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Books > Promotion > Bloomsbury
There are hundreds of books on the market all trying to teach you how to write a screenplay. Several of them are excellent and useful books. But never until now has there been a screenwriting manual written in the form of a screenplay. Our hero, the aspiring screenwriter Danny, is hopelessly in love with Bebe, a hot young starlet. But Bebe won't go out with Danny until he proves that he can write a brilliant screenplay for her! Helped along the way by a mysterious guide (Virgil) with seemingly magical powers, Danny travels to Screenwriting Hell to see what happens to writers who never make the grade. Virgil teaches him the tricks of the trade, the fundamental techniques that all screenwriters have to master, no matter how great their ideas. But there's something a little strange about Virgil and Danny is never sure whether to trust him or not...As well as the screenplay itself, the book includes an introduction explaining how to get the most out of the screenplay, the log line, the synopsis, character bios, the treatment, and "The Pitch" - a short scene that shows the author pitching his screenplay to a big-shot producer.
This book is a unique collection of new interviews with award-winning writers - novelists, poets, playwrights, screenplay writers and children's writers. Each writer discusses their process, both mental and physical: why they write, whom they write for, where and how often they write, recurring themes, their problems and their achievements. The interviews are intimate, personal, honest, informative, intriguing and often humorous. Together, they offer a fascinating insight into the inspiration, experience and hard work behind successful writers. This engaging collection is sure to appeal to anyone who loves reading or has ever wanted to be a writer.
The second edition of this book offers new and up to date ideas ranging from understanding basic grammar and punctuation to studying plays, poetry and core text. This second edition will be 20 per cent bigger than the original and will contain ideas which have all been tried and tested at the chalk face.
It is not easy to stand up in front of a group of people when part of your teaching skill has to be used to control your audience. This text looks at different techniques not only to control unruly behaviour but also to entertain your pupils and make the classroom a suitable learning environment.
Containing over 7,000 entries, this fully revised edition provides clear, up-to-date and comprehensive coverage of agricultural terms. Subjects covered include cultivation, machinery, livestock, crops, pesticides and herbicides, fertilizers, organic farming and veterinary science, as well as sales and commodities markets. Jargon-free definitions make this dictionary particularly suitable for students, new industry recruits and non-native English speakers.
The American and European public has a voracious appetite for more information about Jesus and the formation of early Christianity. The best-selling books on the subject by Marcus Borg, John Dominic Crossan, John Meyer, and Luke Timothy Johnson, among many others, attest to this hunger. But each of these scholars presents his own reading of the historical information, usually beginning with the earliest known Jesus-related material, Jesus' sayings, and leads the public into a particular understanding of Jesus and the early Jesus movements. The New Q will provide the general public with the original source through a fresh translation of the early Sayings Gospel known as Q. This book will guide people through their reading of the texts themselves so that readers will be able to judge the validity of other scholars' reconstructions. The New Q is the companion volume necessary to understand the current writing on the historical Jesus and the history of earliest Christianity. Valantasis provides a new translation of the Synoptic Sayings Source, Q. He translates each section from the Greek of the critical edition of Robinson and Kloppenborg, and he gathers the translation of the full text as a coherent collection of sayings at the end of the book. Avoiding the scholarly arguments that make Q inaccessible, as well as the constant comparison of Matthew and Luke, this commentary will straightforwardly present the text based on the work of those scholars who have provided a critical edition. It provides an initial reading in a language appropriate to religious seekers. The translation itself will be fresh and provocative, since its meaning and interpretation are not linked to its later use in the narrative gospels of Mark, Matthew, and Luke. In fact, readers of this translation will be able to hear the sayings of Jesus as Matthew and Luke heard them before the writing of their gospels. The goal is to recreate the kind of challenging and intellectually stimulating engagement with the sayings that probably put Christianity on the Roman map. Readers will be able to encounter Jesus' voice and the voices of early Christians directly, without the intrusion of the later use of these sayings by the gospel writers. Valantasis also provides a commentary on each of the sayings. The commentary will focus on three facets: what the saying says, what it could have meant at the time, and how is was used by early Christians. The first two questions provide the basic information by developing a literary analysis of the sayings (a reading of Jesus' words) and by positing a significance for the saying in the context of earliest Christianity (what the saying could have meant). The final question directs the reading of the saying toward its use by religious people then and now as a means of forging an alternative subjectivity, defining new religious and social relationships, and constructing an alternative understanding of the nature of the spiritual and physical world. In other words, this commentary will provide an ascetical reading of the sayings to explore the manner in which the sayings source might have been read by individuals and communities in antiquity, and it will provide an alternative to the currently established reading of the sayings in modern scholarship primarily as a window on the historical Jesus' doctrines and teaching.
Paul Weller argues that continuation of the Church of England as an establishment is theologically and politically inadequate to the religious, social and political landscape of the twenty-first century. Within an outline of the contemporary religious landscape and the empirical results of research into the nature and extent of religious discrimination, Time for a Change traces the historical and contemporary contours and implications of establishment. A range of alternative social, legal historical, theological and ecclesiological approaches and models are examined and aspects of 'negotiation theory' are used to explore the conditions and dynamics necessary for transition and change. Finally, Weller argues that often-neglected perspectives of Baptist Christian tradition - in particular its theologically founded commitment to religious freedom and voluntaryist ecclesiology - offer more adequate resources for shaping the Christian future in a religiously plural and secular society than perspectives historically associated with establishment. Time for a Change shows that, through the conjunction of social, political, demographic, theological and ecclesiological developments, a 'kairos' or decision time has arrived for establishment. It aims to stimulate a social and religious dialogue leading to the evolution of a new 'socio-religious contract'.
- Introduction to Home Furnishings
Athenian democracy continues to capture the modern imagination. This book offers an account of the evolution and operation of the Athenian political system. It assesses the main sources for the history of Athenian democracy, examines the criticism of the model, ancient and modern, and provides a virtual tour of the political cityscape of ancient Athens, describing the main political sites and structures, including the theatre.
Scholarly discussions of biblical interpretation often ignore the fact that language and literature form an integral part of a people's culture, that interpretation therefore implies the total cultural system of the relevant literature, and that biblical interpretation consequently implies inter-cultural communication. This book explores the theoretical and practical implications of this observation from a cultural anthropological perspective, looks at recent anthropological studies of ancient Israelite society, supplies practical examples of a cultural interpretation of ancient Hebrew narratives, and discusses the impact of the notions 'cultural relativity' and 'inter-cultural communication' for biblical interpretation.>
"There was no writer like him...prophetic assurance mixed with surrealistic humour and hard-edged social satire: a unique combination" (Arthur Miller) This volume brings together fresh new translations of four of his most popular plays, more than ever relevant today. In R. U. R., the Robot - an idea Capek was the first to invent - gradually takes over all aspects of human existence except procreation; The Insect Play is a satirical fable in which beetles, butterflies and ants give dramatic form to different philosophies of life; The Makropulos Case is a fantasy about human mortality, finally celebrating the average lifespan; The White Plague is a savage and anguished satire against fascist dictatorship and the virus of inhumanity.
This second edition of this textbook places in context key world events since 1945. While not neglecting the significant developments of the last 50 years, this book has a broad historical and conceptual range. It provides students with a historical analysis of the origins, development and early networks of IR, and an exposition of the diverse ways in which modern international society has been defined and interpreted. Tackling a range on international concerns, Geoffrey Stern explores and clarifies such concepts as sovereignty, the balance of power, national interest and interdependence, illustrating his text with reference to both historical and contemporary world events.
This Student Edition of Brecht's anti-war masterpiece features an extensive introduction and commentary that includes a plot summary, discussion of the context, themes, characters, style and language as well as questions for further study and notes on words and phrases in the text. It is the perfect edition for students of theatre and literature.In this chronicle of the Thirty Years War of the seventeenth century, Mother Courage follows the armies back and forth across Europe, selling provisions and liquor from her canteen wagon. As the action of the play progresses between the years 1624 and 1646 she loses her children to the war but remains indomitable, refusing to part with her livelihood - the wagon. The play is one of the most celebrated examples of Epic Theatre and of Brecht's use of alienation effect to focus attention on the issues of the play above the individual characters. It remains regarded as one of the greatest plays of the twentieth century and one of the great anti-war plays of all time. The Berlin production of 1949, with Helene Weigel as Mother Courage, marked the foundation of the Berliner Ensemble. This volume contains expert notes on the author's life and work, historical and political background to the play, photographs from stage productions and a glossary of difficult words and phrases. The play is translated by Brecht scholar John Willett who did more than anyone else to make Brecht's work available in the English language.
The tablets of poetic mythological texts unearthed during the excavation of Urgarit are here edited and translated to shed new light on the religion and literature of the ancient world. 'The tablets...a.re of great importance for the study of literature and religion in an area of the ancient world which chiefly through the avenue of the Hebrew bible excercised a deep influence on the rise of European civilization. They are enabling scholarship for the first time to arrive at a positive appraisal of the highler levels of Canaanite culture, which is so remorselessly attacked in the Bible but which can now be seen to have contributed more to its composition (and thus indirectly to the thought and poetic imagery of the West) than was previously supposed'. J.C.L. Gibson was Reader in Hebrew and Semitic Languages, New College, Oxford.
The range of extraordinary effects that can be achieved in a kiln is infinite. However, the technical requirements of different firing processes and equipment can often seem intimidating, particularly for those new to ceramics, and this can limit artists' confidence to explore and experiment.In" Firing""Kilns," wood-fire potter Benedict Brierley demystifies the firing process, explaining key methods and effects in simple, straightforward language. Beginning with the basic principles, including heatwork, firing schedules and cones, the book goes on to cover the various types of kilns and kiln packing, oxidation and reduction firing, and then special firing methods such as salt, soda, wood, pit, smoke and raku. Finally, it covers common firing faults and how these can be avoided to achieve consistent, successful results."Firing""Kilns" is a comprehensive handbook for anyone new to firing their work or for established ceramicists wishing to experiment with different firing effects.
The thinking person's guide to being a Roman Catholic today. 'The richness of the Church's past is a liberation, not a straitjacket. It is a source of confidence in launching into and uncharted future.' Eamon Duffy is both a practising Roman Catholic and a distinguished historian, whose writings have changed the course of English Reformation studies. In Faith of Our Fathers Duffy brings the insights of history to the intellectual and pastoral challenges confronting Christianity in a post-modern world. In this lively and vivid book he considers the range of Catholic belief and practice, from prayer for the dead and veneration of the eucharist, to the place of Mary or the authority of the Pope. In the process he explores the ways in which the practices of an ancient religious tradition can be a vital Christian resource in the turbulent modern world. Duffy argues that attentive engagement with the tradition is indispensable in deepening our understanding of the Gospel today.
Funny, lively and unpredictable, stand-up comedy is above all a medium to be enjoyed. Popular as a good night out and packing the TV schedules, stand-up permeates British society and culture. Ubiquitous though it is, we are generally reluctant to consider comedy's social consequences. When comedians offend we seem ready to consider the potential for stand-up to do some wider harm, yet we rarely consider the good that it might do. This book looks at the social and political impact of stand-up comedy in both its positive and negative forms. Drawing on exclusive interviews with comedians such as Stewart Lee, Josie Long, Joe Wilkinson and Mark Thomas, and examples of comic material on everything from revolution, terrorism and homosexuality, to knitting and the inefficiency of the home shower, it explores comedy's role in determining our attitudes and opinions. While revealing the conventions comics use to manage audience response, Sophie Quirk demonstrates how comedy audiences allow themselves to be manipulated, and the potential harm - and real benefits - that may arise from 'just' being funny.
Critics have argued that comparative philosophy is inherently flawed or even impossible. What standards can we use to describe and evaluate different cultures' philosophies? How do we avoid projecting our own ways of thinking onto others? Can we overcome the vast divergences in history, language, and ways of organizing reality that we find in China, India, Africa, and the West? Doing Philosophy Comparatively is the first comprehensive introduction to the foundations, problems, and methods of comparative philosophy. It is divided into three parts: - A wide-ranging examination of the basic concepts of comparative philosophy, including "philosophy", "comparison", "tradition", and "culture" - A discussion of the central problems that arise in extending philosophy across cultural boundaries: linguistic, justificatory, and evaluative incommensurability; projection and asymmetry; and the validity of cultural generalizations - A critical look at the dominant contemporary approaches to comparative philosophy. Presenting a basic tool-kit for doing philosophy at the cross-cultural level, this textbook draws on many examples from the past and present of comparative philosophy and engages readers in sustained reflection on how to think comparatively.
Alain Badiou (1937- ) is one of the most high profile and controversial philosophers writing in France today. A leading light in the generation of thinkers who come of intellectual age in 1968, his work deftly draws on a wide range of intellectual traditions and thinkers from Plato and Lucretius, through Heidegger to Lacan and Deleuze. Now available in the Bloomsbury Revelations series, Infinite Thought is a vivid demonstration of that range. Here Badiou introduces his own thought on the full gamut of intellectual concerns, from politics, psychoanalysis and art to truth, desire and the definition of philosophy itself. As well as Badiou's reflections on the fall of communism and the 'War on Terror', the book also includes an interview with the author.
Moral values are real - we don't just make them up. Beauty is in the world - it's not just in the eye of the beholder. You are free - what you do is not always determined by electrochemical processes in your brain. And the universe we live in is God's creation. These are radical claims. But they are widely rejected in contemporary philosophy because they are almost always considered in relative isolation from one another. This book shows that when they are considered in conjunction, they gain mutual support. And it shows this both clearly and concisely. But its systematic approach to philosophy also reveals that various philosophical positions currently widely accepted and defended can appear plausible and perhaps even compelling only when they are considered in relative isolation - as they, too, almost always are. When the issues on which these positions are taken are considered in conjunction, problems come into view and the alternative positions defended in this book emerge as superior.Toward a Philosophical Theory of Everything is a ground-breaking work that shows the importance of systematic thinking, while also defending positions, on central philosophical issues, that are widely rejected in contemporary philosophy.
Daoism is a global religious and cultural phenomenon characterized by multiculturalism and ethnic diversity. "Daoism: A Guide for the Perplexed" offers a clear and thorough survey of this ancient and modern religious tradition. The book includes an overview of Daoist history, including key individuals and movements, translations of primary Daoist texts, and discussions of key dimensions of Daoist religiosity, covering primary concerns and defining characteristics of the religion.Specifically designed to meet the needs of students and general readers seeking a thorough understanding of the religion, this book is the ideal guide to studying and understanding Daoism as a lived and living religious community.
This book looks at translator and interpreter training, focusing on mediation and culture in a global context. It updates numerous research currents in translator and interpreter education by situating them in relation to broader curricular and technological discussions. Particular attention is given to the way in which translator and interpreter training relates both to other topics on university curricula, and to recent developments in the professional sphere of language mediation. These include the new European standard for translation services and the ethical training of interpreters. The significant impact of new technologies in translation is also studied. These discussions take place in the context of an increasingly mature and sophisticated theoretical environment of translator and interpreter training research, one which recognizes the implications of discourses such as constructivism and objectives-oriented design for new pedagogies in the field.
This collection of essays demonstrates how chronic state failure and the inability of the international community to provide a solution to the conflict in Somalia has had transnational repercussions. Following the failed humanitarian mission in 1992-93, most countries refrained from any direct involvement in Somalia, but this changed in the 2000s with the growth of piracy and links to international terrorist organizations. The deterritorialization of the conflict quickly became apparent as it became transnational in nature. In part because of it lacked a government and was unable to work with the international community, Somalia came to be seen as a "testing-ground" by many international actors. Globalizing Somalia demonstrates how China, Japan, and the EU, among others, have all used the conflict in Somalia to project power, test the bounds of the national constitution, and test their own military capabilities. Contributed by international scholars and experts, the work examines the impact of globalization on the internal and external dynamics of the conflict, arguing that it is no longer geographically contained. By bringing together the many actors and issues involved, the book fills a gap in the literature as one of the most complete works on the conflict in Somalia to date. It will be an essential text to any student interested in Somalia and the horn of Africa, as well as in terrorism, and conflict processes.
A History of Video Art is a revised and expanded edition of the 2006 original, which extends the scope of the first edition, incorporating a wider range of artists and works from across the globe and explores and examines developments in the genre of artists' video from the mid 1990s up to the present day. In addition, the new edition expands and updates the discussion of theoretical concepts and ideas which underpin contemporary artists' video. Tracking the changing forms of video art in relation to the revolution in electronic and digital imaging that has taken place during the last 50 years, A History of Video Art orients video art in the wider art historical context, with particular reference to the shift from the structuralism of the late 1960s and early 1970s to the post-modernist concerns of the 1980s and early 1990s. The new edition also explores the implications of the internationalisation of artists' video in the period leading up to the new millennium and its concerns and preoccupations including post-colonialism, the post-medium condition and the impact and influence of the internet.
This book is available as open access through the Bloomsbury Open Access programme and is available on www.bloomsburycollections.com. Government communication is a curiously neglected area of discursive analysis. No considered examination of the subject exists which provides either an account of the contemporary governmental landscape or an explanation of the common and divergent themes on both a domestic and international basis. This volume aims to fill that gap, providing a concise and illuminating case-study based review of government communication. It will be divided into three sections to reflect differences in both geography and political allegiances, scrutinizing continental Europe, Anglo-American traditions and newly emerging democracies. Offering a global and thematic account, it is an indispensable resource for all students of political communication. |
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