"The Deleuze and Guattari Dictionary" is a comprehensive and accessible guide to the world of Gilles Deleuze and Felix Guattari, two of the most important and influential thinkers in twentieth-century European philosophy. Meticulously researched and extensively cross-referenced, this unique book covers all their major sole-authored and collaborative works, ideas and influences and provides a firm grounding in the central themes of Deleuze and Guattari's groundbreaking thought. Students and experts alike will discover a wealth of useful information, analysis and criticism. A-Z entries include clear definitions of all the key terms used in Deleuze and Guattari's writings and detailed synopses of their key works. The "Dictionary" also includes entries on their major philosophical influences and key contemporaries, from Aristotle to Foucault. It covers everything that is essential to a sound understanding of Deleuze and Guattari's philosophy, offering clear and accessible explanations of often complex terminology. "The Deleuze and Guattari Dictionary" is the ideal resource for anyone reading or studying these seminal thinkers or Modern European Philosophy more generally.

'The publication of Martin Buber's I and Thou was a great event in the religious life of the West.' Reinhold Niebuhr Martin Buber (1897-19) was a prolific and influential teacher and writer, who taught philosophy at the Hebrew University in Jerusalem from 1939 to 1951. Having studied philosophy and art at the universities of Vienna, Zurich and Berlin, he became an active Zionist and was closely involved in the revival of Hasidism. Recognised as a landmark of twentieth century intellectual history, I and Thou is Buber's masterpiece. In this book, his enormous learning and wisdom are distilled into a simple, but compelling vision. It proposes nothing less than a new form of the Deity for today, a new form of human being and of a good life. In so doing, it addresses all religious and social dimensions of the human personality. Translated by Ronald Gregor Smith

What does it mean to be human today? The answer to this question, which is as old as the human species itself, is becoming less and less certain. Current technological developments increasingly erode our traditional humanist reflexes: consciousness, emotion, language, intelligence, morality, humour, mortality - all these no longer demonstrate the unique character and value of human existence. Instead, the spectre of the 'posthuman' is now being widely invoked as the 'inevitable' next evolutionary stage that humans are facing. Who comes after the human? This is the question that posthumanists are taking as their starting point. This critical introduction understands posthumanism as a discourse, which, in principle, includes everything that has been and is being said about the figure of the 'posthuman'. It outlines the genealogy of the various posthuman 'scenarios' in circulation and engages with their theoretical and philosophical assumptions and social and political implications. It does so by connecting the philosophical debate about the future of humanity with a range of texts, including examples from new media, popular culture, science and the media.

In this engaging guide, the authors identify and disseminate good practice relating to language, culture and identity. They explore how children from a variety of cultural and linguistic backgrounds are supported through a number of pedagogical practices which are based on knowledge and understanding of the social and emotional development of young children. Topics covered include: - Perspectives on personal, social and emotional development - Maintaining home languages in early years settings - Supporting communication and oracy - Developing strategies for parental involvement Essential reading for those working with young children from a diverse range of cultural and linguistic backgrounds.

This third edition of Consumer Law and Policy continues to provide a critical introduction to the legal regulation of consumer markets, situating it within the context of broader debates about rationales for regulation, the role of the State, and the growth of neo-liberalism. The book draws on interdisciplinary sources, assessing, for example, the increased influence of behavioral economics on consumer law. It analyzes the Europeanization of consumer law and the tensions between neo-liberalism and the social market, consumer protection, and consumer choice, in the establishment of the single market ground rules. The book assesses national, regional, and international responses to the world financial crisis, as reflected in the regulation of consumer credit markets. It also incorporates recent legislative and judicial developments of the law, blending substantial extracts from primary UK, EU, and international legal materials, including a case study of the development of fairness in consumer transactions.

Hegel's Phenomenology of Spirit is probably his most famous work. First published in 1807, it has exercised considerable influence on subsequent thinkers from Feuerbach and Marx to Heidegger, Kojeve, Adorno and Derrida. The book contains many memorable analyses of, for example, the master / slave dialectic, the unhappy consciousness, Sophocles' Antigone and the French Revolution and is one of the most important works in the Western philosophical tradition. It is, however, a difficult and challenging book and needs to be studied together with a clear and accessible secondary text. Stephen Houlgate's Reader's Guide offers guidance on: Philosophical and historical context Key themes Reading the text Reception and influence Further reading

Since the success of Gabriel Garcia Marquez's 1967 novel One Hundred Years of Solitude, and the following Latin American literary 'boom' of the late sixties and seventies, magical realism has had a steady following, an international influence and become established as a literary genre. Yet its definition has remained vague.Through the philosophy of Gilles Deleuze, this study rethinks magical realism, making an argument for using Deleuzian readings of literature in general while dealing with the implications of a new approach for prevalent postcolonial studies in particular.With One Hundred Years of Solitude used as a model, Eva Aldea takes a Deleuzian approach to major anglophone works by Rushdie, Okri, Morrison, and Ghosh. She shows how the power of magical realism lies not, as is commonly held, in its subversion of the real and the magical, but in allowing the two to remain radically different and yet indiscernible at the same time, challenging existing readings of the genre.

This is a feminist introduction to Deleuze's work on cinema that proposes a new way of thinking about the cinematic viewing experience. "Deleuze and Film: A Feminist Introduction" proposes a new way of thinking about cinematic viewing by exploring it as a bodily and emotional experience. The book introduces Gilles Deleuze and Felix Guattari's concept of the assemblage and uses it to understand the relationship between film and viewer, showing how Deleuze and Guattari's work can be useful to feminist film theory. Drawing primarily on Deleuze's books on cinema, this book acts as a bridge between early work in feminist film theory and current work in film theory. Does Deleuzian film philosophy offer anything to feminist film theory? Is the focus on spectactorship still relevant in the framework of current film theory? Theorising film viewing in terms of a cinematic assemblage is a radically new approach that focuses on affective and intensive connections between film and viewer and allows a non-binary understanding of difference for the viewing experience. The book thus addresses a key problem in feminist film theory, using Deleuze and Guattari's concept of the assemblage to develop a new framework for thinking about spectatorship.

"Dictators and Dictatorships" is a qualitative enquiry into the politics of authoritarian regimes. It argues that political outcomes in dictatorships are largely a product of leader-elite relations. Differences in the internal structure of dictatorships affect the dynamics of this relationship. This book shows how dictatorships differ from one another and the implications of these differences for political outcomes. In particular, it examines political processes in personalist, military, single-party, monarchic, and hybrid regimes.The aim of the book is to provide a clear definition of what dictatorship means, how authoritarian politics works, and what the political consequences of dictatorship are. It discusses how authoritarianism influences a range of political outcomes, such as economic performance, international conflict, and leader and regime durability.Numerous case studies from around the world support the theory and research presented to foster a better understanding of the inner workings of authoritarian regimes. By combining theory with concrete political situations, the book will appeal to undergraduate students in comparative politics, international relations, authoritarian politics, and democratization.

This is a philosophical exploration of the moral issues raised by the use of private military contractors in war. The presence of contractors on today's battlefields is without question one of the most significant developments in modern warfare. While many contractors perform relatively benign tasks on behalf of the military, controversy rages around those contractors who offer services that involve the use of armed force. The rise of the private military industry raises some difficult issues. For example, Jeremy Scahill, one of the industry's most vociferous critics, questions whether the outsourcing of military force is not 'a subversion of the very existence of the nation-state and of principles of sovereignty'. These questions are at essence philosophical challenges to the existence of the private military industry. In "Just Warriors, Inc.", philosopher and ethicist Deane-Peter Baker argues that, contrary to popular assumptions, a compelling moral and philosophical case can be made in favour of the ongoing utilization of the services that these 'private warriors' offer. The book is a must-read for anyone interested in moving beyond the hyperbole and exploring in depth the real questions that should be asked about the privatisation of military force. "Think Now" is a new series of books which examines central contemporary social and political issues from a philosophical perspective. These books aim to be accessible, rather than overly technical, bringing philosophical rigour to modern questions which matter the most to us. Provocative yet engaging, the authors take a stand on political and cultural themes of interest to any intelligent reader.

This title introduces the history and methods of Phenomenology through the study of four key thinkers: Husserl, Heidegger, Sartre and Merleau-Ponty. This book provides a concise and comprehensive introduction to the concept of phenomenology, perhaps the most important and influential movement in twentieth century philosophy. It explains the development of the phenomenological method in the works of four thinkers: Edmund Husserl, Martin Heidegger, Jean-Paul Sartre, and Maurice Merleau-Ponty. It also addresses the criticisms directed at phenomenology by Emmanuel Levinas and Jacques Derrida, and the ways in which phenomenology has continued to flourish in spite of such critique, in the work of Michel Henry and Jean-Luc Marion. The text includes many helpful features such as key definitions, sample essay and exam questions, an extensive bibliography, and suggested readings for each topic covered, making the book an ideal companion to any course in phenomenology and phenomenological thinkers. The book presupposes no prior knowledge on the part of the reader, making it suitable for those encountering phenomenology for the first time, but it also provides an original interpretation that will be of lasting value to postgraduates and scholars.

Understanding of the religious beliefs and practices of the ancient Israelites has changed considerably in recent years. It is now increasingly accepted that the biblical presentation of Israelite religion is often at odds with the historical realities of ancient Israel's religious climate. As such, the diversity inherent to ancient Israelite religion is often overlooked--particularly within university lecture halls and classrooms. This textbook draws together specialists in the field to explain, illustrate and analyze this religious diversity. Following an introductory essay guiding the reader through the book, the collection falls into three sections.
The first focuses on conceptual diversities. It deconstructs common assumptions about Israelite religion and reconstructs Israelite perceptions of the nature of the religious world. The second section examines socio-religious diversities. It studies the varied social contexts of ancient Israelites, exploring the relationship between worshippers' social locations and their perceptions and experiences of the divine. The third section deals with geographical diversities. It seeks to understand how geographical distinctions engender certain characteristics within Israelite religion and impact upon religious perceptions.
Underpinning each essay in this volume is a shared concern to: (1) explore the ways in which worshippers' socio-cultural contexts shape and colour their religious beliefs and practices; (2) assess the role, benefits and limitations of the Hebrew Bible/Old Testament in reconstructing ancient Israelite religion.

Live theatre is an exciting, challenging profession - but how is professional theatre actually made? What are the roles and what does each person do? Which pathways lead into the profession? What skills are necessary to each role and how does the job differ according to the size of theatre or company? Written by the Acting Head of the Young People's Programme at the Royal Shakespeare Co. and former Director of Education at the Bristol Old Vic, this is a book for new entrants in the theatre industry needing a behind-the-scenes glimpse into how theatre is made. It covers each role including director, designer, sound and lighting, front of house, playwright and many more. Each chapter looks in detail at what each role entails, the main people who it involves working alongside and the skills required. Interviews with a number of key practitioners for each role provide authoritative and clear advice and insight for the reader. The book features interviews with all of the following and many more besides: Nick Hytner (National Theatre), Simon Reade (Bristol Old Vic), Mike Shepperd (founder and performer, Kneehigh), Emma Rice (Artistic Director, Kneehigh), Rachel Kavanaugh (Birmingham Rep), Tim Crouch (Writer/Director/Performer), Anne Tipton (Director), Stephen Jeffries (Playwright), David Edgar (Playwright) and Jack Bradley (Literary Manager).

In this illuminating and engaging book, Alban McCoy imaginatively and intelligently addresses the key questions that non-Catholics-and even Catholics- have about Roman Catholicisim. Are faith and reason enemies or allies? Do we need proof of God? Can God and evil both exist? Do we need the Pope? Is annulment divorce by another name? Why are women not ordained as priests in the Catholic Church? In an age where morality is increasingly challenged and reassessed, Alban McCoy demonstrates the relevance of the Catholic Church's moral teaching to the modern age and shows how Roman Catholicism is fully engaged with the realities of life and of the Spirit. Alban McCoy is Chaplain to the University of Cambridge. He is also a literary editor of The Tablet. His book, An Intelligent Person's Guide to Christian Ethics, is also in the Continuum Icons series.

This book is based on the fundamental tenet that conflict is ever present and cannot be eliminated but can be worked with. The authors demonstrate that the mediator can facilitate a paradigm shift in their approach, moving from adversity to a 'good enough' working alliance, providing practical approaches to the dilemmas and pitfalls mediators invariably face.

' ...a very significant moment in the history of public theology over the past fifty years or so, taking stock of and renewing a sense of social vision in theology ' Raymond Plant, King's College, London and the House of Lords This major book is a unique stocktaking of the issues facing public theology at the beginning of the 21st century, combining retrospect and prospect. The contributors are leading Christian theologians and social theorists from Europe, North and South America, Africa and Asia. Part one surveys the legacy of the 20th century and asks what should be carried over into the third millennium. There are authoritative essays on political and public theology in Germany, Argentina, South Africa and Britain. In part two, the contested legacy of modernity itself is considered, revisiting such ideas as freedom, toleration, human rights, pluralism, environmental stewardship and God in history. Part three addresses globalization, offering a range of critical interpretations of this key concept for public theology in the 21st century. The final part offers theological and ethical insight into some of the most pressing public issues of the new century - medical ethics, punishment and forgiveness, inequality, social exclusion and political participation. Throughout, the authors engage with the public and theological concerns that have shaped the life and work of Duncan B. Forrester, to whom this book is dedicated. Public Theology for the 21st Century is a landmark publication for all those concerned about theology's contribution to public debate in the churches, the academy and society. William F. Storrar is Professor of Christian Ethics and Practical Theology, and Director of the Centre for Theology and Public Issues, University of Edinburgh. Andrew R. Morton is an Honorary Fellow in the School of Divinity, and a former Associate Director of the Centre for Theology and Public Issues, University of Edinburgh.

The central purpose of this book is to enable practitioners to undertake and to offer an account of an action research project. The volume is divided into seven sections, the first six of which are headed by commonly asked questions. Having examined the nature of action research, Costello focuses on developing an appropriate project, data collection and analysis, and producing a research report. The final selection offers suggestions for further reading.

This book traces Burton Mack's intellectual evolution, from a creative analyst of ancient texts, to a scholar searching for the motives and interests of Jesus's followers who composed those texts, and for the social logic of the Christian myths they created. Mack rejects depictions of Jesus that have emerged from the quest for the historical Jesus--peasant teacher, revolutionary leader, mystical visionary or miracle-working prophet--on the grounds that they are based on a priori assumptions about Jesus, and are therefore contradictory. In addition, he argues, these portrayals are untrue to the many images of Jesus produced by the early Christians. Using systematic analysis, Mack seeks to describe and understand the cultural and anthropological influences on the conception and adoption of Christian myths and rituals.

This textbook is dedicated to an analysis of the emergent role of conflict analysis and resolution. What can this interdisciplinary field contribute to our understanding of, solutions to, or transformations of some of the most pressing problems confronting human societies? The authors, a team of international experts with both academic and professional experience of the field, offer a broad range of geographical and disciplinary perspectives. Covering theory, research and practice, they provide a comprehensive typology of the types of conflict, and a through examination of influences - uctural, strategic and cultural - on conflict. They go on to explore the management and resolution of conflict, discussing negotiation, mediation and peacebuilding. This hopes to be a key text for undergraduates and postgraduates taking courses in the field, and also for professionals, both active and in training.

Sketching Interiors: From Traditional to Digital, highlights four basic drawing skills for interior sketching across three different media --- pencil, ink and marker. The in-depth approach to various elements of sketching, including details of perception, texture, negative space, elevation, contour and the treatment of interior and exterior spaces, will help students perfect freehand and drawing skills. Throughout various exercises inspired by field studies, students will learn best practices for creating and presenting work for clients. Additionally, the book introduces the techniques of transforming hand drawings into sophisticated digital drawings using Photoshop, an invaluable resource for both new and seasoned designers.

This work is part of the "Continuum Contemporaries" series giving readers accessible and informative introductions to 30 of the most popular, most acclaimed and most influential contemporary novels. It contains a biography of the novelist, a full-length study of the novel, a summary of how the novel was received upon publication, a summary of how the novel has performed since publication, and a wide range of suggestions for further reading.

The Research Interview acts as an aid to students and professionals who aim to achieve high standards of research, either when training in research methods is unavailable or when practical guidance is needed.This book provides a comprehensive knowledge of the basic techniques of interviewing as well as lessons in controlling an interview schedule, using the techniques of questioning prompting and probing and analyzing the contents of interviews.

"There was no writer like him...prophetic assurance mixed with surrealistic humour and hard-edged social satire: a unique combination" (Arthur Miller) This volume brings together fresh new translations of four of his most popular plays, more than ever relevant today. In R. U. R., the Robot - an idea Capek was the first to invent - gradually takes over all aspects of human existence except procreation; The Insect Play is a satirical fable in which beetles, butterflies and ants give dramatic form to different philosophies of life; The Makropulos Case is a fantasy about human mortality, finally celebrating the average lifespan; The White Plague is a savage and anguished satire against fascist dictatorship and the virus of inhumanity.

"Museums: A Visual Anthropology" provides a clear and concise summary of the key ideas, debates and texts of the most important approaches to the study of museums from around the world. The book examines ways to address the social relations of museums, embedded in their sites, collections, and exhibitions, as an integral part of the visual and material culture they comprise. Cross-disciplinary in scope, "Museums "uses ideas and approaches both from within and outside of anthropology to further students' knowledge of and interest in museums. Including selected, globally based case studies to highlight and exemplify important issues, the book also contains suggested Further Reading for each chapter, for students to expand their learning independently. Exploring fundamental methods and approaches to engage this constantly evolving time machine, "Museums "will be essential reading for students of anthropology and museum studies.

Duologues are short scenes between two actors. They are used by drama school examining boards, students for their final year showcases, and professional actors' training centres. They provide a concentrated way of practising skills and encourage actors to listen and respond.
This collection of 45 duologues is selected from a range of plays, from Elizabethan to contemporary. Helpful advice is given in the book by contributors such as Tom Stoppard, April De Angelis and Don Taylor.