Using features of the narrative-critical method, this book offers an innovative approach to a notable phenomenon in the book of Acts: the conversion of entire households to the Christian faith. When viewed against the household mission of the seventy(-two) messengers in Luke, the stories of Cornelius, Lydia, the Roman jailer and Crispus comprise a pattern of evangelistic activity that provides a common framework for their interpretation. Repetition and variation of the pattern offer important clues for the way each story functions within the wider context of Acts, opening up new lines of interpretation as well as new levels of unity/disunity between the Lukan writings.

Exegetical study of Proverbs 10:1-22:16. Proverbs are neither statements of this-worldly cause and effect nor universally applicable doctrines of divine order. Rather, a proverb's meaning and 'truth' are conditioned by the context. The author delimits sections which the editor(s) of the collection consciously grouped together in their present sequence. He then examines how these literary arrangements both influence the meaning of the individual proverbs and determine their function in context. Indexes of names, passages and subjects are included.

Life has its rhythms. We all need to be able to cope with its ebb as well as its flow. We have to survive its darkness as well as its light. We face dry times as well as times of richness. To survive this intricate pattern, we need to have an overriding rhythm of prayer. We need to know that whatever is happening, we are loved by God, and in him we live and move and have our being. "This updated gift edition of one of David Adam's most popular books features new, specially commissioned drawings."

Against the majority opinion, this study argues that the Lukan Parable of the Talents (Lk 19.11-28) is a story about the use and abuse of power. The parable is also the story of those who suffer adverse consequences when they oppose unjust power structures. This suppression of challenge to oppressive structures evidenced in the Parable of the Pounds fits a pattern that operates in other parts of the Lukan Gospel. We meet it, for example, in the arrest and killing of John the Baptist by Herod, and in the arrest and crucifixion of Jesus. The Parable of the Pounds can be seen as a paradigm for the stories of those characters in the Lukan Gospel who 'lose their pound' when they challenge an oppressive structure, where 'pound' becomes a metaphor for what one has that can be potentially taken away by those in a position of power. This study argues that this pattern of 'taking away the pound' is also seen within stories of women characters who resist patriarchal ideals and expectations. The Parable of the Pounds is used as a lens through which to view the characterizations of Lukan women. New lenses provide new opportunities for perception. This study explores what is opened up by this way of viewing the text. In particular, it explores the ways in which the dynamic of the Parable of the Pounds gives insight into the dynamic operating in the Lukan women's characterizations. LNTS

Psalm Culture and Early Modern English Literature examines the powerful influence of the biblical Psalms on sixteenth- and seventeenth-century English literature. It explores the imaginative, beautiful, ingenious and sometimes ludicrous and improbable ways in which the Psalms were 'translated' from ancient Israel to Renaissance and Reformation England. No biblical book was more often or more diversely translated than the Psalms during the period. In church psalters, sophisticated metrical paraphrases, poetic adaptations, meditations, sermons, commentaries, and through biblical allusions in secular poems, plays, and prose fiction, English men and women interpreted the Psalms, refashioning them according to their own personal, religious, political, or aesthetic agendas. The book focuses on literature from major writers like Shakespeare and Milton to less prominent ones like George Gascoigne, Mary Sidney Herbert and George Wither, but it also explores the adaptations of the Psalms in musical settings, emblems, works of theology and political polemic.

"I know dogs in my life the way I know people and cats and trees and landscapes. Dogs help me shape my thoughts, feelings, and prayer life. Dogs have taught me attributes I feel in myself when reflecting and praying. "Dogs have shown me the spirit of being loyal, glad, overwhelmed, protective, committed, vigilant, patient, kind, energetic, discerning, forgiving. Unfolding these attributes of dog life opens my own spiritual being. My relationship with dog mirrors my relationship with God." In Dog Psalms the reader can use a dog's attributes to speak to God.

Woods examines Luke's use of the unusual phrase 'Finger of God' at Lk. 11.20 as a key to understanding the role of the Holy Spirit in Luke-Acts. Luke's interest in the Holy Spirit is well-known, so when instead of having Jesus say,' It I cast out devils by the Spirit of God...', as Matthew has it, he writes, 'If I by the finger of God..', Luke poses a question that has puzzled many commentators since. Woods argues that in fact the phrase finger of God' holds the key to understanding the role of the Spirit in Luke-Acts. Taking into account the background to the phrase. Luke's larger theological interests within the Beelzebub section itself, the Travel Narrative, and the programme of Luke-Acts as a whole, he offers a new solution to an old exegetical question.

John's Gospel has had an incalculable impact on human history. Its pages contain a moral and spiritual potency which, over the centuries, has transformed communities, brought about political change and remade human character on a scale without precedent. The power remains in the Gospel today. At its centre, as at the centre of his exposition, is Jesus Christ in his glory and grace, majesty and tenderness. Bruce Milne believes that we can experience his presence even today, for the Gospel was 'written that ... you may have life in his name'. The Gospel of John is a witness to the King, as much a tract for our times as for John's. Bruce Milne's exposition focuses on the ministry of Jesus before his incarnation, during his life on earth and after his resurrection. The centrepiece of this Gospel is the cross, and its background the solemnity of God's judgment of the world.

"Reading First Peter with New Eyes" is the second of four volumes that incorporate essays examining the impact of recent methodological advances in New Testament studies of the letters of James, 1 and 2 Peter and Jude. It includes rhetorical, social-scientific, socio-rhetorical, ideological and hermeneutical methods, as they contribute to understanding First Peter and its social context. Each essay has a similar three-fold structure, ideal for use by students: a description of the methodological approach; the application of the methodological approach to First Peter; and a conclusion identifying how the methodological approach contributes to a fresh understanding of the letter. "Reading First Peter with New Eyes" follows on from the first volume in the series, "Reading James With New Eyes", edited by Robert, L. Webb and John S. Kloppenborg.

This book offers a fascinating account of the central myth of Western culture - the story of Adam and Eve in the Garden of Eden. Philip Almond examines the way in which the gaps, hints and illusions within this biblical story were filled out in seventeenth-century English thought. At this time, the Bible formed a fundamental basis for studies in all subjects, and influenced greatly the way that people understood the world. Drawing extensively on primary sources he covers subjects as diverse as theology, history, philosophy, botany, language, anthropology, geology, vegetarianism, and women. He demonstrates the way in which the story of Adam and Eve was the fulcrum around which moved lively discussions on topics such as the place and nature of Paradise, the date of creation, the nature of Adamic language, the origins of the American Indians, agrarian communism, and the necessity and meaning of love, labour and marriage.

In this 2006 text, Daniel M. Gurtner examines the meaning of the rending of the veil at the death of Jesus in Matthew 27:51a by considering the functions of the veil in the Old Testament and its symbolism in Second Temple and Rabbinic Judaism. Gurtner incorporates these elements into a compositional exegesis of the rending text in Matthew. He concludes that the rending of the veil is an apocalyptic assertion like the opening of heaven revealing, in part, end-time images drawn from Ezekiel 37. Moreover, when the veil is torn Matthew depicts the cessation of its function, articulating the atoning role of Christ's death which gives access to God not simply in the sense of entering the Holy of Holies (as in Hebrews), but in trademark Matthean Emmanuel Christology: 'God with us'. This underscores the significance of Jesus' atoning death in the first gospel.