilemma, Tanja Staehler examines broader dimensions which are linked to the political realm, and the problems they pose for ethics. Staehler demonstrates that both Plato and Levinas come to identify three realms as ambiguous: the erotic, the artistic, and the political. In each case, there is a precarious position in relation to ethics. However, neither Plato nor Levinas explores ambiguity in itself. Staehler argues that these ambiguous dimensions can contribute to revealing the Other's vulnerability without diminishing the fundamental role of unambiguous ethical responsibility.

This book will be the second volume in the American Classical Studies series. The subject is Sextus Empiricus, one of the chief sources of information on ancient philosophy and one of the most influential authors in the history of skepticism. Sextus' works have had an extraordinary influence on western philosophy, and this book provides the first exhaustive and detailed study of their recovery, transmission, and intellectual influence through Late Antiquity, the Middle Ages, and the Renaissance. This study deals with Sextus' biography, as well as the history of the availability and reception of his works. It also contains an extensive bibliographical section, including editions, translations, and commentaries.

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

Two Metaphysical Naturalisms: Aristotle and Justus Buchler provides an American naturalist reading of Aristotle's "Metaphysics" with extensive literary-philological considerations of the original Greek text. Victorino Tejera defines and evaluates the underpinnings of the systematic metaphysics of Justus Buchler through the American tradition of reading Aristotle. The book expands on classical Greek thought and develops a matured stance on Aristotle's modes of knowing and Justus Buchler's systematic metaphysics. Tejera extracts from the Aristotelian-Peripatetic metaphysics the core of Aristotle's discussion of existence as existence by keeping track of the Peripatetic and Platonist interpolations of the editors who brought the text into being. The book also summarizes Buchler's Metaphysics of Natural Complexes in less technical terms to make it more accessible. With the help of Justus Buchler, Tejera reintroduces the concept of metaphysics as coordinative analysis. Finally bridging the classical with the modern, Tejera reveals a cohesive revitalization of metaphysical naturalism for contemporary scholars and students of both ancient and modern philosophy.

Nietzsche, Tension, and the Tragic Disposition examines the role that tension plays in Nietzsche s recovery, in his mature thought, of the Greek tragic disposition. This is achieved by examining the ontological structure to the tragic disposition presented in his earliest work on the Greeks and then exploring its presence in points of tension that emerge in the more mature concerns with nobility. In pursuing this ontological foundation, the work builds upon the centrality of a naturalist argument derived from the influence of the pre-Platonic Greeks. It is the ontological aspect of the tragic disposition, identified in Nietzsche s earliest interpretations of Greek phusis and the inherent tensions of the chthonic present in this hylemorphic foundation, that are examined to demonstrate the importance of the notion of tension to Nietzsche s recovery of a new nobility. By bringing to light the functional importance of tension for the Greeks in the ontological, varying points of tension can be identified that demonstrate a reemergence at different aspects in Nietzsche's later work. Once these aspects are elaborated, the evolving influence of tension is shown to play a central role in the re-emergence of the noble that possesses the tragic disposition. With solid argumentation linking Nietzsche with pre=Platonic Greek tradition, Matthew Tones's book brings new insight to studies of metaphysics, ontology, naturalism, and German, continental, and Greek philosophies."

Transcending dominant debates of whether Plato's Republic is about the ideal state, the soul, art, or education, Ivor Ludlam's analysis treats the dialogue as pure conversation. Returning to the original Greek, Ludlam examines the dialogue both in its details and in its entirety. The result is a holistic interpretation wherein Ludlam reveals how each character becomes a paradigm for an aspect of the Republic's central theme-the apparent good. Ultimately, it is the individual aspects of apparent good that the characters represent that determines the final course of the dialogue. Revisioning the central theme of the Republic through the motivations and interactions of its characters, Ludlam provides an innovative, holistic, and dramatic analysis of this foundational work.