Welcome to the uncertain world of "Radio 2.0"—where podcasts, mobile streaming, and huge music databases are the new reality, as are tweeting deejays and Apple's Siri serving as music announcer—and understand the exciting status this medium has, and will continue to have, in our digitally inclined society. How did popular radio in past decades—from President Franklin D. Roosevelt's "Fireside Chats" in the 1930s through Top 40 music and Rush Limbaugh's talk radio empire—shape American society? How did devices and systems like the iPhone, Pandora, and YouTube turn the radio industry upside-down? Does radio still have a future, and if so, what will we want it to look like? Radio 2.0: Uploading the First Broadcast Medium covers the history and evolution of Internet radio, explaining what came before, where Internet radio came from, and where it is likely headed. It also gives readers a frame of reference by describing radio from its introduction to American audiences in the 1920s—a medium that brought people together through a common experience of the same broadcast—and shows how technologies like digital music and streaming music services put into question the very definition of "radio." By examining new radio and media technologies, the book explores an important societal trend: the shift of media toward individualized or personalized forms of consumption.

These 11 unique projects have a high-end boutique look and can be made in 30 minutes. Simple enough, even if you've never made jewellery, and inexpensive to create. The projects covered are: leather earrings; zipper- cuff bracelet; tassel necklace; stamped pendant; wire-wrap ring and midi ring; geo-clay necklace; mismatched clay earrings; clay bangles; chain-loop earrings; clay-stack rings; and a rhinestone hair comb. The designs are created by Kollabora, a maker community that encourages makers, crafters and DIY enthusiasts of all skill levels to get inspired, share projects, buy and sell PDF patterns and connect with each other and their favourite brands.

The author started writing as a child. By seven wanted to be an architect. By twenty-four had become a builder. By thirty-four had become an architect registered and working in the UK. At the age of fifty he decided that architecture as a discipline was a social science of some sort. On this basis he earned a masters at UCL, then a PHD at Heriot Watt for discovering and defending philosophical position based on interpretation that he now calls thermenutics. When teaching about cultural contexts at the university of Ulster architectural school (2001 a " 2010) the link between perception and emotion became central to his interest. At which point he retired to write about understanding, in a series of books, this one being the fourth. The first three were about sharing the management of understanding. This fourth is about the way we share the management of understanding by way of conversations between us that allow us to understand each other.

The most artistic of ethnographic filmmakers, and the most ethnographic of artistic filmmakers, Robert Gardner is one of the most original, as well as controversial, filmmakers of the last half century. This is the first volume of essays dedicated to his work - a corpus of aesthetically arresting films which includes the classic Dead Birds (1963), a lyric depiction of ritual warfare among the Dugum Dani, in the Highlands of New Guinea; Rivers of Sand (1974), a provocative portrayal of relations between the sexes among the Hamar, in southwestern Ethiopia; and Forest of Bliss (1986), a sublime city symphony about death and life in Benares, India. Eminent anthropologists, philosophers, film theorists, and fellow artists assess the innovations of Gardner's films as well as the controversies they have spawned. Contributors:Ilisa BarbashMarcus BanksStanley CavellRoderick CooverElizabeth EdwardsAnna GrimshawKarl G. HeiderPaul HenleySusan HoweDavid MacDougallDusan MakavejevAkos OstorWilliam RothmanSean ScullyLucien TaylorCharles Warren

Foto's het nog altyd sterk emosies ontlok - spesiale herinnerings wat op kamera vasgele word, het hul eie besondere bekoring. Daardie bekoring kan egter slegs met ander gedeel word as die foto's uitgestal word. En daarvoor bestaan daar veel meer moontlikhede as om hulle bloot in 'n album te sit of in 'n raam op te hang. Hierdie boek bevat meer as 75 idees om jou foto's op aantreklike en interessante maniere te vertoon. Dit is die resultaat van baie proefskote en eksperimentering. Sommige van die projekte is funksioneel en dekoratief, en ander weer heerlik prettig. Almal het egter een ding in gemeen: die kreatiewe gebruik van foto's, en wat jy ook al byderhand het om dit mee te versier. Basisse sluit in skilderdoek, glas, porselein en keramiek, hout en harde bord, lap, kerse en vloerlyste. Daar is trouens bitter min oppervlakke wat nie op een of ander manier met foto's bedek kan word nie. Verskeie tegnieke word gebruik, waaronder verskillende oordragmetodes, decoupage, fotomontage en hars-deklae. Gebruik die idees om jou foto's in persoonlike geskenke te omskep deur alledaagse artikels daarmee te versier, of om treffende dekoritems vir jou huis te maak. Wanneer jy eers begin, sal jy dalk nie weer wil ophou nie! Die stap-vir-stap-illustrasies en aantreklike foto's van die voltooide projekte sal jou leer en inspireer. Gee dus jou skeppendheid vrye teuels en vul jou lewe met jou spesiale oomblikke.

In 1943, German SS officers in charge of Auschwitz-Birkenau ordered that an orchestra should be formed among the female prisoners. Almost fifty women and girls from eleven nations were drafted into a hurriedly assembled band that would play marching music to other inmates, forced labourers who left each morning and returned, exhausted and often broken, at the end of the day. While still living amid the most brutal and dehumanising of circumstances, they were also made to give weekly concerts for Nazi officers, and individual members were sometimes summoned to give solo performances of an officer's favourite piece of music. It was the only entirely female orchestra in any of the Nazi prison camps and, for almost all of the musicians chosen to take part, being in the orchestra was to save their lives.

What role could music play in a death camp? What was the effect on those women who owed their survival to their participation in a Nazi propaganda project? And how did it feel to be forced to provide solace to the perpetrators of a genocide that claimed the lives of their family and friends? In The Women's Orchestra of Auschwitz, award-winning historian Anne Sebba traces these tangled questions of deep moral complexity with sensitivity and care.

From Alma Rosé, the orchestra's main conductor, niece of Gustav Mahler and a formidable pre-war celebrity violinist, to Anita Lasker-Wallfisch, its teenage cellist and last surviving member, Sebba draws on meticulous archival research and exclusive first-hand accounts to tell the full and astonishing story of the orchestra, its members and the response of other prisoners for the very first time.

Knotted necklaces look great when combined with beautiful ceramic, metal or wooden beads. Just one knot with several semi-precious beads is stunning. Once the techniques are mastered, designs can be as extravagant or as simple as you want - no specialist skills or equipment is required. This title includes detailed step-by-step photographs, accompanying diagrams, helpful advice and projects, with 27 original designs - necklaces, chokers, bracelets, earrings and brooches.