Pacific Forest explores the use of the forests of the Solomon Islands from the prehistoric period up to the end of 1997, when much of the indigenous commercial forest had been logged. It is the first study of the history of the forest in any Pacific Island; the first analysis of the indigenous and British colonial perceptions of the Melanesian forest; and the first critical analysis for this region, not only of colonial forest policies but of later policies and practices which made the governments of independence exploiters of their own people. Pacific Forest addresses a range of evidence drawn from several disciplines, and is a major contribution to environmental history.

Having grown up on the massive Killarney cattle station near Katherine, NT, Toni Tapp Coutts was well prepared when her husband, Shaun, took a job at McArthur River Station in the Gulf Country, 600 kilometres away near the Queensland border. Toni became cook, counsellor, housekeeper and nurse to the host of people who lived on McArthur River and the constant stream of visitors. She made firm friends, created the Heartbreak Bush Ball and started riding campdraft in rodeos all over the Territory, becoming one of the NT's top riders. In the midst of this busy life she raised three children and saw them through challenges; she dealt with snakes in her washing basket; she kept in touch with her large, sprawling Tapp family, and she fell deeply in love with the Gulf Country. Filled with the warmth and humour readers will remember from A SUNBURNT CHILDHOOD, this next chapter in Toni's life is both an adventure and a heartwarming memoir, and will introduce readers to a part of Australia few have experienced.

The marines on the First Fleet refused to sail without it. Convicts risked their necks to get hold of it. Rum built a hospital and sparked a revolution, made fortunes and ruined lives. In a society with few luxuries, liquor was power. It played a crucial role, not just in the lives of individuals like James Squire - the London chicken thief who became Australia's first brewer - but in the transformation of a starving penal outpost into a prosperous trading port. Drawing on a wealth of contemporary sources, Grog offers an intoxicating look at the first decades of European settlement and explores the origins of Australia's fraught love affair with the hard stuff.

Theatre in Dublin,1745-1820: A Calendar of Performances is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's many professional theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820. The daily performance calendar for each of the seventy-five seasons recorded here records and organizes all surviving documentary evidence pertinent to each evening's entertainments, derived from all known sources, but especially from playbills and newspaper advertisements. Each theatre's daily entry includes all preludes, mainpieces, interludes, and afterpieces with casts and assigned roles, followed by singing and singers, dancing and dancers, and specialty entertainments. Financial data, program changes, rehearsal notices, authorship and premiere information are included in each component's entry, as is the text of contemporary correspondence and editorial contextualization and commentary, followed by other additional commentary, such as the many hundreds of printed puffs, notices, and performance reviews. In the cases of the programs of music halls, pleasure gardens, and circuses, the playbills have generally been transcribed verbatim. The calendar for each season is preceded by an analytical headnote that presents several categories of information including, among other things, an alphabetical listing of all members of each company, whether actors, musicians, specialty artists, or house servants, who are known to have been employed at each venue. Limited biographical commentary is included, particularly about performers of Irish origin, who had significant stage careers but who did not perform in London. Each headnote presents the seasons's offerings of entertainments of each theatrical type (prelude, mainpiece, interlude, afterpiece) analyzed according to genre, including a list of the number of plays in each genre and according to period in which they were first performed. The headnote also notes the number of different plays by Shakespeare staged during each season and gives particular attention to entertainments of "special Irish interest." The various kinds of benefit performance and command performances are also noted. Finally, this Calendar of Performances contains an appendix that furnishes a season-by-season listing of the plays that were new to the London patent theatres, and, later, of the important "minors." This information is provided in order for us to understand the interrelatedness of the London and Dublin repertories.

Asylum and Extraction in the Republic of Nauru provides an extraordinary glimpse into the remote and difficult-to-access island of Nauru, exploring the realities of Nauru's offshore asylum arrangement and its impact on islanders, workforces, and migrant populations. Drawing on extensive fieldwork in Nauru, Australia, and Geneva, as well as a deep dive into the British Phosphate Commission archives, Julia Caroline Morris charts the island's colonial connection to phosphate through to a new industrial sector in asylum. She explores how this extractive industry is peopled by an ever-shifting cast of refugee lawyers, social workers, clinicians, policy makers, and academics globally and how the very structures of Nauru's colonial phosphate industry and the legacy of the "phosphateer" era made it easy for a new human extractive sector to take root on the island. By detailing the making of and social life of Nauru's asylum system, Morris shows the institutional fabric, discourses, and rhetoric that inform the governance of migration around the world. As similar practices of offshoring and outsourcing asylum have become popular worldwide, they are enabled by the mobile labor and expertise of transnational refugee industry workers who carry out the necessary daily operations. Asylum and Extraction in the Republic of Nauru goes behind the scenes to shed light on the everyday running of the offshore asylum industry in Nauru and uncover what really happens underneath the headlines. Morris illuminates how refugee rights activism and #RefugeesWelcome-style movements are caught up in the hardening of border enforcement operations worldwide, calling for freedom of movement that goes beyond adjudicating hierarchies of suffering.

A renowned biographer compares the lives and times of American outlaw Billy the Kid and his Australian counterpart Ned Kelly The oft-told exploits of Billy the Kid and Ned Kelly survive vividly in the public imaginations of their respective countries, the United States and Australia. But the outlaws' reputations are so weighted with legend and myth, the truth of their lives has become obscure. In this adventure-filled double biography, Robert M. Utley reveals the true stories and parallel courses of the two notorious contemporaries who lived by the gun, were executed while still in their twenties, and remain compelling figures in the folklore of their homelands. Robert M. Utley draws sharp, insightful portraits of first Billy, then Ned, and compares their lives and legacies. He recounts the adventurous exploits of Billy, a fun-loving, expert sharpshooter who excelled at escape and lived on the run after indictment for his role in the Lincoln Country War. Bush-raised Ned, the son of an Irish convict father and Irish mother, was a man whose outrage against British colonial authority inspired him to steal cattle and sheep, kill three policemen, and rob banks for the benefit of impoverished Irish sympathizers. Utley recounts the exploits of the notorious young men with accuracy and appeal. He discovers their profound differences, despite their shared fates, and illuminates the worlds in which they lived on opposite sides of the globe.