The incomparable play of light and color in Paul Cezanne's work was the foundation of his reputation as a forerunner of modernism. From the start he went his own way, and his paintings initially evoked a lack of understanding in art critics of the time, as well as ridicule. Despite his romantic, baroque, impressionist, and finally classical influences, it is still difficult to ascribe Cezanne to any particular art movement. Still, which specific places left lasting impressions on the scion of a provincial banker's family? What and who were major influences supporting and advancing his innovative oeuvre? James H. Rubin traces Cezanne's life and work from A to Z in this brief volume, creating an image of a painter who wanted to transform painting itself. The author-and established connoisseur-succeeds in closely approaching the artist while at the same time maintaining the necessary distance to his inimitable paintings.

Featuring eye-catching geometric designs by artist Marleigh Culver, this kit invites you to relax through the meditative process of painting by number. When completed, you'll have three beautiful abstract paintings to gift or display. Includes three pre-printed art boards, six pots of acrylic paint, two paintbrushes, and an instruction guide. Perfect for anyone looking for creative ways to unplug and slow down!

A fully updated edition of the most comprehensive illustrated survey of the life and work of Peter Blake, one of Britain's most popular artists. Since his emergence in the early 1960s as a key member of the Pop Art movement, Peter Blake has become one of the best-known and most popular artists of his generation. Though primarily a painter, he has worked across many media, from drawings, watercolours and collages to sculpture and printmaking, as well as commercial art in the form of graphics and album covers - most notably his design for The Beatles' Sgt. Pepper album in 1967. Exploring his remarkable creative output from the 1950s to the present, Peter Blake is the most comprehensive illustrated survey available of the life and work of the artist. Marco Livingstone grounds Blake's art firmly in his working-class origins, identifying a yearning for the innocence of childhood in his bittersweet paintings of the early to mid-1950s that depict children reading comics or going to the Saturday matinee at the cinema. From that moment, while studying at the Royal College of Art in London, Blake concerned himself with popular entertainments as subject matter, and as the source of formal solutions, for his paintings. The directness with which Blake gave expression to his enthusiasms for mass culture during the 1950s brought him to the forefront of the Pop Art movement before it had even been named, and independently of the investigations into similar areas by other British, American and European artists. The radical nature of his collage paintings of 1959-62, in particular, in which he combined existing imagery from popular culture with unapologetically bold and bright colours, made him a singularly influential figure within British Pop. This fully updated edition includes a new chapter on what the artist has jokingly styled his 'Late Period', in which Blake has continued to mine the many strands of his art with undiminished energy and completed some of his most ambitious long-standing projects. As well as the sheer scale of Blake's production, what becomes clear is the kaleidoscopic variety of subject matter, form and medium to be found in his work, its humour and friendly appeal, and, above all, its celebration of life and humanity.

A beautifully designed organiser to keep all your information for contacts, co-workers, family and friends in one place. This stylish and elegantly designed address book has plenty of space to record names, addresses, telephone numbers and email addresses for everyone you need to stay in touch with. With colour-coded alphabetical sections, a silk ribbon marker and beautiful floral images throughout from the world-famous RHS Lindley Library, this decorative address book makes the perfect gift!

Counting from one to ten has never been so fun with this hide-and-seek, animal-packed picture book, written by the sisterly duo, Leanne and Sara Miller. Come with us on an enchanting journey, counting all the way to ten and spotting animals along the way! From dazzling deep blue waters to tropical jungles and snowy mountain peaks, count the exotic creatures and spot who else is hiding in their magical world. Join the fun - it's a PARTY PARADE! Written by Leanne Miller and illustrated by her sister, Sara Miller, founder of award-winning luxury lifestyle brand Sara Miller London. Every spread in this beautiful book showcases a new animal habitat, from oceans and treetops to snowy mountains and tropical jungles. Bright and bold colours throughout -- a staple in all Sara Miller's luxury brand products. Sara's the founder of Sara Miller London, where she designs products from duvets and mugs to pencil cases and birthday cards. These have won many awards and are sold all over the world. Two very creative sisters have joined together to create a beautiful book offering for children (and adults!) Lots of animals to spot on each page, plus an extra page at the end prompting little readers to find even more animals!

Frank Auerbach: The Sitters provides a comprehensive overview of the artist's portraiture. It reveals the special connection between the artist and his 'sitters' - the small group of dedicated models who have been Auerbach's chief subject over a career spanning seven decades. A comprehensive list of his sitters has been compiled here for the first time, providing new biographical information about his models from E.O.W. to J.Y.M. and beyond. Frank Auerbach: The Sitters includes a wide range of contributors. An essay by the art critic William Feaver describes the experience of sitting for Auerbach, while a conversation from 2001 between the artist and Martin Gayford describes Auerbach's intentions and process. Auerbach's close friendship with the art historian Michael Podro is also explored, with a short memoir by Natasha Podro and a re-published, little known essay from 1969 by Podro himself. Forty paintings and drawings from 1956 to 2020 are illustrated in colour, with thoroughly researched catalogue entries that shed new light on the artist's relationships and his work. The publication accompanies Piano Nobile's exhibition Frank Auerbach: The Sitters, held in autumn 2022.

This exhibition catalogue for a show at the Neue Sammlung (Design Museum) in Munich documents the first solo show by Swiss jewellery artist Therese Hilbert, former student of Max Froehlich in Zurich and Hermann Ju nger in Munich. It features 250 works, going back 50 years and beginning with her earliest, unknown pieces through to her newest work created in 2020. One of her life-long passions is volcanoes: she has climbed many of them and has used them as a theme in her jewellery design for many years. The sense of heat below the surface of her minimalist designs underlines her passion for the subject. Her work is in the collections of the Design Museum (Munich), the National Gallery of Victoria, the Dallas Museum of Art, and Museum of Arts and Design (New York). Features texts by Heike Endter, Otto Kunzli, Ellen Maurer-Zilioli, Pravu Mazumdar, Angelika Nollert, Warwick Freeman and Petra Hoelscher. Text in English and German.

Two superstars of anime and manga open their studio doors and spill their secrets in this private master class. Join Hisashi Kagawa, an animation director for Sailor Moon, and Yoshihiko Umakoshi, a character developer for My Hero Academia, as they show you how to bring your battle heroines boldly to life. Helpful sidebars and tips appear in dialogue bubbles throughout this book, as the artists guide aspiring illustrators from initial idea to finished artworks, pointing out common missteps and pitfalls that can easily frustrate beginning artists along the way. The essential techniques and design elements needed to create engaging female-led battle scenes are first reviewed in detail. Then each author walks the reader through their entire creative process of developing an original story from beginning to end. Along the way the authors give you hundreds of helpful tips on how to create compelling characters and render realistic expressions and poses, showing you how practiced professionals work. Starting from a storyboard sequence of simple sketches you'll progress to a polished finished drawing. By learning from two artists with different styles at the same time, readers get twice the advice and emerge doubly prepared to create scenes, stories and battle heroines of their own.

Jose Cano roams the world in search of the cutest, the hottest, and the most adorable girls, rendering them in exquisite and loving detail. Pack your toothbrush and imagination - traveling was never this much fun (or educational ) This is NOT your uncle's slideshow All new illustrations.

Graffiti School is the world's first fully illustrated graffiti coursebook for college use. It opens with an exploration of graffiti's background and history, from Pompeii to the Hip Hop revolution to the present day, as well as how to stay on the right side of the law. It then introduces modern-day graffiti media and terminology, going on to conduct the reader through the process of designing graffiti, setting out the possibilities and skills needed to create a successful work on paper, ready to be transferred to a wall. The author explains the practical techniques of using a spray can, and the step-by-step methods and skills required to create artistic graffiti. The final section is a manual designed specifically to be of use to teachers. It gives ideas for running both theoretical and practical graffiti lessons and units, as well as providing suggestions on the details, such as marking schemes and ideas for class trips.

London's Natural History Museum holds the oldest and most important entomology collection in the world - with over 34 million insect and arachnid specimens. Interesting Insects showcases the weird, wonderful, and often surprisingly beautiful world of bugs, from shimmering stag beetles to dazzling dragonflies. For each stunning specimen there is a close-up photograph and accompanying text describing its appearance, lifestyle, distribution and size, together with its key characteristics.

The English Romantic painter Joseph Mallord William Turner (23 April 1775-19 December 1851) was a brilliant landscape artist, a watercolourist and printmaker. His style, powerful and fierce, melding the elements with humankind are thought by many to have prepared the way for Impressionism. In his time he was controversial, but his focus on land and seascapes widened the palette of artists and their audience, and his impressionistic brushwork prepared the way for the fragmentation of the modern era. This wonderful new book brings to life his greatest achievements, with such paintings as The Fighting 'Temeraire', Inside Tintern Abbey and Rain, Steam and Speed (The Great Western Railway).

Explore Kerby Rosanes's intricate and vibrant world in this striking jigsaw puzzle. Piece together shape-shifting creatures as they morph into a magnificent tiger in the night, featured in his bestselling book, Animorphia.

Making connections between drama and drawing, Drawing as Performance introduces visual artists and designers to rehearsal techniques, theory, and games as ways of developing image-making and visual communication skills. Drawing from the fields of theatre and anthropology, this book is full of practical exercises that encourage experimentation and play as methods of making expressive, communicative, and meaningful images. Ideas are adapted from the rehearsal room to the drawing studio, offering artists a fresh approach to translating experiences into visual images. Games and exercises are accompanied by demonstrations and responses from professional practitioners and visual communication students. This one-of-a-kind book guides students and professionals alike to improvisation, self-expression, and reflective visual communication techniques in order to narrow the gap between the handmade image and inner experience from which artists draw their inspiration.

Edinburgh: An Architectural Portrait features an inspiring portfolio of imagery created over a ten-year period by the photographer and visual artist James Reid. Documenting the City of Edinburgh using digital, analogue and polaroid formats, the book captures the city's main conservation areas, with an emphasis on key architects, listed buildings and distinct aspects of the cityscape. Presented as a beautiful collection of black-and-white images, along with a handful of colour works, the book's digital images are a mixture of full-frame capture and large-scale composite pieces, along with a selection of 35mm analogue single-frame photography. These include panoramic views as well as more intimate perspectives, made possible by Reid's unique access to the city's various buildings and structures of note. The book also features essays by five established Edinburgh-based artists - Aly Gordon (painter), Bruce Hare (artist and architect), Marianne Magnin (artist and curator), Merlin Ramos (painter) and Henry Stevens (artist and architect) - each of whom offers a personally informed response to the city and how its architecture, art and history inform, influence and impact on them. The resulting publication is a unique visual mapping of the city's most architecturally significant areas that will appeal to not only architects, artists and academics, but also residence of and visitors to one of the world's most architecturally rich capitals of culture.

The Metropolitan Museum Journal, issued annually by The Metropolitan Museum of Art, publishes original research on works in the Museum's collection. Volume 50 includes articles on a possible Cypriot origin for an Assyrian stone mixing bowl in the Cesnola Collection by Luca Bombardieri; Andrea del Sarto's Borgherini Holy Family and Charity by Andrea Bayer, Michael Gallagher, Silvia A. Centeno, and Evan Read; the history, conservation, and science of the Madina Sitarah by Federico Caro, Karen M. Kern, Yael Rosenfield, and Nobuko Shibayama; the Roman Maniera by Furio Rinaldi; Horace Pippin's The Lady of the Lake by Anne Monahan, Isabelle Duvernois, and Silvia A. Centeno; the architecture of the ancient Near East by Sebastiano Soldi; and Paolo Veronese's Portrait of Alessandro Vittoria by Andrea Bayer, Dorothy Mahon, and Silvia A. Centeno; the Roman Maniera by Furio Rinaldi.

Reproductions of the young Lucian Freud's letters alongside insightful context and commentary reveal the foundations of the artist's personality and creative practice. The young Lucian Freud was described by his friend Stephen Spender as 'totally alive, like something not entirely human, a leprechaun, a changeling child, or, if there is a male opposite, a witch.' All that magnetism and brilliance is displayed in the letters assembled here. Ranging from schoolboy messages to his parents, through letters and carefully-chosen, often embellished postcards to friends, lovers and confidants, to correspondence with patrons and associates. They are peppered with wit, affection and irreverence. Alongside rarely seen photographs and Freud's extraordinary works, each chapter charts Freud's evolving art alongside intimate accounts of his life. We trace Freud's early friendships with Stephen Spender, John Craxton, his wild days at art school in East Anglia, and a stint as a merchant seaman. Among the highlights are Freud's accounts of his first trip to Paris in 1946 and encounters with Picasso, Alexander Calder and Giacometti (who, he thought, looked like Harpo Marx). Equally revealing are letters to and from his first love, Lorna Wishart and second wife, Caroline Blackwood. Among his friends and confidantes were Sonia Orwell and Ann Fleming: remarkable, hitherto unknown letters to both of whom are included. To Ann Fleming he wrote a richly-comic, six-page description of a high society fancy dress ball which took place at Biarritz in 1953. He also went to stay with Ann and her husband Ian in their house in Jamaica, Goldeneye. From there, he sent a stream of letters, plus a telegram to his colleagues at the Slade School of Fine Art (where he was supposed to be teaching): "PLEASE SEND TEN SHEETS GREY GREEN INGRES PAPER". The volume ends in early 1954 with his inclusion at the age of 31, as one of the artists representing Britain at the Venice Biennale - the high point of his early career. Co-authored by David Dawson and Martin Gayford, this is the first published collection of Freud's correspondence, many brought to light for the first time. Reproduced in facsimile alongside reproductions of Freud's artwork, the letters are linked by a narrative that weaves them into the story of his life and relationships through his formative first three decades. Collectively, they provide a powerful insight into his early life and art.