Learn how to create beautiful loose and expressive florals, still lifes, motifs, animals, modes of transport, and fruits and vegetables in vibrant watercolor with touches of pen and ink. In Go with the Flow Painting, author Ohn Mar Win (Instagram: @ohn_mar_win) offers beginner-friendly techniques, tips, and step-by-step lessons that show how to get the most out of these mediums and paint confidently in this captivating style. Discover a new visual language that renders subjects with soft edges and luminous color. Capture just enough detail to suggest familiar flowers, animals, and objects and allow your unique expression and style to flourish. Begin with essential supplies and learn the key characteristics of loose watercolor. Practice basic techniques that lay the foundation for this style, such as working wet-on-wet, creating color gradients, layering, and creating shapes. Learn the best way to use brushes, and explore easy methods of working with pen and ink to add striking linework and details. Step-by-step lessons show how to capture the essence of a subject without worrying about perfectly executing every detail. Learn how to paint captivating hot air balloons, tiger lilies, French macarons, a colorful chameleon, and more. Embracing this flowing approach to watercolor allows you to develop a freer style and create artwork that's alive and exciting, instead of overworked. Go with the Flow Painting also features: How to mix colors directly on paper to get unique and beautiful effects Warm-up exercises to help get into a flow state of mind Information on colors and color values, and how best to use them Ideas and inspiration for creating cards, invitations, and more Explore watercolor in a new way that will open up a new world of creativity.

Learn how to paint on your iPad like the professionals in Beginner's Guide to Procreate, a comprehensive introduction to this industry-standard software. Accessible and versatile, Procreate is an ideal tool for anyone wanting to give digital painting a go. Step-by-step tutorials, quick tips, and inspiring artwork ensure you'll have all you need to create stunning concept art quickly and easily.

Johor: 300 Early Postcards will present a series of postcard galleries showing various aspects of the Peninsular Malaysian state of Johor from the late 19th century to the mid-20th century, in particular the changing landscapes and townscapes. The book will be a richly informative visual guide to a formative period in Johor's history. The postcards presented in the book will be drawn from the vast postcard collection of Dr Cheah Jin Seng, the author of Malaya: 500 Early Postcards, Penang: 500 Early Postcards, Perak: 300 Early Postcards, Selangor: 300 Early Postcards and Singapore: 500 Early Postcards.

It started in 1978 with an ordinary coffee shop near Kyoto. Word spread that the waitresses wore no panties under their miniskirts. Similar establishments popped up across the country. Men waited in line outside to pay three times the usual coffee price just to be served by a panty-free young woman. Within a few years, a new craze took hold: the no-panties "massage" parlor. Increasingly bizarre services followed, from fondling clients through holes in coffins to commuter-train fetishists. One particularly popular destination was a Tokyo club called "Lucky Hole" where clients stood on one side of a plywood partition, a hostess on the other. In between them was a hole big enough for a certain part of the male anatomy. Taking the Lucky Hole as his title, Nobuyoshi Araki captures Japan's sex industry in full flower, documenting in more than 800 photos the pleasure-seekers and providers of Tokyo's Shinjuku neighborhood before the February 1985 New Amusement Business Control and Improvement Act put a stop to many of the country's sex locales. Through mirrored walls, bed sheets, the bondage and the orgies, this is the last word on an age of bacchanalia, infused with moments of humor, precise poetry, and questioning interjections. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Lockdown, With Cats is a book of artwork created by Yeju Kwon with the hope of comforting contemporary people who deal with stress and anxiety. The theme of this book is centred around living in lockdown during the COVID-19 pandemic and it aims to depict the tone of current daily life that we are all experiencing. Yeju aims to portray feelings of safety and peace in her drawings and she hopes that the use of cats in her drawings will make it easier for the reader to resonate with these feelings.

Over 500 illustrations; instructional text. "Best book on artist's anatomy."-Art Students League News.

In 2007 TASCHEN released The New Erotic Photography, followed in 2012 by The New Erotic Photography 2. Each book featured hundreds of fresh and provocative images from the world's most intriguing erotic talents. Now the best of both books is available in The New Erotic Photography, featuring 62 photographers from 10 countries, exploring the global variations of erotic photography, as well as the evolution of photographic media over the last decade. We see film give way to digital, while those who persist with film are as likely to use Polaroids and primitive cameras like the Lomo and Holga as traditional SLRs. The featured photographers include new names Gregory Bojorquez, Jo Schwab, Tomohide Ikeya, Frederic Fontenoy, Andrew Pashis, and Jan Hronsky, as well as established artists Guido Argentini, Bruno Bisang, Eric Kroll, and the late Bob Carlos Clarke. Several outstanding women are also featured in this edition, including erotic film star Kimberly Kane, digital pioneer Natacha Merritt, heavy metal skateboarder Magdalena Wosinska, self-portraitist Jody Frost, and cover artist April-lea Hutchinson. It all adds up to an awful lot of nudes for a tantalizingly low price. About the series Bibliotheca Universalis - Compact cultural companions celebrating the eclectic TASCHEN universe!

Leonardo's enduring fascination with water-from its artistic representation to aquatic inventions and hydraulic engineering Formless, mutable, transparent: the element of water posed major challenges for the visual artists of the Renaissance. To the engineers of the era, water represented a force that could be harnessed for human industry but was equally possessed of formidable destructive power. For Leonardo da Vinci, water was an enduring fascination, appearing in myriad forms throughout his work. In Watermarks, Leslie Geddes explores the extraordinary range of Leonardo's interest in water and shows how artworks by him and his peers contributed to hydraulic engineering and the construction of large river and canal systems. From drawings for mobile bridges and underwater breathing apparatuses to plans for water management schemes, Leonardo evinced a deep interest in the technical aspects of water. His visual studies of the ways in which landscape is shaped by water demonstrated both his artistic mastery and probing scientific mind. Analyzing Leonardo's notebooks, plans, maps, and paintings, Geddes argues that, for Leonardo and fellow artists, drawing was a form of visual thinking and problem solving essential to understanding and controlling water and other parts of the natural world. She also examines the material importance in this work of water-based media, namely ink, watercolor, and oil paint. A compelling account of Renaissance art and engineering, Watermarks shows, above all else, how Leonardo applied his pictorial genius to water in order to render the natural world in all its richness and constant change.

And the Dawn Came Up Like Thunder is the experience of an ordinary soldier captured by the Japanese at Singapore in February 1942. Leo Rawlings' story is told in his own pictures and his own words; a world that is uncompromising, vivid and raw. He pulls no punches. For the first time the cruelty inflicted on the prisoners of war by their own officers is depicted as well as shocking images of POW life. This is truly a view of the River Kwai experience for a 21st Century audience.The new edition includes pictures never before published as well as an extensive new commentary by Dr Nigel Stanley, an expert on Rawlings and the medical problems faced on the Burma Railway. More than just a commentary on the history and terrible facts behind Rawlings' work, it stands on its own as a guide to the hidden lives of the prisoners.Most of the pictures are printed for the first time in colour as the artist intended, bringing new detail and insight to conditions faced by the POWs as they built the infamous death railway, and faced starvation, disease and cruelty.Pictures such as those showing the construction of Tamarkan Bridge, now famed as the prototype for the fictional Bridge on the River Kwai, and those showing the horrendous suffering of the POWs such as King of the Damned have an iconic status. Rawlings' art brings a different perspective to the depiction of the world of the Far East prisoners. For the first time the pictures and original texts are printed in a large format edition, so that their full power can be experienced.The new edition includes an account of how Rawlings' book was published in Japan by Takashi Nagase (well known from Eric Lomax's book The Railway Man) in the early 1980s. Rawlings visited Nagase in 1980 and at last reconciled himself to his experiences as a POW.

The first monograph on Richard Smith, a key figure in the development of British art. Richard Smith (1931-2016) was one of the most original painters of his generation, and one of the most underrated. As Barbara Rose said of Smith's major Tate Gallery retrospective in 1975, he was 'at once in and out of touch with the currents of the mainstream ... au courant and aloof at the same time.' That he latterly slipped under the radar to some extent is partly explained by his detachment from the mainstream as well as by his frequent switching of studios between England and the USA, although this helped charge his creative batteries. He is the only artist of his stature who has not been represented by a monograph, which the dazzling presentation of images in Richard Smith: Artworks now fulfils. It has been produced with the generous collaboration of the Richard Smith Foundation. Richard Smith: Artworks traces Smith's entire career, from the breakthrough lyrical abstraction of the early Pop-inflected paintings, through the radical shaped canvases and three-dimensional works that he produced in the 1960s, to the 'Kite' works beginning in 1972 and, eventually, his return to the flat canvas. As a Senior Curator at Tate, Dr Chris Stephens knew Smith well, and he contributes a wide-ranging introduction to Smith's art and life. Prof David Alan Mellor investigates and explains the Anglo-American cultural contexts that drove Smith's art, while Alex Massouras's two themed essays, 'Young and British' and 'From Motion Pictures to Flight', explore Smith's originality from fresh perspectives. The book is completed with an Afterword by its editor, Martin Harrison.

In mythology, art history and religious iconography, the apple has been imbued with every imaginable human desire. It has been a symbol of love and beauty, of temptation, of immortality, peace, death and poison, of sin and redemption. From Adam and Eve to the trials of Heracles, to the art of Cezanne and Magritte, to Newton's theory of gravity, the death of Alan Turing and the growth of Steve Jobs, the apple resonates throughout western culture. It is Snow White, William Tell, it is The Beatles and the Viking gods, it is even the American frontier. Now, Barnaby Barford offers a celebration of this fruit, exploring its impact on the history of humankind. Apples have become a recent feature of Barford's eye-catching installations, whether ripe and healthy or in a state of decay. The Apple is Everything guides the reader through Barford's work and ideology.

Draw colorful subjects with bestselling author Lee Hammond. This book is loaded with fun lessons and projects from popular instructor Lee Hammond on drawing brightly colored nature subjects realistically--more easily than you ever thought possible! The book includes basic colored-pencil drawing instruction on materials, using a grid to transfer a preliminary drawing from a photo, values, color, shadows, blending, and other key lessons for beginners. Twenty+ demonstrations show how to draw subjects from three different viewpoints, and how to draw detail from far away to super close. It includes fruit, flowers, leaves, butterflies, and birds.

This atmospheric calendar features 12 wood engravings from the collections at the Ashmolean Museum in Oxford. With artworks from Paul Nash, Thomas Edmund Chadwick, William Nicholson and others, these intricate engravings are beautifully reproduced. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper.

"I draw first, and then I paint like Jean-Michel. I think the paintings we make together are better when we don't know who has done what" - Andy Warhol. Between 1984 and 1985, Jean-Michel Basquiat (1960-1988) and Andy Warhol (1928-1987) created around 160 paintings together in tandem, a quatre mains, including some of the most remarkable works produced during their respective careers. Keith Haring (1958-1990), who witnessed their friendship and collaboration production, would go on to speak of a "conversation occurring through painting, instead of words," and of two minds merging to create a "third distinctive and unique mind." Accompanying an exhibition at Fondation Louis Vuitton, this book illustrates more than 100 paintings jointly signed by the two artists.

A critical reconsideration of the history of photography that explores how commerce and conflict fueled its practice in nineteenth-century China Photography's development as a new form of art and technology coincided with profound changes in the way China engaged with the world in the nineteenth century. The medium evolved in response to war, trade, travel, and a desire for knowledge about an unfamiliar place. Power and Perspective provides a rich account of the exchanges among photographers, artists, patrons, and subjects in the treaty port cities that connected China and the West. Drawing primarily from the Peabody Essex Museum's historic and largely unpublished collection of photographs, this generously illustrated volume examines the confrontations and collaborations that shaped the adoption and practice of photography in China. Offering an original reassessment of the colonial legacy of the medium, Power and Perspective addresses photography's representations of racial hierarchy and its entanglement with histories of European imperialism in nineteenth-century China. Distributed for the Peabody Essex Museum Exhibition Schedule: Peabody Essex Museum, Salem, MA (September 24, 2022-April 2, 2023)

There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.
Includes a new chapter on digital printing techniques Step by step instructions for using this techniqueEight page insert containing 10 beautiful color images

Drawn to Paper: Degas to Rego is a publication showcasing works on paper by some of the leading figures of European modernism. The selection is built around a group of works from a private collection and have not been seen in public since they were acquired in the 1970s and early '80s. At the heart of the collection is a group of works made by leading artists on the mid-twentieth-century Paris art scene, including the American Alexander Calder and Spaniards Picasso, Dali and Miro, as well as the French artists Raoul Dufy and Fernand Leger. The publication is fully-illustrated with a prefatory essay and catalogue entries.

Routledge is now re-issuing this prestigious series of 204 volumes originally published between 1910 and 1965. The titles include works by key figures such asC.G. Jung, Sigmund Freud, Jean Piaget, Otto Rank, James Hillman, Erich Fromm, Karen Horney and Susan Isaacs. Each volume is available on its own, as part of a themed mini-set, or as part of a specially-priced 204-volume set. A brochure listing each title in the "International Library of Psychology" series is available upon request.
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Paperclay is an extremely versatile material for the contemporary potter. Now firmly established in the ceramics world, this mix of clay and paper fibers is remarkably flexible, strong, and easy to repair. This highly workable medium allows expressive freedom and imagination at every stage in the creative process, even after drying and firing. In Paperclay, artists will discover the world of possibilities offered by this blend of earth, paper, and water. Building on the success of her previous books, artist and teacher Rosette Gault explains how potters and clay sculptors can make, fire, and reshape paperclay. This comprehensive guide covers a range of methods from dry modeling to slurry state. Going beyond the basics, the book introduces advanced techniques for building armatures, sculpting figures, and forming wall hangings. It also includes information on recycled and sustainable ingredients. Paperclay features all-new color photographs and diagrams of techniques and tools, as well as inspiring works by today's leading international ceramicists. Packed with photographs and clear instructions, Gault's book is an essential introduction to paperclay for ceramics artists and educators.

Circle: "God is a circle whose center is everywhere but whose circumference is nowhere." Circle means perfection, cyclicity, superiority of the divinity, but also instability and movement. In nature soap bubbles are spherical and internal trees' rings are circular; the legend tells that Giotto drew a perfect O, while perfection is tangible on Michelangelo's Tondo Doni and Botticelli's Vergine col Bambino. King Arthur's knights were pairs around a round table, and nowadays people sit in circle to make a decision or watch a show. Bruno Munari selects and describes in this little, extraordinary encyclopedia, several uses of this fascinating and mysterious form, unstable and hieratic at the same time. Square: Square has much importance in man's life: a lot of churches, monuments, games (like chess), and fonts are square-based. But man seems not to realise it... one more time Bruno Munari amazes us with an historical, anthropological, scientific square book. Triangle: From the vegetable structure of the coconut to the diagram of human settlements by Le Corbusier, one can frequently find the shape of the equilateral triangle in many different occurrences, both in a natural environment and in artificial works. Along with the circle and the square, the equilateral triangle is one of the three basic forms, and is suitable to be combined in modular frameworks to generate a structured field in which endless other combinatorial forms may be constructed. From classical Arab and Japanese decorations to the contemporary architecture of Buckminster Fuller and Wright, the familiarity with the equilateral triangle, in all its formal and structural resources, generates curious and fascinating experimentations. After the books of the same collection dedicated to the circle and the square, a new reprint by Bruno Munari about the many uses of this evocative shape throughout the centuries. These studies were originally published in 1976 in the series Quaderni di design, curated by Munari himself for Zanichelli.