Through a close and informative reading of seven key texts in Acts, Kauppi analyses the appearances of Graeco-Roman religion, offering evidence of practices including divination and oracles, ruler cult and civic foundation myth. "Foreign But Familiar Gods" then uses a combination of these scriptural texts and other contemporary evidence (including archaeological and literary material) to suggest that one of Luke's subsidiary themes is to contrast Graeco-Roman and Christian religious conceptualizations and practices.

A premier New Testament scholar explores how Jesus' trial and execution are portrayed in the New Testament and how that portrayal has affected biblical studies, Christian theology, and Jewish-Christian relations through history. Tomson has written an accessible, responsible analysis of the biblical accounts of Jesus' death, demonstrating how, through compounded misunderstandings, they contributed to anti-Jewish sentiment in the early church and later history. Tomson's question of how Jesus is to be understood in his first-century Judean context is a critical one not only for biblical scholars, but for anyone concerned about human rights and interreligious dialogue today.

Scholars generally see the aspiration of the Roman Empire and the imperial cult in Asia Minor as the great villain in "Revelation", treating the depiction of a cosmic conflict in the book mostly as metaphors that hold little or no explanatory power in the story. This book pursues the conviction that the cosmic conflict imagery is the primary and controlling element in the account. Such a reading puts the war-in-heaven theme in the foreground and calls on interpreters to pay more attention to the heavenly being whose attempt to subvert the truth about the divine government is the unremitting concern in "Revelation". This book redresses the distortion that results from leaving the larger conflict theme underexposed. Having first developed the story line, it aims is to show that the phrase 'Pistis Iesou' in "Revelation" is best understood when "Revelation" is read as a theodicy of God's handling of the reality of evil.

The Book of Job functions as literature of survival where the main character, Job, deals with the trauma of suffering, attempts to come to terms with a collapsed moral and theological world, and eventually re-connects the broken pieces of his world into a new moral universe, which explains and contains the trauma of his recent experiences and renders his life meaningful again. The key is Job's death imagery. In fact, with its depiction of death in the prose tale and its frequent discussions of death in the poetic sections, Job may be the most death-oriented book in the bible. In particular, Job, in his speeches, articulates his experience of suffering as the experience of death. To help understand this focus on death in Job we turn to the psychohistorian, Robert Lifton, who investigates the effects on the human psyche of various traumatic experiences (wars, natural disasters, etc). According to Lifton, survivors of disaster often sense that their world has "collapsed" and they engage in a struggle to go on living. Part of this struggle involves finding meaning in death and locating death's place in the continuity of life. Like many such survivors, Job's understanding of death is a flashpoint indicating his bewilderment (or "desymbolization") in the early portions of his speeches, and then, later on, his arrival at what Lifton calls "resymbolization," the reconfiguration of a world that can account for disaster and render death - and life - meaningful again.

Healing Verses of the Psalms is a must-have reference of excerpted verses of the Book of Psalms from the King James Version of the Bible that carries an impactful healing quality. It will serve as your ready reference to find verses that bring healing, relaxation and invigoration in times of stress or for life enhancement.Healing Verses of the Psalms includes beautiful illustrations and easy-to-understand suggestions for use along with insights, all of which can provide greater application and understanding for how this book can benefit you.It also comes complete with an index, making it easy to find a verse that applies to a specific need you may have.

The books of Chronicles have a certain fantasy quality about them. They create an imaginary world in which things happen just so, and in which any potentially untidy loose ends in their narrative of the past are tied together in a highly systematic way. This is storytelling with the didactic purpose of inculcating a particular ideology, bombarding the reader with a kaleidoscopic procession of heroes and villains and presenting a frontierland of danger and opportunity. John Jarick's focus on the literary world of Chronicles provides a fresh reading of the work, foregrounding the often unrecognized artistry in the telling of the tale-including at times a distinctly musical language and a careful mathematical precision. But at the same time he does not hide the dark underbelly of the writing, with its persistent note of conformity to the political and religious system advocated by the storytellers. This edition is a reprint of the original 2002 edition with different pagination. A companion volume on 2 Chronicles is published for the first time in 2007.

This volume is the result of a symposium held at Baylor University in May of 2006, entitled "Baylor University Symposium on the Psalms." The participants were carefully selected to represent the diversity of approaches currently employed in the study of the Psalter. Although a number of volumes in print offer the reader introductory information related to the Psalter, perhaps even noting various methodological approaches, very few actually "model" the diversity of such approaches. This volume exposes readers to the variety of approaches as practiced by leading scholars in the field.

The book reads the descriptions of the body in the Song of Songs as grotesque, as an alternative way of interpreting perplexing imagery and as a means to investigate the Song's politics of gender and love. The lovers' expressions of mutual affection and desire in the Song of Songs include intimate and detailed poetic descriptions of the body. These are challenging to interpret because the imagery used is cryptic, drawing on seemingly incongruous aspects of nature, architecture and war. Biblical scholarship frequently expresses some discomfort or embarrassment over this language, yet largely maintains the view that it should be interpreted positively as a complimentary and loving description of the body. If read without this hermeneutic, however, the imagery appears to construct nonsensical and ridiculous pictures of the human form, which raise interesting questions, and pose definite challenges, for the Song's readers. Fiona Black addresses the problematic nature of the Song's body imagery by using the artistic and literary construct of the grotesque body as a heuristic. The resulting reading investigates some issues for the Song that are often left to the margins, namely, the Song's presentation of desire, its politics of gender, and the affect of the text. The book concludes with the identification of some implications of this reading, including the creation of a new framework in which to understand the relevance of the Song's imagery for its presentation of love.

In Jeremiah 3.1-4.4 the prophet employs the image of Israel as God's unfaithful wife, who acts like a prostitute. The entire passage is a rich and complex rhetorical tapestry designed to convince the people of Israel of the error of their political and religious ways, and their need to change before it is too late. As well as metaphor and gender, another important thread in the tapestry is intertextuality, according to which the historical, political and social contexts of both author and reader enter into dialogue and thus produce different interpretations. But, as Shields shows in her final chapter, it is in the end the rhetoric of gender that actually constructs the text, providing the frame, the warp and woof, of the entire tapestry, and thus the prophet's primary means of persuasion.