This book, which is a mixture of fact, anecdote and quotation, describes the author's meandering exploration of some of the best of England's provincial second-hand bookshops, from Newcastle-upon-Tyne to the Isles of Scilly. Judged by the contents of the author's bookshelves, he has a strong but highly selective interest in sport, with rugby union, cricket and bowls foremost, and the odd place allowed to football and golf. There are biographies and autobiographies from Bernard Shaw to Alan Ross; a dozen volumes by W H Hudson, greatest of naturalists; travels with Henry James and Paul Theroux and Edwin Muir; books on cinema Westerns; essays by Ford Madox Ford and Edward Thomas; a novel or two; and a little poetry. The bulk of these books, as you may notice, are dependent, to a greater or lesser extent, on fact, suggesting, correctly, that their owner is a journalist.

A cantankerously funny view of books and the people who love them. It does take all kinds and through the misanthropic eyes of a very grumpy bookseller, we see them all--from the "Person Who Doesn't Know What They Want (But Thinks It Might Have a Blue Cover)" to the "Parents Secretly After Free Childcare." From behind the counter, Shaun Bythell catalogs the customers who roam his shop in Wigtown, Scotland. There's the Expert (divided into subspecies from the Bore to the Helpful Person), the Young Family (ranging from the Exhausted to the Aspirational), Occultists (from Conspiracy Theorist to Craft Woman). Then there's the Loiterer (including the Erotica Browser and the Self-Published Author), the Bearded Pensioner (including the Lyrca Clad), and the The Not-So-Silent Traveller (the Whistler, Sniffer, Hummer, Farter, and Tutter). Two bonus sections include Staff and, finally, Perfect Customer--all add up to one of the funniest book about books you'll ever find. Shaun Bythell (author of Confessions of a Bookseller) and his mordantly unique observational eye make this perfect for anyone who loves books and bookshops. "Bythell is having fun and it's infectious."--Scotsman "Virtuosic venting ... misanthropy with bursts of sweetness." Guardian "All the ingredients for a gentle human comedy are here, as soothing as a bag of boiled sweets and just as tempting to dip into."--Literary Review "Any reader finding this book in their stocking on Christmas morning should feel lucky...contains plenty to amuse--an excellent diversion"--Bookmunch

In "The Book Unbound," scholars and editors examine how best to use new technological tools and new methodologies with artefacts of medieval literature and culture. Taking into consideration English, French, Anglo-Norman, and Latin texts from several periods, the contributors examine and re-evaluate traditional approaches to and conclusions about medieval books and the cultural texts they contain - literary, dramatic, legal, historical, and musical. The essays range from detailed examinations of specific codices to broader theoretical discussions on past and present editorial practices, from the benefits and disadvantages of digital editions versus print editions to the importance of including 'extratextual' material such as variant texts, illustrations, intertexts, and other information about a work's cultural contexts, history, and use. "The Book Unbound" presents important contributions to the discussions surrounding the editing of medieval texts, including the use of digital technology with historical and literary documents, while offering practical ideas on editing print and hypertext. The collection will be invaluable to historians, literary scholars, and editors.

Cats were illustrated in medieval manuscripts throughout the Middle Ages, often in exquisite detail and frequently accompanied by their natural prey, mice. Medieval cats were viewed as treasured pets, as fearsome mousers, as canny characters in fables, as associates of the Devil and as magical creatures. Featuring an array of fascinating illustrations from the British Library's rich medieval collection, Cats in Medieval Manuscripts includes anecdotes about cats - both real and imaginary - to provide a fascinating picture of the life of the cat and its relationship with humans in the medieval world.

Unpacking the Personal Library: The Public and Private Life of Books is an edited collection of essays that ponders the cultural meaning and significance of private book collections in relation to public libraries. Contributors explore libraries at particular moments in their history across a wide range of cases, and includes Alberto Manguel's account of the Library of Alexandria as well as chapters on library collecting in the middle ages, the libraries of prime ministers and foreign embassies, protest libraries and the slow transformation of university libraries, and the stories of the personal libraries of Virginia Woolf, Robert Duncan, Sheila Watson, Al Purdy and others. The book shows how the history of the library is really a history of collection, consolidation, migration, dispersal, and integration, where each story negotiates private and public spaces. Unpacking the Personal Library builds on and interrogates theories and approaches from library and archive studies, the history of the book, reading, authorship and publishing. Collectively, the chapters articulate a critical poetics of the personal library within its extended social, aesthetic and cultural contexts.

From cave paintings to computers, this overview of the history of books and communication is written for the layperson and student. It provides clear information on how books shaped and reflected major social, political, and literary developments. As a general guide, it moves from the earliest writing in the Middle East and Egypt to Greece, Rome, and early Christian contributions to book production and literacy. Major sections discuss publishing during the Middle Ages and how the invention of printing drastically changed and improved the distribution of knowledge. Later chapters take the reader from the age of encyclopedias in the seventeenth century to the great technological advances of the nineteenth and twentieth centuries. For those who wish to pursue specific areas in the history of the book in greater detail, there are three parts devoted to additional reading with descriptive, critical annotations: general histories and bibliographies, scribes and printers, and printing to the modern period. Extensive notes and documentation will lead to additional sources.

An analysis and study of Caroline script from 200 years of ecclesiastical and secular records reveals important historical detail relating to late Anglo-Saxon England. Caroline minuscule script was adopted in England in the mid-tenth century in imitation of Continental usage. A badge of ecclesiastical reform, it was practised in Benedictine scriptoria but was also taken up by members of the royal writing office; the chancery occupied an important place in the pioneering of calligraphic fashions. During its approximately two-century history in England, Caroline script developed a number of forms, in part reflecting different tendencies within the Reform-cause. The Rule of St Benedict was focal for this movement. In the aftermath of the final Scandinavian conquest of England [AD1016] a Canterbury master-scribe created the form ofCaroline writing which was to become a mark of Englishness and outlive the Norman Conquest. In the closing chapter its inventor's career is discussed and his achievement assessed. This volume offers analysis of manuscript evidenceas a basis for the cultural and ecclesiastical history of late Anglo-Saxon England. David N. Dumville is professor of History and Palaeography at the University of Aberdeen

Learn when to hold 'em and when to fold 'em with Card Night, a collection of 52 classic card games, including rules and strategies. Featuring step-by-step, illustrated instructions, and two indexes that organize each game by difficulty and number of players needed, Card Night includes directions for playing all the most popular card games, including Hearts and Bridge, Rummy and Go Fish. In addition to providing the rules of standard game play, Card Night also details the fascinating stories and peculiarities behind some of the world's most famous card decks, some of which were used as currency, tools for propaganda, and even as a means for sending coded messages. Offering one game for each week of the year, Card Night is the go-to companion for weekly game nights, long car rides, and rainy days spent at home. Wow your friends and family with your game playing prowess and keep them entertained with fascinating details from playing card history.

It is widely, and wrongly, assumed that books are never so valuable as when they lie unopened before us, waiting to be read. Good books bear multiple readings, and not merely because our memories fail us; the desire to repeat a good reading experience can be its own powerful motivation. And for bibliophiles, books can also be works of art, physical objects with an aesthetic value all their own. This guide for the book-loving baseball fan is written by one of the most knowledgeable collectors in the country, author and editor Mike Shannon. Beginning with a history of baseball books and collecting, it also identifies the most sought-after titles and explains how to find them, what to pay, and how to maintain their condition.

William Morris had a lifelong fascination with illuminated books. He collected thirteenth- and fourteenth-century manuscripts and became one of the foremost experts on the art of bookmaking and calligraphy. Aiming to resurrect a tradition that had fallen into abeyance with the invention of printing, he made eighteen illuminated books, using a variety of texts, during the course of his life. One of these, now held in the Bodleian Library, is a handmade edition of the Odes of Horace. The pages of this book, reproduced here in high-quality facsimile, are among the most intricate and ambitious that Morris ever created. Using a Renaissance italic style of calligraphy, he illuminated letters with delicate shades of gold and silver, and adorned them with floral decoration and miniature faces and figures. The openings to each of the four books of the Odes are stunning display pages on which Morris collaborated with the artists Edward Burne-Jones and Charles Fairfax Murray. The Roman poet Horace (65-8 BCE) wrote four books of lyric poetry in Latin which have subsequently been translated many times and have had an ongoing influence on Western literature. He combined descriptions of the everyday with the poetry of politics, patriotism, love and friendship, producing lines of beauty and wisdom which were very popular in Morris's day and continue to appeal in the twenty-first century. This facsimile edition is presented in a blind embossed slipcase featuring a detail from one of Burne-Jones' paintings in the book with a companion volume containing an introduction to William Morris's manuscript and an English translation of the Odes.

The American Comic Book Chronicles continues its ambitious series of FULL-COLOR HARDCOVERS, where TwoMorrows' top authors document every decade of comic book history from the 1940s to today! Keith Dallas headlines this volume on the 1980s, covering all the pivotal moments and behind-the-scenes details of comics during the Reagan years! You'll get a year-by-year account of the most significant publications, notable creators, and impactful trends, including: The rise and fall of Jim Shooter at Marvel Comics! The ascendancy of Frank Miller as a comic book superstar with works like Daredevil, Ronin and The Dark Knight! DC Comics' reboot with Crisis on Infinite Earths and its Renaissance with a British invasion of talent like Alan Moore, Grant Morrison, and Neil Gaiman! The emergence of Direct Market-exclusive publishers like Eclipse Comics, Pacific Comics, First Comics, Comico, Dark Horse Comics and others! These are just a few of the events chronicled in this exhaustive, full-color hardcover.Taken together, American Comic Book Chronicles forms a cohesive, linear overview of the entire landscape of comics history, sure to be an invaluable resource for ANY comic book enthusiast!

This guide to collecting books on Japan, in English, is organized alphabetically and includes listings of major writers, together with historical and cultural notes. The work provides in an easy-to-use format, a list of obtainable books (both in print and out of print) which form the core of a serious collection. Additionally, the bibliographic listing, the biographic sketches of the more prominent authors, and cultural and historical commentaries should be useful to the researcher.

This guide to collecting books on Japan, in English, is organized alphabetically and includes listings of major writers, together with historical and cultural notes. The work provides in an easy-to-use format, a list of obtainable books (both in print and out of print) which form the core of a serious collection. Additionally, the bibliographic listing, the biographic sketches of the more prominent authors, and cultural and historical commentaries should be useful to the researcher.

Two themes uniting the essays in this collection are the provenance and history of medieval manuscripts during the Middle Ages, and the fates that befell them in England in the period after the invention of printing and the 16th-century dissolution of the religious houses and visitations of the universities. The section 'Libraries and collectors' includes papers on seven major English collectors of the 16th and 17th centuries, and the section 'Manuscripts' concerns the fates of five manuscripts or groups of manuscripts from England, Belgium and Italy. Of the other chapters one is concerned with the post-medieval history of the library of All Souls College, Oxford, and another with the provenance of hundreds of manuscripts in the Harleian collection in the British Library. For this volume Andrew Watson has provided extensive additional notes and indexes.

Although the connection between the invention of printing and the Protestant Reformation of the sixteenth century has long been a scholarly commonplace, there is still a great deal of evidence about the relationship to be presented and analysed. This collection of authoritative reviews by distinguished historians deals with the role of the book in the spread of the Reformation all over the continent, identifying common European experiences and local peculiarities. It summarises important recent work on the topic from every major European country, introducing English-speakers to much important and previously inaccessible research.

The eighteenth century has generally been understood as the Age of Print, when the new medium revolutionized the literary world and rendered manuscript culture obsolete. After Print, however, reveals that the story isn't so simple. Manuscript remained a vital, effective, and even preferred forum for professional and amateur authors working across fields such as literature, science, politics, religion, and business through the Romantic period. The contributors to this book offer a survey of the manuscript culture of the time, discussing handwritten culinary recipes, the poetry of John Keats, Benjamin Franklin's letters about his electrical experiments, and more. Collectively, the essays demonstrate that what has often been seen as the amateur, feminine, and aristocratic world of handwritten exchange thrived despite the spread of the printed word. In so doing, they undermine the standard print-manuscript binary and advocate for a critical stance that better understands the important relationship between the media. Bringing together work from literary scholars, librarians, and digital humanists, the diverse essays in After Print offer a new model for archival research, pulling from an exciting variety of fields to demonstrate that manuscript culture did not die out but, rather, may have been revitalized by the advent of printing. Contributors: Leith Davis, Simon Fraser University * Margaret J. M. Ezell, Texas A&M University * Emily C. Friedman, Auburn University * Kathryn R. King, University of Montevallo * Michelle Levy, Simon Fraser University * Marissa Nicosia, Penn State Abington * Philip S. Palmer, Morgan Library and Museum * Colin T. Ramsey, Appalachian State University * Brian Rejak, Illinois State University * Beth Fowkes Tobin, University of Georgia * Andrew O. Winckles, Adrian College

Editor's Choice, The Bookseller A mix of memoir and narrative non-fiction, White Spines is a book about Nicholas Royle's passion for Picador's fiction and non-fiction publishing from the 1970s to the end of the 1990s. It explores the bookshops and charity shops, the books themselves, and the way a unique collection grew and became a literary obsession. Above all a love song to books, writers and writing.

The 2017 winner of the Robert and Vineta Colby Scholarly Book Prize Providing a comprehensive, interdisciplinary examination of scholarship on nineteenth-century British periodicals, this volume surveys the current state of research and offers researchers an in-depth examination of contemporary methodologies. The impact of digital media and archives on the field informs all discussions of the print archive. Contributors illustrate their arguments with examples and contextualize their topics within broader areas of study, while also reflecting on how the study of periodicals may evolve in the future. The Handbook will serve as a valuable resource for scholars and students of nineteenth-century culture who are interested in issues of cultural formation, transformation, and transmission in a developing industrial and globalizing age, as well as those whose research focuses on the bibliographical and the micro case study. In addition to rendering a comprehensive review and critique of current research on nineteenth-century British periodicals, the Handbook suggests new avenues for research in the twenty-first century. "This volume's 30 chapters deal with practically every aspect of periodical research and with the specific topics and audiences the 19th-century periodical press addressed. It also covers matters such as digitization that did not exist or were in early development a generation ago. In addition to the essays, readers will find 50 illustrations, 54 pages of bibliography, and a chronology of the periodical press. This book gives seemingly endless insights into the ways periodicals and newspapers influenced and reflected 19th-century culture. It not only makes readers aware of problems involved in interpreting the history of the press but also offers suggestions for ways of untangling them and points the direction for future research. It will be a valuable resource for readers with interests in almost any aspect of 19th-century Britain. Summing Up: Highly recommended" - J. D. Vann, University of North Texas in CHOICE

To celebrate the acquisition of the archive of distinguished artist Tom Phillips, the Bodleian Library asked the artist to assemble and design a series of books drawing on his themed collection of over 50,000 photographic postcards. These encompass the first half of the twentieth century, a period in which, thanks to the ever cheaper medium of photography, ordinary people could afford to purchase their own portraits. These portraits allowed individuals to create and embellish their own self images, presenting themselves as they wished to be seen within the trends and social mores of their time. Each book in the series contains two hundred images chosen from a visually rich vein of social history. Their back covers also feature thematically linked paintings, specially created for each title, from Phillips's signature work, " A Humument." "Weddings" captures all the excitement and drama of the stages of the ceremony from preparations to wedding vehicles to family and friends in lively scenes in churches and homes. These unique and visually stunning books offer a rich glimpse of forgotten times and will be greatly valued by art and history lovers alike. "These images are captivating visual vignettes. We may not know who the subjects are, but the postcards offer us a glimpse of their interests, their time, and their world. Tom Phillips's exceptional collection gives us a fascinating chance to retrieve something of these lives."--Sandy Nairne, Director, National Portrait Gallery, London "Picture postcards from a century ago capture unique moments in time and place and are a wonderful social history record. Tom Phillips is adept at seeking out and choosing amazingly evocative postcard images."--Brian Lund, editor, "Picture Postcard Monthly"

Thomas Anthony Birrell (1924-2011) was a man of many parts. For most of his working life he was Professor of English Literature in the University of Nijmegen, The Netherlands, where he was famous for his lively, humoristic and thought-provoking lectures. He was the author of some very popular literary surveys in Dutch, one of which - a history of English literature - has had seven editions so far. However, first and foremost he was a bibliographer and a book historian. The present collection contains fifteen of his book-historical articles, two reviews and one published version of a lecture for the illustrious 'Association Internationale de Bibliophilie'. The lecture - with a wealth of illustrations - about the British Library as the 'Custodian of the Unique' gives one a sense of Birrell's ability to present an audience with a complicated topic in comprehensible, but not simplified, terms. The reviews serve as a statement of principle of how to tackle the subject of 'English readers and books' and the standards that ought to apply. The articles demonstrate Tom Birrell's in-depth knowledge, dedication and scholarship. He once said that he felt that he could have talked to the 17th-century London booksellers on an equal footing and his work convinces one that they would have enjoyed these conversations. Aspects of Book Culture was edited by Birrell's former pupil, colleague, friend and fellow-bibliographer Jos Blom.