Cocktail culture boomed in the United States after Prohibition as America couldn't get enough of the new concoctions developed by barkeepers. Exotic drinking venues defined this era of drinking culture and were immortalised in the linen postcards used to advertise them. Transport yourself to an era of indulgence and glamour with over 50 vintage cocktail recipes (and modern twists), historical vignettes and more than 100 pieces of vintage ephemera.

Presidents, Prime Ministers, Chancellors and Secretary Generals of totalitarian states in the twentieth century have been highly conscious of the need to present a national image suited to the new political culture they sought to inculcate. In these regimes, state-sanctioned art performed a key function, giving visual dimension to an abstract political ideology. There is a striking similarity between the idealized images from these countries. This book presents about fifty postcards from the Soviet Union, Germany, Italy, Spain, and China, between 1920s and the 1970s. While some of the images are of a high aesthetic calibre, others are simply intended to portray a vernacular socialist realism or to cultivate the cult of the leader. Taken together, they provide a fascinating look at the art of power and its expression at a time of political upheaval and experiment.

Take a delightful journey back in time in this historically rich and visually appealing beach town. Displayed in over 275 precious views of hand-tinted and sepia-toned postcards from the late 1800s through more modern times, Ocean Grove's history comes alive.Travel within its three natural water borders, the Atlantic Ocean, Wesley Lake, and Fletcher Lake to view the Asbury Park boardwalk alive with Victorian-era visitors, the first railroad station, and rare views of the magnificent Auditorium. See its early days of entertainment, including John Phillip Sousa and Peter, Paul, and Mary, as well as the patriotic heritage that rumbled through its streets. Whether looking at beautiful images of the special hotels like the Shawmont or the wide lawns of the Windamar, busy Ocean Grove streets and scenes will enchant you.

Among the many books in original bindings in Marsh's Library, Dublin, a surprisingly large number are in decorated blind- or gold-tooled, calf, pigskin or goatskin bindings, which date from the 15th to the 19th centuries. The bindings come from all over Europe, ranging from Ireland to eastern Europe. While most were made in England, some fine and interesting examples from Germany, Italy, France, Spain and Holland are also included. In this volume, leading scholar Mirjam Foot first gives an overview of how books were bound by hand and then describes the bindings by country of origin, within each section treating them chronologically and by type of decoration. The detailed descriptions of the bindings are illustrated with 52 black and white photos and 8 colour plates.

The Ormesby Psalter is perhaps the most magnificent yet enigmatic of the great Gothic psalters produced in East Anglia in the first half of the fourteenth century. Its pages boast a wealth of decoration picked out in rich colours and burnished gold, and its margins are inhabited by a vibrant crew of beasts, birds and insects. Fantastic imagery proliferates: musicians, mermaids, lovers and warriors are juxtaposed with scenes from everyday life, from chivalric legend, and from folk-tales, fables and riddles. The psalter takes its name from Robert of Ormesby, subprior at Norwich Cathedral Priory in the 1330s. He was not the first owner, however, and it has long been acknowledged that the writing, decoration and binding of the book took place in a series of distinct phases from the late thirteenth to the mid-fourteenth century. The final result was the work of four or five scribes and up to seven illuminators and its pages show a panorama of stylistic development. Unravelling its complexities has sometimes been thought to hold the key to understanding the 'East Anglian School', a group of large, luxury manuscripts connected with Norwich Cathedral and Norfolk churches and patrons. This book casts an entirely new light on its history, not only clarifying and dating the successive phases of production, but associating the main work on the manuscript with the patronage of John de Warenne, Earl of Surrey, one of the greatest magnates of the time. It is extensively illustrated with full-page colour reproductions of the manuscript's main decorated folios, as well as many smaller initials and numerous comparative illustrations.

Although the connection between the invention of printing and the Protestant Reformation of the sixteenth century has long been a scholarly commonplace, there is still a great deal of evidence about the relationship to be presented and analysed. This collection of authoritative reviews by distinguished historians deals with the role of the book in the spread of the Reformation all over the continent, identifying common European experiences and local peculiarities. It summarises important recent work on the topic from every major European country, introducing English-speakers to much important and previously inaccessible research.

This volume celebrates the work of William O'Sullivan, the first keeper of manuscripts at Trinity College, Dublin, who preserved, made more accessible and elucidated the documents in his care. The manuscripts throw new light on the society of Ireland, the place of the learned and literate in that world, and its relations with Britain, Europe and America. Some of these essays clarify technical problems in the making of famous manuscripts, and bring out for the first time their indebtedness to or influence over other manuscripts. Others provide unexpected new information about the reigns of Edward I and James I, Irish provincial society, the process and progress of religious change and the links between settlements in Ireland and North American colonization.

Exquisite hand-colored photographs taken in Savannah, Georgia, between 1900 and 1930 display the city when horse-drawn carriages traversed her shady streets, and bonneted women hitched their long skirts to cross her wide thoroughfares. These nostalgic historic images are preserved in a lovely souvenir book, or perforated for removal. At 5" x 7" inches, they fit standard frames, ready to proudly display, or to mail to friends.

White Star Line was originally founded in Liverpool in 1845 for travel to Australia but was eventually purchased by Thomas Ismay and transformed into the successful Oceanic Steam Navigation Co. Cleverly merging with Harland & Wolff, the line focussed on luxury over speed, developing many of the world's favourite vessels. Finally merging with its great rival Cunard in the 1930s depression, the companies continued to operate separately while flying one another's flags. This evocative book explores the colourful history of White Star Line, from personal postcards with messages from passengers, crew and troops, to the careers of her vessels in peacetime and at war, all from Patrick Mylon's impressive collection. It includes ships with alternative identities, unusual stories like the planned escape of Dr Crippen, and showcases a wide variety of interior views, adverts and 'proof', silk and Company Issue cards, conveying the glamour, drama and history of this world-renowned line.

A collection of articles in English and German devoted to the study of books, readers and libraries in medieval England, especially in the Anglo-Saxon period. The first article surveys the history of the English library from its beginnings to the suppression of the monasteries. It is followed by a more detailed examination of the first four centuries of Anglo-Saxon book collections and by studies on book production in 9th-century England, as seen in relation to King Alfred's plans for educational reform and to the intellectual background of library history in the 10th century. Of two articles on liturgical books, one sets out the now standard classified list of liturgical manuscripts written and owned in Anglo-Saxon England; other essays look at individual manuscripts and the earliest modern catalogue of surviving books with Old English texts.

Wacky Packages--a series of collectible stickers featuring parodies of consumer products and well-known brands and packaging--were first produced by the Topps company in 1967, then revived in 1973 for a highly successful run. In fact, for the first two years they were published, Wacky Packages were the only Topps product to achieve higher sales than their flagship line of baseball cards. The series has been relaunched several times over the years, most recently to great success in 2007.
Known affectionately among collectors as "Wacky Packs," as a creative force with artist Art Spiegelman, the stickers were illustrated by such notable comics artists as Kim Deitch, Bill Griffith, Jay Lynch, and Norm Saunders.
This first-ever collection of Series One through Series Seven (from 1973 and 1974) celebrates the 35th anniversary of Wacky Packages and is sure to amuse collectors and fans young and old.

Why did collectors seek out posters and collect ephemera during the late-nineteenth and the twentieth centuries? How have such materials been integrated into institutional collections today? What inspired collectors to build significant holdings of works from cultures other than their own? And what are the issues facing curators and collectors of digital ephemera today? These are among the questions tackled in this volume-the first to examine the practices of collecting prints, posters, and ephemera during the modern and contemporary periods. A wide range of case studies feature collections of printed materials from the United States, Latin America, France, Germany, Great Britain, China, Japan, Russia, Iran, and Cuba. Fourteen essays and one roundtable discussion, all specially commissioned from art historians, curators, and collectors for this volume, explore key issues such as the roles of class, politics, and gender, and address historical contexts, social roles, value, and national and transnational aspects of collecting practices. The global scope highlights cross-cultural connections and contributes to a new understanding of the place of prints, posters and ephemera within an increasingly international art world.

Between the Lines: Early Advertising in Singapore welcomes us to the rush world of early print advertising in Singapore. This comprehensive pictorial collection not only gives us a vivid overview of two centuries' worth of advertising copy and artwork but also acts as a fascinating insight into the shifting social dynamics of Singapore as the nation underwent fundamental change. The book is composed of eight sections, with each taking a deep dive into the advertising of a particular product or service, including hospitality, entertainment, fashion, household and travel. Readers can see how icons like Raffles Hotel and the Adelphi were promoted to discerning travellers of the 1930s, or how postwar homemakers were first targeted by ads for newfangled gadgets like refrigerators and vacuum cleaners. The more than 400 ad images are complemented by insightful commentaries that provide valuable context to the campaigns, helping us understand the minds of both advertiser and consumer, which, by extension, opens a window to the social conditions of Singapore.

If you like true stories about real people, are intrigued by serendipity, curious about curiosities, or maybe you are a collector yourself, then this book is for you.

The collecting and researching of any collectable is an intense and pleasurable pastime. The author’s passion for more than half a century has been for collecting handwritten, original letters, antique documents, manuscripts, old share certificates, fire insurance policies, photographs and maps.

The writers of these words on paper include kings and queens, presidents and prime ministers, admirals and generals, actors and authors, judges and prisoners, philosophers, statesmen, scientists, and sportsmen. Some were famous, some infamous, some important, others less so. Many you will know about; with others, only their names may be familiar. There’s Admiral Nelson, and the Duke of Wellington; there are queens Elizabeth I and II and kings George III, IV and VI; presidents Eisenhower, Kruger, and Mandela are here; prime ministers Botha, Hertzog and Smuts; explorers Scott and Shackleton. There’s Faraday and De la Rey, and many more, including two controversial giants of history – Napoleon and Rhodes.

The chapters need not be read in any set order, although there is an underlying thread linking them to the life of the author that enabled this eclectic collection to evolve in the way it did.

A century of Alpine postcards from the Isola Press archive, VINTAGE ALPINE POSTCARDS celebrates Europe's great mountain range. These dispatches from the Alps take us from men in bowler hats with stout ropes nonchalantly crawling over crevasses, through the gilded age of grand hotels and sleigh rides, to the modernist concrete infrastructure of mountaintop restaurants and cable-car stations. They frame the changing way we've experienced landscape and leisure over more than a hundred years - from the intrepid to the banal, sublime to ridculous and brutalist to kitsch. But postcards travel through time as well as space, and they arrive with messages from our former selves. Underlying the Alpenkitsch is a serious examination of our relationship to nature and how we have used and abused the beauties of the natural world. And, like sun-burnished memories of holidays past, their sunlit scenes do not necessarily correspond to reality. Postcard makers have always used artifice to conjure fantastic spaces, worlds in which the sky is always blue, the pine trees resplendent and there is always plenty of fresh powder. Featuring great views, architecture, infrastructure Alpinism, hiking and snow sports, VINTAGE ALPINE POSTCARDS is perfect for skiers, hikers, cyclists and mountain lovers. These skaters, skiers, sledgers and St Bernards will surprise and delight mountain aficionados, transporting them to a high altitude holiday wherever they are.

For German military document collectors this volume has a treasure trove of rare Afrikakorps related award documents, propaganda leaflets, Soldbuchs, Wehrpass and Remembrance/Death cards. Among the many rare documents you will see both Allied and German/Italian propaganda leaflets, Afrikakorps field newspapers, and two field-made newsletters associated with the Sonderverband 288 unit. We have also assembled several complete Afrikakorps veteran groupings and every known document variant of the AFRIKA cuffband and Italian-German Medal.

Many important and valuable rare books, manuscripts and artefacts related to Korea have been acquired by donations throughout the long history of the Bodleian Libraries and the museums of the University of Oxford. However, due to an early lack of specialist knowledge in this area, many of these Korean items were largely neglected. Following on from the publication of the first volume of these forgotten treasures, this book collects together further important and often unique objects. Notable items include the only surviving Korean example of an eighteenth-century world map, hand-drawn, with a set of twelve globe gores on a single sheet; rare Korean coins and charms including excellent examples of the 1423 Choson t'ongbo ; official correspondence from the archives of the United Society for the Propagation of the Gospel, shining a light on the history of Christian missions from the opening of Korea in the 1880s until after the Korean War; photographs from the end of the nineteenth century up to the 1960s showing village and street scenes; a rare silk coat with inner armour plates of lacquered hide; a massive iron padlock inlaid with silver character inscriptions, bronze shoes and Nightingale robe; spectacles with dark crystal lenses and frames of horn; an elaborately decorated bow, arrows and quiver and many other rare artefacts.