In The Musician's Way, veteran performer and educator Gerald Klickstein combines the latest research with his 30 years of professional experience to provide aspiring musicians with a roadmap to artistic excellence. Part I, Artful Practice, describes strategies to interpret and memorize compositions, fuel motivation, collaborate, and more. Part II, Fearless Performance, lifts the lid on the hidden causes of nervousness and shows how musicians can become confident performers. Part III, Lifelong Creativity, surveys tactics to prevent music-related injuries and equips musicians to tap their own innate creativity. Written in a conversational style, The Musician's Way presents an inclusive system for all instrumentalists and vocalists to advance their musical abilities and succeed as performing artists.

The churches of London contain some of the greatest feats of religious architecture in England. With iconic designs from Sir Christopher Wren, Nicholas Hawksmoor, James Gibbs, William Butterfield, Edwin Lutyens and many others, each one is unique and holds its own rich history. From the iconic St Bartholomew the Great and Christ Church Spitalfields to lesser-known gems like St Mary Woolnoth and St. Jude’s in Hampstead Garden Suburb, this beautifully illustrated book offers a unique look at the architectural and cultural significance of these religious landmarks.   The Great Fire of London and the Blitz destroyed many of London’s oldest churches but each time they were restored or new ones were built in their places. From the medieval to the modern, this book includes 40 churches from all over the city, each one of which represents something unique about the history and architecture of the city. Great Churches of London opens the door to some of the greatest and grandest churches in the country. With specially commissioned images by renowned photographer Derry Brabbs and authoritative text by distinguished architectural historian Marcus Binney, it shows how these sacred buildings are intrinsically linked to our city’s identity – covering everything from devastation and plague to arts and literature; religion and politics to infrastructure and skylines. Whether you're a history buff, an architecture enthusiast, or just someone looking to discover the spiritual heart of London, this book has something for everyone.  

This follow-up to the bestselling songbook Come All You People offers 40 previously unpublished songs of similar variety which have been sung in prisons, on pilgrimages, at open air festivals, by cathedral choirs, and teenage and in-house music groups. They are short songs, some from present day Scotland, some from the World Church. They help people to participate and move in worship in a way that conventional hymns cannot and can be used as a tool to help create innovative styles of worship. The book includes hints on using the material and an appendix of readings and prayers for use with the songs. Agnus Dei (Aidan)Alleluia (Duncan)Amen alleluiaAmeniBe still and know (i)Be still and know (ii)Bless the LordBring your best to their worstDeo gratias (PSC)First born of MaryGive thanks, worship and praise the LordGod's eye be within meGoodness is stronger than evilHalle, halle, halle (Caribbean)Hallelujah (Korea)In love you summon, in love I followJesus Christ, Jesus ChristKyrie eleison (Bridget)Kyrie eleison (Chad)Lo, I am with you (to the end of the world)Lord Jesus Christ, lover of allLord of life, we come to youLord, draw nearLord, in your mercy (hear our prayer)Lord, you can turn all mourning into dancingMagnificat (G min)MayenziweMy eyes are dim with weepingNight has fallenNothing in height or in depthO brother Jesus (where have we left you)O Lamb of God (Constantine)O Lamb of God (Moss)On God alone, I wait silentlySanctus (Aidan)Stand firmThe peace of the earth (be with you)There is one among usThis is the body of ChristWe will take what you offer

A book of evocative and atmospheric photographs taken by Dick Hawkes to create a representative record of this precious and ecologically unique habitat - before much of it is lost to the many threats it faces. Chalk streams have been described as England's "rainforest". Around 85% of the world's chalk streams are in England. They are beautiful, biologically distinct and amazingly rich in wildlife, but are under threat from man-made issues of abstraction, pollution from chemicals and effluent, development for housing, and climate change. Included in the book are images of typical habitats and species of wildlife found in chalk streams and water meadows, highlighting those that are rare or most under threat.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

By day Percy Monkman (1892 to 1986) worked in the same Bradford bank for 40 years, ending up as chief cashier. Everything else about Percy was totally unconventional. By night, at weekends, on holidays he transformed himself into an entertainer, actor, artist and cartoonist whose work was regularly acclaimed by the public and held in great respect by colleagues. Percy was highly creative, talented and energetic, a man who achieved high standards in all his artistic activities. The eldest of five boys, he was born into a humble working-class family and attended school until he was nearly 14. After a couple of office jobs, at 16 he passed a banking examination and started to work at Becketts Bank (later acquired by the Westminster Bank). Unexpectedly, the First World War gave Percy an opportunity for a new life that he grasped firmly with both hands. He spent much of the war as a comedian in an entertainment troupe that ran concert party shows for soldiers just behind the front line. Back in civilian life he continued his entertainment career with great success throughout the interwar years. In the Second World War he was back at entertaining the troops, this time groups of returning servicemen across Yorkshire. In 1935 Percy joined the Bradford Civic Playhouse and became a fixture in the cast for over 20 years. Here, in one of the best amateur theatres in the country, he played in many diverse productions, usually in comic roles. Alongside entertaining and acting, Percy developed his third creative passion of watercolour painting. He took advantage of every opportunity to paint, usually landscapes of the Yorkshire Dales. When he retired from the bank in 1952, he was able to devote all his time to this passion, which he described as 'fanatic, dedicated and impulsive'. Largely self-taught, he believed strongly in being part of a community of like-minded painters so that he could learn from them. The Bradford Arts Club gave him this network for all his adult life. He exhibited widely and sold most of his paintings. When the mood took him, he was also a talented cartoonist whose works were sometimes published. A committed family man, Percy also built a large number of life-long friends, who were a fascinating mixture of people from all walks of life, with similar passions for entertaining, acting and painting, often eccentrics and sometimes very well connected in Bradford society. His most significant friendship was with JB Priestley, his exact contemporary and England's most famous man of letters in the 20th century. Percy's extraordinary life of achievement is a unique record of social history, reflecting life in 20th century Bradford. Sadly, this is now largely a lost world. This affectionate and comprehensive biography by his grandson, illustrated with over 90 images, is both a visual delight and a joy to read, including high quality reproductions of some of Percy's most famous paintings.

Basetsana Kumalo shot to fame as a fresh-faced Miss South Africa in 1994 and soon became the face of South Africa’s new democracy. As the first black presenter of the glamorous lifestyle TV show Top Billing, she travelled the world and interviewed superstars like Oprah Winfrey, Michael Jackson, Jon Bon Jovi, Will Smith, the Bee Gees, Gloria Estefan and Luther Vandross. After a successful career in television, Bassie’s drive and ambition took her into the world of business. The street savvy that her entrepreneurial mother gave her stood her in good stead as she built a media empire. When she married the handsome businessman Romeo Kumalo in a fairytale wedding, they became South Africa’s sweethearts and ‘it’ couple.

Bassie: My Journey Of Hope recounts the stories of Bassie’s life as a celebrity, including her relationships with mentors like Nelson Mandela, Winnie Madikizela- Mandela and Graça Machel. She also shares the secrets of her success and all the lessons she’s learnt along the way, and opens up about the pressures of her high-profile marriage to Romeo, their heartbreaking struggle to have a family, and how they made sure that their loving and respectful union has lasted two decades.

Bassie also talks frankly about the domestic abuse she suffered at the hands of boxer Dingaan Thobela and the legal battles she had to fight to protect her name and her brand over the years. She gives her account of the stalker who harassed her for decades, and the nonexistent ‘sex-tape’ allegation that rocked her family and career, leading to painful experiences of cyber-bullying. It is an intimate, inspiring and entertaining account of a remarkable life.

An explanatory introduction on materials and tools, types of glass and safety, is followed by step-by-step techniques and tips for tracing, cutting, grinding, foiling, assembly, soldering, tinning and the application of patina. The wide range of projects includes lampshades, candleholders, mobiles, frames, wall clocks, mirrors and much more, in both traditional and contemporary styles. The initial projects are illustrated with detailed step-by-step photographs to lay the groundwork for further items where specific details are highlighted. From simple to more challenging, all the items included beautifully showcase the splendid range of glass available nowadays. Good use is also made of additions in the form of beads and glass mosaicing. With excellent colour photographs of all finished items, technical tips throughout, gallery shots with extended captions for additional inspiration, and templates for the projects, this book will be an asset on any crafters shelf.

Building energy design is currently going through a period of major changes. One key factor of this is the adoption of net-zero energy as a long term goal for new buildings in most developed countries. To achieve this goal a lot of research is needed to accumulate knowledge and to utilize it in practical applications. In this book, accomplished international experts present advanced modeling techniques as well as in-depth case studies in order to aid designers in optimally using simulation tools for net-zero energy building design. The strategies and technologies discussed in this book are, however, also applicable for the design of energy-plus buildings. This book was facilitated by International Energy Agency's Solar Heating and Cooling (SHC) Programs and the Energy in Buildings and Communities (EBC) Programs through the joint SHC Task 40/EBC Annex 52: Towards Net Zero Energy Solar Buildings R&D collaboration. After presenting the fundamental concepts, design strategies, and technologies required to achieve net-zero energy in buildings, the book discusses different design processes and tools to support the design of net-zero energy buildings (NZEBs). A substantial chapter reports on four diverse NZEBs that have been operating for at least two years. These case studies are extremely high quality because they all have high resolution measured data and the authors were intimately involved in all of them from conception to operating. By comparing the projections made using the respective design tools with the actual performance data, successful (and unsuccessful) design techniques and processes, design and simulation tools, and technologies are identified. Written by both academics and practitioners (building designers) and by North Americans as well as Europeans, this book provides a very broad perspective. It includes a detailed description of design processes and a list of appropriate tools for each design phase, plus methods for parametric analysis and mathematical optimization. It is a guideline for building designers that draws from both the profound theoretical background and the vast practical experience of the authors.

Esther Mahlangu: To Paint is in My Heart is a captivating exploration of the life and work of the iconic South African painter, one of the most influential artists of Pan-African Contemporary Art.

Esther Mahlangu is globally acclaimed for her bright and bold abstract paintings with vivid, geometric patterns that are rooted in South Africa’s Ndebele artistic tradition. She was a disruptor from an early age, becoming the first person to reimagine Ndebele visual artistic style—historically used for decorating houses—on painting media such as canvas, and has become a much-loved cultural ambassador of the Ndebele Nation.

Esther Mahlangu: To Paint is in My Heart celebrates Mahlangu’s remarkable journey as a pioneer of contemporary African art, whose vibrant and distinctive paintings have captured the hearts of many worldwide. Through a series of interviews with Mahlangu conducted by Hans Ulrich Obrist, Azu Nwagbogu, and Thomas Girst, readers will gain insight into her creative process, inspiration, and the cultural significance of her work. With stunning visuals and engaging narratives, this book offers an inspiring experience to the reader.

The Festival Cities of Edinburgh and Adelaide examines how these cities' world-famous arts events have shaped and been shaped by their long-term interaction with their urban environments. While the Edinburgh International Festival and Adelaide Festival are long-established, prestigious events that champion artistic excellence, they are also accompanied by the two largest open-access fringe festivals in the world. It is this simultaneous staging of multiple events within Edinburgh's Summer Festivals and Adelaide's Mad March that generates the visibility and festive atmosphere popularly associated with both places. Drawing on perspectives from theatre studies and cultural geography, this book interrogates how the Festival City, as a place myth, has developed in the very different local contexts of Edinburgh and Adelaide, and how it is challenged by groups competing for the right to use and define public space. Each chapter examines a recent performative event in which festival debates and controversies spilled out beyond the festival space to activate the public sphere by intersecting with broader concerns and audiences. This book forges an interdisciplinary, comparative framework for festival studies to interrogate how festivals are embedded in the social and political fabric of cities and to assess the cultural impact of the festivalisation phenomenon.