Amanda Nettelbeck explores how policies designed to protect the civil rights of indigenous peoples across the British Empire were entwined with reforming them as governable colonial subjects. The nineteenth-century policy of 'Aboriginal protection' has usually been seen as a fleeting initiative of imperial humanitarianism, yet it sat within a larger set of legally empowered policies for regulating new or newly-mobile colonised peoples. Protection policies drew colonised peoples within the embrace of the law, managed colonial labour needs, and set conditions on mobility. Within this comparative frame, Nettelbeck traces how the imperative to protect indigenous rights represented more than an obligation to mitigate the impacts of colonialism and dispossession. It carried a far-reaching agenda of legal reform that arose from the need to manage colonised peoples in an Empire where the demands of humane governance jostled with colonial growth.

This volume of The Official History of Australian Peacekeeping, Humanitarian and Post-Cold War Operations recounts the activities of Australia's military forces in response to overseas natural disasters. The military's involvement in overseas emergency management is focused primarily on the period immediately after disaster strikes: transporting relief supplies, providing medical assistance, restoring basic services and communications and other logistical support. Beginning with the 1917-18 influenza epidemic that ravaged the Pacific and culminating with the 2005 Pakistan earthquake, this book covers Australia's response to some of the most catastrophic natural events of the twentieth century. In their Time of Need is richly detailed, as Steven Bullard weaves together official government records and archival images with the personal narratives and photographs of those who served. This volume is an authoritative and compelling history of Australia's efforts to help their neighbours.

Since he was in charge of the amphibious operations in the Falklands War, it goes without saying that there is no one better qualified to tell the story of that aspect of the campaign than Commodore Michael Clapp.
Here he describes, with considerable candor, some of the problems met in a Navy racing to war and finding it necessary to recreate a largely abandoned operational technique in a somewhat ad hoc fashion. During the time it took to 'go south' some sense of order was imposed and a not very well defined command structure evolved, this was not done without generating a certain amount of friction.
He tells of why San Carlos Water was chosen for the assault and the subsequent inshore operations. Michael Clapp and his small staff made their stand and can claim a major role in the defeat of the Argentine Air and Land Forces.

Volume 1 of The Cambridge History of Australia explores Australia's history from ancient times through to Federation in 1901. It begins with an archaeological examination of the continent's Indigenous history, which dates back 50,000 years. This volume examines the first European encounters with Australia and its Indigenous people, and the subsequent colonisation of the land by the British in the late eighteenth century, providing insight into the realities of a convict society and how this shaped the nation's development. Part I traces the dynamic growth in Australia's economy, demography and industry throughout the nineteenth century, as it moved towards a system of liberal democracy and one of the most defining events in its history: the Federation of the colonies in 1901. Part II offers a deeper investigation of key topics, such as relations between Indigenous people and settlers, and Australia's colonial identity. It also covers the economy, science and technology, law and literature.

Volume 2 of The Cambridge History of Australia covers the period 1901 to the present day. It begins with the first day of the twentieth century, which saw the birth of the Commonwealth of Australia. In Part I the fortunes of the nation-state are traced over time: a narrative of national policies, from the initial endeavours to protect Australian living standards to the dismantling of protection, and from maintenance of the integrity of a white settler society to fashioning a diverse, multicultural one. These chapters relate how Australia responded to external challenges and adapted to changing expectations. In Part II some distinctive features of modern Australia are clarified: its enduring democracy and political stability, engagement with a unique environment, the means whereby Australians maintained prosperity, the treatment and aspirations of its Indigenous inhabitants. The changing patterns of social relations are examined, along with the forms of knowledge, religion, communication and creativity.

Hoarding New Guinea provides a new cultural history of colonialism that pays close attention to the millions of Indigenous artifacts that serve as witnesses to Europe's colonial past in ethnographic museums. Rainer F. Buschmann investigates the roughly two hundred thousand artifacts extracted from the colony of German New Guinea from 1870 to 1920. Reversing the typical trajectories that place ethnographic museums at the center of the analysis, he concludes that museum interests in material culture alone cannot account for the large quantities of extracted artifacts. Buschmann moves beyond the easy definition of artifacts as trophies of colonial defeat or religious conversion, instead employing the term hoarding to describe the irrational amassing of Indigenous artifacts by European colonial residents. Buschmann also highlights Indigenous material culture as a bargaining chip for its producers to engage with the imposed colonial regime. In addition, by centering an area of collection rather than an institution, he opens new areas of investigation that include non-professional ethnographic collectors and a sustained rather than superficial consideration of Indigenous peoples as producers behind the material culture. Hoarding New Guinea answers the call for a more significant historical focus on colonial ethnographic collections in European museums.

The early arrival of the missionaries in Aotearoa set the scene for a new 'moral colony' that would be founded on religious precepts and modern Christian beliefs. It did not take long for a combination of circumstances to confound the aspirations of the Church Missionary Society, the Church in Rome and all those who followed. Historian Peter Lineham examines Christianity in New Zealand through the lens of cultural development, and asks: If the various denominations and faiths set out to shape New Zealand, how did the very fluid fact of New Zealand change those faiths? From the Presbyterian south to the enclaves of Catholicism, who shaped whom? And what is the legacy of that influence? Why do we have afternoon tea? And what were debutante balls? Religion had a hand in the societal habits and milestones we all take for granted.

Between 1850 and 1907, Native Hawaiians sought to develop relationships with other Pacific Islanders, reflecting how they viewed not only themselves as a people but their wider connections to Oceania and the globe. Kealani Cook analyzes the relatively little known experiences of Native Hawaiian missionaries, diplomats, and travelers, shedding valuable light on the rich but understudied accounts of Hawaiians outside of Hawai'i. Native Hawaiian views of other islanders typically corresponded with their particular views and experiences of the Native Hawaiian past. The more positive their outlook, the more likely they were to seek cross-cultural connections. This is an important intervention in the growing field of Pacific and Oceanic history and the study of native peoples of the Americas, where books on indigenous Hawaiians are few and far between. Cook returns the study of Hawai'i to a central place in the history of cultural change in the Pacific.

This book considers the law, policy and procedure for child witnesses in Australian criminal courts across the twentieth century. It uses the stories and experiences of over 200 children, in many cases using their own words from press reports, to highlight how the relevant law was - or was not - applied throughout this period. The law was sympathetic to the plight of child witnesses and exhibited a significant degree of pragmatism to receive the evidence of children but was equally fearful of innocent men being wrongly convicted. The book highlights the impact 'safeguards' like corroboration and closed court rules had on the outcome of many cases and the extent to which fear - of children, of lies (or the truth) and of reform - influenced the criminal justice process. Over a century of children giving evidence in court it is `clear that the more things changed, the more they stayed the same'.

Hawaiian Legends of Volcanoes (1916) explores Hawaiian folktales and myths collected by W. D. Westervelt. Connecting the origin story of Hawaii to the traditions of other Polynesian cultures, Westervelt provides an invaluable resource for understanding the historical and geographical scope of Hawaiian culture. Beginning with the origin story of Pele, the goddess of volcanoes, Westervelt introduces his groundbreaking collection of legends on the volcanic nature of the Hawaiian Islands. When the goddess Pele comes to the island of Hawaii seeking a permanent home, she finds Ai-laau, another god of fire, already in possession of the territory. Despite his fearsome power over creation and destruction, Ai-laau disappeared the moment he became aware of Pele's presence. Having traveled across the limitless ocean, her name was already known far and wide, along with her reputation for strength, anger, and envy. Establishing herself within the crater of Kilauea, Pele quickly took command over the gods, ghost-gods, and the people inhabiting the islands. Central to Hawaiian history and religion, Pele continues to be celebrated in Hawaii and across the Pacific today. With a professionally designed cover and manuscript, this edition of W. D. Westervelt's Hawaiian Legends of Volcanoes is a classic of Hawaiian literature reimagined for modern readers. Add this beautiful edition to your bookshelf, or enjoy the digital edition on any e-book device.

A colorful illustration of Hawaii's most cherished origin story, the myth of Pele and Hiiaka. Pele and Hiiaka: A Myth From Hawaii (1915) is a collection of folktales by Nathaniel B. Emerson. Drawing from written histories, personal experience, and extensive interviews, Emerson provides a lyrical account of the myth surrounding these goddess sisters. Pele, the goddess of volcanoes and ruler of Kilauea, and her sister Hiiaka encounter adventure, tragedy, and love during their respective journeys. These stories are not only appreciated for their beauty, but also their deep religious and cultural impact. With a professionally designed cover and manuscript, this edition of Nathaniel B. Emerson's Pele and Hiiaka: A Myth From Hawaii is a classic of Hawaiian literature reimagined for modern readers.

When Adi leaves his village in Indonesia to take up an art scholarship in Australia, he arrives in the bewildering Sydney art world, determined to succeed. Following his first solo exhibition at a notable art gallery, Adi dares to reveal his true feelings for his outgoing friend, Lisa, and a passionate relationship unfolds. But will their differing expectations of one another drive them apart? This is a deeply felt love story between people -- of different nations, cultures and religions -- and the unseen impact of local and global events on individual lives.

A blend of Jared Diamond's Guns, Germs, and Steel and Simon Winchester's Pacific, a thrilling intellectual detective story that looks deep into the past to uncover who first settled the islands of the remote Pacific, where they came from, how they got there, and how we know. For more than a millennium, Polynesians have occupied the remotest islands in the Pacific Ocean, a vast triangle stretching from Hawaii to New Zealand to Easter Island. Until the arrival of European explorers they were the only people to have ever lived there. Both the most closely related and the most widely dispersed people in the world before the era of mass migration, Polynesians can trace their roots to a group of epic voyagers who ventured out into the unknown in one of the greatest adventures in human history. How did the earliest Polynesians find and colonize these far-flung islands? How did a people without writing or metal tools conquer the largest ocean in the world? This conundrum, which came to be known as the Problem of Polynesian Origins, emerged in the eighteenth century as one of the great geographical mysteries of mankind. For Christina Thompson, this mystery is personal: her Maori husband and their sons descend directly from these ancient navigators. In Sea People, Thompson explores the fascinating story of these ancestors, as well as those of the many sailors, linguists, archaeologists, folklorists, biologists, and geographers who have puzzled over this history for three hundred years. A masterful mix of history, geography, anthropology, and the science of navigation, Sea People combines the thrill of exploration with the drama of discovery in a vivid tour of one of the most captivating regions in the world. Sea People includes an 8-page photo insert, illustrations throughout, and 2 endpaper maps.

This book examines how convicts played a key role in the development of capitalism in Australia and how their active resistance shaped both workplace relations and institutions. It highlights the contribution of convicts to worker mobilization and political descent, forcing a rethink of Australia's foundational story. It is a book that will appeal to an international audience, as well as the many hundreds of thousands of Australians who can trace descent from convicts. It will enable the latter to make sense of the experience of their ancestors, equipping them with the necessary tools to understand convict and court records. It will also provide a valuable undergraduate and postgraduate teaching tool and reference for those studying unfree labour and worker history, social history, colonization and global migration in a digital age.

Translations is a personal history written at the intersection of colonial anthropology, creative practice and migrant ethnography. Renowned postcolonial scholar, public artist and radio maker, UK-born Paul Carter documents and discusses a prodigiously varied and original trajectory of writing, sound installation and public space dramaturgy produced in Australia to present the phenomenon of contemporary migration in an entirely new light. Migrant space-time, Carter argues, is not linear, but turbulent, vortical and opportunistic. Before-and-after narratives fail to capture the work of self-becoming and serve merely to perpetuate colonialist fantasies. The 'mirror state' relationship between England and Australia, its structurally symmetrical histories of land theft and internal colonisation, repress the appearance of new subjects and subject relations. Reflecting on collaborations with Aboriginal artists, Carter argues for a new definition of the stranger-host relationship predicated on recognition of Aboriginal sovereignty. Carter calls the creative practice that breaks the cycle of repeated invasion 'dirty art'. Translations is a passionately eloquent argument for reframing borders as crossing-places: framing less murderous exchange rates, symbolic literacy, creative courage and, above all, the emergence of a resilient migrant poetics will be essential. -- .

Daniel A. Kelin II preserves the qualities of oral storytelling in fifty stories recorded from eighteen storytellers on eight islands and atolls. This lively collection includes something for everyone: origin stories, tales of mejenkwaad and other demons, tricksters, disobedient children, wronged husbands, foolish suitors, and reunited families - all relaying the importance of traditional Marshallese values and customs. Profiles of the storytellers, a glossary, and a pronunciation guide enrich the collection.

A free open access ebook is available upon publication. Learn more at www.luminosoa.org. Multiculturalism as a distinct form of liberal-democratic governance gained widespread acceptance after World War II, but in recent years this consensus has been fractured. Multiculturalism in the British Commonwealth examines cultural diversity across the postwar Commonwealth, situating modern multiculturalism in its national, international, and historical contexts. Bringing together practitioners from across the humanities and social sciences to explore the legal, political, and philosophical issues involved, these essays address common questions: What is postwar multiculturalism? Why did it come about? How have social actors responded to it? In addition to chapters on Australia, Britain, Canada, and New Zealand, this volume also covers India, Malaysia, Nigeria, Singapore, and Trinidad, tracing the historical roots of contemporary dilemmas back to the intertwined legacies of imperialism and liberalism. In so doing it demonstrates that multiculturalism has implications that stretch far beyond its current formulations in public and academic discourse.

This edited collection invites the reader to enter the diverse worlds of Australia's migrant and minority communities through the latest research on the contemporary printed press, spanning the mid-nineteenth century to our current day. With a focus on the rare, radical and foreign-language print culture of multiple and frequently concurrent minority groups' newspaper ventures, this volume has two overarching aims: firstly to demonstrate how the local experiences and narratives of such communities are always forged and negotiated within a context of globalising forces - the global within the local; and secondly to enrich an understanding of the complexity of Australian 'voices' through this medium not only as a means for appreciating how the cultural heritage of such communities were sustained, but also for exploring their contributions to the wider society.

James Fenton (1820-1901) was born in Ireland and emigrated to Tasmania (then known as Van Diemen's Land) with his family in 1833. He became a pioneer settler in an area on the Forth River and published this history of the island in 1884. The book begins with the discovery of the island in 1642 and concludes with the deaths of some significant public figures in the colony in 1884. The establishment of the colony on the island, and the involvement of convicts in its building, is documented. A chapter on the native aborigines gives a fascinating insight into the attitudes of the colonising people, and a detailed account of the removal of the native Tasmanians to Flinders Island, in an effort to separate them from the colonists. The book also contains portraits of some aboriginal people, as well as a glossary of their language.

During the Second World War, Indigenous people in the United States, Australia, New Zealand and Canada mobilised en masse to support the war effort, despite withstanding centuries of colonialism. Their roles ranged from ordinary soldiers fighting on distant shores, to soldiers capturing Japanese prisoners on their own territory, to women working in munitions plants on the home front. R. Scott Sheffield and Noah Riseman examine Indigenous experiences of the Second World War across these four settler societies. Informed by theories of settler colonialism, martial race theory and military sociology, they show how Indigenous people and their communities both shaped and were shaped by the Second World War. Particular attention is paid to the policies in place before, during and after the war, highlighting the ways that Indigenous people negotiated their own roles within the war effort at home and abroad.

This book provides a comprehensive overview of capital punishment in the Australian colonies for the very first time. The author illuminates all aspects of the penalty, from shortcomings in execution technique, to the behaviour of the dying criminal, and the antics of the scaffold crowd. Mercy rates, execution numbers, and capital crimes are explored alongside the transition from public to private executions and the push to abolish the death penalty completely. Notions of culture and communication freely pollinate within a conceptual framework of penal change that explains the many transformations the death penalty underwent. A vast array of sources are assembled into one compelling argument that shows how the 'lesson' of the gallows was to be safeguarded, refined, and improved at all costs. This concise and engaging work will be a lasting resource for students, scholars, and general readers who want an in-depth understanding of a long feared punishment. Dr. Steven Anderson is a Visiting Research Fellow in the History Department at The University of Adelaide, Australia. His academic research explores the role of capital punishment in the Australian colonies by situating developments in these jurisdictions within global contexts and conceptual debates.