A profound remembrance of an extraordinary life cut short, celebrating Chadwick Boseman’s brilliance on screen as well as his rich existence as a generous friend, family member, and activist.  Chadwick Boseman will forever be remembered as a sublime acting talent, infusing films such as Black Panther, 42, and Get on Up with his trademark blend of charisma, vitality, and vulnerability.    His path to iconic status started quietly, a late bloomer by Hollywood standards. But Boseman rose to stardom with memorable roles including Jackie Robinson, James Brown, and, of course, King T’Challa, despite facing a private battle against colon cancer.    Including dozens of full-color photographs, this commemorative book traces the actor’s early days growing up in South Carolina, his string of impactful and historic movie roles, and the widespread impact of his artistry and unfathomable strength.  A portion of the proceeds from the sale of this book will be donated to Fight Colorectal Cancer. 

Now available on CD, fifteen powerful a cappella songs from the South African church, including the acclaimed 'We Are Marching in the Light of God' (Siyahamba). Recorded in 1984. Songs collected and edited by Anders Nyberg. Freedom is comingAsikhatali (It Doesn't Matter)Gabi (Praise the Father)IpharadisiSingabahambayo (On Earth an Army is Marching)Siph'amandla (O God, Give Us Power)Akanamandla (He Has No Power)Bamthatha (He's Locked Up)Vula, Botha (Open, Botha)Shumayela (Come, Let Us Preach)Nkosi, Nkosi (Lord, Have Mercy)Siyahamba (We Are Marching)Haleluya! Pelo Tsa Rona (Haleluya! We Sing Your Praises)Thuma Mina (Send Me Jesus)We shall not give up the fight

The landmark international bestseller—The Beatles’ own story, in their own words—reissued on the 25th anniversary of its first publication.

From their years growing up in Liverpool through their ride to fame to their ultimate breakup, here’s the inside story. Interwoven with The Beatles' own memories are the recollections of such associates as road manager Neil Aspinall, producer George Martin, and spokesman Derek Taylor. The Beatles Anthology is a once-in-a-lifetime volume: warm, frank, funny, poignant, and bold—just like the music that’s been a part of so many of our lives.

The Beatles Anthology is, for the first time, the story of The Beatles by The Beatles. Created with the full cooperation of Paul, George, Ringo, and Yoko Ono Lennon, it also includes the words of John, painstakingly compiled from sources worldwide.

The Beatles Anthology is, in effect, The Beatles autobiography.

The Beatles Anthology features over 1300 images, most previously unpublished. Paul, George, Ringo, and Yoko Ono Lennon all opened their own archives just for this project, as did Apple, EMI, and others long associated with The Beatles, allowing the unprecedented release of photographs, documents, and other memorabilia from their homes and offices. The result is an extraordinary wealth of visual material brimming on each and every page.

A rich examination of the role of portrait photography in the construction of Africa as a political idea

At a moment of profound change marked by decolonization and the Civil Rights period of the mid-twentieth century, photographers across Africa and the African diaspora used the photographic portrait in order to fuel incipient ideas of Africa. Published in conjunction with a groundbreaking exhibition at The Museum of Modern Art, New York, Ideas of Africa: Portraiture and Political Imagination charts international histories of resistance and liberation up to the present day in order to contend with the construction of Africa as a political idea, and the tools that artists used to forge it.

Featuring more than a hundred photographs by renowned artists of the time, such as Seydou Keïta, Malick Sidibé, and Jean Depara, and by contemporary artists of African descent, such as Samuel Fosso, Silvia Rosi, and Njideka Akunyili-Crosby, this richly illustrated publication explores modes of Pan-African possibility in powerful images of everyday people, where the personal was undeniably political. With an introduction by curator Oluremi C. Onabanjo, excerpts from landmark texts by V. Y. Mudimbe and Brent Hayes Edwards, and a conversation between Yasmina Price and Momtaza Mehri, Ideas of Africa highlights the potential of the photographic portrait as both a creative endeavor and political mechanism.

Easy to Follow Instructions for 10 Classic Folds - Includes: 80 Sheets of Origami Paper, 64-page Project Book

This study examines the hundreds of secular and religious buildings, urban residential and commercial foundations, and public monuments commissioned in Lucknow and Oudh between 1722 and 1856 by the fabulously rich Nawabs of Oudh and their Court, the English East India Company, and others.

Part of a series of exciting and luxurious Flame Tree Notebooks. Combining high-quality production with magnificent fine art, the covers are printed on foil in five colours, embossed, then foil stamped. And they're powerfully practical: a pocket at the back for receipts and scraps, two bookmarks and a solid magnetic side flap. These are perfect for personal use and make a dazzling gift. This example features Moomin: Cover of Finn Family Moomintroll. Tove Jansson was a Finnish-Swedish writer and artist who created the Moomin family and their friends. She first started painting Moomintrolls in 1935 and her last Moomin book was published in 1970; but her stories live on and continue to be adapted and enjoyed by many generations.

Was Britain's postwar rebuilding the height of mid-century chic or the concrete embodiment of crap towns? John Grindrod decided to find out how blitzed, slum-ridden and crumbling austerity Britain became, in a few short years, a space-age world of concrete, steel and glass. What he finds is a story of dazzling space-age optimism, ingenuity and helipads - so many helipads - tempered by protests, deadly collapses and scandals that shook the government.

In 1880, the Atlantic & Pacific Railroad laid out the Winslow townsite along its new transcontinental line through northeastern Arizona Territory because the nearby Little Colorado River supplied a vital water source. The river had sustained the prehistoric Homol'ovi villages, and a passable ford across the river brought trails, wagon roads, and Mormon settlers to the area before the railroad arrived. This high desert boomtown blossomed into a bustling city when the Santa Fe Railway bought the A&P and transferred division headquarters to Winslow. Along with a shipping point for area ranches, trading posts, and lumber mills, the railroad provided passenger service to the alluring Southwest. Travelers enjoyed fine dining by Fred Harvey and the Harvey Girls and lodging at architect Mary Colter's La Posada Hotel. As automobiles replaced rail travel in the 1920s, the highway running through downtown Winslow became part of the famed US Route 66. Interstate 40 eventually bypassed downtown, but Winslow's historic attractions, Standin' on the Corner Park, and nearby Hopi and Navajo lands continue to lure visitors from around the world.

Titles: Twinkle, Twinkle, Little Star Variations (Shinichi Suzuki) * French Folk Song (Folk Song) * Lightly Row (Folk Song) * Song of the Wind (Folk Song) * Go Tell Aunt Rhody (Folk Song) * O Come, Little Children (Folk Song) * May Song (Folk Song) * Allegro (Shinichi Suzuki) * Perpetual Motion in D Major (Shinichi Suzuki) * Perpetual Motion in G Major (Shinichi Suzuki) * Long, Long Ago (T.H. Bayly) * Allegretto (Shinichi Suzuki) * Andantino (Shinichi Suzuki) * Rigadoon (H. Purcell) * Etude (Shinichi Suzuki) * The Happy Farmer from Album for the Young, Op. 68, No. 10 (R. Schumann) * Minuet in C, No. 11 in G Major from Notebook for Anna Magdalena Bach, BWV 841 (J.S. Bach) * Minuet No. 2 from Minuet in G Major, BWV 116 (J.S. Bach).
This title is available in SmartMusic.

These discussions between legendary painter, film-maker, and poet Marcus Reichert and Edward Rozzo, professor of photographic semantics and visual culture and renowned professional photographer, are a revelation for their intimacy and honesty. Reflecting on subjects as diverse as technique, eroticism, spirituality, and the dictates of an increasingly powerful bureaucracy of galleries and museums, Reichert and Rozzo come to some startling and compelling conclusions. Generously illustrated in colour with works by such visionary artists as Antonin Artaud, Francis Bacon, Nan Goldin, and William Eggleston, ART & EGO is essential reading for anyone drawn to confessional writing of a disarming and amusing nature.

The illustrated biography of a Scottish country house, set beside the River Clyde, and of the people who made it their home over the past 850 years Written by four brothers, their sister and the eldest member of the next generation, Finlaystone offers an insidersa view of the house, its beautiful gardens and the surrounding estate. They tell about the lives of its former owners, many of whom played prominent roles in Scottish military, political, religious and cultural affairs. As Scotland moved forward from centuries of feuds between large feudal landowners to the reformation, the age of enlightenment and the industrial revolution, the building evolved from a fortress to a modest but attractive family home in 1746. Its present form as an imposing late Victorian mansion dates from when it was modernised and extended in 1900 by George Jardine Kidston, the great-grandfather of the older authors, who had grown wealthy from running one of the worlda s earliest steamship companies. In its hey-day, Finlaystone was managed for the comfort and leisure of its owners by a bevy of household servants living in a wing of the house, and by an army of workers, including gardeners, foresters, game-keepers, joiners and a laundry-maid. The prosperity that had made such a lavish life possible, however, soon started to decline, with George Kidstona s death in 1909, followed just 5 years later by war, the economic depression in the 1930s, and then World War II. Unlike many other large country houses, Finlaystone remains a family home, kept afloat largely by the hard work and adaptability of the members of the family who reflect in this book on the joys and travails that this implied.

From the Neolithic cave paintings in Wadi Sura - created long before it was a desert when the region was savannah grassland - to the Valley of the Kings to the rock-cut temples at Abu Simbel, and from the vast temple complexes at Karnak and Luxor to the funerary mask of Tutankhamun and, of course, to the pyramids and the Sphinx, Ancient Egypt is a hugely colourful guide to the surviving wonders of Egyptian antiquity. Today the exceptional beauty and scale of the antiquities is legendary, drawing millions of visitors to Egypt's monuments each year. Arranged by region, the book takes the reader along the ancient settlements that were established on the banks of the River Nile. Through beautiful photographs and expert captions, the reader gains an understanding of how ancient Egypt developed its trade links and became such a powerful and wealthy force across North Africa and the eastern Mediterranean. Alongside the world-famous places, there are also fascinating, lesser-known entries, such as the Step Pyramid of Djoser, the bent pyramid at Dahshur and the Statue of Khaefre. Featuring monuments and obelisks, hieroglyphics and jewelry, funerary masks, tombs and mausoleums, mummies of cats and statues of falcon-headed gods, Ancient Egypt includes 160 outstanding photographs and captions.

Sitney analyzes in detail the work of eleven American avant-garde filmmakers as heirs to the aesthetics of exhilaration and innovative vision articulated by Ralph Waldo Emerson and explored by John Cage and Gertrude Stein. The films discussed span the sixty years since the Second World War. With three chapters each devoted to Stan Brakhage and Robert Beavers, two each to Hollis Frampton and Jonas Mekas, and single chapters on Marie Menken, Ian Hugo, Andrew Noren, Warren Sonbert, Su Friedrich, Ernie Gehr, and Abigail Child, Eyes Upside Down is the fruit of Sitney's lifelong study of visionary aspirations of the American avant-garde cinema. Sitney's earlier book and critical essays defined the field of serious criticism of the American film avant-garde. He supplies a unique approach, critical, formal and intellectual, rather than sociological, ideological or institutional. Like his earlier book, Eyes Upside Down is a dense, sustained blast of convincing criticism which unfolds through a compelling personal vision. It makes a serious contribution to cinema studies and it is sure to remain in circulation for many years to come.

As one of the most popular classical composers in the performance repertoire of professional and amateur orchestras and choirs across the world, Gustav Mahler continues to generate significant interest, and the global appetite for his music, and for discussions of it, remains large. Editor Jeremy Barham brings together leading and emerging scholars in the field to explore Mahler's relationship with music, media, and ideas past and present, addressing issues in structural analysis, performance, genres of stage, screen and literature, cultural movements, aesthetics, history/historiography and temporal experience. Rethinking Mahler counterbalances prevailing scholarly assumptions and preferences that configure Mahler as proto-modernist, with hitherto neglected consideration of his debt to, and his re-imagining of, the legacies of his own historical past. Over the course of 17 chapters drawing from a variety of disciplinary perspectives, the book pursues ideas of nostalgia, historicism and 'pastness' in relation to an emergent modernity and subsequent musical-cultural developments, yielding a wide-ranging exploration and re-evaluation of Mahler's works, their historical reception and understanding, and their resounding impact within diverse cultural contexts. Rethinking Mahler will be an essential resource for scholars and students of Mahler and late Romantic era music more generally, and will also find an audience among the many devotees of Mahler's music.

Music Downtown Eastside draws on two decades of research in one of North America's poorest urban areas to illustrate how human rights can be promoted through music. Harrison's examination of how gentrification, grant funding, and community organizations affect the success or failure of human rights-focused musical initiatives offers insights into the complex relationship between culture, poverty, and human rights that have global implications and applicability. The book takes the reader into popular music jams and music therapy sessions offered to the poor in churches, community centers and health organizations. Harrison analyzes the capabilities music-making develops, and musical moments where human rights are respected, promoted, threatened, or violated. The book offers insights on the relationship between music and poverty, a social deprivation that diminishes capabilities and rights. It contributes to the human rights literature by examining critically how human rights can be strengthened in cultural practices and policy.

In every year since the formation of The Royal Corps of Signals in 1920, its officers and soldiers have been formally recognised for their gallantry and distinguished services on operations across the globe and their vital contribution to the wider tasks undertaken by the British Army. Published by the Royal Signals Institution in celebration of the 2020 centennial this volume records all honours, decorations, and medals awarded since 1920. It includes a wealth of long-forgotten and rarely-seen material and it also records many hundreds of awards that acknowledge the complexity of Royal Signals in its early years-its inextricable link to the Indian Signal Corps; the interweaving of units and personnel from across the Commonwealth during the Second World War and in Korea, Malaya, and Borneo; the role played by Queen's Gurkha Signals and by locally recruited personnel from Palestine, Malaya, Hong Kong, and Malta; and the crucial contribution made by women from the Auxiliary Territorial Service during the Second World War and the Women's Royal Army Corps in the post-Second World War period. The volume comprises three parts. To put the operational awards in context, Section One takes a chronological tour through the history of Royal Signals in three eras-the campaigns of the inter-war years, the Second World War, and global conflict and insurgency since 1945. Other chapters deal with non-combatant gallantry and exploration. With many awards no longer available and unfamiliar to many readers in the present-day, Section Two describes the various honours, decorations, and medals in three sub-sections-awards for bravery, awards for distinguished service, and the Mention in Despatches and the various King's and Queen's commendations for bravery and valuable service. The origin and use of each award are explained briefly, and detail is given about the number conferred; many of these chapters contain biographical details of the recipients. Section Three comprises the Register of Awards. It includes 682 honours, decorations, and medals for gallantry (the recommendations or citations for which are replicated in full), and 2,582 appointments to the various orders of chivalry and awards of the British Empire Medal, the Queen's Volunteer Reserves Medal, and the Polar Medal. It also records the recipients of a little under 6,200 mentions in despatches, 36 King's and Queen's Commendations for Bravery or Brave Conduct, 109 Queen's Commendations for Valuable Service, and a multitude of foreign awards. The Register is supported by ten appendices. Six record recipients from the various Empire and Commonwealth signal units linked to Royal Signals in time of conflict or war. The others document awards to personnel of the various women's services; to Queen's Gurkha Signals and to locally enlisted personnel from Malaya, Hong Kong and Malta; to military and civilian personnel attached to Royal Signals; and those recognised by the Royal Signals Institution.

The exhibition at the Vitra Design Museum explores the fashion show as a cultural ritual and a total artistic experience. It features iconic shows by Balenciaga, Chanel, Dior, Gucci, Helmut Lang, Maison Martin Margiela, Issey Miyake, Prada, Viktor & Rolf, and Louis Vuitton. The accompanying catalogue brings together historical sources, contemporary image series, and essays by leading voices in the fashion world. Model Malgosia Bela recounts the highlights and challenges of international runways. Legendary sound supervisor Michel Gaubert reveals how sound shapes moods and dramaturgy. Visionary buyer and curator Andreas Murkudis offers insights into the selection of key fashion collections. Fashion historian Caroline Evans analyses the social roles of the fashion show, Cathy Horyn reflects on its influence on contemporary fashion, and Valerie Steele, Director of The Museum at FIT in New York, situates it within the global cultural context. Catwalk is both an opulent visual archive and a definitive reference work, presenting the phenomenon of the fashion show in all its facets – well-founded, multi-voiced, and close to the action.

General music is informed by a variety of teaching approaches and methods. These pedagogical frameworks guide teachers in planning and implementing instruction. Established approaches to teaching general music must be understood, critically examined, and possibly re-imagined for their potential in school and community music education programs. Teaching General Music brings together the top scholars and practitioners in general music education to create a panoramic view of general music pedagogy and to provide critical lenses through which to view these frameworks. The collection includes an examination of the most prevalent approaches to teaching general music, including Dalcroze, Informal Learning, Interdisciplinary, Kodaly, Music Learning Theory, Orff Schulwerk, Social Constructivism, and World Music Pedagogy. In addition, it provides critical analyses of general music and teaching systems, in light of the ways children around the world experience music in their lives. Rather than promoting or advocating for any single approach to teaching music, this book presents the various approaches in conversation with one another. Highlighting the perceived and documented benefits, limits, challenges, and potentials of each, Teaching General Music offers myriad lenses through which to re-read, re-think, and re-practice these approaches.

The recording includes the title song, one of the Group's best known.